Cento is a poetic form composed entirely of lines from other poems. Cento has evolved to include a patchwork poem composed of quotes or lines from other authors. The poet selects lines or passages from various sources and rearranges them to create a new and original work. The resulting cento poem often takes on a new meaning or conveys a different message from the sources. This form allows poets to engage in a unique form of intertextuality, drawing on poetry's rich tradition to create something fresh and innovative.
Examples
- "Cento Nuptialis," Decimus Magnus Ausonius
- “Cento Between the Ending and the End,” Cameron Awkward-Rich
- “She-Poets Cento,” Kate Daniels
- “CENTO,” Sarah Gambito
- Wolf Centos, Simone Muench
- “Cento for the Night I Said, ‘I Love You,’” Nicole Sealey
Cento and Ethical Standards
Since cento poems rely on using lines or passages from various sources, it's crucial for poets to be well-versed in copyright laws and permissions when creating their work. Additionally, it is essential to identify the original works of the individual lines.
While the resulting cento poem is typically considered a new and original piece, it's crucial to respect the intellectual property of the original authors. Poets should seek permission (although not necessarily required) to use the lines or quotes, or ensure that their material is in the public domain or falls under fair use. At the very least, the poet should identify the origin of the individual lines. Respecting copyright in cento poems is essential to uphold ethical standards in the literary community and to avoid potential legal issues.