Get Your Premium Membership

Best Famous Admiralty Poems

Here is a collection of the all-time best famous Admiralty poems. This is a select list of the best famous Admiralty poetry. Reading, writing, and enjoying famous Admiralty poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of admiralty poems.

Search and read the best famous Admiralty poems, articles about Admiralty poems, poetry blogs, or anything else Admiralty poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Rudyard Kipling | Create an image from this poem

The Rhyme of the Three Captains

 This ballad appears to refer to one of the exploits of the notorious
Paul Jones, the American pirate.
It is founded on fact.
.
.
.
At the close of a winter day, Their anchors down, by London town, the Three Great Captains lay; And one was Admiral of the North from Solway Firth to Skye, And one was Lord of the Wessex coast and all the lands thereby, And one was Master of the Thames from Limehouse to Blackwall, And he was Captain of the Fleet -- the bravest of them all.
Their good guns guarded their great gray sides that were thirty foot in the sheer, When there came a certain trading-brig with news of a privateer.
Her rigging was rough with the clotted drift that drives in a Northern breeze, Her sides were clogged with the lazy weed that spawns in the Eastern seas.
Light she rode in the rude tide-rip, to left and right she rolled, And the skipper sat on the scuttle-butt and stared at an empty hold.
"I ha' paid Port dues for your Law," quoth he, "and where is the Law ye boast If I sail unscathed from a heathen port to be robbed on a Christian coast? Ye have smoked the hives of the Laccadives as we burn the lice in a bunk, We tack not now to a Gallang prow or a plunging Pei-ho junk; I had no fear but the seas were clear as far as a sail might fare Till I met with a lime-washed Yankee brig that rode off Finisterre.
There were canvas blinds to his bow-gun ports to screen the weight he bore, And the signals ran for a merchantman from Sandy Hook to the Nore.
He would not fly the Rovers' flag -- the bloody or the black, But now he floated the Gridiron and now he flaunted the Jack.
He spoke of the Law as he crimped my crew -- he swore it was only a loan; But when I would ask for my own again, he swore it was none of my own.
He has taken my little parrakeets that nest beneath the Line, He has stripped my rails of the shaddock-frails and the green unripened pine; He has taken my bale of dammer and spice I won beyond the seas, He has taken my grinning heathen gods -- and what should he want o' these? My foremast would not mend his boom, my deckhouse patch his boats; He has whittled the two, this Yank Yahoo, to peddle for shoe-peg oats.
I could not fight for the failing light and a rough beam-sea beside, But I hulled him once for a clumsy crimp and twice because he lied.
Had I had guns (as I had goods) to work my Christian harm, I had run him up from his quarter-deck to trade with his own yard-arm; I had nailed his ears to my capstan-head, and ripped them off with a saw, And soused them in the bilgewater, and served them to him raw; I had flung him blind in a rudderless boat to rot in the rocking dark, I had towed him aft of his own craft, a bait for his brother shark; I had lapped him round with cocoa husk, and drenched him with the oil, And lashed him fast to his own mast to blaze above my spoil; I had stripped his hide for my hammock-side, and tasselled his beard i' the mesh, And spitted his crew on the live bamboo that grows through the gangrened flesh; I had hove him down by the mangroves brown, where the mud-reef sucks and draws, Moored by the heel to his own keel to wait for the land-crab's claws! He is lazar within and lime without, ye can nose him far enow, For he carries the taint of a musky ship -- the reek of the slaver's dhow!" The skipper looked at the tiering guns and the bulwarks tall and cold, And the Captains Three full courteously peered down at the gutted hold, And the Captains Three called courteously from deck to scuttle-butt: -- "Good Sir, we ha' dealt with that merchantman or ever your teeth were cut.
Your words be words of a lawless race, and the Law it standeth thus: He comes of a race that have never a Law, and he never has boarded us.
We ha' sold him canvas and rope and spar -- we know that his price is fair, And we know that he weeps for the lack of a Law as he rides off Finisterre.
And since he is damned for a gallows-thief by you and better than you, We hold it meet that the English fleet should know that we hold him true.
" The skipper called to the tall taffrail: -- "And what is that to me? Did ever you hear of a Yankee brig that rifled a Seventy-three? Do I loom so large from your quarter-deck that I lift like a ship o' the Line? He has learned to run from a shotted gun and harry such craft as mine.
There is never a Law on the Cocos Keys to hold a white man in, But we do not steal the niggers' meal, for that is a ******'s sin.
Must he have his Law as a quid to chaw, or laid in brass on his wheel? Does he steal with tears when he buccaneers? 'Fore Gad, then, why does he steal?" The skipper bit on a deep-sea word, and the word it was not sweet, For he could see the Captains Three had signalled to the Fleet.
But three and two, in white and blue, the whimpering flags began: -- "We have heard a tale of a -- foreign sail, but he is a merchantman.
" The skipper peered beneath his palm and swore by the Great Horn Spoon: -- "'Fore Gad, the Chaplain of the Fleet would bless my picaroon!" By two and three the flags blew free to lash the laughing air: -- "We have sold our spars to the merchantman -- we know that his price is fair.
" The skipper winked his Western eye, and swore by a China storm: -- "They ha' rigged him a Joseph's jury-coat to keep his honour warm.
" The halliards twanged against the tops, the bunting bellied broad, The skipper spat in the empty hold and mourned for a wasted cord.
Masthead -- masthead, the signal sped by the line o' the British craft; The skipper called to his Lascar crew, and put her about and laughed: -- "It's mainsail haul, my bully boys all -- we'll out to the seas again -- Ere they set us to paint their pirate saint, or scrub at his grapnel-chain.
It's fore-sheet free, with her head to the sea, and the swing of the unbought brine -- We'll make no sport in an English court till we come as a ship o' the Line: Till we come as a ship o' the Line, my lads, of thirty foot in the sheer, Lifting again from the outer main with news of a privateer; Flying his pluck at our mizzen-truck for weft of Admiralty, Heaving his head for our dipsey-lead in sign that we keep the sea.
Then fore-sheet home as she lifts to the foam -- we stand on the outward tack, We are paid in the coin of the white man's trade -- the bezant is hard, ay, and black.
The frigate-bird shall carry my word to the Kling and the Orang-Laut How a man may sail from a heathen coast to be robbed in a Christian port; How a man may be robbed in Christian port while Three Great Captains there Shall dip their flag to a slaver's rag -- to show that his trade is fair!"


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Macavity: The Mystery Cat

 Macavity's a Mystery Cat: he's called the Hidden Paw--
For he's the master criminal who can defy the Law.
He's the bafflement of Scotland Yard, the Flying Squad's despair: For when they reach the scene of crime--Macavity's not there! Macavity, Macavity, there's no on like Macavity, He's broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare, And when you reach the scene of crime--Macavity's not there! You may seek him in the basement, you may look up in the air-- But I tell you once and once again, Macavity's not there! Macavity's a ginger cat, he's very tall and thin; You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly doomed; His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake; And when you think he's half asleep, he's always wide awake.
Macavity, Macavity, there's no one like Macavity, For he's a fiend in feline shape, a monster of depravity.
You may meet him in a by-street, you may see him in the square-- But when a crime's discovered, then Macavity's not there! He's outwardly respectable.
(They say he cheats at cards.
) And his footprints are not found in any file of Scotland Yard's.
And when the larder's looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke's been stifled, Or the greenhouse glass is broken, and the trellis past repair-- Ay, there's the wonder of the thing! Macavity's not there! And when the Foreign Office finds a Treaty's gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scap of paper in the hall or on the stair-- But it's useless of investigate--Macavity's not there! And when the loss has been disclosed, the Secret Service say: "It must have been Macavity!"--but he's a mile away.
You'll be sure to find him resting, or a-licking of his thumbs, Or engaged in doing complicated long division sums.
Macavity, Macavity, there's no one like Macacity, There never was a Cat of such deceitfulness and suavity.
He always has an alibit, or one or two to spare: And whatever time the deed took place--MACAVITY WASN'T THERE! And they say that all the Cats whose wicked deeds are widely known (I might mention Mungojerrie, I might mention Griddlebone) Are nothing more than agents for the Cat who all the time Just controls their operations: the Napoleon of Crime!
Written by Rudyard Kipling | Create an image from this poem

The Song of the Dead

 Hear now the Song of the Dead -- in the North by the torn berg-edges --
They that look still to the Pole, asleep by their hide-stripped sledges.
Song of the Dead in the South -- in the sun by their skeleton horses, Where the warrigal whimpers and bays through the dust of the sere river-courses.
Song of the Dead in the East -- in the heat-rotted jungle-hollows, Where the dog-ape barks in the kloof -- in the brake of the buffalo-wallows.
Song of the Dead in the West in the Barrens, the pass that betrayed them, Where the wolverine tumbles their packs from the camp and the grave-rnound they made them; Hear now the Song of the Dead! I We were dreamers, dreaming greatly, in the man-stifled town; We yearned beyond the sky-line where the strange roads go down.
Came the Whisper, came the Vision, came the Power with the Need, Till the Soul that is not man's soul was lent us to lead.
As the deer breaks -- as the steer breaks -- from the herd where they graze, In the faith of little children we went on our ways.
Then the wood failed -- then the food failed -- then the last water dried.
In the faith of little children we lay down and died.
On the sand-drift -- on the veldt-side -- in the fern-scrub we lay, That our sons might follow after by the bones on the way.
Follow after-follow after! We have watered the root, And the bud has come to blossom that ripens for fruit! Follow after -- we are waiting, by the trails that we lost, For the sounds of many footsteps, for the tread of a host.
Follow after-follow after -- for the harvest is sown: By the bones about the wayside ye shall come to your own! When Drake went down to the Horn And England was crowned thereby, 'Twixt seas unsailed and shores unhailed Our Lodge -- our Lodge was born (And England was crowned thereby!) Which never shall close again By day nor yet by night, While man shall take his ife to stake At risk of shoal or main (By day nor yet by night) But standeth even so As now we witness here, While men depart, of joyful heart, Adventure for to know (As now bear witness here!) II We have fed our sea for a thousand years And she calls us, still unfed, Tbough there's never a wave of all her waves But marks our English dead: We have strawed our best to the weed's unrest, To the shark and the sheering gull.
If blood be the price of admiralty, Lord God, we ha' paid in tull! There's never a flood goes shoreward now But lifts a keel we manned; There's never an ebb goes seaward now But drops our dead on the sand -- But slinks our dead on the sands forlore, From the Ducies to the Swin.
If blood be the price of admiralty, If blood be the price of admiralty, Lord God, we ha' paid it in! We must feed our sea for a thousand years, For that is our doom and pride, As it was when they sailed with the Golden Hind, Or tbe wreck that struck last tide -- Or the wreck that lies on the spouting reef Where the ghastly blue-lights flare If blood be tbe price of admiralty, If blood be tbe price of admiralty, If blood be the price of admiralty, Lord God, we ha' bought it fair!
Written by Lewis Carroll | Create an image from this poem

Preface to Hunting of the Snark

 PREFACE

If---and the thing is wildly possible---the charge of writing 
nonsense were ever brought against the author of this brief but 
instructive poem, it would be based, I feel convinced, on the line 

``Then the bowsprit got mixed with the rudder sometimes'' 

In view of this painful possibility, I will not (as I might) appeal 
indignantly to my other writings as a proof that I am incapable of 
such a deed: I will not (as I might) point to the strong moral 
purpose of this poem itself, to the arithmetical principles so 
cautiously inculcated in it, or to its noble teachings in Natural 
History---I will take the more prosaic course of simply explaining 
how it happened.
The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to.
They knew it was not of the slightest use to appeal to the Bellman about it---he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand---so it generally ended in its being fastened on, anyhow, across the rudder.
The helmsman used to stand by with tears in his eyes: he knew it was all wrong, but alas! Rule 42 of the Code, ``No one shall speak to the Man at the Helm'', had been completed by the Bellman himself with the words ``and the Man at the Helm shall speak to no one''.
So remonstrance was impossible, and no steering could be done till the next varnishing day.
During these bewildering intervals the ship usually sailed backwards.
This office was usually undertaken by the Boots, who found in it a refuge from the Baker's constant complaints about the insufficient blacking of his three pairs of boots.
As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce ``slithy toves''.
The ``i'' in ``slithy'' is long, as in ``writhe''; and ``toves'' is pronounced so as to rhyme with ``groves''.
Again, the first ``o'' in ``borogoves'' is pronounced like the ``o'' in ``borrow''.
I have heard people try to give it the sound of the ``o'' in ``worry''.
Such is Human Perversity.
This also seems a fitting occasion to notice the other hard words in that poem.
Humpty-Dumpty's theory, of two meanings packed into one word like a portmanteau, seems to me the right explanation for all.
For instance, take the two words ``fuming'' and ``furious''.
Make up your mind that you will say both words, but leave it unsettled which you will say first.
Now open your mouth and speak.
If your thoughts incline ever so little towards ``fuming'', you will say ``fuming-furious''; if they turn, by even a hair's breadth, towards ``furious'', you will say ``furious-fuming''; but if you have that rarest of gifts, a perfectly balanced mind, you will say ``frumious''.
Supposing that, when Pistol uttered the well-known words--- ``Under which king, Bezonian? Speak or die!'' Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out ``Rilchiam!''.
Written by Emily Dickinson | Create an image from this poem

My Reward for Being was This

 My Reward for Being, was This.
My premium -- My Bliss -- An Admiralty, less -- A Sceptre -- penniless -- And Realms -- just Dross -- When Thrones accost my Hands -- With "Me, Miss, Me" -- I'll unroll Thee -- Dominions dowerless -- beside this Grace -- Election -- Vote -- The Ballots of Eternity, will show just that.



Book: Shattered Sighs