critique my whole profile!

Your poems have great imagery. I love ‘sweet liquid’, could I write a poem inspired by that metaphor?

Grammar breaks the magic. “You’re not the one” should be “you’re not the one.” These small mistakes steal the reader’s trust. If your grammar limps, the angel stumbles too. Also, don’t rush the ending. “Tomorrow takes today” is beautiful, let it stand alone, let it echo. About “Real Love” This is where simplicity wins. A man and a dog, a girl and a horse, that’s real love indeed. But again, the shape of the poem could be more poetic, more deliberate. Right now it looks like a note, not a revelation. Try breathing space between those lines, let the silence do the talking: because real love is not grand - just a man and his dog, a girl and her horse, and me - still waiting for you. That ending would make the poem weep softly, not cry out loud. Final Thoughts The poet has a bright instinct: she feels things deeply and writes fast, before the feeling fades. That’s good. That’s honest. But the craft still needs a little discipline. Each word must serve the image, not the impulse. Your poems are like a mirror fogged with breath. Wipe them clean, but keep the warmth that made the mist. With sympathy and warm regards from Amsterdam, Florin

There is something tender in your poems, like a voice that has not yet learned to whisper properly, but already wants to sing. You can feel honesty here: the kind that is both blessing and burden. The poet writes as if she is talking to a lost friend, or maybe to herself in the mirror, and the glass is cracked, so the words scatter in many directions. About “Silver Soul” This poem begins beautifully: “I have been dipped in honey” what a sweet and ancient image! It has the scent of something mythic, like a psalm said by a bee. But soon after, the rhythm collapses. The lines don’t breathe together. Suggestion: you must make the words march to the same drum, even if the beat is strange. For example: “And I’m rolling in this - space of time / thinking your son is - way too kind” Here the dashes break the flow; they don’t serve the feeling. Try to let your sadness flow like a river, not skip like a record. Perhaps rewrite with music in mind: “And I roll through this brief space of time, your son too kind, for such a cruel design.” Also, “stories taste better over time” is a good thought, but it feels unfinished. You could deepen it: make the metaphor bloom: “Stories ferment like wine / and burn the tongue / when told too late.” That would bring more pain, more maturity and poets loves that kind of pain: silent, fermented, almost holy.