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Best Famous Acropolis Poems

Here is a collection of the all-time best famous Acropolis poems. This is a select list of the best famous Acropolis poetry. Reading, writing, and enjoying famous Acropolis poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of acropolis poems.

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Written by John Crowe Ransom | Create an image from this poem

Painted Head

 By dark severance the apparition head 
Smiles from the air a capital on no 
Column or a Platonic perhaps head 
On a canvas sky depending from nothing; 

Stirs up an old illusion of grandeur 
By tickling the instinct of heads to be 
Absolute and to try decapitation 
And to play truant from the body bush; 

But too happy and beautiful for those sorts 
Of head (homekeeping heads are happiest) 
Discovers maybe thirty unwidowed years 
Of not dishonoring the faithful stem; 

Is nameless and has authored for the evil 
Historian headhunters neither book 
Nor state and is therefore distinct from tart 
Heads with crowns and guilty gallery heads; 

Wherefore the extravagant device of art 
Unhousing by abstraction this once head 
Was capital irony by a loving hand 
That knew the no treason of a head like this; 

Makes repentance in an unlovely head 
For having vinegarly traduced the flesh 
Till, the hurt flesh recusing, the hard egg 
Is shrunken to its own deathlike surface; 

And an image thus. The body bears the head 
(So hardly one they terribly are two) 
Feeds and obeys and unto please what end? 
Not to the glory of tyrant head but to 

The estate of body. Beauty is of body. 
The flesh contouring shallowly on a head 
Is a rock-garden needing body's love 
And best bodiness to colorify 

The big blue birds sitting and sea-shell cats 
And caves, and on the iron acropolis 
To spread the hyacinthine hair and rear 
The olive garden for the nightingales.


Written by William Butler Yeats | Create an image from this poem

Nineteen Hundred And Nineteen

 I

Many ingenious lovely things are gone
That seemed sheer miracle to the multitude,
protected from the circle of the moon
That pitches common things about. There stood
Amid the ornamental bronze and stone
An ancient image made of olive wood -
And gone are phidias' famous ivories
And all the golden grasshoppers and bees.

We too had many pretty toys when young:
A law indifferent to blame or praise,
To bribe or threat; habits that made old wrong
Melt down, as it were wax in the sun's rays;
Public opinion ripening for so long
We thought it would outlive all future days.
O what fine thought we had because we thought
That the worst rogues and rascals had died out.

All teeth were drawn, all ancient tricks unlearned,
And a great army but a showy thing;
What matter that no cannon had been turned
Into a ploughshare? Parliament and king
Thought that unless a little powder burned
The trumpeters might burst with trumpeting
And yet it lack all glory; and perchance
The guardsmen's drowsy chargers would not prance.

Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.

He who can read the signs nor sink unmanned
Into the half-deceit of some intoxicant
From shallow wits; who knows no work can stand,
Whether health, wealth or peace of mind were spent
On master-work of intellect or hand,
No honour leave its mighty monument,
Has but one comfort left: all triumph would
But break upon his ghostly solitude.
But is there any comfort to be found?

Man is in love and loves what vanishes,
What more is there to say? That country round
None dared admit, if Such a thought were his,
Incendiary or bigot could be found
To burn that stump on the Acropolis,
Or break in bits the famous ivories
Or traffic in the grasshoppers or bees.
Written by Osip Mandelstam | Create an image from this poem

Tristia

 I have studied the Science of departures,
in night’s sorrows, when a woman’s hair falls down.
The oxen chew, there’s the waiting, pure,
in the last hours of vigil in the town,
and I reverence night’s ritual cock-crowing,
when reddened eyes lift sorrow’s load and choose
to stare at distance, and a woman’s crying
is mingled with the singing of the Muse.

Who knows, when the word ‘departure’ is spoken
what kind of separation is at hand,
or of what that cock-crow is a token,
when a fire on the Acropolis lights the ground,
and why at the dawning of a new life,
when the ox chews lazily in its stall,
the cock, the herald of the new life,
flaps his wings on the city wall?

I like the monotony of spinning,
the shuttle moves to and fro,
the spindle hums. Look, barefoot Delia’s running
to meet you, like swansdown on the road!
How threadbare the language of joy’s game,
how meagre the foundation of our life!
Everything was, and is repeated again:
it’s the flash of recognition brings delight.

So be it: on a dish of clean earthenware,
like a flattened squirrel’s pelt, a shape,
forms a small, transparent figure, where
a girl’s face bends to gaze at the wax’s fate.
Not for us to prophesy, Erebus, Brother of Night:
Wax is for women: Bronze is for men.
Our fate is only given in fight,
to die by divination is given to them.

Book: Radiant Verses: A Journey Through Inspiring Poetry