10 Best Famous Psychopathic Poems

Here is a collection of the top 10 all-time best famous Psychopathic poems. This is a select list of the best famous Psychopathic poetry. Reading, writing, and enjoying famous Psychopathic poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of psychopathic poems.

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America

by Allen Ginsberg
 America I've given you all and now I'm nothing. 
America two dollars and twentyseven cents January 
 17, 1956. 
I can't stand my own mind. 
America when will we end the human war? 
Go **** yourself with your atom bomb. 
I don't feel good don't bother me. 
I won't write my poem till I'm in my right mind. 
America when will you be angelic? 
When will you take off your clothes? 
When will you look at yourself through the grave? 
When will you be worthy of your million Trotskyites? 
America why are your libraries full of tears? 
America when will you send your eggs to India? 
I'm sick of your insane demands. 
When can I go into the supermarket and buy what I 
 need with my good looks? 
America after all it is you and I who are perfect not 
 the next world. 
Your machinery is too much for me. 
You made me want to be a saint. 
There must be some other way to settle this argument. 
Burroughs is in Tangiers I don't think he'll come back 
 it's sinister. 
Are you being sinister or is this some form of practical 
 joke? 
I'm trying to come to the point. 
I refuse to give up my obsession. 
America stop pushing I know what I'm doing. 
America the plum blossoms are falling. 
I haven't read the newspapers for months, everyday 
 somebody goes on trial for murder. 
America I feel sentimental about the Wobblies. 
America I used to be a communist when I was a kid 
 I'm not sorry. 
I smoke marijuana every chance I get. 
I sit in my house for days on end and stare at the roses 
 in the closet. 
When I go to Chinatown I get drunk and never get laid. 
My mind is made up there's going to be trouble. 
You should have seen me reading Marx. 
My psychoanalyst thinks I'm perfectly right. 
I won't say the Lord's Prayer. 
I have mystical visions and cosmic vibrations. 
America I still haven't told you what you did to Uncle 
 Max after he came over from Russia.

I'm addressing you. 
Are you going to let your emotional life be run by 
 Time Magazine? 
I'm obsessed by Time Magazine. 
I read it every week. 
Its cover stares at me every time I slink past the corner 
 candystore. 
I read it in the basement of the Berkeley Public Library. 
It's always telling me about responsibility. Business-
 men are serious. Movie producers are serious. 
 Everybody's serious but me. 
It occurs to me that I am America. 
I am talking to myself again. 

Asia is rising against me. 
I haven't got a chinaman's chance. 
I'd better consider my national resources. 
My national resources consist of two joints of 
 marijuana millions of genitals an unpublishable 
 private literature that goes 1400 miles an hour 
 and twenty-five-thousand mental institutions. 
I say nothing about my prisons nor the millions of 
 underprivileged who live in my flowerpots 
 under the light of five hundred suns. 
I have abolished the whorehouses of France, Tangiers 
 is the next to go. 
My ambition is to be President despite the fact that 
 I'm a Catholic. 
America how can I write a holy litany in your silly 
 mood? 
I will continue like Henry Ford my strophes are as 
 individual as his automobiles more so they're 
 all different sexes. 
America I will sell you strophes $2500 apiece $500 
 down on your old strophe 
America free Tom Mooney 
America save the Spanish Loyalists 
America Sacco & Vanzetti must not die 
America I am the Scottsboro boys. 
America when I was seven momma took me to Com-
 munist Cell meetings they sold us garbanzos a 
 handful per ticket a ticket costs a nickel and the 
 speeches were free everybody was angelic and 
 sentimental about the workers it was all so sin-
 cere you have no idea what a good thing the 
 party was in 1835 Scott Nearing was a grand 
 old man a real mensch Mother Bloor made me 
 cry I once saw Israel Amter plain. Everybody 
 must have been a spy. 
America you don't really want to go to war. 
America it's them bad Russians. 
Them Russians them Russians and them Chinamen. 
 And them Russians. 
The Russia wants to eat us alive. The Russia's power 
 mad. She wants to take our cars from out our 
 garages. 
Her wants to grab Chicago. Her needs a Red Readers' 
 Digest. Her wants our auto plants in Siberia. 
 Him big bureaucracy running our fillingsta-
 tions. 
That no good. Ugh. Him make Indians learn read. 
 Him need big black niggers. Hah. Her make us 
 all work sixteen hours a day. Help. 
America this is quite serious. 
America this is the impression I get from looking in 
 the television set. 
America is this correct? 
I'd better get right down to the job. 
It's true I don't want to join the Army or turn lathes 
 in precision parts factories, I'm nearsighted and 
 psychopathic anyway. 
America I'm putting my ***** shoulder to the wheel. 

 Berkeley, January 17, 1956

September 1, 1939

by Wystan Hugh (W H) Auden
I sit in one of the divesOn Fifty-second StreetUncertain and afraidAs the clever hopes expireOf a low dishonest decade:Waves of anger and fearCirculate over the brightAnd darkened lands of the earth,Obsessing our private lives;The unmentionable odour of deathOffends the September night. Accurate scholarship canUnearth the whole offenceFrom Luther until nowThat has driven a culture mad,Find what occurred at Linz,What huge imago madeA psychopathic god:I and the public knowWhat all schoolchildren learn,Those to whom evil is doneDo evil in return. Exiled Thucydides knewAll that a speech can sayAbout Democracy,And what dictators do,The elderly rubbish they talkTo an apathetic grave;Analysed all in his book,The enlightenment driven away,The habit-forming pain,Mismanagement and grief:We must suffer them all again. Into this neutral airWhere blind skyscrapers useTheir full height to proclaimThe strength of Collective Man,Each language pours its vainCompetitive excuse:But who can live for longIn an euphoric dream;Out of the mirror they stare,Imperialism's faceAnd the international wrong. Faces along the barCling to their average day:The lights must never go out,The music must always play,All the conventions conspireTo make this fort assumeThe furniture of home;Lest we should see where we are,Lost in a haunted wood,Children afraid of the nightWho have never been happy or good. The windiest militant trashImportant Persons shoutIs not so crude as our wish:What mad Nijinsky wroteAbout DiaghilevIs true of the normal heart;For the error bred in the boneOf each woman and each manCraves what it cannot have,Not universal loveBut to be loved alone. From the conservative darkInto the ethical lifeThe dense commuters come,Repeating their morning vow;"I will be true to the wife,I'll concentrate more on my work,"And helpless governors wakeTo resume their compulsory game:Who can release them now,Who can reach the deaf,Who can speak for the dumb? All I have is a voiceTo undo the folded lie,The romantic lie in the brainOf the sensual man-in-the-streetAnd the lie of AuthorityWhose buildings grope the sky:There is no such thing as the StateAnd no one exists alone;Hunger allows no choiceTo the citizen or the police;We must love one another or die. Defenceless under the nightOur world in stupor lies;Yet, dotted everywhere,Ironic points of lightFlash out wherever the JustExchange their messages:May I, composed like themOf Eros and of dust,Beleaguered by the sameNegation and despair,Show an affirming flame.

Why the Young Men Are So Ugly

by Tony Hoagland
 They have little tractors in their blood
and all day the tractors climb up and down
inside their arms and legs, their
collarbones and heads.

That is why they yell and scream and slam the barbells
down into their clanking slots,
making the metal ring like sledgehammers on iron,
like dungeon prisoners rattling their chains.

That is why they shriek their tires at the stopsign,
why they turn the base up on the stereo
until it shakes the traffic light, until it
dryhumps the eardrum of the crossing guard.

Testosterone is a drug,
and they say No, No, No until
they are overwhelmed and punch
their buddy in the face for joy,

or make a joke about gravy and bottomless holes
to a middle-aged waitress who is gently
setting down the plate in front of them.

If they are grotesque, if
what they say and do is often nothing more
than a kind of psychopathic fart,

it is only because of the tractors,
the tractors in their blood,
revving their engines, chewing up the turf
inside their arteries and veins
It is the testosterone tractor

constantly climbing the mudhill of the world
and dragging the young man behind it
by a chain around his leg.
In the stink and the noise, in the clouds
of filthy exhaust

is where they live. It is the tractors
that make them
what they are. While they make being a man
look like a disease.
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