10 Best Famous Puerto Poems

Here is a collection of the top 10 all-time best famous Puerto poems. This is a select list of the best famous Puerto poetry. Reading, writing, and enjoying famous Puerto poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of puerto poems.

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Written by Maggie Estep | Create an image from this poem

Bad Day At The Beauty Salon

 I was a 20 year old unemployed receptionist with
dyed orange dreadlocks sprouting out of my skull. I needed a job, but first,
I needed a haircut.

So I head for this beauty salon on Avenue B.
I'm gonna get a hairdo.
I'm gonna look just like those hot Spanish haircut models, become brown
and bodacious, grow some 7 inch fingernails painted ***** red and rake
them down the chalkboard of the job market's soul.

So I go in the beauty salon.

This beautiful Puerto Rican girl in tight white spandex and a push-up bra
sits me down and starts chopping my hair:
"Girlfriend," she says, "what the hell you got growing outta
your head there, what is that, hair implants? Yuck, you want me to touch
that ****, whadya got in there, sandwiches?"

I just go: "I'm sorry."

She starts snipping my carefully cultivated Johnny Lydon post-Pistols hairdo.
My foul little dreadlocks are flying around all over the place but I'm
not looking in the mirror cause I just don't want to know.

"So what's your name anyway?" My stylist demands then.
"Uh, Maggie."
"Maggie? Well, that's an okay name, but my name is Suzy."
"Yeah, so?"
"Yeah so it ain't just Suzy S.U.Z.Y, I spell it S.U.Z.E.E, the extra
"e" is for extra Suzee."

I nod emphatically.

Suzee tells me when she's not busy chopping hair, she works as an exotic
dancer at night to support her boyfriend named Rocco. Suzee loves Rocco,
she loves him so much she's got her eyes closed as she describes him:
"6 foot 2, 193 pounds and, girlfriend, his arms so big and long they
wrap around me twice like I'm a little Suzee sandwich."

Little Suzee Sandwich is rapt, she blindly snips and clips at my poor punk
head. She snips and clips and snips and clips, she pauses, I look in the
mirror: "Holy ****, I'm bald."

"Holy ****, baby, you're bald." Suzee says, finally opening her
eyes and then gasping. 

All I've got left is little post-nuke clumps of orange fuzz. And I'll never
get a receptionist job now.

But Suzy waves her manicured finger in my face: "Don't you worry,
baby, I'm gonna get you a job at the dancing club."

"What?"

"Baby, let me tell you, the boys are gonna like a bald go go dancer."

That said, she whips out some clippers, shaves my head smooth and insists
I'm gonna love getting naked for a living.

None of this sounds like my idea of a good time, but I'm broke and I'm
bald so I go home and get my best panties. Suzee lends me some 6 inch pumps,
paints my lips bright red, and gives me 7 shots of Jack Daniels to relax
me. 

8pm that night I take the stage.

I'm bald, 
I'm drunk,
and by god,
I'm naked.


HOLY **** I'M NAKED IN A ROOM FULL OF STRANGERS THIS IS NOT ONE OF THOSE
RECURRING NIGHTMARES WE ALL HAVE ABOUT BEING BUTT NAKED IN PUBLIC, I AM
NAKED, I DON'T KNOW THESE PEOPLE, THIS REALLY SUCKS.

A few guys feel sorry for me and risk getting their hands bitten off by
sticking dollars in my garter belt. My disheveled pubic hairs stand at
full attention, ready to poke the guys' eyes out if they get too close.

Then I notice this bald guy in the audience, I've got a new empathy for
bald people, I figure maybe it works both ways, maybe this guy will stick
10 bucks in my garter.

I saunter over.

I'm teetering around unrhythmically, I'm the surliest, unsexiest dancer
that ever go-go across this hemisphere. The bald guy looks down into his
beer, he'd much rather look at that than at my pubic mound which has now
formed into one vicious spike so it looks like I've got a unicorn in my
crotch.

I stand there weaving through the air.

The strobe light is illuminating my pubic unicorn. Madonna's song Borderline
is pumping through the club's speaker system for the 5th time tonight:
"BORDERLINE BORDERLINE BORDERLINE/LOVE ME TIL I JUST CAN'T SEE."
And suddenly, I start to wonder: What does that mean anyway? 

"LOVE ME TIL I JUST CAN'T SEE"

What?

Screw me so much my eyes pop out, I go blind, end up walking down 2nd Avenue
crazy, horny, naked and blind? What?

There's a glitch in the tape and it starts to skip.

"Borderl...ooop.....Borderl....ooop...Borderlin.....ooop"

I stumble and twist my ankle. My g-string rides between my buttcheeks making
me twitch with pain. My head starts spinning, my knees wobble, I go down
on all fours and puke all over the bald guy's lap.

So there I am. Butt naked on all fours. But before I have time to regain
my composure, the strip club manager comes over, points his smarmy strip
club manager finger at me and goes: 
"You're bald, you're drunk, you can't dance and you're fired."

I stand up.

"Oh yeah, well you stink like a sneaker, pal." I peel off one
of my pumps and throw it in the direction of his fat head then I get the
hell out of there.

A few days later I run into Suzee on Avenue A. Turns out she got fired
for getting me a job there in the first place. But she was completely undaunted,
she dragged me up to this wig store on 14th Street, bought me a mouse brown
shag wig, then got us both telemarketing jobs on Wall Street.

And I never went to a beauty salon again.

Written by Emanuel Xavier | Create an image from this poem

It Rained The Day They Buried Tito Puente

 It rained the day they buried Tito Puente
The eyes of drug dealers following me
as I walked through the streets
past shivering prostitutes
women of every sex
young boys full of piss
and lampposts like ghosts in the night
past Jimmy the hustler boy 
with the really big dick 
cracked out on the sidewalk
wrapped in a blanket donated by the trick
that also gave him genital herpes 
and Fruit Loops for breakfast
past the hospital where Tio Cesar 
got his intestines taken out
in exchange for a plastic bag 
where he now shits and pisses
the 40’s he consumed for 50 years
past 3 of the thugs 
who sexually assaulted those women 
at Central Park 
during the Puerto Rican Day parade 
lost in their machismo, 
marijuana and Mira mami’s
‘cause boricuas do it better


Tito’s rambunctious and unruly rhythms never touched them 
never inspired them to rise above the ghetto 
and, like La Bruja said, “Ghet Over It!”
his timbales never echoed 
in the salsa of their souls
though they had probably danced 
to his cha-cha-cha
they never listened to the message 
between the beats
urging them to follow their hearts

On a train back to Brooklyn
feeling dispossessed and dreamless
I look up to read one of those 
Poetry In Motion ads
sharing a car with somebody sleeping
realizing 
that inspiration is everywhere these days
& though the Mambo King’s body 
may be six-feet under
his laughter and legend will live forever

The next morning 
I heard the crow crowing, “Oye Como Va”
his song was the sunlight in my universe
& I could feel Tito’s smile 
shining down on me
Written by William Carlos (WCW) Williams | Create an image from this poem

Dedication For A Plot Of Ground

 This plot of ground 
facing the waters of this inlet 
is dedicated to the living presence of 
Emily Dickinson Wellcome 
who was born in England; married; 
lost her husband and with 
her five year old son 
sailed for New York in a two-master; 
was driven to the Azores; 
ran adrift on Fire Island shoal, 
met her second husband 
in a Brooklyn boarding house, 
went with him to Puerto Rico 
bore three more children, lost 
her second husband, lived hard 
for eight years in St. Thomas, 
Puerto Rico, San Domingo, followed 
the oldest son to New York, 
lost her daughter, lost her "baby," 
seized the two boys of 
the oldest son by the second marriage 
mothered them—they being 
motherless—fought for them 
against the other grandmother 
and the aunts, brought them here 
summer after summer, defended 
herself here against thieves, 
storms, sun, fire, 
against flies, against girls
that came smelling about, against
drought, against weeds, storm-tides, 
neighbors, weasels that stole her chickens, 
against the weakness of her own hands, 
against the growing strength of 
the boys, against wind, against 
the stones, against trespassers, 
against rents, against her own mind. 
She grubbed this earth with her own hands, 
domineered over this grass plot, 
blackguarded her oldest son 
into buying it, lived here fifteen years, 
attained a final loneliness and—

If you can bring nothing to this place 
but your carcass, keep out.
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