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Best Famous Incisions Poems

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by Marilyn Hacker | Create an image from this poem

Scars on Paper

 An unwrapped icon, too potent to touch,
she freed my breasts from the camp Empire dress.
Now one of them's the shadow of a breast
with a lost object's half-life, with as much
life as an anecdotal photograph:
me, Kim and Iva, all stripped to the waist,
hiking near Russian River on June first
'79: Iva's five-and-a-half.
While she was almost twenty, wearing black
T-shirts in D.C., where we hadn't met.
You lay your palm, my love, on my flat chest.
In lines alive with what is not regret,
she takes her own path past, doesn't turn back.
Persistently, on paper, we exist.

Persistently, on paper, we exist.
You'd touch me if you could, but you're, in fact,
three thousand miles away. And my intact
body is eighteen months paper: the past
a fragile eighteen months regime of trust
in slash-and-burn, in vitamin pills, backed
by no statistics. Each day I enact
survivor's rituals, blessing the crust
I tear from the warm loaf, blessing the hours
in which I didn't or in which I did
consider my own death. I am not yet
statistically a survivor (that
is sixty months). On paper, someone flowers
and flares alive. I knew her. But she's dead.

She flares alive. I knew her. But she's dead.
I flirted with her, might have been her friend,
but transatlantic schedules intervened.
She wrote a book about her Freedom Ride,
the wary elders whom she taught to read,
— herself half-British, twenty-six, white-blonde,
with thirty years to live.
And I happened
to open up The Nation to that bad
news which I otherwise might not have known
(not breast cancer: cancer of the brain).
Words take the absent friend away again.
Alone, I think, she called, alone, upon
her courage, tried in ways she'd not have wished
by pain and fear: her courage, extinguished.

The pain and fear some courage extinguished
at disaster's denouement come back
daily, banal: is that brownish-black
mole the next chapter? Was the ache enmeshed
between my chest and armpit when I washed
rogue cells' new claw, or just a muscle ache?
I'm not yet desperate enough to take
comfort in being predeceased: the anguish
when the Harlem doctor, the Jewish dancer,
die of AIDS, the Boston seminary's
dean succumbs "after brief illness" to cancer.
I like mossed slabs in country cemeteries
with wide-paced dates, candles in jars, whose tallow
glows on summer evenings, desk-lamp yellow.

Aglow in summer evening, a desk-lamp's yellow
moonlight peruses notebooks, houseplants, texts,
while an aging woman thinks of sex
in the present tense. Desire may follow,
urgent or elegant, cut raw or mellow
with wine and ripe black figs: a proof, the next
course, a simple question, the complex
response, a burning sweetness she will swallow.
The opening mind is sexual and ready
to embrace, incarnate in its prime.
Rippling concentrically from summer's gold
disc, desire's iris expands, steady
with blood beat. Each time implies the next time.
The aging woman hopes she will grow old.

The aging woman hopes she will grow old.
A younger woman has a dazzling vision
of bleeding wrists, her own, the clean incisions
suddenly there, two open mouths. They told
their speechless secrets, witnesses not called
to what occurred with as little volition
of hers as these phantom wounds.
Intense precision
of scars, in flesh, in spirit. I'm enrolled
by mine in ranks where now I'm "being brave"
if I take off my shirt in a hot crowd
sunbathing, or demonstrating for Dyke Pride.
Her bravery counters the kitchen knives'
insinuation that the scars be made.
With, or despite our scars, we stay alive.

"With, or despite our scars, we stayed alive
until the Contras or the Government
or rebel troops came, until we were sent
to 'relocation camps' until the archives
burned, until we dug the ditch, the grave
beside the aspen grove where adolescent
boys used to cut class, until we went
to the precinct house, eager to behave
like citizens..."
I count my hours and days,
finger for luck the word-scarred table which
is not my witness, shares all innocent
objects' silence: a tin plate, a basement
door, a spade, barbed wire, a ring of keys,
an unwrapped icon, too potent to touch.
Written by Emily Dickinson | Create an image from this poem

Surgeons must be very careful

 Surgeons must be very careful
When they take the knife!
Underneath their fine incisions
Stirs the Culprit -- Life!

Book: Radiant Verses: A Journey Through Inspiring Poetry