The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
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A new vision and understanding of something demands a new way of talking about it, for the old terminology gets in the way of this effort. Stubbornly entrenched behind the words coined by a particular conceptual orientation are its secrete prejudices. Any attempt to open out an adequately human vista onto the phenomena of undisturbed existence must include a critique of the most important idea of traditional biology, physiology, and psychology.
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I thought it was a wonderfully conceptual act actually, to fire a replica pistol at a figurehead -- the guy could have been working for Andy Warhol!
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By the time the child can draw more that scribble, by the age of four or five years, an already well-formed body of conceptual knowledge formulated in language dominates his memory and controls his graphic work. Drawings are graphic accounts of essentially verbal processes. As an essentially verbal education gains control, the child abandons his graphic efforts and relies almost entirely on words. Language has first spoilt drawing and then swallowed it up completely.
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It is reserved for man alone to find his very existence questionable, to experience the whole dubiousness of being. More than such faculties as power of speech, conceptual thinking, or walking erect, this factor of doubting the significance of his own existence is what sets man apart from animal.
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There is a conceptual depth as well as a purely visual depth. The first is discovered by science; the second is revealed in art. The first aid...
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Many businessmen fail to understand Python principles--the ultimate absurdity was an offer from America to buy the 'format' of the Python shows, that is, Monty Python without the Pythons--corporate methods do not have the conceptual framework to deal with an anarchist collective, run by intelligent and arrogant comedians who have proved that their method works.
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'Pure experience' is the name I gave to the immediate flux of life which furnishes the material to our later reflection with its conceptual categories.
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