Hold fast to dreams, for if dreams die, life is a broken winged bird that cannot fly.
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Where the voice of the wind calls our wandering feet, Through echoing forest and echoing street, With lutes in our hands ever-singing we roam, All men are our kindred, the world is our home. Our lays are of cities whose lustre is shed, The laughter and beauty of women long dead; The sword of old battles, the crown of old kings, And happy and simple and sorrowful things. What hope shall we gather, what dreams shall we sow? Where the wind calls our wandering footsteps we go. No love bids us tarry, no joy bids us wait: The voice of the wind is the voice of our fate.
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Hold fast to dreams for if dreams die, life is a broken winged bird that cannot fly.
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Shall hope prevail where clamorous hate is rife, Shall sweet love prosper or high dreams have place Amid the tumult of reverberant strife 'Twixt ancient creeds, 'twixt race and ancient race, That mars the grave, glad purposes of life, Leaving no refuge save thy succoring face?
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On my travels, stricken— my dreams over the dry land go on roving.
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Reality is wrong. Dreams are for real.
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It is better to have dreamed a thousand dreams that never were than never to have dreamed at all.
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Those who dream by day are cognizant of many things which escape those who dream only by night.
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I have dreamed in my life, dreams that have stayed with me ever after, and changed my ideas; they have gone through and through me, like wine through water, and altered the color of my mind.
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I never thought that heav'n would lose its blue And sullen storm-clouds mask the gentle sky; I never thought the rose's velvet hue Would pale and sicken, though we said good-by. I never dreamed the lark would hush its note As day succeeded ever-drearier day, Nor knew the song that swelled the robin's throat Would fade to silence, when you went away. I never knew the sun's irradiant beams Upon the brooding earth no more would shine, Nor thought that only in my mocking dreams Would happiness that once I knew be mine. I never thought the slim moon, mournfully, Would shroud her pallid self in murky night. Dear heart, I never thought these things would be- I never thought they would, and I was right.
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For a hundred years I breathe and live, the flower of beauty and the bread of kindness. I am your friendly shade in the noonday heat of summer, and I stand pencilled against the winter twilight, a silhouette for dreams. At dawning in the spring I am filled with song, the host to a thousand birds, and I decorate the autumn with pageantry and colour. Then comes the woodsman with his axe. And still I serve. I am the timber that builds your boat; the rafters of your cathedrals; the choirstalls of your church enriched by the magic of the carver's fingers. I am the beam that holds your house; the door of your homestead, and the lintel too. I am the handle of your hoe; the wood of your cradle; the bed on which you lie; the board of your table and the board for your bread. When I am living, harm me not. When I am dead, respect me and use me kindly.
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Surely your gladness need not be the less for the thought that you will one day see a brighter dawn than this - when lovelier sights will meet your eyes than any waving trees or rippling waters - when angel-hands shall undraw your curtains, and sweeter tones than ever loving Mother breathed shall wake you to a new and glorious day - and when all the sadness, and the sin, that darkened life on this little earth, shall be forgotten like the dreams of a night that is past!
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If thou shouldst never see my face again,Pray for my soul. More things are wrought by prayerThan this world dreams of.
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All your dreams come true, if you have the courage to pursue them.
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If wild my breast and sore my pride, I bask in dreams of suicide, If cool my heart and high my head I think "How lucky are the dead."
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The gap between ideals and actualities, between dreams and achievements, the gap that can spur strong men to increased exertions, but can break the spirit of others -- this gap is the most conspicuous, continuous land mark in American history. It is conspicuous and continuous not because Americans achieve little, but because they dream grandly. The gap is a standing reproach to Americans; but it marks them off as a special and singularly admirable community among the world's peoples.
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'Who knocks?' 'I, who was beautiful, Beyond all dreams to restore,...
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You make your own dream. That's the Beatles' story, isn't it? That's Yoko's story. That's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.
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To all, to each, a fair good night, And pleasing dreams, and slumbers light.
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All of our dreams can come true -- if we have the courage to pursue them.
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Your children are not your children. They are the sons and daughters of Life's longing for itself. They come through you but not from you. And though they are with you, yet they belong not to you. You may give them your love but not your thoughts. For they have their own thoughts. You may house their bodies but not their souls, For their souls dwell in the house of tomorrow, Which you cannot visit, not even in your dreams. You may strive to be like them, but seek not to make them like you, For life goes not backward nor tarries with yesterday. You are the bows from which your children as living arrows are sent forth. The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows might go swift and far. Let your bending in the archer's hand be for gladness; For even as He loves the arrow that flies, so He loves also the bow that is stable.
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My dreams were all my own; I accounted them to nobody; They were my refuge when annoyed - my dearest pleasure when free.
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The notion of this universe, its heavens, hells, and everything within it, as a great dream dreamed by a single being in which all the dream characters are dreaming too, has in India enchanted and shaped the entire civilization. The ultimate dreamer is Vishnu floating on the cosmic Milky Ocean, couched upon the coils of the abyssal serpent Ananta, the meaning of whose name is Unending. In the foreground stand the five Pandava brothers, heroes of the epic Mahabharata, with Draupadi, their wife: allegorically , she is the mind and they are the five senses. They are those whom the dream is dreaming. Eyes open, ready and willing to fight, the youths address themselves to this world of light in which we stand regarding them, where objects appear to be distinct from each other, and an Aristotelian logic prevails, and A is not not-A . Behind them a dream-door has opened, however, to an inward, backward dimension where a vision emerges against darkness...
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Somehow I can't believe that there are any heights that can't be scaled by a man who knows the secrets of making dreams come true. This special secret, it seems to me, can be summarized in four C s. They are curiosity, confidence, courage, and constancy.
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An old man turned ninety-eight He won the lottery and died the next day It's a black fly in your Chardonnay It's a death row pardon two minutes too late It's a traffic jam when you're already late It's a no-smoking sign on your cigarette break It's like ten thousand spoons when all you need is a knife It's meeting the man of my dreams And then meeting his beautiful wife.
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A boy is a magical creature you can lock him out of your workshop, but you can't lock him out of your heart. You can get him out of your study, but you can't get him out of your mind. Might as well give up he is your captor, your jailer, your boss and your master a freckled-faced, pint-sized, cat-chasing bundle of noise. But when you come home at night with only the shattered pieces of your hopes and dreams, he can mend them like new with two magic words Hi, Dad
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To all, to each, a fair good night, And pleasing dreams, and slumbers light.
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It is in our idleness, in our dreams, that the submerged truth sometimes comes to the top.
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To all, to each, a fair good night,
And pleasing dreams, and slumbers light.
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The psychological context of dream-contents consists in the web of associations in which the dream is naturally embedded. Theoretically we can never know anything in advance about this web, but in practice it is sometimes possible, granted long enough experience. Even so, careful analysis will never rely too much on technical rules; the danger of deception and suggestion is too great. In the analysis of isolated dreams above all, this kind of knowing in advance and making assumptions on the grounds of practical expectation or general probability is positively wrong. It should therefore be an absolute rule to assume that every dream, and every part of a dream, is unknown at the outset, and to attempt an interpretation only after carefully taking up the context. We can then apply the meaning we have thus discovered to the text of the dream itself and see whether this yields a fluent reading, or rather whether a satisfying meaning emerges.
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