10 Best Famous Pairing Poems

Here is a collection of the top 10 all-time best famous Pairing poems. This is a select list of the best famous Pairing poetry. Reading, writing, and enjoying famous Pairing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of pairing poems.

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A Winter Eden

by Robert Frost
 A winter garden in an alder swamp,
Where conies now come out to sun and romp,
As near a paradise as it can be
And not melt snow or start a dormant tree.

It lifts existence on a plane of snow
One level higher than the earth below,
One level nearer heaven overhead,
And last year's berries shining scarlet red.

It lifts a gaunt luxuriating beast
Where he can stretch and hold his highest feat
On some wild apple tree's young tender bark,
What well may prove the year's high girdle mark.

So near to paradise all pairing ends:
Here loveless birds now flock as winter friends,
Content with bud-inspecting. They presume
To say which buds are leaf and which are bloom.

A feather-hammer gives a double knock.
This Eden day is done at two o'clock.
An hour of winter day might seem too short
To make it worth life's while to wake and sport.

From Pent-up Aching Rivers

by Walt Whitman
 FROM pent-up, aching rivers; 
From that of myself, without which I were nothing; 
From what I am determin’d to make illustrious, even if I stand sole among men; 
From my own voice resonant—singing the phallus, 
Singing the song of procreation,
Singing the need of superb children, and therein superb grown people, 
Singing the muscular urge and the blending, 
Singing the bedfellow’s song, (O resistless yearning! 
O for any and each, the body correlative attracting! 
O for you, whoever you are, your correlative body! O it, more than all else, you
 delighting!)
—From the hungry gnaw that eats me night and day; 
From native moments—from bashful pains—singing them; 
Singing something yet unfound, though I have diligently sought it, many a long year; 
Singing the true song of the Soul, fitful, at random; 
Singing what, to the Soul, entirely redeem’d her, the faithful one, even the
 prostitute, who detain’d me when I went to the city;
Singing the song of prostitutes; 
Renascent with grossest Nature, or among animals; 
Of that—of them, and what goes with them, my poems informing; 
Of the smell of apples and lemons—of the pairing of birds, 
Of the wet of woods—of the lapping of waves,
Of the mad pushes of waves upon the land—I them chanting; 
The overture lightly sounding—the strain anticipating; 
The welcome nearness—the sight of the perfect body; 
The swimmer swimming naked in the bath, or motionless on his back lying and floating; 
The female form approaching—I, pensive, love-flesh tremulous, aching;
The divine list, for myself or you, or for any one, making; 
The face—the limbs—the index from head to foot, and what it arouses; 
The mystic deliria—the madness amorous—the utter abandonment; 
(Hark close, and still, what I now whisper to you, 
I love you—-O you entirely possess me,
O I wish that you and I escape from the rest, and go utterly off—O free and lawless, 
Two hawks in the air—two fishes swimming in the sea not more lawless than we;) 
—The furious storm through me careering—I passionately trembling; 
The oath of the inseparableness of two together—of the woman that loves me, and whom
 I love more than my life—that oath swearing; 
(O I willingly stake all, for you!
O let me be lost, if it must be so! 
O you and I—what is it to us what the rest do or think? 
What is all else to us? only that we enjoy each other, and exhaust each other, if it must
 be so:) 
—From the master—the pilot I yield the vessel to; 
The general commanding me, commanding all—from him permission taking;
From time the programme hastening, (I have loiter’d too long, as it is;) 
From sex—From the warp and from the woof; 
(To talk to the perfect girl who understands me, 
To waft to her these from my own lips—to effuse them from my own body;) 
From privacy—from frequent repinings alone;
From plenty of persons near, and yet the right person not near; 
From the soft sliding of hands over me, and thrusting of fingers through my hair and
 beard; 
From the long sustain’d kiss upon the mouth or bosom; 
From the close pressure that makes me or any man drunk, fainting with excess; 
From what the divine husband knows—from the work of fatherhood;
From exultation, victory, and relief—from the bedfellow’s embrace in the night; 
From the act-poems of eyes, hands, hips, and bosoms, 
From the cling of the trembling arm, 
From the bending curve and the clinch, 
From side by side, the pliant coverlid off-throwing,
From the one so unwilling to have me leave—and me just as unwilling to leave, 
(Yet a moment, O tender waiter, and I return;) 
—From the hour of shining stars and dropping dews, 
From the night, a moment, I, emerging, flitting out, 
Celebrate you, act divine—and you, children prepared for,
And you, stalwart loins.

The Contretemps

by Thomas Hardy
 A forward rush by the lamp in the gloom,
And we clasped, and almost kissed;
But she was not the woman whom
I had promised to meet in the thawing brume
On that harbour-bridge; nor was I he of her tryst. 

So loosening from me swift she said:
"O why, why feign to be
The one I had meant - to whom I have sped
To fly with, being so sorrily wed,"
'Twas thus and thus that she upbraided me. 

My assignation had struck upon
Some others' like it, I found.
And her lover rose on the night anon;
And then her husband entered on
The lamplit, snowflaked, sloppiness around. 

"Take her and welcome, man!" he cried:
"I wash my hands of her.
I'll find me twice as good a bride!"
- All this to me, whom he had eyed,
Plainly, as his wife's planned deliverer. 

And next the lover: "Little I knew,
Madam, you had a third!
Kissing here in my very view!"
- Husband and lover then withdrew.
I let them; and I told them not they erred. 

Why not? Well, there faced she and I -
Two strangers who'd kissed, or near,
Chancewise. To see stand weeping by
A woman once embraced, will try
The tension of a man the most austere. 

So it began; and I was young,
She pretty, by the lamp,
As flakes came waltzing down among
The waves of her clinging hair, that hung
Heavily on her temples, dark and damp. 

And there alone still stood we two;
She once cast off for me,
Or so it seemed: while night ondrew,
Forcing a parley what should do
We twain hearts caught in one catastrophe. 

In stranded souls a common strait
Wakes latencies unknown,
Whose impulse may precipitate
A life-long leap. The hour was late,
And there was the Jersey boat with its funnel agroan. 

"Is wary walking worth much pother?"
It grunted, as still it stayed.
"One pairing is as good as another
Where is all venture! Take each other,
And scrap the oaths that you have aforetime made." 

- Of the four involved there walks but one
On earth at this late day.
And what of the chapter so begun?
In that odd complex what was done?
Well; happiness comes in full to none:
Let peace lie on lulled lips: I will not say.

The Child's Grave

by Edmund Blunden
I came to the churchyard where pretty Joy lies
On a morning in April, a rare sunny day;
Such bloom rose around, and so many birds' cries
That I sang for delight as I followed the way.

I sang for delight in the ripening of spring,
For dandelions even were suns come to earth;
Not a moment went by but a new lark took wing
To wait on the season with melody's mirth.

Love-making birds were my mates all the road,
And who would wish surer delight for the eye
Than to see pairing goldfinches gleaming abroad
Or yellowhammers sunning on paling and sty?

And stocks in the almswomen's garden were blown,
With rich Easter roses each side of the door;
The lazy white owls in the glade cool and lone
Paid calls on their cousins in the elm's chambered core.

This peace, then, and happiness thronged me around.
Nor could I go burdened with grief, but made merry
Till I came to the gate of that overgrown ground
Where scarce once a year sees the priest come to bury.

Over the mounds stood the nettles in pride,
And, where no fine flowers, there kind weeds dared to wave;
It seemed but as yesterday she lay by my side,
And now my dog ate of the grass on her grave.

He licked my hand wondering to see me muse so,
And wished I would lead on the journey or home,
As though not a moment of spring were to go
In brooding; but I stood, if her spirit might come

And tell me her life, since we left her that day
In the white lilied coffin, and rained down our tears;
But the grave held no answer, though long I should stay;
How strange that this clay should mingle with hers!

So I called my good dog, and went on my way;
Joy's spirit shone then in each flower I went by,
And clear as the noon, in coppice and ley,
Her sweet dawning smile and her violet eye!

Sonnet V

by William Shakespeare
 Not undelightful, friend, our rustic ease
To grateful hearts; for by especial hap,
Deep nested in the hill's enormous lap,
With its own ring of walls and grove of trees,
Sits, in deep shelter, our small cottage - nor
Far-off is seen, rose carpeted and hung
With clematis, the quarry whence she sprung,
O mater pulchra filia pulchrior,
Whither in early spring, unharnessed folk,
We join the pairing swallows, glad to stay
Where, loosened in the hills, remote, unseen,
From its tall trees, it breathes a slender smoke
To heaven, and in the noon of sultry day
Stands, coolly buried, to the neck in green.
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