Written by
Leonard Cohen |
(co-written by Sharon Robinson)
Baby, I've been waiting,
I've been waiting night and day.
I didn't see the time,
I waited half my life away.
There were lots of invitations
and I know you sent me some,
but I was waiting
for the miracle, for the miracle to come.
I know you really loved me.
but, you see, my hands were tied.
I know it must have hurt you,
it must have hurt your pride
to have to stand beneath my window
with your bugle and your drum,
and me I'm up there waiting
for the miracle, for the miracle to come.
Ah I don't believe you'd like it,
You wouldn't like it here.
There ain't no entertainment
and the judgements are severe.
The Maestro says it's Mozart
but it sounds like bubble gum
when you're waiting
for the miracle, for the miracle to come.
Waiting for the miracle
There's nothing left to do.
I haven't been this happy
since the end of World War II.
Nothing left to do
when you know that you've been taken.
Nothing left to do
when you're begging for a crumb
Nothing left to do
when you've got to go on waiting
waiting for the miracle to come.
I dreamed about you, baby.
It was just the other night.
Most of you was naked
Ah but some of you was light.
The sands of time were falling
from your fingers and your thumb,
and you were waiting
for the miracle, for the miracle to come
Ah baby, let's get married,
we've been alone too long.
Let's be alone together.
Let's see if we're that strong.
Yeah let's do something crazy,
something absolutely wrong
while we're waiting
for the miracle, for the miracle to come.
Nothing left to do ...
When you've fallen on the highway
and you're lying in the rain,
and they ask you how you're doing
of course you'll say you can't complain --
If you're squeezed for information,
that's when you've got to play it dumb:
You just say you're out there waiting
for the miracle, for the miracle to come.
|
Written by
David St John |
It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then. As she
Stepped through the door, the light
Would hit her platinum hair,
And believe me, heads would turn. Maestro
Loved it; he'd have her by
The arm as he led us through the packed crowd
To a private corner
Where her secluded oak table always waited.
She'd say, Jordan...
And I'd order her usual,
A champagne cocktail with a tall shot of bourbon
On the side. She'd let her eyes
Trail the length of the sleek neck
Of the old stand-up bass, as
The bass player knocked out the bottom line,
His forehead glowing, glossy
With sweat in the blue lights;
Her own face, smooth and shining, as
The liquor slowly blanketed the pills
She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody
Who tried to sneak up for an autograph;
He'd say, Jordan, just let me know if
Somebody gets too close....
Then he'd turn to her and whisper, Here's
Where you get to be Miss Nobody...
And she'd smile as she let him
Kiss her hand. For a while, there was a singer
At the club, a guy named Louis--
But Maestro'd change his name to "Michael Champion";
Well, when this guy leaned forward,
Cradling the microphone in his huge hands,
All the legs went weak
Underneath the ladies.
He'd look over at her, letting his eyelids
Droop real low, singing, Oh Baby I...
Oh Baby I Love... I Love You...
And she'd be gone, those little mermaid tears
Running down her cheeks. Maestro
Was always cool. He'd let them use his room upstairs,
Sometimes, because they couldn't go out--
Black and white couldn't mix like that then.
I mean, think about it--
This kid star and a cool beauty who made King Cole
Sound raw? No, they had to keep it
To the club; though sometimes,
Near the end, he'd come out to her place
At the beach, always taking the iced whisky
I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow
Half-circle, the way at the club he'd
Show the audience how far his endless love
Had grown, he marked
The circumference of the glare whitening the patio
Where her friends all sat, sunglasses
Masking their eyes...
And he said to me, Jordan, why do
White people love the sun so?--
God's spotlight, my man?
Leaning back, he looked over to where she
Stood at one end of the patio, watching
The breakers flatten along the beach below,
Her body reflected and mirrored
Perfectly in the bedroom's sliding black glass
Door. He stared at her
Reflection for a while, then looked up at me
And said, Jordan, I think that I must be
Like a pool of water in a cave that sometimes
She steps into...
Later, as I drove him back into the city,
He hummed a Bessie Smith tune he'd sing
For her, but he didn't say a word until
We stopped at last back at the club. He stepped
slowly out of the back
Of the Cadillac, and reaching to shake my hand
Through the open driver's window, said,
My man, Jordan... Goodbye.
|
Written by
Barry Tebb |
Would ‘any woman’ find me difficult to live with?
My tastes are simple: space for several thousand books,
The smoke from my pipe stuffed with aromatic Balkan Sobranie,
A leftover from the Sixties, frequent brief absences to fulfil
My duties as a carer, unending phone calls
And the unenviable reputation as England’s worst or best complainer,
"Treading on toes or keeping people on their toes"
Also a warm and welcoming vagina, an insatiable need
For ******** and cunnilingus, a bed with clean sheets
I can retire to by five with a hot water bottle
To calm my churning viscera while I read
Endless analytic texts, tomes of French poems to translate,
A notorious weekly newsletter to edit, a quarterly to write reviews for
And – I must confess – cable TV so I can access Starsky and Hutch.
I need a cottage in Haworth to go with the wife,
Companion or whatever, to see with me the changing
Seasons of heather from purple September glory
To the browns of winter and wisps of summer green
And meet with Michael Haslam, fellow poet,
Maestro of the moors and shape-shifter supreme.
I write these verses sitting in the marble hall
Of City Station’s restored art deco glory,
The rats and debris of decades swept away,
How much I need the kindness of strangers,
The welcome from my son’s nurses on the
Ward with the highest security rating Leeds possesses,
A magnificent rotunda among lawns and wooded glades,
Air conditioned with more staff than patients-
When visiting times are readily extended to encompass
My moorland walks and journeys to the capital
When I visit Brenda Williams, England’s leading protest poet.
In an Eden garden which spreads its lawned sleeves
To envelop my tobacco smoke which irritates everyone
Or is it a displacement onto the smoker
As I ecstasise the red and yellow splendour of the red hot poker
Defiantly erect among the flowering robes of magnolia?
Here we reminisce of long ago days when our children
Blossomed with talent and showed no signs
Of the unending torment of their adult years,
Depot injections, Red clouds which whirl as in end-on sections, absconding,
Liasing, losing and finding…
|
Written by
Stephen Vincent Benet |
Gods, what a black, fierce day! The clouds were iron,
Wrenched to strange, rugged shapes; the red sun winked
Over the rough crest of the hairy wood
In angry scorn; the grey road twisted, kinked,
Like a sick serpent, seeming to environ
The trees with magic. All the wood was still --
Cracked, crannied pines bent like malicious cripples
Before the gusty wind; they seemed to nose,
Nudge, poke each other, cackling with ill mirth --
Enchantment's days were over -- sh! -- Suppose
That crouching log there, where the white light stipples
Should -- break its quiet! WAS THAT CRIMSON -- EARTH?
It smirched the ground like a lewd whisper, "Danger!" --
I hunched my cloak about me -- then, appalled,
Turned ice and fire by turns -- for -- someone stirred
The brown, dry needles sharply! Terror crawled
Along my spine, as forth there stepped -- a Stranger!
And all the pines crooned like a drowsy bird!
His stock was black. His great shoe-buckles glistened.
His fur cuffs ended in a sheen of rings.
And underneath his coat a case bulged blackly --
He swept his beaver in a rush of wings!
Then took the fiddle out, and, as I listened,
Tightened and tuned the yellowed strings, hung slackly.
Ping! Pang! The clear notes swooped and curved and darted,
Rising like gulls. Then, with a finger skinny,
He rubbed the bow with rosin, said, "Your pardon
Signor! -- Maestro Nicolo Paganini
They used to call me! Tchk! -- The cold grips hard on
A poor musician's fingers!" -- His lips parted.
A tortured soul screamed suddenly and loud,
From the brown, quivering case! Then, faster, faster,
Dancing in flame-like whorls, wild, beating, screaming,
The music wailed unutterable disaster;
Heartbroken murmurs from pale lips once proud,
Dead, choking moans from hearts once nobly dreaming.
Till all resolved in anguish -- died away
Upon one minor chord, and was resumed
In anguish; fell again to a low cry,
Then rose triumphant where the white fires fumed,
Terrible, marching, trampling, reeling, gay,
Hurling mad, broken legions down to die
Through everlasting hells -- The tears were salt
Upon my fingers -- Then, I saw, behind
The fury of the player, all the trees
Crouched like violinists, boughs crooked, jerking, blind,
Sweeping mad bows to music without fault,
Grey cheeks to greyer fiddles, withered knees.
Gasping, I fled! -- but still that devilish tune
Stunned ears and brain alike -- till clouds of dust
Blotted the picture, and the noise grew dim --
Shaking, I reached the town -- and turned -- in trust --
Wind-smitten, dread, against the sky-line's rim,
Black, dragon branches whipped below a moon!
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