10 Best Famous Womens Poems

Here is a collection of the top 10 all-time best famous Womens poems. This is a select list of the best famous Womens poetry. Reading, writing, and enjoying famous Womens poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of womens poems.

• All Famous Womens Poems

 I. Soon 

Of all the springtimes of the world 
This one is the ugliest 
Of all of my ways of being 
To be trusting is the best 

Grass pushes up snow 
Like the stone of a tomb 
But I sleep within the storm 
And awaken eyes bright 

Slowness, brief time ends 
Where all streets must pass 
Through my innermost recesses 
So that I would meet someone 

I don’t listen to monsters 
I know them and all that they say 
I see only beautiful faces 
Good faces, sure of themselves 
Certain soon to ruin their masters 

II. The women’s role 

As they sing, the maids dash forward 
To tidy up the killing fields 
Well-powdered girls, quickly to their knees 

Their hands -- reaching for the fresh air -- 
Are blue like never before 
What a glorious day! 

Look at their hands, the dead 
Look at their liquid eyes 

This is the toilet of transience 
The final toilet of life 
Stones sink and disappear 
In the vast, primal waters 
The final toilet of time 

Hardly a memory remains 
the dried-up well of virtue 
In the long, oppressive absences 
One surrenders to tender flesh 
Under the spell of weakness 

III. As deep as the silence 

As deep as the silence 
Of a corpse under ground 
With nothing but darkness in mind 

As dull and deaf 
As autumn by the pond 
Covered with stale shame 

Poison, deprived of its flower 
And of its golden beasts 
out its night onto man 

IV. Patience 

You, my patient one 
My patience 
My parent 
Head held high and proudly 
Organ of the sluggish night 
Bow down 
Concealing all of heaven 
And its favor 
Prepare for vengeance 
A bed where I'll be born 

V. First march, the voice of another 

Laughing at sky and planets 
Drunk with their confidence 
The wise men wish for sons 
And for sons from their sons 

Until they all perish in vain 
Time burdens only fools 
While Hell alone prospers 
And the wise men are absurd 

VI. A wolf 

Day surprises me and night scares me 
haunts me and winter follows me 
An animal walking on the snow has placed 
Its paws in the sand or in the mud 

Its paws have traveled 
From further afar than my own steps 
On a path where death 
Has the imprints of life 

VII. A flawless fire 

The threat under the red sky 
Came from below -- jaws 
And scales and links 
Of a slippery, heavy chain 

Life was spread about generously 
So that death took seriously 
The debt it was paid without a thought 

Death was the God of love 
And the conquerors in a kiss 
Swooned upon their victims 
Corruption gained courage 

And yet, beneath the red sky 
Under the appetites for blood 
Under the dismal starvation 
The cavern closed 

The kind earth filled 
The graves dug in advance 
Children were no longer afraid 
Of maternal depths 

And madness and stupidity 
And vulgarity make way 
For humankind and brotherhood 
No longer fighting against life -- 
For an everlasting humankind 

VIII. Liberty 

On my school notebooks 
On my desk, on the trees 
On the sand, on the snow 
I write your name 
On all the read pages 
On all the empty pages 
Stone, blood, paper or ash 
I write your name 

On the golden images 
On the weapons of warriors 
On the crown of kings 
I write your name 

On the jungle and the desert 
On the nests, on the broom 
On the echo of my childhood 
I write your name 

On the wonders of nights 
On the white bread of days 
On the seasons betrothed 
I write your name 

d'azur On all my blue rags 
On the sun-molded pond 
On the moon-enlivened lake 
I write your name 

On the fields, on the horizon 
On the wings of birds 
And on the mill of shadows 
I write your name 

On every burst of dawn 
On the sea, on the boats 
On the insane mountain 
I write your name 

On the foam of clouds 
On the sweat of the storm 
On the rain, thick and insipid 
I write your name 

On the shimmering shapes 
On the colorful bells 
On the physical truth 
I write your name

On the alert pathways 
On the wide-spread roads 
On the overflowing places 
I write your name 

On the lamp that is ignited 
On the lamp that is dimmed 
On my reunited houses 
I write your name 

On the fruit cut in two 
Of the mirror and of my room 
On my bed, an empty shell 
I write your name 

On my dog, young and greedy 
On his pricked-up ears 
On his clumsy paw 
I write your name 

On the springboard of my door 
On the familiar objects 
On the wave of blessed fire 
I write your name 

On all harmonious flesh 
On the face of my friends 
On every out-stretched hand 
I write your name 

On the window-pane of surprises 
On the careful lips 
Well-above silence 
I write your name 

On my destroyed shelter 
On my collapsed beacon 
On the walls of my weariness 
I write your name 

On absence without want 
On naked solitude 
On the steps of death 
I write your name 

On regained health 
On vanished risk 
On hope free from memory 
I write your name 

And by the power of one word 
I begin my life again 
I am born to know you 

To call you by name: Liberty!

My whole eye was sunset red,
the old cut cornea throbbed,
I saw things darkly,
as through an unwashed goldfish globe.

I lay all day on my bed.
I chain-smoked through the night,
learning to flinch
at the flash of the matchlight.

Outside, the summer rain,
a simmer of rot and renewal,
fell in pinpricks.
Even new life is fuel.

My eyes throb.
Nothing can dislodge
the house with my first tooth
noosed in a knot to the doorknob.

Nothing can dislodge
the triangular blotch
of rot on the red roof,
a cedar hedge, or the shade of a hedge.

No ease from the eye
of the sharp-shinned hawk in the birdbook there,
with reddish-brown buffalo hair
on its shanks, one asectic talon

clasping the abstract imperial sky.
It says:
an eye for an eye,
a tooth for a tooth.

No ease for the boy at the keyhole,
his telescope,
when the women's white bodies flashed
in the bathroom. Young, my eyes began to fail.

Nothing! No oil
for the eye, nothing to pour
on those waters or flames.
I am tired. Everyone's tired of my turmoil.

 To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving. Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.

I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.

There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.

Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.

As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.

O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.

Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.

A sincere man am I
From the land where palm trees grow,
And I want before I die
My soul's verses to bestow.

I'm a traveler to all parts,
And a newcomer to none:
I am art among the arts,
With the mountains I am one.

I know how to name and class
All the strange flowers that grow;
I know every blade of grass,
Fatal lie and sublime woe.

I have seen through dead of night
Upon my head softly fall,
Rays formed of the purest light
From beauty celestial.

I have seen wings that were surging
From beautiful women's shoulders,
And seen butterflies emerging
From the refuse heap that moulders.

I have known a man to live
With a dagger at his side,
And never once the name give
Of she by whose hand he died.

Twice, for an instant, did I
My soul's reflection espy:
Twice: when my poor father died
And when she bade me good-bye.

I trembled once, when I flung
The vineyard gate, and to my dread,
The wicked hornet had stung
My little girl on the forehead.

I rejoiced once and felt lucky
The day that my jailer came
To read the death warrant to me
That bore his tears and my name.

I hear a sigh across the earth,
I hear a sigh over the deep:
It is no sign reaching my hearth,
But my son waking from sleep.

If they say I have obtained
The pick of the jeweller's trove,
A good friend is what I've gained
And I have put aside love.

I have seen across the skies
A wounded eagle still flying;
I know the cubby where lies
The snake of its venom dying.

I know that the world is weak
And must soon fall to the ground,
Then the gentle brook will speak
Above the quiet profound.

While trembling with joy and dread,
I have touched with hand so bold
A once-bright star that fell dead
From heaven at my threshold.

On my brave heart is engraved
The sorrow hidden from all eyes:
The son of a land enslaved,
Lives for it, suffers and dies.

All is beautiful and right,
All is as music and reason;
And all, like diamonds, is light
That was coal before its season.

I know when fools are laid to rest
Honor and tears will abound,
And that of all fruits, the best
Is left to rot in holy ground.

Without a word, the pompous muse
I've set aside, and understood:
From a withered branch, I choose
To hang my doctoral hood.

 Mens Voices:

LORD of the lotus, lord of the harvest, 
Bright and munificent lord of the morn! 
Thine is the bounty that prospered our sowing, 
Thine is the bounty that nurtured our corn. 
We bring thee our songs and our garlands for tribute, 
The gold of our fields and the gold of our fruit; 
O giver of mellowing radiance, we hail thee, 
We praise thee, O Surya, with cymbal and flute.

Lord of the rainbow, lord of the harvest, 
Great and beneficent lord of the main! 
Thine is the mercy that cherished our furrows, 

Thine is the mercy that fostered our grain. 
We bring thee our thanks and our garlands for tribute, 
The wealth of our valleys, new-garnered and ripe; 
O sender of rain and the dewfall, we hail thee, 
We praise thee, Varuna, with cymbal and pipe. 


Womens Voices:

Queen of the gourd-flower, queen of the har- vest, 
Sweet and omnipotent mother, O Earth! 
Thine is the plentiful bosom that feeds us, 
Thine is the womb where our riches have birth. 
We bring thee our love and our garlands for tribute, 
With gifts of thy opulent giving we come; 
O source of our manifold gladness, we hail thee, 
We praise thee, O Prithvi, with cymbal and drum.


All Voices: 

Lord of the Universe, Lord of our being, 
Father eternal, ineffable Om! 
Thou art the Seed and the Scythe of our harvests, 
Thou art our Hands and our Heart and our Home. 
We bring thee our lives and our labours for tribute, 
Grant us thy succour, thy counsel, thy care. 
O Life of all life and all blessing, we hail thee, 
We praise thee, O Bramha, with cymbal and prayer

 1
BROTHER of all, with generous hand, 
Of thee, pondering on thee, as o’er thy tomb, I and my Soul, 
A thought to launch in memory of thee, 
A burial verse for thee. 

What may we chant, O thou within this tomb?
What tablets, pictures, hang for thee, O millionaire? 
—The life thou lived’st we know not, 
But that thou walk’dst thy years in barter, ’mid the haunts of brokers; 
Nor heroism thine, nor war, nor glory. 

Yet lingering, yearning, joining soul with thine,
If not thy past we chant, we chant the future, 
Select, adorn the future. 

2
Lo, Soul, the graves of heroes! 
The pride of lands—the gratitudes of men, 
The statues of the manifold famous dead, Old World and New,
The kings, inventors, generals, poets, (stretch wide thy vision, Soul,) 
The excellent rulers of the races, great discoverers, sailors, 
Marble and brass select from them, with pictures, scenes, 
(The histories of the lands, the races, bodied there, 
In what they’ve built for, graced and graved,
Monuments to their heroes.) 

3
Silent, my Soul, 
With drooping lids, as waiting, ponder’d, 
Turning from all the samples, all the monuments of heroes. 

While through the interior vistas,
Noiseless uprose, phantasmic (as, by night, Auroras of the North,) 
Lambent tableaux, prophetic, bodiless scenes, 
Spiritual projections. 

In one, among the city streets, a laborer’s home appear’d, 
After his day’s work done, cleanly, sweet-air’d, the gaslight burning,
The carpet swept, and a fire in the cheerful stove. 

In one, the sacred parturition scene, 
A happy, painless mother birth’d a perfect child. 

In one, at a bounteous morning meal, 
Sat peaceful parents, with contented sons.

In one, by twos and threes, young people, 
Hundreds concentering, walk’d the paths and streets and roads, 
Toward a tall-domed school. 

In one a trio, beautiful, 
Grandmother, loving daughter, loving daughter’s daughter, sat,
Chatting and sewing. 

In one, along a suite of noble rooms, 
’Mid plenteous books and journals, paintings on the walls, fine statuettes, 
Were groups of friendly journeymen, mechanics, young and old, 
Reading, conversing.

All, all the shows of laboring life, 
City and country, women’s, men’s and children’s, 
Their wants provided for, hued in the sun, and tinged for once with joy, 
Marriage, the street, the factory, farm, the house-room, lodging-room, 
Labor and toil, the bath, gymnasium, play-ground, library, college,
The student, boy or girl, led forward to be taught; 
The sick cared for, the shoeless shod—the orphan father’d and mother’d, 
The hungry fed, the houseless housed; 
(The intentions perfect and divine, 
The workings, details, haply human.)

4
O thou within this tomb, 
From thee, such scenes—thou stintless, lavish Giver, 
Tallying the gifts of Earth—large as the Earth, 
Thy name an Earth, with mountains, fields and rivers. 

Nor by your streams alone, you rivers,
By you, your banks, Connecticut, 
By you, and all your teeming life, Old Thames, 
By you, Potomac, laving the ground Washington trod—by you Patapsco, 
You, Hudson—you, endless Mississippi—not by you alone, 
But to the high seas launch, my thought, his memory.

5
Lo, Soul, by this tomb’s lambency, 
The darkness of the arrogant standards of the world, 
With all its flaunting aims, ambitions, pleasures. 

(Old, commonplace, and rusty saws, 
The rich, the gay, the supercilious, smiled at long,
Now, piercing to the marrow in my bones, 
Fused with each drop my heart’s blood jets, 
Swim in ineffable meaning.) 

Lo, Soul, the sphere requireth, portioneth, 
To each his share, his measure,
The moderate to the moderate, the ample to the ample. 

Lo, Soul, see’st thou not, plain as the sun, 
The only real wealth of wealth in generosity, 
The only life of life in goodness?

 For Ann London 

As you described your mastectomy in calm detail
and bared your chest so I might see
the puckered scar,
"They took a hatchet to your breast!" I said. "What an
Amazon you are."

When we were girls we climbed Mt. Tamalpais
chewing bay leaves we had plucked
along the way;
we got high all right, from animal pleasure in each other,
shouting to the sky.

On your houseboat we tried to ignore the impossible guy
you had married to enrage your family,
a typical ploy.
We were great fools let loose in the No Name bar
on Sausalito's bay.

In San Francisco we'd perch on a waterfront pier
chewing sourdough and cheese, swilling champagne,
kicking our heels;
crooning lewd songs, hooting like seagulls,
we bayed with the seals.

Then you married someone in Mexico,
broke up in two weeks, didn't bother to divorce,
claimed it didn't count.
You dumped number three, fled to Albany
to become a pedant.

Averse to domesticity, you read for your Ph.D.
Your four-year-old looked like a miniature
John Lennon.
You fed him peanut butter from your jar and raised him
on Beowulf and Grendal.

Much later in New York we reunited;
in an elevator at Sak's a woman asked for
your autograph.
You glowed like a star, like Anouk Aimee
at forty, close enough.

Your pedantry found its place in the Women's Movement.
You rose fast, seen suddenly as the morning star;
wrote the ERA
found the right man at last, a sensitive artist;
flying too high

not to crash. When the cancer caught you
you went on talk shows to say you had no fear
or faith.
In Baltimore we joked on your bed as you turned into
a witty wraith.

When you died I cleaned out your bureau drawers:
your usual disorder; an assortment of gorgeous wigs
and prosthetic breasts
tossed in garbage bags, to spare your gentle spouse.
Then the bequests

you had made to every friend you had!
For each of us a necklace or a ring.
A snapshot for me:
We two, barefoot in chiffon, laughing amid blossoms
your last wedding day.

 The angel of self-discipline, her guardian
Since she first knew and had to go away
From home that spring to have her child with strangers,
Sustained her, till the vanished boy next door
And her ordeal seemed fiction, and the true
Her mother’s firm insistence she was the mother
And the neighbors’ acquiescence. So she taught school,
Walking a mile each way to ride the street car—
First books of the Aeneid known by heart,
French, and the French Club Wednesday afternoon;
Then summer replacement typist in an office,
Her sister’s family moving in with them,
Depression years and she the only earner.
Saturday, football game and opera broadcasts,
Sunday, staying at home to wash her hair,
The Business Women’s Circle Monday night,
And, for a treat, birthdays and holidays,
Nelson Eddy and Jeanette McDonald.
The young blond sister long since gone to college,
Nephew and nieces gone, her mother dead,
Instead of Caesar, having to teach First Aid,
The students rowdy, she retired. The rent
For the empty rooms she gave to Thornwell Orphanage,
Unwed Mothers, Temperance, and Foster Parents
And never bought the car she meant to buy;
Too blind at last to do much more than sit
All day in the antique glider on the porch
Listening to cars pass up and down the street.
Each summer, on the grass behind the house—
Cape jasmine, with its scent of August nights
Humid and warm, the soft magnolia bloom
Marked lightly by a slow brown stain—she spread,
For airing, the same small intense collection,
Concert programs, worn trophies, years of yearbooks,
Letters from schoolgirl chums, bracelets of hair
And the same picture: black hair in a bun,
Puzzled eyes in an oval face as young
Or old as innocence, skirt to the ground,
And, seated on the high school steps, the class,
The ones to whom she would have said, “Seigneur,
Donnez-nous la force de supporter
La peine,” as an example easy to remember,
Formal imperative, object first person plural.

 Ah yes, I love you, and with all my heart; 
Just as a weaker woman loves her own, 
Better than I love my beloved art, 
Which, until you came, reigned royally, alone, 
My king, my master. Since I saw your face
I have dethroned it, and you hold that place.

I am as weak as other women are –
Your frown can make the whole world like a tomb
Your smile shines brighter than the sun, by far; 
Sometimes I think there is not space or room
In all the earth for such a love as mine, 
And it soars up to breathe in realms divine.

I know that your desertion or neglect
Could break my heart, as women’s hearts do break; 
If my wan days had nothing to expect
From your love’s splendour, all joy would forsake
The chambers of my soul. Yes this is true.
And yet, and yet – one thing I keep from you.

There is a subtle part of me, which went
Into my long pursued and worshipped art; 
Though your great love fills me with such content, 
No other love finds room now in my heart.
Yet that rare essence was my art’s alone.
Thank God, you cannot grasp it; ‘tis mine own.

Thank God, I say, for while I love you so, 
With that vast love, as passionate as tender, 
I feel an exultation as I know
I have not made you a complete surrender.
Here is my body; bruise it, if you will, 
And break my heart; I have that something still.

You cannot grasp it. Seize the breath of morn, 
Or bind the perfume of the rose as well.
God put it in my soul when I was born; 
It is not mine to give away, or sell, 
Or offer up on any alter shrine.
It was my art’s; and when not art’s, ‘tis mine.

For Love’s sake, I can put the art away, 
Or anything which stands ‘twixt me and you, 
But that strange essence God bestowed, I say, 
To permeate the work He gave to do: 
And it cannot be drained, dissolved, or sent
Through any channel, save the one He meant.

 The young maricones and the horny muchachas,
The big fat widows delirious from insomnia,
The young wives thirty hours' pregnant,
And the hoarse tomcats that cross my garden at night,
Like a collar of palpitating sexual oysters
Surround my solitary home,
Enemies of my soul,
Conspirators in pajamas
Who exchange deep kisses for passwords.
Radiant summer brings out the lovers
In melancholy regiments,
Fat and thin and happy and sad couples;
Under the elegant coconut palms, near the ocean and moon,
There is a continual life of pants and panties,
A hum from the fondling of silk stockings,
And women's breasts that glisten like eyes.
The salary man, after a while,
After the week's tedium, and the novels read in bed at night,
Has decisively fucked his neighbor,
And now takes her to the miserable movies,
Where the heroes are horses or passionate princes,
And he caresses her legs covered with sweet down
With his ardent and sweaty palms that smell like cigarettes.
The night of the hunter and the night of the husband
Come together like bed sheets and bury me,
And the hours after lunch, when the students and priests are masturbating,
And the animals mount each other openly,
And the bees smell of blood, and the flies buzz cholerically,
And cousins play strange games with cousins,
And doctors glower at the husband of the young patient,
And the early morning in which the professor, without a thought,
Pays his conjugal debt and eats breakfast,
And to top it all off, the adulterers, who love each other truly
On beds big and tall as ships:
So, eternally,
This twisted and breathing forest crushes me
With gigantic flowers like mouth and teeth
And black roots like fingernails and shoes.