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Best Famous Amiss Poems

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Written by Sidney Lanier | Create an image from this poem

The Crystal

 At midnight, death's and truth's unlocking time,
When far within the spirit's hearing rolls
The great soft rumble of the course of things --
A bulk of silence in a mask of sound, --
When darkness clears our vision that by day
Is sun-blind, and the soul's a ravening owl
For truth and flitteth here and there about
Low-lying woody tracts of time and oft
Is minded for to sit upon a bough,
Dry-dead and sharp, of some long-stricken tree
And muse in that gaunt place, -- 'twas then my heart,
Deep in the meditative dark, cried out:

"Ye companies of governor-spirits grave,
Bards, and old bringers-down of flaming news
From steep-wall'd heavens, holy malcontents,
Sweet seers, and stellar visionaries, all
That brood about the skies of poesy,
Full bright ye shine, insuperable stars;
Yet, if a man look hard upon you, none
With total lustre blazeth, no, not one
But hath some heinous freckle of the flesh
Upon his shining cheek, not one but winks
His ray, opaqued with intermittent mist
Of defect; yea, you masters all must ask
Some sweet forgiveness, which we leap to give,
We lovers of you, heavenly-glad to meet
Your largesse so with love, and interplight
Your geniuses with our mortalities.

Thus unto thee, O sweetest Shakespeare sole,
A hundred hurts a day I do forgive
('Tis little, but, enchantment! 'tis for thee):
Small curious quibble; Juliet's prurient pun
In the poor, pale face of Romeo's fancied death;
Cold rant of Richard; Henry's fustian roar
Which frights away that sleep he invocates;
Wronged Valentine's unnatural haste to yield;
Too-silly shifts of maids that mask as men
In faint disguises that could ne'er disguise --
Viola, Julia, Portia, Rosalind;
Fatigues most drear, and needless overtax
Of speech obscure that had as lief be plain;
Last I forgive (with more delight, because
'Tis more to do) the labored-lewd discourse
That e'en thy young invention's youngest heir
Besmirched the world with.

Father Homer, thee,
Thee also I forgive thy sandy wastes
Of prose and catalogue, thy drear harangues
That tease the patience of the centuries,
Thy sleazy scrap of story, -- but a rogue's
Rape of a light-o'-love, -- too soiled a patch
To broider with the gods.

Thee, Socrates,
Thou dear and very strong one, I forgive
Thy year-worn cloak, thine iron stringencies
That were but dandy upside-down, thy words
Of truth that, mildlier spoke, had mainlier wrought.

So, Buddha, beautiful! I pardon thee
That all the All thou hadst for needy man
Was Nothing, and thy Best of being was
But not to be.

Worn Dante, I forgive
The implacable hates that in thy horrid hells
Or burn or freeze thy fellows, never loosed
By death, nor time, nor love.

And I forgive
Thee, Milton, those thy comic-dreadful wars
Where, armed with gross and inconclusive steel,
Immortals smite immortals mortalwise
And fill all heaven with folly.

Also thee,
Brave Aeschylus, thee I forgive, for that
Thine eye, by bare bright justice basilisked,
Turned not, nor ever learned to look where Love
Stands shining.

So, unto thee, Lucretius mine
(For oh, what heart hath loved thee like to this
That's now complaining?), freely I forgive
Thy logic poor, thine error rich, thine earth
Whose graves eat souls and all.

Yea, all you hearts
Of beauty, and sweet righteous lovers large:
Aurelius fine, oft superfine; mild Saint
A Kempis, overmild; Epictetus,
Whiles low in thought, still with old slavery tinct;
Rapt Behmen, rapt too far; high Swedenborg,
O'ertoppling; Langley, that with but a touch
Of art hadst sung Piers Plowman to the top
Of English songs, whereof 'tis dearest, now,
And most adorable; Caedmon, in the morn
A-calling angels with the cow-herd's call
That late brought up the cattle; Emerson,
Most wise, that yet, in finding Wisdom, lost
Thy Self, sometimes; tense Keats, with angels' nerves
Where men's were better; Tennyson, largest voice
Since Milton, yet some register of wit
Wanting; -- all, all, I pardon, ere 'tis asked,
Your more or less, your little mole that marks
You brother and your kinship seals to man.

But Thee, but Thee, O sovereign Seer of time,
But Thee, O poets' Poet, Wisdom's Tongue,
But Thee, O man's best Man, O love's best Love,
O perfect life in perfect labor writ,
O all men's Comrade, Servant, King, or Priest, --
What `if' or `yet', what mole, what flaw, what lapse,
What least defect or shadow of defect,
What rumor, tattled by an enemy,
Of inference loose, what lack of grace
Even in torture's grasp, or sleep's, or death's, --
Oh, what amiss may I forgive in Thee,
Jesus, good Paragon, thou Crystal Christ?"


Written by Edwin Arlington Robinson | Create an image from this poem

Late Summer

 (ALCAICS)


Confused, he found her lavishing feminine 
Gold upon clay, and found her inscrutable; 
And yet she smiled. Why, then, should horrors 
Be as they were, without end, her playthings? 

And why were dead years hungrily telling her 
Lies of the dead, who told them again to her? 
If now she knew, there might be kindness 
Clamoring yet where a faith lay stifled. 

A little faith in him, and the ruinous 
Past would be for time to annihilate,
And wash out, like a tide that washes 
Out of the sand what a child has drawn there. 

God, what a shining handful of happiness, 
Made out of days and out of eternities, 
Were now the pulsing end of patience—
Could he but have what a ghost had stolen! 

What was a man before him, or ten of them, 
While he was here alive who could answer them, 
And in their teeth fling confirmations 
Harder than agates against an egg-shell?

But now the man was dead, and would come again 
Never, though she might honor ineffably 
The flimsy wraith of him she conjured 
Out of a dream with his wand of absence. 

And if the truth were now but a mummery,
Meriting pride’s implacable irony, 
So much the worse for pride. Moreover, 
Save her or fail, there was conscience always. 

Meanwhile, a few misgivings of innocence, 
Imploring to be sheltered and credited,
Were not amiss when she revealed them. 
Whether she struggled or not, he saw them. 

Also, he saw that while she was hearing him 
Her eyes had more and more of the past in them; 
And while he told what cautious honor
Told him was all he had best be sure of, 

He wondered once or twice, inadvertently, 
Where shifting winds were driving his argosies, 
Long anchored and as long unladen, 
Over the foam for the golden chances.

“If men were not for killing so carelessly, 
And women were for wiser endurances,” 
He said, “we might have yet a world here 
Fitter for Truth to be seen abroad in; 

“If Truth were not so strange in her nakedness,
And we were less forbidden to look at it, 
We might not have to look.” He stared then 
Down at the sand where the tide threw forward 

Its cold, unconquered lines, that unceasingly 
Foamed against hope, and fell. He was calm enough,
Although he knew he might be silenced 
Out of all calm; and the night was coming. 

“I climb for you the peak of his infamy 
That you may choose your fall if you cling to it. 
No more for me unless you say more.
All you have left of a dream defends you: 

“The truth may be as evil an augury 
As it was needful now for the two of us. 
We cannot have the dead between us. 
Tell me to go, and I go.”—She pondered:

“What you believe is right for the two of us 
Makes it as right that you are not one of us. 
If this be needful truth you tell me, 
Spare me, and let me have lies hereafter.” 

She gazed away where shadows were covering
The whole cold ocean’s healing indifference. 
No ship was coming. When the darkness 
Fell, she was there, and alone, still gazing.
Written by Sir Thomas Wyatt | Create an image from this poem

Alas Madam for Stealing of a Kiss

 Alas, madam, for stealing of a kiss
Have I so much your mind there offended?
Have I then done so grievously amiss
That by no means it may be amended? 

Then revenge you, and the next way is this:
Another kiss shall have my life ended, 
For to my mouth the first my heart did suck; 
The next shall clean out of my breast it pluck.
Written by Rg Gregory | Create an image from this poem

from imperfect Eden

 (1)
and off to scott's (the dockers' restaurant)
burly men packed in round solid tables
but what the helle (drowned in hellespont)
this place for me was rich in its own fables
i'll be the lover sunk if that enables
an awesome sense of just how deep the spells
that put scotts for me beyond the dardanelles

lace-curtained windows (or memory plays me false)
no capped odysseus could turn such sirens down
or was it a circean slip that shocked the pulse
all men are pigs when hunger rips the gown
and these men were not there to grace the town
service bustling (no time to take caps off)
hot steaming food and noses in the trough

i loved it deeply squashed in there with you
rough offensive banter bantered back
the smells of sweat and cargoes mixed with stew
and dumplings lamb chops roast beef - what the ****
these toughened men could outdo friar tuck
so ravenous their faith blown off the sea
that god lived in the stomach raucously

perhaps cramped into scotts i felt it most
that you belonged in a living sea of men
who shared the one blood-vision of a coast
tides washed you to but washed you off again
too much history made the struggle plain
but all the time there was this rough-hewn glimmer
that truth wore dirty clothes and ate its dinner

at midday - scotts was a parliament of sorts
where what was said had not the solid weight
of what was felt (or what was eaten) courts
bewigged and stuffed with pomp of state
were brushed aside in favour of the plate
but those who entered hungry came out wise
unspoken resolutions mulled like pies


(2)
and then the tram ride home (if we were lucky -
and nothing during the day had caused despair)
trams had a gift about them that was snaky
wriggling their straitened ways from lair to lair
they hissed upon their wires and flashed the air
they swallowed people whole and spewed them out
and most engorged in them became devout

you either believed in trams or thought them heathen
savage contraptions that shook you to your roots
on busy jaunts there was no room for breathing
damn dignity - rapt flesh was in cahoots
all sexes fused from head-scarves to their boots
and somewhere in the melee children pressed
shoulders to crotches noses to the rest

and in light-headed periods trams debunked
the classier lissome ways of shifting freight
emptied of pomp their anarchy instinct
they'd rattle down their tracks at such a rate
they'd writhe their upper structures like an eight
being drawn by revelling legless topers
strict rails (they claimed) gave sanction for such capers

trams had this kind of catholic conviction
the end ordained their waywardness was blessed
if tramways claimed per se this benediction
who cared if errant trams at times seemed pissed
religions prosper from the hedonist
who shags the world by day and prays at night
those drunken trams still brim me with delight

to climb the twisted stairs and seek a seat
as tram got under way through sozzled rotors
and find olympia vacant at my feet
(the gods too razzled by the rasping motors
- the sharps of life too much for absolutors)
would send me skeltering along the aisle
king of the upper world for one short while

and all the shaking rolling raucous gait
of this metallic serpent sizzling through
the maze of shoppy streets (o dizzy state)
sprinkled my heart-strings with ambrosial dew
(well tell a lie but such a wish will do)
and i'd be gloried as if leviathan
said hop on nip and sped me to japan

so back to earth - the tram that netley day
would be quite sober bumbling through the town
the rush-hour gone and night still on its way
mum lil and baby (babies) would stay down
and we'd be up the top - too tired to clown
our bodies glowed (a warm contentment brewed)
burnt backs nor aching legs could pop that mood

(3)
i lay in bed one day my joints subsiding
lost in a day-dream rhythmed by my heart
medicine-time (a pleasure not abiding)
i did my best to play the sleeping part
then at my back a nurse's rustling skirt
a bending breeze (all breathing held in check)
and then she blew sweet eddies down my neck

the nurse (of all) whose presence turned the winter
to summer's morning (cool before the sun)
who touched the quick with such exquisite splinter
the wince was there but no great hurt was done
she moved like silk the finest loom had spun
the ward went dark when she was gone or late
and i was seven longing to be eight

that whispering down my spine by scented lips
threw wants and hopes my way that stewed my mind
a draught drunk down in paradisal sips
stirred passages in me not then defined
at three i'd touched the grail with fingers blind
to heart-ache - this nurse though first described the gates
to elysium where grown-up love pupates

but soon a cloud knocked pristine sex aback
(i had to learn the hard way nothing's easy)
i went my own route off the sanctioned track
and came distraught - in fact distinctly queasy
without permission (both nonchalant and breezy)
i sailed from bed to have a pee (or worse)
and got locked in - and drew that nurse's curse

not only hers but all the fussing staff's
for daring such a voyage in my state
whose heart just then was not a bag of laughs
did i not understand the fist of fate
that waited naughty boys who could not wait
thunderous gods glared through the quaking panes
a corporate wrath set back my growing pains

forget the scented lips the creeping bliss
of such a nurse's presence on my flesh
locked in i'd been an hour or more amiss
they thought i'd done a bunk or slipped the leash
when found i'd gone all blue like frozen fish
those scented lips discharged their angry bile
and cupid's dart fell short a scornful mile

come christmas day the christmas tree was bright
its mothering arms held glittering gifts for all
and i was seven longing to be eight
and i was given a large pink fluffy ball
my spirit shrank into the nearest wall
true love reduced to this insulting gimcrack
my pumped-up heart was punctured by a tintack
Written by Anne Kingsmill Finch | Create an image from this poem

The Atheist And The Acorn

 Methinks this World is oddly made, 
And ev'ry thing's amiss, 
A dull presuming Atheist said, 
As stretch'd he lay beneath a Shade; 
And instanced in this: 

Behold, quoth he, that mighty thing, 
A Pumpkin, large and round, 
Is held but by a little String, 
Which upwards cannot make it spring, 
Or bear it from the Ground. 

Whilst on this Oak, a Fruit so small, 
So disproportion'd, grows; 
That, who with Sence surveys this All, 
This universal Casual Ball, 
Its ill Contrivance knows. 

My better Judgment wou'd have hung 
That Weight upon a Tree, 
And left this Mast, thus slightly strung, 
'Mongst things which on the Surface sprung, 
And small and feeble be. 

No more the Caviller cou'd say, 
Nor farther Faults descry; 
For, as he upwards gazing lay, 
An Acorn, loosen'd from the Stay, 
Fell down upon his Eye. 

Th' offended Part with Tears ran o'er, 
As punish'd for the Sin: 
Fool! had that Bough a Pumpkin bore, 
Thy Whimseys must have work'd no more, 
Nor Scull had kept them in.


Written by Sir Thomas Wyatt | Create an image from this poem

Forget Not Yet

 Forget not yet the tried intent 
Of such a truth as I have meant 
My great travail so gladly spent 
Forget not yet.

Forget not yet when first began 
The weary life ye knew, since whan 
The suit, the service, none tell can, 
Forget not yet.

Forget not yet the great assays, 
The cruel wrongs, the scornful ways, 
The painful patience in denays 
Forget not yet.

Forget not yet, forget not this, 
How long ago hath been, and is, 
The mind that never means amiss; 
Forget not yet.

Forget not yet thine own approved, 
The which so long hath thee so loved, 
Whose steadfast faith yet never moved, 
Forget not this.
Written by Sir Walter Raleigh | Create an image from this poem

Life

 What is our life? A play of passion, 
Our mirth the music of division, 
Our mother's wombs the tiring-houses be, 
Where we are dressed for this short comedy. 
Heaven the judicious sharp spectator is, 
That sits and marks still who doth act amiss. 
Our graves that hide us from the setting sun 
Are like drawn curtains when the play is done. 
Thus march we, playing, to our latest rest, 
Only we die in earnest, that's no jest.
Written by Henry Lawson | Create an image from this poem

Forard

 It is stuffy in the steerage where the second-classers sleep, 
For there's near a hundred for'ard, and they're stowed away like sheep, -- 
They are trav'lers for the most part in a straight 'n' honest path; 
But their linen's rather scanty, an' there isn't any bath -- 
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft. 
But the shearers of the shearers always seem to travel aft; 
In the cushioned cabins, aft, 
With saloons 'n' smoke-rooms, aft -- 
There is sheets 'n' best of tucker for the first-salooners, aft. 

Our beef is just like scrapin's from the inside of a hide, 
And the spuds were pulled too early, for they're mostly green inside; 
But from somewhere back amidships there's a smell o' cookin' waft, 
An' I'd give my earthly prospects for a real good tuck-out aft -- 
Ham an' eggs 'n' coffee, aft, 
Say, cold fowl for luncheon, aft, 
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft. 

They feed our women sep'rate, an' they make a blessed fuss, 
Just as if they couldn't trust 'em for to eat along with us! 
Just because our hands are horny an' our hearts are rough with graft -- 
But the gentlemen and ladies always DINE together, aft -- 
With their ferns an' mirrors, aft, 
With their flow'rs an' napkins, aft -- 
`I'll assist you to an orange' -- `Kindly pass the sugar', aft. 

We are shabby, rough, 'n' dirty, an' our feelin's out of tune, 
An' it's hard on fellers for'ard that was used to go saloon; 
There's a broken swell among us -- he is barracked, he is chaffed, 
An' I wish at times, poor devil, for his own sake he was aft; 
For they'd understand him, aft, 
(He will miss the bath-rooms aft), 
Spite of all there's no denyin' that there's finer feelin's aft. 

Last night we watched the moonlight as it spread across the sea -- 
`It is hard to make a livin',' said the broken swell to me. 
`There is ups an' downs,' I answered, an' a bitter laugh he laughed -- 
There were brighter days an' better when he always travelled aft -- 
With his rug an' gladstone, aft, 
With his cap an' spyglass, aft -- 
A careless, rovin', gay young spark as always travelled aft. 

There's a notice by the gangway, an' it seems to come amiss, 
For it says that second-classers `ain't allowed abaft o' this'; 
An' there ought to be a notice for the fellows from abaft -- 
But the smell an' dirt's a warnin' to the first-salooners, aft; 
With their tooth and nail-brush, aft, 
With their cuffs 'n' collars, aft -- 
Their cigars an' books an' papers, an' their cap-peaks fore-'n'-aft. 

I want to breathe the mornin' breeze that blows against the boat, 
For there's a swellin' in my heart -- a tightness in my throat -- 
We are for'ard when there's trouble! We are for'ard when there's graft! 
But the men who never battle always seem to travel aft; 
With their dressin'-cases, aft, 
With their swell pyjamas, aft -- 
Yes! the idle and the careless, they have ease an' comfort, aft. 

I feel so low an' wretched, as I mooch about the deck, 
That I'm ripe for jumpin' over -- an' I wish there was a wreck! 
We are driven to New Zealand to be shot out over there -- 
Scarce a shillin' in our pockets, nor a decent rag to wear, 
With the everlastin' worry lest we don't get into graft -- 
There is little left to land for if you cannot travel aft; 
No anxiety abaft, 
They have stuff to land with, aft -- 
Oh, there's little left to land for if you cannot travel aft; 

But it's grand at sea this mornin', an' Creation almost speaks, 
Sailin' past the Bay of Islands with its pinnacles an' peaks, 
With the sunny haze all round us an' the white-caps on the blue, 
An' the orphan rocks an' breakers -- Oh, it's glorious sailin' through! 
To the south a distant steamer, to the west a coastin' craft, 
An' we see the beauty for'ard, better than if we were aft; 
Spite of op'ra-glasses, aft; 
But, ah well, they're brothers aft -- 
Nature seems to draw us closer -- bring us nearer fore-'n'-aft. 

What's the use of bein' bitter? What's the use of gettin' mad? 
What's the use of bein' narrer just because yer luck is bad? 
What's the blessed use of frettin' like a child that wants the moon? 
There is broken hearts an' trouble in the gilded first saloon! 
We are used to bein' shabby -- we have got no overdraft -- 
We can laugh at troubles for'ard that they couldn't laugh at aft; 
Spite o' pride an' tone abaft 
(Keepin' up appearance, aft) 
There's anxiety an' worry in the breezy cabins aft. 

But the curse o' class distinctions from our shoulders shall be hurled, 
An' the influence of woman revolutionize the world; 
There'll be higher education for the toilin' starvin' clown, 
An' the rich an' educated shall be educated down; 
An' we all will meet amidships on this stout old earthly craft, 
An' there won't be any friction 'twixt the classes fore-'n'-aft. 
We'll be brothers, fore-'n'-aft! 
Yes, an' sisters, fore-'n'-aft! 
When the people work together, and there ain't no fore-'n'-aft.
Written by Emily Dickinson | Create an image from this poem

Go slow my soul to feed thyself

 Go slow, my soul, to feed thyself
Upon his rare approach --
Go rapid, lest Competing Death
Prevail upon the Coach --
Go timid, should his final eye
Determine thee amiss --
Go boldly -- for thou paid'st his price
Redemption -- for a Kiss --
Written by Victor Hugo | Create an image from this poem

The Grandmother

 ("Dors-tu? mère de notre mère.") 
 
 {III., 1823.} 
 
 "To die—to sleep."—SHAKESPEARE. 


 Still asleep! We have been since the noon thus alone. 
 Oh, the hours we have ceased to number! 
 Wake, grandmother!—speechless say why thou art grown. 
 Then, thy lips are so cold!—the Madonna of stone 
 Is like thee in thy holy slumber. 
 We have watched thee in sleep, we have watched thee at prayer, 
 But what can now betide thee? 
 Like thy hours of repose all thy orisons were, 
 And thy lips would still murmur a blessing whene'er 
 Thy children stood beside thee. 
 
 Now thine eye is unclosed, and thy forehead is bent 
 O'er the hearth, where ashes smoulder; 
 And behold, the watch-lamp will be speedily spent. 
 Art thou vexed? have we done aught amiss? Oh, relent! 
 But—parent, thy hands grow colder! 
 Say, with ours wilt thou let us rekindle in thine 
 The glow that has departed? 
 Wilt thou sing us some song of the days of lang syne? 
 Wilt thou tell us some tale, from those volumes divine, 
 Of the brave and noble-hearted? 
 
 Of the dragon who, crouching in forest green glen, 
 Lies in wait for the unwary— 
 Of the maid who was freed by her knight from the den 
 Of the ogre, whose club was uplifted, but then 
 Turned aside by the wand of a fairy? 
 Wilt thou teach us spell-words that protect from all harm, 
 And thoughts of evil banish? 
 What goblins the sign of the cross may disarm? 
 What saint it is good to invoke? and what charm 
 Can make the demon vanish? 
 
 Or unfold to our gaze thy most wonderful book, 
 So feared by hell and Satan; 
 At its hermits and martyrs in gold let us look, 
 At the virgins, and bishops with pastoral crook, 
 And the hymns and the prayers in Latin. 
 Oft with legends of angels, who watch o'er the young, 
 Thy voice was wont to gladden; 
 Have thy lips yet no language—no wisdom thy tongue? 
 Oh, see! the light wavers, and sinking, bath flung 
 On the wall forms that sadden. 
 
 Wake! awake! evil spirits perhaps may presume 
 To haunt thy holy dwelling; 
 Pale ghosts are, perhaps, stealing into the room— 
 Oh, would that the lamp were relit! with the gloom 
 These fearful thoughts dispelling. 
 Thou hast told us our parents lie sleeping beneath 
 The grass, in a churchyard lonely: 
 Now, thine eyes have no motion, thy mouth has no breath, 
 And thy limbs are all rigid! Oh, say, Is this death, 
 Or thy prayer or thy slumber only? 
 
 ENVOY. 
 
 Sad vigil they kept by that grandmother's chair, 
 Kind angels hovered o'er them— 
 And the dead-bell was tolled in the hamlet—and there, 
 On the following eve, knelt that innocent pair, 
 With the missal-book before them. 
 
 "FATHER PROUT" (FRANK S. MAHONY). 


 





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