Famous Long Moving On Poems

Famous Long Moving On Poems. Long Moving On Poetry by Famous Poets. A collection of the all-time best Moving On long poems

See also: Long Member Poems

 Over the terminal,
 the arms and chest
 of the god

brightened by snow.
 Formerly mercury,
 formerly silver,

surface yellowed
 by atmospheric sulphurs
 acid exhalations,

and now the shining
 thing's descendant.
 Obscure passages,

dim apertures:
 these clouded windows
 show a few faces

or some empty car's
 filmstrip of lit flames
 --remember them

from school,
 how they were supposed
 to teach us something?--

waxy light hurrying
 inches away from the phantom
 smudge of us, vague

in spattered glass. Then
 daylight's soft charcoal
 lusters stone walls

and we ascend to what
 passes for brightness,
 this February,

scumbled sky
 above graduated zones
 of decline:

dead rowhouses,
 charred windows'
 wet frames

around empty space,
 a few chipboard polemics
 nailed over the gaps,

speeches too long
 and obsessive for anyone
 on this train to read,

sealing the hollowed interiors
 --some of them grand once,
 you can tell by

the fillips of decoration,
 stone leaves, the frieze
 of sunflowers.

Desolate fields--open spaces,
 in a city where you
 can hardly turn around!--

seem to center
 on little flames,
 something always burning

in a barrel or can
 As if to represent
 inextinguishable,

dogged persistence?
 Though whether what burns
 is will or rage or

harsh amalgam
 I couldn't say.
 But I can tell you this,

what I've seen that
 won my allegiance most,
 though it was also

the hallmark of our...
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 The squatter saw his pastures wide 
Decrease, as one by one 
The farmers moving to the west 
Selected on his run; 
Selectors took the water up 
And all the black soil round; 
The best grass-land the squatter had 
Was spoilt by Ross's Ground. 

Now many schemes to shift old Ross 
Had racked the squatter's brains, 
But Sandy had the stubborn blood 
Of Scotland in his veins; 
He held the land and fenced it in, 
He cleared and ploughed the soil, 
And year by year a richer crop 
Repaid him for his toil. 

Between the homes for many years 
The devil left his tracks: 
The squatter pounded Ross's stock, 
And Sandy pounded Black's. 
A well upon the lower run 
Was filled with earth and logs, 
And Black laid baits about the farm 
To poison Ross's dogs. 

It was, indeed, a deadly feud 
Of class and creed and race; 
But, yet, there was a Romeo 
And a Juliet in the case; 
And more than once across the flats, 
Beneath the Southern Cross, 
Young Robert Black was seen to ride 
With pretty Jenny Ross. 

One Christmas time, when months of drought 
Had parched the western creeks, 
The bush-fires started in the north...
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I MIND me in the days departed, 
How often underneath the sun 
With childish bounds I used to run 
To a garden long deserted. 

The beds and walks were vanish'd quite; 5 
And wheresoe'er had struck the spade, 
The greenest grasses Nature laid, 
To sanctify her right. 

I call'd the place my wilderness, 
For no one enter'd there but I. 10 
The sheep look'd in, the grass to espy, 
And pass'd it ne'ertheless. 

The trees were interwoven wild, 
And spread their boughs enough about 
To keep both sheep and shepherd out, 15 
But not a happy child. 

Adventurous joy it was for me! 
I crept beneath the boughs, and found 
A circle smooth of mossy ground 
Beneath a poplar-tree. 20 

Old garden rose-trees hedged it in, 
Bedropt with roses waxen-white, 
Well satisfied with dew and light, 
And careless to be seen. 

Long years ago, it might befall, 25 
When all the garden flowers were trim, 
The grave old gardener prided him 
On these the most of all. 

Some Lady, stately overmuch, 
Here moving with a silken noise, 30 
Has blush'd beside them at the voice 
That liken'd her to such. 

Or these, to make a diadem, 
She often may have...
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 Come all you little rouseabouts and climb upon my knee; 
To-day, you see, is Christmas Day, and so it’s up to me 
To give you some instruction like—a kind of Christmas tale— 
So name your yarn, and off she goes. What, “Jonah and the Whale”? 
Well, whales is sheep I’ve never shore; I’ve never been to sea, 
So all them great Leviathans is mysteries to me; 
But there’s a tale the Bible tells I fully understand, 
About the time the Patriarchs were settling on the land. 

Those Patriarchs of olden time, when all is said and done, 
They lived the same as far-out men on many a Queensland run— 
A lot of roving, droving men who drifted to and fro, 
The same we did out Queensland way a score of years ago. 

Now Isaac was a squatter man, and Jacob was his son, 
And when the boy grew up, you see, he wearied of the run. 
You know the way that boys grow up—there’s some that stick at home; 
But any boy that’s worth his salt will roll his swag and roam. 

So Jacob caught the roving fit and took the drovers’ track 
To where his uncle had a...
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 Ruggiero, to amaze the British host, 
And wake more wonder in their wondering ranks, 
The bridle of his winged courser loosed, 
And clapped his spurs into the creature's flanks; 
High in the air, even to the topmost banks 
Of crudded cloud, uprose the flying horse, 
And now above the Welsh, and now the Manx, 
And now across the sea he shaped his course, 
Till gleaming far below lay Erin's emerald shores. 


There round Hibernia's fabled realm he coasted, 
Where the old saint had left the holy cave, 
Sought for the famous virtue that it boasted 
To purge the sinful visitor and save. 
Thence back returning over land and wave, 
Ruggiero came where the blue currents flow, 
The shores of Lesser Brittany to lave, 
And, looking down while sailing to and fro, 
He saw Angelica chained to the rock below. 


'Twas on the Island of Complaint -- well named, 
For there to that inhospitable shore, 
A savage people, cruel and untamed, 
Brought the rich prize of many a hateful war. 
To feed a monster that bestead them sore, 
They of fair ladies those that loveliest shone, 
Of tender maidens they the tenderest bore, 
And, drowned in tears and making piteous...
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 "I've been where it hurts." the Kid 

He becomes Sierra Kid

 I passed Slimgullion, Morgan Mine, 
 Camp Seco, and the rotting Lode. 
 Dark walls of sugar pine --, 
 And where I left the road 

 I left myself behind; 
 Talked to no one, thought 
 Of nothing. When my luck ran out 
 Lived on berries, nuts, bleached grass. 
 Driven by the wind 
 Through great Sonora pass, 

 I found an Indian's teeth; 
 Turned and climbed again 
 Without direction, compass, path, 
 Without a way of coming down, 
 Until I stopped somewhere 
 And gave the place a name. 

 I called the forests mine; 
 Whatever I could hear 
 I took to be a voice: a man 
 Was something I would never hear.

He faces his second winter in the Sierra

 A hard brown bug, maybe a beetle, 
 Packing a ball of sparrow shit -- 
 What shall I call it? 
 Shit beetle? Why's it pushing here 
 At this great height in the thin air 
 With its ridiculous waddle 

 Up the hard side of Hard Luck Hill? 
 And the furred thing that...
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 from an officer's diary during the last war

I 

The sour daylight cracks through my sleep-caked lids. 
"Stephan! Stephan!" The rattling orderly 
Comes on a trot, the cold tray in his hands: 
Toast whitening with oleo, brown tea, 

Yesterday's napkins, and an opened letter. 
"Your asthma's bad, old man." He doesn't answer, 
And turns to the grey windows and the weather. 
"Don't worry, Stephan, the lungs will go to cancer." 

II 

I speak, "the enemy's exhausted, victory 
Is almost ours..." These twenty new recruits, 
Conscripted for the battles lost already, 
Were once the young, exchanging bitter winks, 

And shuffling when I rose to eloquence, 
Determined not to die and not to show 
The fear that held them in their careless stance, 
And yet they died, how many wars ago? 

Or came back cream puffs, 45, and fat. 
I know that I am touched for my eyes brim 
With tears I had forgotten. Death is not 
For these car salesmen whose only dream 

Is of a small percentage of the take. 
Oh my eternal smilers, weep for death 
Whose harvest withers with your aged aches 
And cannot make the grave for lack of breath. 

III 

Did you wet? Oh no, he...
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 The opening scene. The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses. Funeral meats. The clever
Abandoned orphan. The great athletic killer
Sulking in his tent. As though all stories began
With someone dying.

 When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying. I don't know why:
She said, because she loved her mother so much
She couldn't bear to see the way the doctors,
Or her father, or--someone--was letting her mother die.
"Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet."

She fogs things up, she scavenges the taint.
Possibly that's the reason I write these poems.

But they did speak: on the phone. Wept and argued,
So fiercely one or the other often cut off
A sentence by hanging up in rage--like lovers,
But all that year she never saw her face.

They lived on the same block, four doors apart.
"Absence my presence is; strangeness my grace;
With them that walk against me is my sun."

"Synagogue" is a word I never heard,
We called it shul, the Yiddish word for school.
Elms, terra-cotta, the ocean a few blocks east.
"Lay institution": she taught me we...
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 I

I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken. 

II

At the field's end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, --
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.

I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole's elm, a twittering restless cloud, all one morning,
And...
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 In the willows along the river at Pleasure Bay
A catbird singing, never the same phrase twice.
Here under the pines a little off the road
In 1927 the Chief of Police
And Mrs. W. killed themselves together,
Sitting in a roadster. Ancient unshaken pilings
And underwater chunks of still-mortared brick
In shapes like bits of puzzle strew the bottom
Where the landing was for Price's Hotel and Theater.
And here's where boats blew two blasts for the keeper
To shunt the iron swing-bridge. He leaned on the gears
Like a skipper in the hut that housed the works
And the bridge moaned and turned on its middle pier
To let them through. In the middle of the summer
Two or three cars might wait for the iron trusswork
Winching aside, with maybe a child to notice
A name on the stern in black-and-gold on white,
Sandpiper, Patsy Ann, Do Not Disturb,
The Idler. If a boat was running whiskey,
The bridge clanged shut behind it as it passed
And opened up again for the Coast Guard cutter
Slowly as a sundial, and always jammed halfway.
The roadbed whole, but opened like a switch,
The river pulling and coursing between the piers.
Never the same phrase twice, the catbird filling
The humid August evening near the inlet
With borrowed music that he melds and changes.
Dragonflies...
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 Can we not force from widow'd poetry, 
Now thou art dead (great Donne) one elegy 
To crown thy hearse? Why yet dare we not trust, 
Though with unkneaded dough-bak'd prose, thy dust, 
Such as th' unscissor'd churchman from the flower 
Of fading rhetoric, short-liv'd as his hour, 
Dry as the sand that measures it, should lay 
Upon thy ashes, on the funeral day? 
Have we no voice, no tune? Didst thou dispense 
Through all our language, both the words and sense? 
'Tis a sad truth. The pulpit may her plain 
And sober Christian precepts still retain, 
Doctrines it may, and wholesome uses, frame, 
Grave homilies and lectures, but the flame 
Of thy brave soul (that shot such heat and light 
As burnt our earth and made our darkness bright, 
Committed holy rapes upon our will, 
Did through the eye the melting heart distil, 
And the deep knowledge of dark truths so teach 
As sense might judge what fancy could not reach) 
Must be desir'd forever. So the fire 
That fills with spirit and heat the Delphic quire, 
Which, kindled first by thy Promethean breath, 
Glow'd here a while, lies quench'd now in thy death. 
The Muses' garden, with pedantic...
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 You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?

Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .

Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed...
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 Another armored animal--scale
 lapping scale with spruce-cone regularity until they
form the uninterrupted central
 tail-row! This near artichoke with head and legs and grit-equipped
 gizzard,
the night miniature artist engineer is,
 yes, Leonardo da Vinci's replica--
 impressive animal and toiler of whom we seldom hear.
 Armor seems extra. But for him,
 the closing ear-ridge--
 or bare ear lacking even this small
 eminence and similarly safe

contracting nose and eye apertures
 impenetrably closable, are not; a true ant-eater,
not cockroach eater, who endures
 exhausting solitary trips through unfamiliar ground at night,
 returning before sunrise, stepping in the moonlight,
 on the moonlight peculiarly, that the outside
 edges of his hands may bear the weight and save the claws
 for digging. Serpentined about
 the tree, he draws
 away from danger unpugnaciously,
 with no sound but a harmless hiss; keeping

the fragile grace of the Thomas-
 of-Leighton Buzzard Westminster Abbey wrought-iron vine, or
rolls himself into a ball that has
 power to defy all effort to unroll it; strongly intailed, neat
 head for core, on neck not breaking off, with curled-in-feet.
 Nevertheless he has sting-proof scales; and nest
 of rocks closed with earth from inside, which can thus
 darken.
 Sun and moon and day and night and man and...
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 Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.

I. SONG.

Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.

Fame that her high worth to raise,
Seem'd erst so lavish and profuse,
We may justly now accuse 
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.

Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be, 
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare's not give her odds;
Who had thought this clime had held
A deity so unparalel'd?

As they com forward, the genius of the Wood appears, and
turning toward them, speaks.

GEN. Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse, 
Stole under Seas...
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 Give me life at its most garish

Friday night in the Square, pink sequins dazzle

And dance on clubbers bare to the midriff

Young men in crisp shirts and pressed pants

‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’

And sing along its lyrics to the throng of which I’m one

My shorts, shoulder bag and white beard

Making me stand out in the teeming swarm

Of teens and twenties this foetid Friday night

On my way from the ward where our son paces

And fulminates I throw myself into the drowning

Tide of Friday to be rescued by sheer normality.

The mill girl with her mates asks anxiously

"Are you on your own? Come and join us

What’s your name?" Age has driven my shyness away 

As I join the crowd beneath the turning purple screens 

Bannered ‘Orgasm lasts for ever’ and sip unending 

Halves of bitter, as I circulate among the crowd, 

Being complete in itself and out for a good night out,

A relief from factory, shop floor and market stall

Running from the reality of the ward where my son 

Pounds the ledge with his fist and seems out to blast

My very existence with words like bullets.

The need to anaesthetise the pain resurfaces 

Again and again. In Leeds City Square...
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