Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an i...
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Ah, to build, to build! That is the noblest art of all the arts. Painting and sculpture are but images, are merely shadows cast by outward things on stone or canvas, having in themselves no separate existence. Architecture, existing in itself, and not in seeming a something it is not, surpasses them as substance shadow.
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Semi-Saracenic architecture, sustaining itself as if by miracle in mid air; glittering in the red sunlight with a hundred oriels, minarets, an...
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When we build, let us think that we build for ever.
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Prose is architecture, not interior decoration, and the Baroque is over.
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Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge ac...
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A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress.
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It is impossible, as impossible as to raise the dead, to restore anything that has ever been great or beautiful in architecture. That which I have... insisted upon as the life of the whole, that spirit which is given only by the hand and eye of the workman, can never be recalled.
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Fashion is architecture: it is a matter of proportions.
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Hell is out of fashion -- institutional hells at any rate. The populated infernos of the 20th century are more private affairs, the gaps between the bars are the sutures of one's own skull. A valid hell is one from which there is a possibility of redemption, even if this is never achieved, the dungeons of an architecture of grace whose spires point to some kind of heaven. The institutional hells of the present century are reached with one-way tickets, marked Nagasaki and Buchenwald, worlds of terminal horror even more final than the grave.
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A great proportion of architectural ornaments are literally hollow, and a September gale would strip them off, like borrowed plumes, without i...
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In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, high-tech architecture is, of course, no different in spirit -- if totally different in form -- from all the romantic architecture of the past.
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Opera, next to Gothic architecture, is one of the strangest inventions of Western man. It could not have been foreseen by any logical process.
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A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.
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A building has integrity just like a man. And just as seldom.
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I believe that organic sex, body against body, skin area against skin area, is becoming no longer possible, simply because if anything is to have any meaning for us it must take place in terms of the values and experiences of the media landscape. What we're getting is a whole new order of sexual fantasies, involving a different order of experiences, like car crashes, like travelling in jet aircraft, the whole overlay of new technologies, architecture, interior design, communications, transport, merchandising. These things are beginning to reach into our lives and change the interior design of our sexual fantasies. We've got to recognize that what one sees through the window of the TV screen is as important as what one sees through a window on the street.
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In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit-if totally different in form-from all the romantic architecture of the past.
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The principle of the Gothic architecture is infinity made imaginable.
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I must study politics and war that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geography, natural history, naval architecture, navigation, commerce and agriculture in order to give their
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The events of human life, whether public or private, are so intimately linked to architecture that most observers can reconstruct nations or individuals in all the truth of their habits from the remains of their public monuments or from their domestic relics. Archaeology is to social nature what comparative anatomy is to organized nature. A mosaic reveals an entire society, just as a skeleton of an ichthyosaur suggests an entire creation. Everything is deducible, everything is linked. The cause allows one to guess the effect, just as each effect allows one to reconstruct a cause. The scientist can resuscitate in this manner even the warts of ancient times. From this comes without doubt the prodigious interest that an architectural description can inspire when the writer's fantasy is faithful to its basic elements. Cannot each person reattach it to its past by rigorous deductions? And as for man, does not the past singularly resemble the future? Tell him what was and is this not almost always the same thing as telling him what will be?
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We may live without her, and worship without her, but we cannot remember without her. How cold is all history, how lifeless all imagery, compared to that which the living nation writes, and the uncorrupted marble bears!
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The architect represents neither a Dionysian nor an Apollinian state: here it is the great act of will, the will that moves mountains, the rap...
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Architect. One who drafts a plan of your house, and plans a draft of your money.
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Heredity is a strong factor, even in architecture. Necessity first mothered invention. Now invention has little ones of her own, and they look just like grandma.
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The Science of Government it is my Duty to study, more than all other Sciences: the Art of Legislation and Administration and Negotiation, ought to take Place, indeed to exclude in a manner all other Arts. I must study Politicks and War that my sons may have liberty to study Mathematicks and Philosophy. My sons ought to study Mathematicks and Philosophy, Geography, natural History, Naval Architecture, navigation, Commerce and Agriculture, in order to give their Children a right to study Painting, Poetry, Musick, Architecture, Statuary, Tapestry and Porcelaine.
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The greatest advances of civilization, whether in architecture or painting, in science and literature, in industry or agriculture, have never come from centralized government.
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I must study politics and war that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geograhy, natural history, naval architecture, navigation, commerce, and agriculture, in order to give their children a right to study painting, poetry, music architecture, statuary, tapestry, and porcelain.
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Architecture has recorded the great ideas of the human race. Not only every religious symbol, but every human thought has its page in that vast book.
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I must study politics and war that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geography, natural history, naval architecture, navigation, commerce, and agriculture, in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain.
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