10 Best Famous Osiris Poems

Here is a collection of the top 10 all-time best famous Osiris poems. This is a select list of the best famous Osiris poetry. Reading, writing, and enjoying famous Osiris poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of osiris poems.

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Tortoise Shout

by D. H. Lawrence
 I thought he was dumb, said he was dumb,
Yet I've heard him cry.
First faint scream,
Out of life's unfathomable dawn,
Far off, so far, like a madness, under the horizon's dawning rim,
Far, far off, far scream.
Tortoise in extremis.
Why were we crucified into sex?
Why were we not left rounded off, and finished in ourselves,
As we began,
As he certainly began, so perfectly alone?

A far, was-it-audible scream,
Or did it sound on the plasm direct?

Worse than the cry of the new-born,
A scream,
A yell,
A shout,
A paean,
A death-agony,
A birth-cry,
A submission,
All tiny, tiny, far away, reptile under the first dawn.

War-cry, triumph, acute-delight, death-scream reptilian,
Why was the veil torn?
The silken shriek of the soul's torn membrane?
The male soul's membrane
Torn with a shriek half music, half horror.

Crucifixion.
Male tortoise, cleaving behind the hovel-wall of that dense female,
Mounted and tense, spread-eagle, out-reaching out of the shell
In tortoise-nakedness,

Long neck, and long vulnerable limbs extruded, spreadeagle over her house-roof,
And the deep, secret, all-penetrating tail curved beneath her walls,
Reaching and gripping tense, more reaching anguish in uttermost tension
Till suddenly, in the spasm of coition, tupping like a jerking leap, and oh!
Opening its clenched face from his outstretched neck
And giving that fragile yell, that scream,
Super-audible,
From his pink, cleft, old-man's mouth,
Giving up the ghost,
Or screaming in Pentecost, receiving the ghost.

His scream, and his moment's subsidence,
The moment of eternal silence,
Yet unreleased, and after the moment, the sudden, startling jerk of coition, and at once
The inexpressible faint yell --
And so on, till the last plasm of my body was melted back
To the primeval rudiments of life, and the secret.

So he tups, and screams
Time after time that frail, torn scream
After each jerk, the longish interval,
The tortoise eternity,
Age-long, reptilian persistence,
Heart-throb, slow heart-throb, persistent for the next spasm.

I remember, when I was a boy,
I heard the scream of a frog, which was caught with his foot in the mouth of an up-starting snake;
I remember when I first heard bull-frogs break into sound in the spring;
I remember hearing a wild goose out of the throat of night
Cry loudly, beyond the lake of waters;
I remember the first time, out of a bush in the darkness, a nightingale's piercing cries and gurgles startled the depths of my soul;
I remember the scream of a rabbit as I went through a wood at midnight;
I remember the heifer in her heat, blorting and blorting through the hours, persistent and irrepressible,
I remember my first terror hearing the howl of weird, amorous cats;
I remember the scream of a terrified, injured horse, the sheet-lightning,
And running away from the sound of a woman in labour, something like an owl whooing,
And listening inwardly to the first bleat of a lamb,
The first wail of an infant,
And my mother singing to herself,
And the first tenor singing of the passionate throat of a young collier, who has long since drunk himself to death,
The first elements of foreign speech
On wild dark lips.

And more than all these,
And less than all these,
This last,
Strange, faint coition yell
Of the male tortoise at extremity,
Tiny from under the very edge of the farthest far-off horizon of life.

The cross,
The wheel on which our silence first is broken,
Sex, which breaks up our integrity, our single inviolability, our deep silence,
Tearing a cry from us.

Sex, which breaks us into voice, sets us calling across the deeps, calling, calling for the complement,
Singing, and calling, and singing again, being answered, having found.

Torn, to become whole again, after long seeking for what is lost,
The same cry from the tortoise as from Christ, the Osiris-cry of abandonment,
That which is whole, torn asunder,
That which is in part, finding its whole again throughout the universe.

Lui Et Elle

by D. H. Lawrence
 She is large and matronly
And rather dirty,
A little sardonic-looking, as if domesticity had driven her to it.
Though what she does, except lay four eggs at random in the garden once a year
And put up with her husband,
I don't know.

She likes to eat.
She hurries up, striding reared on long uncanny legs
When food is going.
Oh yes, she can make haste when she likes.
She snaps the soft bread from my hand in great mouthfuls,
Opening her rather pretty wedge of an iron, pristine face
Into an enormously wide-beaked mouth
Like sudden curved scissors,
And gulping at more than she can swallow, and working her thick, soft tongue,
And having the bread hanging over her chin.

O Mistress, Mistress,
Reptile mistress,
Your eye is very dark, very bright,
And it never softens
Although you watch.

She knows,
She knows well enough to come for food,
Yet she sees me not;
Her bright eye sees, but not me, not anything,
Sightful, sightless, seeing and visionless,
Reptile mistress.

Taking bread in her curved, gaping, toothless mouth,
She has no qualm when she catches my finger in her steel overlapping gums,
But she hangs on, and my shout and my shrinking are nothing to her.
She does not even know she is nipping me with her curved beak.
Snake-like she draws at my finger, while I drag it in horror away.

Mistress, reptile mistress,
You are almost too large, I am almost frightened.

He is much smaller,
Dapper beside her,
And ridiculously small.

Her laconic eye has an earthy, materialistic look,
His, poor darling, is almost fiery.
His wimple, his blunt-prowed face,
His low forehead, his skinny neck, his long, scaled, striving legs,
So striving, striving,
Are all more delicate than she,
And he has a cruel scar on his shell.

Poor darling, biting at her feet,
Running beside her like a dog, biting her earthy, splay feet,
Nipping her ankles,
Which she drags apathetic away, though without retreating into her shell.

Agelessly silent,
And with a grim, reptile determination,
Cold, voiceless age-after-age behind him, serpents' long obstinacy
Of horizontal persistence.

Little old man
Scuffling beside her, bending down, catching his opportunity,
Parting his steel-trap face, so suddenly, and seizing her scaly ankle,
And hanging grimly on,
Letting go at last as she drags away,
And closing his steel-trap face.

His steel-trap, stoic, ageless, handsome face.
Alas, what a fool he looks in this scuffle.

And how he feels it!
The lonely rambler, the stoic, dignified stalker through chaos,
The immune, the animate,
Enveloped in isolation,
Fore-runner.
Now look at him!

Alas, the spear is through the side of his isolation.
His adolescence saw him crucified into sex,
Doomed, in the long crucifixion of desire, to seek his consummation beyond himself.
Divided into passionate duality,
He, so finished and immune, now broken into desirous fragmentariness,
Doomed to make an intolerable fool of himself
In his effort toward completion again.

Poor little earthy house-inhabiting Osiris,
The mysterious bull tore him at adolescence into pieces,
And he must struggle after reconstruction, ignominiously.

And so behold him following the tail
Of that mud-hovel of his slowly rambling spouse,
Like some unhappy bull at the tail of a cow,
But with more than bovine, grim, earth-dank persistence.

Suddenly seizing the ugly ankle as she stretches out to walk,
Roaming over the sods,
Or, if it happen to show, at her pointed, heavy tail
Beneath the low-dropping back-board of her shell.

Their two shells like domed boats bumping,
Hers huge, his small;
Their splay feet rambling and rowing like paddles,
And stumbling mixed up in one another,
In the race of love --
Two tortoises,
She huge, he small.

She seems earthily apathetic,
And he has a reptile's awful persistence.

I heard a woman pitying her, pitying the Mère Tortue.
While I, I pity Monsieur.
"He pesters her and torments her," said the woman.
How much more is he pestered and tormented, say I.

What can he do?
He is dumb, he is visionless,
Conceptionless.
His black, sad-lidded eye sees but beholds not
As her earthen mound moves on,
But he catches the folds of vulnerable, leathery skin,
Nail-studded, that shake beneath her shell,
And drags at these with his beak,
Drags and drags and bites,
While she pulls herself free, and rows her dull mound along.

Hymn on the Morning of Christs Nativity

by John Milton
 IT was the Winter wilde, 
While the Heav'n-born-childe, 
 All meanly wrapt in the rude manger lies; 
Nature in aw to him 
Had doff't her gawdy trim, 
 With her great Master so to sympathize: 
It was no season then for her 
To wanton with the Sun her lusty Paramour. 

Only with speeches fair 
She woo's the gentle Air 
 To hide her guilty front with innocent Snow, 
And on her naked shame, 
Pollute with sinfull blame, 
 The Saintly Vail of Maiden white to throw, 
Confounded, that her Makers eyes 
Should look so neer upon her foul deformities. 

But he her fears to cease, 
Sent down the meek-eyd Peace, 
 She crown'd with Olive green, came softly sliding 
Down through the turning sphear 
His ready Harbinger, 
 With Turtle wing the amorous clouds dividing, 
And waving wide her mirtle wand, 
She strikes a universall Peace through Sea and Land. 

No War, or Battails sound 
Was heard the World around, 
 The idle spear and shield were high up hung; 
The hooked Chariot stood 
Unstain'd with hostile blood, 
 The Trumpet spake not to the armed throng, 
And Kings sate still with awfull eye, 
As if they surely knew their sovran Lord was by. 

But peacefull was the night 
Wherin the Prince of light 
 His raign of peace upon the earth began: 
The Windes with wonder whist, 
Smoothly the waters kist, 
 Whispering new joyes to the milde Ocean, 
Who now hath quite forgot to rave, 
While Birds of Calm sit brooding on the charmeed wave. 

The Stars with deep amaze 
Stand fixt in stedfast gaze, 
 Bending one way their pretious influence, 
And will not take their flight, 
For all the morning light, 
 Or Lucifer that often warn'd them thence; 
But in their glimmering Orbs did glow, 
Untill their Lord himself bespake, and bid them go. 

And though the shady gloom 
Had given day her room, 
 The Sun himself with-held his wonted speed, 
And hid his head for shame, 
As his inferiour flame, 
 The new enlightn'd world no more should need; 
He saw a greater Sun appear 
Then his bright Throne, or burning Axletree could bear. 

The Shepherds on the Lawn, 
Or ere the point of dawn, 
 Sate simply chatting in a rustick row; 
Full little thought they than, 
That the mighty Pan 
 Was kindly com to live with them below; 
Perhaps their loves, or els their sheep, 
Was all that did their silly thoughts so busie keep. 

When such musick sweet 
Their hearts and ears did greet, 
 As never was by mortall finger strook, 
Divinely-warbled voice 
Answering the stringed noise, 
 As all their souls in blisfull rapture took 
The Air such pleasure loth to lose, 
With thousand echo's still prolongs each heav'nly close. 

Nature that heard such sound 
Beneath the hollow round 
 Of Cynthia's seat, the Airy region thrilling, 
Now was almost won 
To think her part was don, 
 And that her raign had here its last fulfilling; 
She knew such harmony alone 
Could hold all Heav'n and Earth in happier union. 

At last surrounds their sight 
A Globe of circular light, 
 That with long beams the shame-fac't night array'd, 
The helmed Cherubim 
And sworded Seraphim, 
 Are seen in glittering ranks with wings displaid, 
Harping in loud and solemn quire, 
With unexpressive notes to Heav'ns new-born Heir. 

Such musick (as 'tis said) 
Before was never made, 
 But when of old the sons of morning sung, 
While the Creator Great 
His constellations set, 
 And the well-ballanc't world on hinges hung, 
And cast the dark foundations deep, 
And bid the weltring waves their oozy channel keep. 

Ring out ye Crystall sphears, 
Once bless our human ears, 
 (If ye have power to touch our senses so) 
And let your silver chime 
Move in melodious time; 
 And let the Base of Heav'ns deep Organ blow 
And with your ninefold harmony 
Make up full consort to th'Angelike symphony. 

For if such holy Song 
Enwrap our fancy long, 
 Time will run back, and fetch the age of gold, 
And speckl'd vanity 
Will sicken soon and die, 
 And leprous sin will melt from earthly mould, 
And Hell it self will pass away, 
And leave her dolorous mansions to the peering day. 

Yea Truth, and Justice then 
Will down return to men, 
 Th'enameld Arras of the Rain-bow wearing, 
And Mercy set between, 
Thron'd in Celestiall sheen, 
 With radiant feet the tissued clouds down stearing, 
And Heav'n as at som festivall, 
Will open wide the Gates of her high Palace Hall. 

But wisest Fate sayes no, 
This must not yet be so, 
 The Babe lies yet in smiling Infancy, 
That on the bitter cross 
Must redeem our loss; 
 So both himself and us to glorifie: 
Yet first to those ychain'd in sleep, 
The wakefull trump of doom must thunder through the deep, 

With such a horrid clang 
As on mount Sinai rang 
 While the red fire, and smouldring clouds out brake: 
The aged Earth agast 
With terrour of that blast, 
 Shall from the surface to the center shake; 
When at the worlds last session, 
The dreadfull Judge in middle Air shall spread his throne. 

And then at last our bliss 
Full and perfect is, 
 But now begins; for from this happy day 
Th'old Dragon under ground 
In straiter limits bound, 
 Not half so far casts his usurped sway, 
And wrath to see his Kingdom fail, 
Swindges the scaly Horrour of his foulded tail. 

The Oracles are dumm, 
No voice or hideous humm 
 Runs through the arched roof in words deceiving. 
Apollo from his shrine 
Can no more divine, 
 With hollow shreik the steep of Delphos leaving. 
No nightly trance, or breathed spell, 
Inspire's the pale-ey'd Priest from the prophetic cell. 

The lonely mountains o're, 
And the resounding shore, 
 A voice of weeping heard, and loud lament; 
From haunted spring, and dale 
Edg'd with poplar pale, 
 The parting Genius is with sighing sent, 
With flowre-inwov'n tresses torn 
The Nimphs in twilight shade of tangled thickets mourn. 

In consecrated Earth, 
And on the holy Hearth, 
 The Lars, and Lemures moan with midnight plaint, 
In Urns, and Altars round, 
A drear, and dying sound 
 Affrights the Flamins at their service quaint; 
And the chill Marble seems to sweat, 
While each peculiar power forgoes his wonted seat 

Peor, and Baalim, 
Forsake their Temples dim, 
 With that twise-batter'd god of Palestine, 
And mooned Ashtaroth, 
Heav'ns Queen and Mother both, 
 Now sits not girt with Tapers holy shine, 
The Libyc Hammon shrinks his horn, 
In vain the Tyrian Maids their wounded Thamuz mourn. 

And sullen Moloch fled, 
Hath left in shadows dred, 
 His burning Idol all of blackest hue, 
In vain with Cymbals ring, 
They call the grisly king, 
 In dismall dance about the furnace blue; 
The brutish gods of Nile as fast, 
Isis and Orus, and the Dog Anubis hast. 

Nor is Osiris seen 
In Memphian Grove, or Green, 
 Trampling the unshowr'd Grasse with lowings loud: 
Nor can he be at rest 
Within his sacred chest, 
 Naught but profoundest Hell can be his shroud, 
In vain with Timbrel'd Anthems dark 
The sable-stoled Sorcerers bear his worshipt Ark. 

He feels from Juda's Land 
The dredded Infants hand, 
 The rayes of Bethlehem blind his dusky eyn; 
Nor all the gods beside, 
Longer dare abide, 
 Not Typhon huge ending in snaky twine: 
Our Babe to shew his Godhead true, 
Can in his swadling bands controul the damned crew. 

So when the Sun in bed, 
Curtain'd with cloudy red, 
 Pillows his chin upon an Orient wave, 
The flocking shadows pale, 
Troop to th'infernall jail, 
 Each fetter'd Ghost slips to his severall grave, 
And the yellow-skirted Fayes, 
Fly after the Night-steeds, leaving their Moon-lov'd maze. 

But see the Virgin blest, 
Hath laid her Babe to rest. 
 Time is our tedious Song should here have ending, 
Heav'ns youngest teemed Star, 
Hath fixt her polisht Car, 
 Her sleeping Lord with Handmaid Lamp attending: 
And all about the Courtly Stable, 
Bright-harnest Angels sit in order serviceable.
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