by
Margaret Atwood
What should we have taken
with us? We never could decide
on that; or what to wear,
or at what time of
year we should make the journey
So here we are in thin
raincoats and rubber boots
On the disastrous ice, the wind rising
Nothing in our pockets
But a pencil stub, two oranges
Four Toronto streetcar tickets
and an elastic band holding a bundle
of small white filing cards
printed with important facts.
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by
Robert Pinsky
The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians
Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band
Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze
At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--
The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out
Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.
A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once
He stepped up to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--
Like Hart Crane's Bedlamite, "shrill shirt ballooning."
Wonderful how the patern matches perfectly
Across the placket and over the twin bar-tacked
Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans
Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,
Bailey, MacMartin. The kilt, devised for workers
to wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,
The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:
George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit
And feel and its clean smell have satisfied
both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,
The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.
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by
Delmore Schwartz
At last the air fragrant, the bird's bubbling whistle
Succinct in the unknown unsettled trees:
O little Charles, beside the Georgian colleges
And milltown New England; at last the wind soft,
The sky unmoving, and the dead look
Of factory windows separate, at last,
From windows gray and wet:
for now the sunlight
Thrashes its wet shellac on brickwalk and gutter,
White splinters streak midmorning and doorstep,
Winter passes as the lighted streetcar
Moves at midnight, one scene of the past,
Droll and unreal, stiff, stilted and hooded.
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by
Ellis Parker Butler
Well, eight months ago one clear cold day,
I took a ramble up Broadway,
And with my hands behind my back
I strolled along on the streetcar track—
(I walked on the track, for walking there
Gives one, I think, a distinguished air.)
“Well, all of a sudden I felt a jar
And I said, “I’ll bet that’s a trolley car,”
And, sure enough, when I looked to see
I saw it had run right over me!
And my limbs and things were so scattered about
That for a moment I felt put out.
Well, the motorman was a nice young chap!
And he came right up and tipped his cap
And said, “Beg pardon,” and was so kind
That his gentle manner soothed my mind:
Especially as he took such pains
To gather up my spilt remains.
Well, he found my arms and found my head,
And then, in a contrite voice, he said,
“Say, mister, I guess I’ll have to beg Your pardon,
I can’t find your left leg,”
And he would have wept, but I said,
“No! no! It doesn’t matter, just let it go.”
Well, I went on home and on the way
I considered what my wife would say:
I knew she would have some sharp reply
If I let her know I was one leg shy,
So I thought, on the whole, ’twould be just as well
For my peace of mind if I didn’t tell.
Well, that was the first thing in my life
That I kept a secret from my wife.
And for eight long months I was in distress
To think that I didn’t dare confess,
And I’d probably still feel just that way
If it hadn’t come ’round to Christmas Day.
Well, in good old customs I still believe,
So I hung up my stocking Christmas Eve;
(A brand-new left one I’d never worn.)
And when I looked in it Christmas morn
There was my leg, as large as life,
With a ticket on it, “From your wife.”
Well, my wife had had it stored away
In cotton, since last Easter Day,
When she ran across it, quite by chance,
In the left hip-pocket of my pants;
And the only reproachful thing she said
Was, “Look out or some day you’ll lose your head.”
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