10 Best Famous Freshness Poems

Here is a collection of the top 10 all-time best famous Freshness poems. This is a select list of the best famous Freshness poetry. Reading, writing, and enjoying famous Freshness poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of freshness poems.

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A Forest Hymn

by William Cullen Bryant
The groves were God's first temples. Ere man learned 
To hew the shaft, and lay the architrave, 
And spread the roof above them,---ere he framed 
The lofty vault, to gather and roll back 
The sound of anthems; in the darkling wood, 
Amidst the cool and silence, he knelt down, 
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences, 
Which, from the stilly twilight of the place, 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs, and from the sound 
Of the invisible breath that swayed at once 
All their green tops, stole over him, and bowed 
His spirit with the thought of boundless power 
And inaccessible majesty. Ah, why 
Should we, in the world's riper years, neglect 
God's ancient sanctuaries, and adore 
Only among the crowd, and under roofs, 
That our frail hands have raised? Let me, at least, 
Here, in the shadow of this aged wood, 
Offer one hymn---thrice happy, if it find 
Acceptance in His ear. 
Father, thy hand 
Hath reared these venerable columns, thou 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth, and, forthwith, rose 
All these fair ranks of trees. They, in thy sun, 
Budded, and shook their green leaves in the breeze, 
And shot towards heaven. The century-living crow, 
Whose birth was in their tops, grew old and died 
Among their branches, till, at last, they stood, 
As now they stand, massy, and tall, and dark, 
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults, 
These winding aisles, of human pomp and pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here---thou fill'st 
The solitude. Thou art in the soft winds 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes, scarcely felt; the barky trunks, the ground, 
The fresh moist ground, are all instinct with thee. 
Here is continual worship;---Nature, here, 
In the tranquility that thou dost love, 
Enjoys thy presence. Noiselessly, around, 
From perch to perch, the solitary bird 
Passes; and yon clear spring, that, midst its herbs, 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest, tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness, in these shades, 
Of thy perfections. Grandeur, strength, and grace 
Are here to speak of thee. This mighty oak--- 
By whose immovable stem I stand and seem 
Almost annihilated---not a prince, 
In all that proud old world beyond the deep, 
E'er wore his crown as lofty as he 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty, such as blooms not in the glare 
Of the broad sun. That delicate forest flower 
With scented breath, and look so like a smile, 
Seems, as it issues from the shapeless mould, 
An emanation of the indwelling Life, 
A visible token of the upholding Love, 
That are the soul of this wide universe. 

My heart is awed within me when I think 
Of the great miracle that still goes on, 
In silence, round me---the perpetual work 
Of thy creation, finished, yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 
Lo! all grow old and die---but see again, 
How on the faltering footsteps of decay 
Youth presses----ever gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 
Moulder beneath them. Oh, there is not lost 
One of earth's charms: upon her bosom yet, 
After the flight of untold centuries, 
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 
Of his arch enemy Death---yea, seats himself 
Upon the tyrant's throne---the sepulchre, 
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom, and shall have no end. 

There have been holy men who hid themselves 
Deep in the woody wilderness, and gave 
Their lives to thought and prayer, till they outlived 
The generation born with them, nor seemed 
Less aged than the hoary trees and rocks 
Around them;---and there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire, and in thy presence reassure 
My feeble virtue. Here its enemies, 
The passions, at thy plainer footsteps shrink 
And tremble and are still. Oh, God! when thou 
Dost scare the world with falling thunderbolts, or fill, 
With all the waters of the firmament, 
The swift dark whirlwind that uproots the woods 
And drowns the village; when, at thy call, 
Uprises the great deep and throws himself 
Upon the continent, and overwhelms 
Its cities---who forgets not, at the sight 
Of these tremendous tokens of thy power, 
His pride, and lays his strifes and follies by? 
Oh, from these sterner aspects of thy face 
Spare me and mine, nor let us need the wrath 
Of the mad unchained elements to teach 
Who rules them. Be it ours to meditate, 
In these calm shades, thy milder majesty, 
And to the beautiful order of the works 
Learn to conform the order of our lives. 

Gods Grandeur

by Gerard Manley Hopkins
The world is charged with the grandeur of God.
  It will flame out, like shining from shook foil;
  It gathers to a greatness, like the ooze of oil
Crushed.  Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
  And all is seared with trade; bleared, smeared with toil;
  And wears man's smudge and shares man's smell:  the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
  There lives the dearest freshness deep down things;
And though the last lights off the black West went
  Oh, morning, at the brown brink eastward, springs—
Because the Holy Ghost over the bent
  World broods with warm breast and with ah! bright wings.

The Norsemen (From Narrative and Legendary Poems )

by John Greenleaf Whittier
 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down. 
Yet, while this morning breeze is bringing 
The home-life sound of school-bells ringing, 
And rolling wheel, and rapid jar 
Of the fire-winged and steedless car, 
And voices from the wayside near 
Come quick and blended on my ear,-- 
A spell is in this old gray stone, 
My thoughts are with the Past alone! 

A change! -- The steepled town no more 
Stretches along the sail-thronged shore; 
Like palace-domes in sunset's cloud, 
Fade sun-gilt spire and mansion proud: 
Spectrally rising where they stood, 
I see the old, primeval wood; 
Dark, shadow-like, on either hand 
I see its solemn waste expand; 
It climbs the green and cultured hill, 
It arches o'er the valley's rill, 
And leans from cliff and crag to throw 
Its wild arms o'er the stream below. 
Unchanged, alone, the same bright river 
Flows on, as it will flow forever! 
I listen, and I hear the low 
Soft ripple where its water go; 
I hear behind the panther's cry, 
The wild-bird's scream goes thrilling by, 
And shyly on the river's brink 
The deer is stooping down to drink. 

But hard! -- from wood and rock flung back, 
What sound come up the Merrimac? 
What sea-worn barks are those which throw 
The light spray from each rushing prow? 
Have they not in the North Sea's blast 
Bowed to the waves the straining mast? 
Their frozen sails the low, pale sun 
Of Thulë's night has shone upon; 
Flapped by the sea-wind's gusty sweep 
Round icy drift, and headland steep. 
Wild Jutland's wives and Lochlin's daughters 
Have watched them fading o'er the waters, 
Lessening through driving mist and spray, 
Like white-winged sea-birds on their way! 

Onward they glide, -- and now I view 
Their iron-armed and stalwart crew; 
Joy glistens in each wild blue eye, 
Turned to green earth and summer sky. 
Each broad, seamed breast has cast aside 
Its cumbering vest of shaggy hide; 
Bared to the sun and soft warm air, 
Streams back the Northmen's yellow hair. 
I see the gleam of axe and spear, 
A sound of smitten shields I hear, 
Keeping a harsh and fitting time 
To Saga's chant, and Runic rhyme; 
Such lays as Zetland's Scald has sung, 
His gray and naked isles among; 
Or mutter low at midnight hour 
Round Odin's mossy stone of power. 
The wolf beneath the Arctic moon 
Has answered to that startling rune; 
The Gael has heard its stormy swell, 
The light Frank knows its summons well; 
Iona's sable-stoled Culdee 
Has heard it sounding o'er the sea, 
And swept, with hoary beard and hair, 
His altar's foot in trembling prayer! 

'T is past, -- the 'wildering vision dies 
In darkness on my dreaming eyes! 
The forest vanishes in air, 
Hill-slope and vale lie starkly bare; 
I hear the common tread of men, 
And hum of work-day life again; 
The mystic relic seems alone 
A broken mass of common stone; 
And if it be the chiselled limb 
Of Berserker or idol grim, 
A fragment of Valhalla's Thor, 
The stormy Viking's god of War, 
Or Praga of the Runic lay, 
Or love-awakening Siona, 
I know not, -- for no graven line, 
Nor Druid mark, nor Runic sign, 
Is left me here, by which to trace 
Its name, or origin, or place. 
Yet, for this vision of the Past, 
This glance upon its darkness cast, 
My spirit bows in gratitude 
Before the Giver of all good, 
Who fashioned so the human mind, 
That, from the waste of Time behind, 
A simple stone, or mound of earth, 
Can summon the departed forth; 
Quicken the Past to life again, 
The Present lose in what hath been, 
And in their primal freshness show 
The buried forms of long ago. 
As if a portion of that Thought 
By which the Eternal will is wrought, 
Whose impulse fills anew with breath 
The frozen solitude of Death, 
To mortal mind were sometimes lent, 
To mortal musing sometimes sent, 
To whisper -- even when it seems 
But Memory's fantasy of dreams -- 
Through the mind's waste of woe and sin, 
Of an immortal origin!

Ode To a Lemon

by Pablo Neruda
 Out of lemon flowers
loosed
on the moonlight, love's
lashed and insatiable
essences,
sodden with fragrance,
the lemon tree's yellow
emerges,
the lemons
move down
from the tree's planetarium

Delicate merchandise!
The harbors are big with it-
bazaars
for the light and the
barbarous gold.
We open
the halves
of a miracle,
and a clotting of acids
brims
into the starry
divisions:
creation's
original juices,
irreducible, changeless,
alive:
so the freshness lives on
in a lemon,
in the sweet-smelling house of the rind,
the proportions, arcane and acerb.

Cutting the lemon
the knife
leaves a little cathedral:
alcoves unguessed by the eye
that open acidulous glass
to the light; topazes
riding the droplets,
altars,
aromatic facades.

So, while the hand
holds the cut of the lemon,
half a world
on a trencher,
the gold of the universe
wells
to your touch:
a cup yellow
with miracles,
a breast and a nipple
perfuming the earth;
a flashing made fruitage,
the diminutive fire of a planet.

The Hound of Heaven

by Francis Thompson
 I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.

I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.

I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.

I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.

So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.

But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.

Naked, I wait thy Love's uplifted stroke. My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.

Such is. What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?

Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.

A Forest Hymn

by William Cullen Bryant
THE GROVES were God's first temples. Ere man learned 
To hew the shaft and lay the architrave  
And spread the roof above them¡ªere he framed 
The lofty vault to gather and roll back 
The sound of anthems; in the darkling wood 5 
Amidst the cool and silence he knelt down  
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences 
Which from the stilly twilight of the place 10 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs and from the sound 
Of the invisible breath that swayed at once 
All their green tops stole over him and bowed 
His spirit with the thought of boundless power 15 
And inaccessible majesty. Ah why 
Should we in the world's riper years neglect 
God's ancient sanctuaries and adore 
Only among the crowd and under roofs 
That our frail hands have raised? Let me at least 20 
Here in the shadow of this aged wood  
Offer one hymn¡ªthrice happy if it find 
Acceptance in His ear. 

Father thy hand 
Hath reared these venerable columns thou 25 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth and forthwith rose 
All these fair ranks of trees. They in thy sun  
Budded and shook their green leaves in thy breeze  
And shot towards heaven. The century-living crow 30 
Whose birth was in their tops grew old and died 
Among their branches till at last they stood  
As now they stand massy and tall and dark  
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults 35 
These winding aisles of human pomp or pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here¡ªthou fill'st 
The solitude. Thou art in the soft winds 40 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes scarcely felt; the barky trunks the ground  
The fresh moist ground are all instinct with thee. 45 
Here is continual worship;¡ªNature here  
In the tranquillity that thou dost love  
Enjoys thy presence. Noiselessly around  
From perch to perch the solitary bird 
Passes; and yon clear spring that midst its herbs 50 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness in these shades  
Of thy perfections. Grandeur strength and grace 55 
Are here to speak of thee. This mighty oak ¡ª 
By whose immovable stem I stand and seem 
Almost annihilated¡ªnot a prince  
In all that proud old world beyond the deep  
E'er wore his crown as loftily as he 60 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty such as blooms not in the glare 
Of the broad sun. That delicate forest flower  
With scented breath and look so like a smile 65 
Seems as it issues from the shapeless mould  
An emanation of the indwelling Life  
A visible token of the upholding Love  
That are the soul of this great universe. 

My heart is awed within me when I think 70 
Of the great miracle that still goes on  
In silence round me¡ªthe perpetual work 
Of thy creation finished yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 75 
Lo! all grow old and die¡ªbut see again  
How on the faltering footsteps of decay 
Youth presses ¡ªever-gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 80 
Moulder beneath them. O there is not lost 
One of earth's charms: upon her bosom yet  
After the flight of untold centuries  
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 85 
Of his arch-enemy Death¡ªyea seats himself 
Upon the tyrant's throne¡ªthe sepulchre  
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom and shall have no end. 90 

There have been holy men who hid themselves 
Deep in the woody wilderness and gave 
Their lives to thought and prayer till they outlived 
The generation born with them nor seemed 
Less aged than the hoary trees and rocks 95 
Around them;¡ªand there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire and in thy presence reassure 
My feeble virtue. Here its enemies 100 
The passions at thy plainer footsteps shrink 
And tremble and are still. O God! when thou 
Dost scare the world with tempests set on fire 
The heavens with falling thunderbolts or fill  
With all the waters of the firmament 105 
The swift dark whirlwind that uproots the woods 
And drowns the villages; when at thy call  
Uprises the great deep and throws himself 
Upon the continent and overwhelms 
Its cities¡ªwho forgets not at the sight 110 
Of these tremendous tokens of thy power  
His pride and lays his strifes and follies by? 
O from these sterner aspects of thy face 
Spare me and mine nor let us need the wrath 
Of the mad unchain¨¨d elements to teach 115 
Who rules them. Be it ours to meditate  
In these calm shades thy milder majesty  
And to the beautiful order of thy works 
Learn to conform the order of our lives. 

The house where I was born (07)

by Yves Bonnefoy
 I remember, it was a morning, in summer,
The window was half-open, I drew near,
I could see my father at the end of the garden.
He was motionless, looking for something,
I could not tell what, or where, beyond the world,
His body was already bent over, but his gaze
Was lifted toward the unaccomplished or the impossible.
He had put aside his pick and his spade,
The air was fresh on that morning of the world,
But even freshness can be impenetrable, and cruel
The memory of the mornings of childhood.
Who was he, who had he been in the light,
I did not know, I still do not.

But I also see him on the boulevard,
Walking slowly, so much weariness
Weighing down the way he now moved,
He was going back to work, while I
Was wandering about with some of my classmates
At the beginning of an afternoon still free from time.
To this figure, seen from afar, moving on its way,
I dedicate the words that cannot say what they would.

(In the dining room
Of the Sunday afternoon, in summer,
The shutters closed against the heat,
The table cleared, he suggested
Cards, since these are the only pictures
In the childhood house to satisfy
The needs of dream, but he leaves,
And when he does, the child clumsily takes the cards,
He puts the winning ones in the other’s hand,
Then waits feverishly for the game to begin again,
And for the one who was losing to win, and so triumphantly
That he might see in this victory a sign, something
To nourish some hope the child cannot know.
After this, two paths part, and one of them
Vanishes, and almost immediately, forgetfulness
Sets in, avid, relentless.

I have crossed out
These words a hundred times, in verse, in prose,
But I cannot
Stop them from coming back.)

A Pastoral Dialogue

by Anne Killigrew
 Amintor. STay gentle Nymph, nor so solic'tous be, 
To fly his sight that still would gaze on thee. 
With other Swaines I see thee oft converse, 
Content to speak, and hear what they rehearse: 
But I unhappy, when I e're draw nigh, 
Thou streight do'st leave both Place, and Company. 
If this thy Flight, from fear of Harm doth flow, 
Ah, sure thou little of my Heart dost know. 
 Alinda. What wonder, Swain, if the Pursu'd by Flight, 
Seeks to avoid the close Pursuers Sight ?
And if no Cause I have to fly from thee, 
Then thou hast none, why thou dost follow me. 

 Amin. If to the Cause thou wilt propitious prove, 
Take it at once, fair Nymph, and know 'tis Love. 

Alin. To my just Pray'r, ye favouring Gods attend, 
These Vows to Heaven with equal Zeal I send, 
My flocks from Wolves, my Heart from Love, defend. 

 Amin. The Gods which did on thee such Charms bestow, 
Ne're meant thou shouldst to Love have prov'd a Foe, 
That so Divine a Power thou shouldst defy. 
Could there a Reason be, I'd ask thee, why ? 

 Alin. Why does Licoris, once so bright and gay, 
Pale as a Lilly pine her self away ? 
Why does Elvira, ever sad, frequent
The lonely shades ? Why does yon Monument
Which we upon our Left Hand do behold, 
Hapless Amintas youthful Limbs enfold ? 
Say Shepherd, say: But if thou wilt not tell, 
Damon, Philisides, and Strephon well
Can speak the Cause, whose Falshood each upbraids, 
And justly me from Cruel Love disswades. 

 Amin. Hear me ye Gods. Me and my Flocks forsake, 
If e're like them my promis'd Faith I brake. 

Alin. By others sad Experience wise I'le be. 
 Amin. But such thy Wisdom highly injures me: 
And nought but Death can give a Remedy. 
Yet Learn'd in Physick, what does it avail, 
That you by Art (wherein ye never fail)
Present Relief have for the Mad-dogs Bite ? 
The Serpents sting ? The poisonous Achonite ? 
While helpless Love upbraids your baffl'd skill, 
And far more certain, than the rest, doth kill. 

 Alin. Fond Swain, go dote upon the new blown Rose, 
Whose Beauty with the Morning did disclose, 
And e're Days King forsakes th'enlightened Earth, 
Wither'd, returns from whence it took its Birth. 
As much Excuse will there thy Love attend, 
As what thou dost on Womens Beauty spend. 
 Amin. Ah Nymph, those Charms which I in thee admire, 
Can, nor before, nor with thy Life expire. 
From Heaven they are, and such as ne're can dye, 
But with thy Soul they will ascend the Sky !
For though my ravisht Eye beholds in Thee, 
Such beauty as I can in none else see; 

That Nature there alone is without blame, 
Yet did not this my faithful Heart enflame: 
Nor when in Dance thou mov'st upon the Plaine, 
Or other Sports pursu'st among the Train
Of choicest Nymphs, where thy attractive Grace
Shews thee alone, though thousands be in place !
Yet not for these do I Alinda love, 
Hear then what 'tis, that does my Passion move. 
 That Thou still Earliest at the Temple art, 
 And still the last that does from thence depart; 
 Pans Altar is by thee the oftnest prest, 
 Thine's still the fairest Offering and the Best; 
 And all thy other Actions seem to be, 
 The true Result of Unfeign'd Piety; 
 Strict in thy self, to others Just and Mild;
 Careful, nor to Deceive, nor be Beguil'd;
 Wary, without the least Offence, to live,
 Yet none than thee more ready to forgive !
 Even on thy Beauty thou dost Fetters lay, 
 Least, unawares, it any should betray. 
 Far unlike, sure, to many of thy Sex, 
 Whose Pride it is, the doting World to vex; 

Spreading their Universal Nets to take
 Who e're their artifice can captive make. 
 But thou command'st thy Sweet, but Modest Eye, 
 That no Inviting Glance from thence should fly. 
 Beholding with a Gen'rous Disdain, 
 The lighter Courtships of each amorous Swain; 
 Knowing, true Fame, Vertue alone can give: 
 Nor dost thou greedily even that receive. 
 And what 'bove this thy Character can raise ? 
 Thirsty of Merit, yet neglecting Praise !
While daily these Perfections I discry, 
Matchless Alinda makes me daily dy. 
Thou absent, Flow'rs to me no Odours yield, 
Nor find I freshness in the dewy Field; 
Not Thyrsis Voice, nor Melibeus Lire, 
Can my Sad Heart with one Gay Thought inspire; 
My thriving Flock ('mong Shepherds Vows the Chief)
I unconcern'd behold, as they my Grief. 
 This I profess, if this thou not believe, 
A further proof I ready am to give, 
Command: there's nothing I'le not undertake, 
And, thy Injunctions, Love will easie make. 

Ah, if thou couldst incline a gentle Ear, 
Of plighted Faith, and hated Hymen hear; 
Thou hourly then my spotless Love should'st see, 
That all my Study, how to please, should be; 
How to protect thee from disturbing Care, 
And in thy Griefs to bear the greatest share; 
Nor should a Joy, my Warie Heart surprize, 
That first I read not in thy charming Eyes. 
 Alin. If ever I to any do impart, 
My, till this present hour, well-guarded Heart, 
That Passion I have fear'd, I'le surely prove, 
For one that does, like to Amintor love. 
 Amintor. Ye Gods –
 Alin. Shepherd, no more: enough it is that I, 
Thus long to Love, have listn'd patiently. 
Farewel: Pan keep thee, Swain. 
 Amintor. And Blessings Thee, 
Rare as thy Vertues, still accompany.

Apollo Musagete Poetry And The Leader Of The Muses

by Delmore Schwartz
 Nothing is given which is not taken.

Little or nothing is taken which is not freely desired,
 freely, truly and fully.

"You would not seek me if you had not found me": this is
 true of all that is supremely desired and admired...

"An enigma is an animal," said the hurried, harried 
 schoolboy:

And a horse divided against itself cannot stand;

And a moron is a man who believes in having too many 
 wives: what harm is there in that?

O the endless fecundity of poetry is equaled 
By its endless inexhaustible freshness, as in the discovery
 of America and of poetry.

Hence it is clear that the truth is not strait and narrow but infinite:
All roads lead to Rome and to poetry
 and to poem, sweet poem
 and from, away and towards are the same typography.

Hence the poet must be, in a way, stupid and naive and a 
 little child;

Unless ye be as a little child ye cannot enter the kingdom 
 of poetry.

Hence the poet must be able to become a tiger like Blake; a
 carousel like Rilke.

Hence he must be all things to be free, for all impersonations
a doormat and a monument
to all situations possible or actual
The cuckold, the cuckoo, the conqueror, and the coxcomb.

It is to him in the zoo that the zoo cries out and the hyena:
"Hello, take off your hat, king of the beasts, and be seated, 
Mr. Bones."

And hence the poet must seek to be essentially anonymous.
He must die a little death each morning.
He must swallow his toad and study his vomit
as Baudelaire studied la charogne of Jeanne Duval.

The poet must be or become both Keats and Renoir and
Keats as Renoir.
Mozart as Figaro and Edgar Allan Poe as Ophelia, stoned 
out of her mind
drowning in the river called forever river and ever...

Keats as Mimi, Camille, and an aging gourmet.
He must also refuse the favors of the unattainable lady
(As Baudelaire refused Madame Sabatier when the fair 
blonde summoned him,

For Jeanne Duval was enough and more than enough, 
although she cuckolded him
With errand boys, servants, waiters; reality was Jeanne Duval.
Had he permitted Madame Sabatier to teach the poet a greater whiteness,
His devotion and conception of the divinity of Beauty
would have suffered an absolute diminution.)

The poet must be both Casanova and St. Anthony,

He must be Adonis, Nero, Hippolytus, Heathcliff, and
Phaedre,
Genghis Kahn, Genghis Cohen, and Gordon Martini
Dandy Ghandi and St. Francis,

Professor Tenure, and Dizzy the dean and Disraeli of Death.

He would have worn the horns of existence upon his head, 
He would have perceived them regarding the looking-glass, 
He would have needed them the way a moose needs a hatrack;
Above his heavy head and in his loaded eyes, black and scorched,
He would have seen the meaning of the hat-rack, above the glass
Looking in the dark foyer.

For the poet must become nothing but poetry, 
He must be nothing but a poem when he is writing 
Until he is absent-minded as the dead are
Forgetful as the nymphs of Lethe and a lobotomy...
("the fat weed that rots on Lethe wharf").

Echoes

by Emma Lazarus
 Late-born and woman-souled I dare not hope, 
The freshness of the elder lays, the might 
Of manly, modern passion shall alight 
Upon my Muse's lips, nor may I cope 
(Who veiled and screened by womanhood must grope) 
With the world's strong-armed warriors and recite 
The dangers, wounds, and triumphs of the fight; 
Twanging the full-stringed lyre through all its scope. 
But if thou ever in some lake-floored cave 
O'erbrowed by rocks, a wild voice wooed and heard, 
Answering at once from heaven and earth and wave, 
Lending elf-music to thy harshest word, 
Misprize thou not these echoes that belong 
To one in love with solitude and song.
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace