10 Best Famous Laid Back Poems

Here is a collection of the top 10 all-time best famous Laid Back poems. This is a select list of the best famous Laid Back poetry. Reading, writing, and enjoying famous Laid Back poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of laid back poems.

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I Said to Poetry

by Alice Walker
I said to Poetry: "I'm finished
with you."
Having to almost die
before some wierd light
comes creeping through
is no fun.
"No thank you, Creation,
no muse need apply.
Im out for good times--
at the very least,
some painless convention."


Poetry laid back
and played dead
until this morning.
I wasn't sad or anything,
only restless.


Poetry said: "You remember
the desert, and how glad you were
that you have an eye
to see it with? You remember
that, if ever so slightly?"
I said: "I didn't hear that.
Besides, it's five o'clock in the a.m.
I'm not getting up
in the dark
to talk to you."


Poetry said: "But think about the time
you saw the moon
over that small canyon
that you liked so much better
than the grand one--and how suprised you were
that the moonlight was green
and you still had
one good eye
to see it with


Think of that!"


"I'll join the church!" I said,
huffily, turning my face to the wall.
"I'll learn how to pray again!"


"Let me ask you," said Poetry.
"When you pray, what do you think
you'll see?"


Poetry had me.


"There's no paper
in this room," I said.
"And that new pen I bought
makes a funny noise."


"********," said Poetry.
"********," said I. 

Do You Remember Once . .

by Alan Seeger
 Do you remember once, in Paris of glad faces, 
The night we wandered off under the third moon's rays 
And, leaving far behind bright streets and busy places, 
Stood where the Seine flowed down between its quiet quais? 


The city's voice was hushed; the placid, lustrous waters 
Mirrored the walls across where orange windows burned. 
Out of the starry south provoking rumors brought us 
Far promise of the spring already northward turned. 


And breast drew near to breast, and round its soft desire 
My arm uncertain stole and clung there unrepelled. 
I thought that nevermore my heart would hover nigher 
To the last flower of bliss that Nature's garden held. 


There, in your beauty's sweet abandonment to pleasure, 
The mute, half-open lips and tender, wondering eyes, 
I saw embodied first smile back on me the treasure 
Long sought across the seas and back of summer skies. 


Dear face, when courted Death shall claim my limbs and find them 
Laid in some desert place, alone or where the tides 
Of war's tumultuous waves on the wet sands behind them 
Leave rifts of gasping life when their red flood subsides, 


Out of the past's remote delirious abysses 
Shine forth once more as then you shone, -- beloved head, 
Laid back in ecstasy between our blinding kisses, 
Transfigured with the bliss of being so coveted. 


And my sick arms will part, and though hot fever sear it, 
My mouth will curve again with the old, tender flame. 
And darkness will come down, still finding in my spirit 
The dream of your brief love, and on my lips your name. 

II 


You loved me on that moonlit night long since. 
You were my queen and I the charming prince 
Elected from a world of mortal men. 
You loved me once. . . . What pity was it, then, 
You loved not Love. . . . Deep in the emerald west, 
Like a returning caravel caressed 
By breezes that load all the ambient airs 
With clinging fragrance of the bales it bears 
From harbors where the caravans come down, 
I see over the roof-tops of the town 
The new moon back again, but shall not see 
The joy that once it had in store for me, 
Nor know again the voice upon the stair, 
The little studio in the candle-glare, 
And all that makes in word and touch and glance 
The bliss of the first nights of a romance 
When will to love and be beloved casts out 
The want to question or the will to doubt. 
You loved me once. . . . Under the western seas 
The pale moon settles and the Pleiades. 
The firelight sinks; outside the night-winds moan -- 
The hour advances, and I sleep alone. 



III 


Farewell, dear heart, enough of vain despairing! 
If I have erred I plead but one excuse -- 
The jewel were a lesser joy in wearing 
That cost a lesser agony to lose. 


I had not bid for beautifuller hours 
Had I not found the door so near unsealed, 
Nor hoped, had you not filled my arms with flowers, 
For that one flower that bloomed too far afield. 


If I have wept, it was because, forsaken, 
I felt perhaps more poignantly than some 
The blank eternity from which we waken 
And all the blank eternity to come. 


And I betrayed how sweet a thing and tender 
(In the regret with which my lip was curled) 
Seemed in its tragic, momentary splendor 
My transit through the beauty of the world.

The Bear

by Galway Kinnell
1
In late winter 
I sometimes glimpse bits of steam
coming up from
some fault in the old snow 
and bend close and see it is lung-colored 
and put down my nose
and know
the chilly, enduring odor of bear. 

2
I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears. 

And when it has vanished
I move out on the bear tracks, 
roaming in circles 
until I come to the first, tentative, dark
splash on the earth. 

And I set out 
running, following the splashes 
of blood wandering over the world. 
At the cut, gashed resting places 
I stop and rest, 
at the crawl-marks 
where he lay out on his belly 
to overpass some stretch of bauchy ice 
I lie out 
dragging myself forward with bear-knives in my fists. 

3
On the third day I begin to starve, 
at nightfall I bend down as I knew I would 
at a turd sopped in blood, 
and hesitate, and pick it up, 
and thrust it in my mouth, and gnash it down, 
and rise 
and go on running. 

4
On the seventh day, 
living by now on bear blood alone, 
I can see his upturned carcass far out ahead, a scraggled, 
steamy hulk, 
the heavy fur riffling in the wind. 

I come up to him 
and stare at the narrow-spaced, petty eyes, 
the dismayed 
face laid back on the shoulder, the nostrils 
flared, catching 
perhaps the first taint of me as he 
died. 

I hack 
a ravine in his thigh, and eat and drink, 
and tear him down his whole length 
and open him and climb in 
and close him up after me, against the wind, 
and sleep. 

5
And dream
of lumbering flatfooted
over the tundra, 
stabbed twice from within, 
splattering a trail behind me, 
splattering it out no matter which way I lurch, 
no matter which parabola of bear-transcendence, 
which dance of solitude I attempt, 
which gravity-clutched leap, 
which trudge, which groan. 

6
Until one day I totter and fall -- 
fall on this 
stomach that has tried so hard to keep up, 
to digest the blood as it leaked in, 
to break up 
and digest the bone itself: and now the breeze 
blows over me, blows off 
the hideous belches of ill-digested bear blood 
and rotted stomach 
and the ordinary, wretched odor of bear, 

blows across 
my sore, lolled tongue a song 
or screech, until I think I must rise up 
and dance. And I lie still. 

7
I awaken I think. Marshlights 
reappear, geese 
come trailing again up the flyway. 
In her ravine under old snow the dam-bear 
lies, licking 
lumps of smeared fur 
and drizzly eyes into shapes 
with her tongue. And one 
hairy-soled trudge stuck out before me, 
the next groaned out, 
the next, 
the next, 
the rest of my days I spend 
wandering: wondering 
what, anyway, 
was that sticky infusion, that rank flavor of blood, that 
poetry, by which I lived? 

from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967). 
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