by
Robert Browning
I.
Let them fight it out, friend! things have gone too far.
God must judge the couple: leave them as they are
---Whichever one's the guiltless, to his glory,
And whichever one the guilt's with, to my story!
II.
Why, you would not bid men, sunk in such a slough,
Strike no arm out further, stick and stink as now,
Leaving right and wrong to settle the embroilment,
Heaven with snaky hell, in torture and entoilment?
III.
Who's the culprit of them? How must he conceive
God---the queen he caps to, laughing in his sleeve,
`` 'Tis but decent to profess oneself beneath her:
``Still, one must not be too much in earnest, either!''
IV.
Better sin the whole sin, sure that God observes;
Then go live his life out! Life will try his nerves,
When the sky, which noticed all, makes no disclosure,
And the earth keeps up her terrible composure.
V.
Let him pace at pleasure, past the walls of rose,
Pluck their fruits when grape-trees graze him as he goes!
For he 'gins to guess the purpose of the garden,
With the sly mute thing, beside there, for a warden.
VI.
What's the leopard-dog-thing, constant at his side,
A leer and lie in every eye of its obsequious hide?
When will come an end to all the mock obeisance,
And the price appear that pays for the misfeasance?
VII.
So much for the culprit. Who's the martyred man?
Let him bear one stroke more, for be sure he can!
He that strove thus evil's lump with good to leaven,
Let him give his blood at last and get his heaven!
VIII.
All or nothing, stake it! Trust she God or no?
Thus far and no farther? farther? be it so!
Now, enough of your chicane of prudent pauses,
Sage provisos, sub-intents and saving-clauses!
IX.
Ah, ``forgive'' you bid him? While God's champion lives,
Wrong shall be resisted: dead, why, he forgives.
But you must not end my friend ere you begin him;
Evil stands not crowned on earth, while breath is in him.
X.
Once more---Will the wronger, at this last of all,
Dare to say, ``I did wrong,'' rising in his fall?
No?---Let go then! Both the fighters to their places!
While I count three, step you back as many paces!
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by
Anne Sexton
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.
Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.
My guilts are what
we catalogue.
I'll take a knife
and chop up frog.
Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father's genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.
The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he's an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.
Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.
Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.
Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.
Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.
But I digress.
A loss has taken place.
The ball has sunk like a cast-iron pot
into the bottom of the well.
Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
Balls such as these are not
for sale in Au Bon Marché.
I took the moon, she said,
between my teeth
and now it is gone
and I am lost forever.
A thief had robbed by day.
Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.
That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King's youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.
The frog first sat on her lap.
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves' liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn't exactly hygienic.
From her cup she drank
as if it were Socrates' hemlock.
Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!
Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.
He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
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by
Robert Burns
FROM those drear solitudes and frowsy cells,
Where Infamy with sad Repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ’prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half, to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.
“Alas! I feel I am no actor here!”
’Tis real hangmen real scourges bear!
Prepare Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make thy hair, tho’ erst from gipsy poll’d,
By barber woven, and by barber sold,
Though twisted smooth with Harry’s nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or, haughty Chieftain, ’mid the din of arms
In Highland Bonnet, woo Malvina’s charms;
While sans-culottes stoop up the mountain high,
And steal from me Maria’s prying eye.
Blest Highland bonnet! once my proudest dress,
Now prouder still, Maria’s temples press;
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war:
I see her face the first of Ireland’s sons,
And even out-Irish his Hibernian bronze;
The crafty Colonel leaves the tartan’d lines,
For other wars, where he a hero shines:
The hopeful youth, in Scottish senate bred,
Who owns a Bushby’s heart without the head,
Comes ’mid a string of coxcombs, to display
That veni, vidi, vici, is his way:
The shrinking Bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks:
Though there, his heresies in Church and State
Might well award him Muir and Palmer’s fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
What scandal called Maria’s jaunty stagger
The ricket reeling of a crooked swagger?
Whose spleen (e’en worse than Burns’ venom, when
He dips in gall unmix’d his eager pen,
And pours his vengeance in the burning line,)—
Who christen’d thus Maria’s lyre-divine
The idiot strum of Vanity bemus’d,
And even the abuse of Poesy abus’d?—
Who called her verse a Parish Workhouse, made
For motley foundling Fancies, stolen or strayed?
A Workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack’d repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin’d gipsies litter’d heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know’st the Virtues cannot hate thee worse;
The Vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt’s supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one Satire’s vengeance hurls—
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit!
Who says that fool alone is not thy due,
And quotes thy treacheries to prove it true!
Our force united on thy foes we’ll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply!
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by
Thomas Moore
Come, rest in this bosom, my own stricken deer,
Though the herd have fled from thee, thy home is still here;
Here still is the smile, that no cloud can o'ercast,
And a heart and a hand all thy own to the last.
Oh! what was love made for, if 'tis not the same
Through joy and through torment, through glory and shame?
I know not, I ask not, if guilt's in that heart?
I but know that I love thee, whatever thou art.
Thou hast call'd me thy angel in moments of bliss,
And thy Angel I'd be, 'mid the horrors of this, --
Through the furnace, unshrinking, thy steps to pursue,
And shield thee, and save thee, -- or perish there too!
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by
Rg Gregory
wherever there's a tear in the fabric
around weymouth - portland appears
from abbotsbury hill it's just a long
thin line humped at one end
closer (from chesil beach) a head-on
massive lump of rock gnashed by the sea
if you stand at sandsfoot castle
there's a military feel - an armed guard
of an island harsh with prisons
snarling with secrets visitors don't probe
but on the road up out of town
towards the east a different spirit
rides inland over caravans and hedges
especially in soft light
portland softens like a pear
in syrup (yearning to be consumed)
elsewhere at other times it broods
a sleeping lion its paw upon
the carcase of its prey - but look
at portland if you can by night
its outline traced by street lights
its harshnesses seduced to
shadows - then the island hangs
beneath the sky in still festivity
its truths intact its wounds of stone
find blessing in the herbal dark
nothing of this of course is meaningful
unless inside us all there rests
a portland ravaged daily ill-at-ease
that has to use the night-time
for its solace - and each glimpse we get
of it assuages different guilts
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