Free online greeting card maker or poetry art generator. Create free custom printable greeting cards or art from photos and text online. Use PoetrySoup's free online software to make greeting cards from poems, quotes, or your own words. Generate memes, cards, or poetry art for any occasion; weddings, anniversaries, holidays, etc (See examples here). Make a card to show your loved one how special they are to you. Once you make a card, you can email it, download it, or share it with others on your favorite social network site like Facebook. Also, you can create shareable and downloadable cards from poetry on PoetrySoup. Use our poetry search engine to find the perfect poem, and then click the camera icon to create the card or art.
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Enter Poem or Quote (Required)Required "say Brian" what is your poetry creed?" POETRY IS AN ORAL ART AT ITS BEST WHEN RECITED it then becomes a two-way unique one-off.experience . ok then...to the detail- "So is traditional line capitalisation ok with you?" In RHYME ..YES.. but NOT otherwise as it creates a natural pause (ie it stilts) & thus disrupts the flow "presumably thats why wrap-around lines are also a no-no for you? " YES but mainly they are not visually conducive to read digitally or otherwise! "Ok,I see that but what have you got against those five forms and the like,you know acrostic, kyrielle terzanelle villanelle &pantoum etc? " NOT against them per se they can be good for a learning exercise, a bit like scales are important when learning the piano but are too contrived & mechanical IMHO for our art form "Yet you like shape,emagi & ekphrasis verse! " Indeed,they reveal my weakness for art in poetry! "So why do you appear to dislike prose poetry!" I don't dislike them as such, the two arts just don't mix for my taste. "Are there particular forms that appeal?" Rhyme,alliteration,clerihew,footle&hiku*(both in the singular especially) will always ring my bell. & of course poetry in the OPEN VERSE style which is what Brian? OPEN VERSE uses spaces&breaks without grammatical symbols relies upon 'the one breath limitation' this intuitive cadence pemits the 'reader' (reciter) to respond in an interpretative - interplay unique to the ' happening
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