10 Best Famous Wisps Poems

Here is a collection of the top 10 all-time best famous Wisps poems. This is a select list of the best famous Wisps poetry. Reading, writing, and enjoying famous Wisps poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of wisps poems.

• All Famous Wisps Poems

 Would ‘any woman’ find me difficult to live with?

My tastes are simple: space for several thousand books,

The smoke from my pipe stuffed with aromatic Balkan Sobranie, 

A leftover from the Sixties, frequent brief absences to fulfil

My duties as a carer, unending phone calls

And the unenviable reputation as England’s worst or best complainer,

"Treading on toes or keeping people on their toes"

Also a warm and welcoming vagina, an insatiable need

For ******** and cunnilingus, a bed with clean sheets

I can retire to by five with a hot water bottle 

To calm my churning viscera while I read 

Endless analytic texts, tomes of French poems to translate,

A notorious weekly newsletter to edit, a quarterly to write reviews for

And – I must confess – cable TV so I can access Starsky and Hutch. 

I need a cottage in Haworth to go with the wife,

Companion or whatever, to see with me the changing

Seasons of heather from purple September glory

To the browns of winter and wisps of summer green

And meet with Michael Haslam, fellow poet,

Maestro of the moors and shape-shifter supreme.

I write these verses sitting in the marble hall

Of City Station’s restored art deco glory,

The rats and debris of decades swept away,

How much I need the kindness of strangers,

The welcome from my son’s nurses on the 

Ward with the highest security rating Leeds possesses,

A magnificent rotunda among lawns and wooded glades,

Air conditioned with more staff than patients-

When visiting times are readily extended to encompass

My moorland walks and journeys to the capital

When I visit Brenda Williams, England’s leading protest poet.

In an Eden garden which spreads its lawned sleeves

To envelop my tobacco smoke which irritates everyone 

Or is it a displacement onto the smoker

As I ecstasise the red and yellow splendour of the red hot poker

Defiantly erect among the flowering robes of magnolia?

Here we reminisce of long ago days when our children

Blossomed with talent and showed no signs 

Of the unending torment of their adult years,

Depot injections, Red clouds which whirl as in end-on sections, absconding,

Liasing, losing and finding…

 Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens
ravish my eyes. You edge
the beds of silver cabbages
with red carnations, and lettuces
mix with alyssum. And then
umbrella ants arrive,
or it rains for a solid week
and the whole thing's ruined again
and I buy you more pounds of seeds,
imported, guaranteed,
and eventually you bring me
a mystic thee-legged carrot,
or a pumpkin "bigger than the baby."

I watch you through the rain,
trotting, light, on bare feet,
up the steep paths you have made—
or your father and grandfather made—
all over my property,
with your head and back inside
a sodden burlap bag,
and feel I can't endure it
another minute; then,
indoors, beside the stove,
keep on reading a book.

You steal my telephone wires,
or someone does. You starve
your horse and yourself
and your dogs and family.
among endless variety,
you eat boiled cabbage stalks.
And once I yelled at you
so loud to hurry up
and fetch me those potatoes
your holey hat flew off,
you jumped out of your clogs,
leaving three objects arranged 
in a triangle at my feet,
as if you'd been a gardener
in a fairy tale all this time
and at the word "potatoes"
had vanished to take up your work
of fairy prince somewhere.

The strangest things happen to you.
Your cows eats a "poison grass"
and drops dead on the spot.
Nobody else's does.
And then your father dies,
a superior old man
with a black plush hat, and a moustache
like a white spread-eagled sea gull.
The family gathers, but you,
no, you "don't think he's dead!
I look at him. He's cold.
They're burying him today.
But you know, I don't think he's dead."
I give you money for the funeral
and you go and hire a bus
for the delighted mourners,
so I have to hand over some more
and then have to hear you tell me
you pray for me every night!

And then you come again,
sniffing and shivering,
hat in hand, with that wistful
face, like a child's fistful
of bluets or white violets,
improvident as the dawn,
and once more I provide
for a shot of penicillin
down at the pharmacy, or 
one more bottle of
Electrical Baby Syrup.
Or, briskly, you come to settle
what we call our "accounts,"
with two old copybooks,
one with flowers on the cover,
the other with a camel.
immediate confusion.
You've left out decimal points.
Your columns stagger,
honeycombed with zeros.
You whisper conspiratorially;
the numbers mount to millions.
Account books? They are Dream Books.
in the kitchen we dream together
how the meek shall inherit the earth—
or several acres of mine.

With blue sugar bags on their heads,
carrying your lunch,
your children scuttle by me
like little moles aboveground,
or even crouch behind bushes
as if I were out to shoot them!
—Impossible to make friends,
though each will grab at once
for an orange or a piece of candy.

Twined in wisps of fog,
I see you all up there
along with Formoso, the donkey,
who brays like a pump gone dry,
then suddenly stops.
—All just standing, staring
off into fog and space.
Or coming down at night,
in silence, except for hoofs,
in dim moonlight, the horse
or Formoso stumbling after.
Between us float a few
big, soft, pale-blue,
sluggish fireflies,
the jellyfish of the air...

Patch upon patch upon patch,
your wife keeps all of you covered.
She has gone over and over
(forearmed is forewarned)
your pair of bright-blue pants
with white thread, and these days
your limbs are draped in blueprints.
You paint—heaven knows why—
the outside of the crown
and brim of your straw hat.
Perhaps to reflect the sun?
Or perhaps when you were small,
your mother said, "Manuelzinho,
one thing; be sure you always
paint your straw hat."
One was gold for a while,
but the gold wore off, like plate.
One was bright green. Unkindly,
I called you Klorophyll Kid.
My visitors thought it was funny.
I apologize here and now.
You helpless, foolish man,
I love you all I can,
I think. Or I do?
I take off my hat, unpainted
and figurative, to you.
Again I promise to try.

 There was a woman, and she was wise; woefully wise was she;
She was old, so old, yet her years all told were but a score and three;
And she knew by heart, from finish to start, the Book of Iniquity.

There is no hope for such as I on earth, nor yet in Heaven;
Unloved I live, unloved I die, unpitied, unforgiven;
A loathed jade, I ply my trade, unhallowed and unshriven.

I paint my cheeks, for they are white, and cheeks of chalk men hate;
Mine eyes with wine I make them shine, that man may seek and sate;
With overhead a lamp of red I sit me down and wait

Until they come, the nightly scum, with drunken eyes aflame;
Your sweethearts, sons, ye scornful ones -- 'tis I who know their shame.
The gods, ye see, are brutes to me -- and so I play my game.

For life is not the thing we thought, and not the thing we plan;
And Woman in a bitter world must do the best she can --
Must yield the stroke, and bear the yoke, and serve the will of man;

Must serve his need and ever feed the flame of his desire,
Though be she loved for love alone, or be she loved for hire;
For every man since life began is tainted with the mire.

And though you know he love you so and set you on love's throne;
Yet let your eyes but mock his sighs, and let your heart be stone,
Lest you be left (as I was left) attainted and alone.

From love's close kiss to hell's abyss is one sheer flight, I trow,
And wedding ring and bridal bell are will-o'-wisps of woe,
And 'tis not wise to love too well, and this all women know.

Wherefore, the wolf-pack having gorged upon the lamb, their prey,
With siren smile and serpent guile I make the wolf-pack pay --
With velvet paws and flensing claws, a tigress roused to slay.

One who in youth sought truest truth and found a devil's lies;
A symbol of the sin of man, a human sacrifice.
Yet shall I blame on man the shame? Could it be otherwise?

Was I not born to walk in scorn where others walk in pride?
The Maker marred, and, evil-starred, I drift upon His tide;
And He alone shall judge His own, so I His judgment bide.

Fate has written a tragedy; its name is "The Human Heart".
The Theatre is the House of Life, Woman the mummer's part;
The Devil enters the prompter's box and the play is ready to start.

 The ticket settles on my desk: a paper tongue
pronouncing "Go away;" a flattened seed
from which a thousand-mile leap through the air can grow.

It's pure potential: a vacation-to-be
the way an apple is a pie-to-be,
a bullet is a death-to-be. Or is the future

pressed into it inalterably—woven between
the slick fibers like secret threads
from the U.S. Treasury? Is my flight number

already flashing as cameras grind and the newly-
bereaved moan? Or does it gleam under Arrivals,
digits turned innocuous as those that didn't

win the raffle for a new Ford truck?
If, somewhere, I'm en route now, am I
praying the winged ballpoint I'm strapped into

will write on Denver's runway, "Safe and Sound"?
Was my pocket picked in Burbank,
and I've just noticed at thirty thousand feet?

Am I smiling, watching the clouds' icefields
melt to smoky wisps, revealing lakes
like Chinese dragons embroidered in blue below?

Lifting my ticket, do I hold a bon voyage,
or boiling jet streams, roaring thunderstorms,
the plane bounced like a boat on cast iron seas,

then the lightning flash, the dizzy plunge,
perfectly aware (amid the shrieks and prayers)
that, live or die, I won't survive the fall?

 With delicate, mad hands, behind his sordid bars,
Surely he hath his posies, which they tear and twine;
Those scentless wisps of straw, that miserably line
His strait, caged universe, whereat the dull world stares,

Pedant and pitiful. O, how his rapt gaze wars
With their stupidity! Know they what dreams divine
Lift his long, laughing reveries like enchanted wine,
And make his melancholy germane to the stars'?

O lamentable brother! if those pity thee,
Am I not fain of all thy lone eyes promise me;
Half a fool's kingdom, far from men who sow and reap,
All their days, vanity? Better than mortal flowers,
Thy moon-kissed roses seem: better than love or sleep,
The star-crowned solitude of thine oblivious hours!

 ON the lips of the child Janet float changing dreams.
It is a thin spiral of blue smoke,
A morning campfire at a mountain lake.

On the lips of the child Janet,
Wisps of haze on ten miles of corn,
Young light blue calls to young light gold of morning.

 In dark fens of the Dismal Swamp
The hunted ***** lay;
He saw the fire of the midnight camp,
And heard at times a horse's tramp
And a bloodhound's distant bay.

Where will-o'-the-wisps and glow-worms shine,
In bulrush and in brake;
Where waving mosses shroud the pine,
And the cedar grows, and the poisonous vine
Is spotted like the snake;

Where hardly a human foot could pass,
Or a human heart would dare,
On the quaking turf of the green morass
He crouched in the rank and tangled grass,
Like a wild beast in his lair.

A poor old slave, infirm and lame;
Great scars deformed his face;
On his forehead he bore the brand of shame,
And the rags, that hid his mangled frame,
Were the livery of disgrace.

All things above were bright and fair,
All things were glad and free;
Lithe squirrels darted here and there,
And wild birds filled the echoing air
With songs of Liberty!

On him alone was the doom of pain,
From the morning of his birth;
On him alone the curse of Cain
Fell, like a flail on the garnered grain,
And struck him to the earth!

 I. CHICKENS

I am The Great White Way of the city:
When you ask what is my desire, I answer:
"Girls fresh as country wild flowers,
With young faces tired of the cows and barns,
Eager in their eyes as the dawn to find my mysteries,
Slender supple girls with shapely legs,
Lure in the arch of their little shoulders
And wisdom from the prairies to cry only softly at
 the ashes of my mysteries."

 II. USED UP

 Lines based on certain regrets that come with rumination
 upon the painted faces of women on
 North Clark Street, Chicago

 Roses,
 Red roses,
 Crushed
In the rain and wind
Like mouths of women
Beaten by the fists of
Men using them.
 O little roses
 And broken leaves
 And petal wisps:
You that so flung your crimson
 To the sun
Only yesterday.

 III. HOME

Here is a thing my heart wishes the world had more of:
I heard it in the air of one night when I listened
To a mother singing softly to a child restless and angry
 in the darkness.

Long as unending threads, the long-drawn rain
Interminably, with its nails of grey,
Athwart the dull grey day,
Rakes the green window-pane—
So infinitely, endlessly, the rain,
The long, long rain.
The rain.

Since yesternight it keeps unravelling
Down from the frayed and flaccid rags that cling
About the sullen sky.
The low black sky;
Since yesternight, so slowly, patiently.
Unravelling its threads upon the roads.
Upon the roads and lanes, with even fall
Continual.


Along the miles
That 'twixt the meadows and the suburbs lie,
By roads interminably bent, the files
Of waggons, with their awnings arched and tall.
Struggling in sweat and steam, toil slowly by
With outline vague as of a funeral.
Into the ruts, unbroken, regular,
Stretching out parallel so far
That when night comes they seem to join the sky.
For hours the water drips;
And every tree and every dwelling weeps.
Drenched as they are with it.
With the long rain, tenaciously, with rain
Indefinite.


The rivers, through each rotten dyke that yields.
Discharge their swollen wave upon the fields.
Where coils of drownèd hay
Float far away;
And the wild breeze
Buffets the alders and the walnut-trees;
Knee-deep in water great black oxen stand,
Lifting their bellowings sinister on high
To the distorted sky;
As now the night creeps onward, all the land,
Thicket and plain,
Grows cumbered with her clinging shades immense.
And still there is the rain,
The long, long rain.
Like soot, so fine and dense.


The long, long rain.
Rain—and its threads identical,
And its nails systematical,
Weaving the garment, mesh by mesh amain,
Of destitution for each house and wall,
And fences that enfold
The villages, neglected, grey, and old:
Chaplets of rags and linen shreds that fall
In frayed-out wisps from upright poles and tall.
Blue pigeon-houses glued against the thatch,
And windows with a patch
Of dingy paper on each lowering pane,
Houses with straight-set gutters, side by side
Across the broad stone gambles crucified,
Mills, uniform, forlorn.
Each rising from its hillock like a horn,
Steeples afar and chapels round about,
The rain, the long, long rain,
Through all the winter wears and wears them out.

Rain, with its many wrinkles, the long rain
With its grey nails, and with its watery mane;
The long rain of these lands of long ago,
The rain, eternal in its torpid flow!

The morning breaks like a pomegranate
In a shining crack of red,
Ah, when to-morrow the dawn comes late
Whitening across the bed,
It will find me watching at the marriage gate
And waiting while light is shed
On him who is sleeping satiate,
With a sunk, abandoned head.

And when the dawn comes creeping in,
Cautiously I shall raise
Myself to watch the morning win
My first of days,
As it shows him sleeping a sleep he got
Of me, as under my gaze,
He grows distinct, and I see his hot
Face freed of the wavering blaze.

Then I shall know which image of God
My man is made toward,
And I shall know my bitter rod
Or my rich reward.
And I shall know the stamp and worth
Of the coin I’ve accepted as mine,
Shall see an image of heaven or of earth
On his minted metal shine.

Yea and I long to see him sleep
In my power utterly,
I long to know what I have to keep,
I long to see
My love, that spinning coin, laid still
And plain at the side of me,
For me to count—for I know he will
Greatly enrichen me.

And then he will be mine, he will lie
In my power utterly,
Opening his value plain to my eye
He will sleep of me.
He will lie negligent, resign
His all to me, and I
Shall watch the dawn light up for me
This sleeping wealth of mine.

And I shall watch the wan light shine
On his sleep that is filled of me,
On his brow where the wisps of fond hair twine
So truthfully,
On his lips where the light breaths come and go
Naïve and winsomely,
On his limbs that I shall weep to know
Lie under my mastery.