by
John Donne
DEAR love for nothing less than thee
Would I have broke this happy dream;
It was a theme
For reason much too strong for fantasy.
Therefore thou waked'st me wisely; yet 5
My dream thou brok'st not but continued'st it.
Thou art so true that thoughts of thee suffice
To make dreams truths and fables histories;
Enter these arms for since thou thought'st it best
Not to dream all my dream let 's act the rest. 10
As lightning or a taper's light
Thine eyes and not thy noise waked me;
Yet I thought thee¡ª
For thou lov'st truth¡ªan angel at first sight;
But when I saw thou saw'st my heart 15
And knew'st my thoughts beyond an angel's art
When thou knew'st what I dreamt when thou knew'st when
Excess of joy would wake me and cam'st then
I must confess it could not choose but be
Profane to think thee anything but thee. 20
Coming and staying show'd thee thee
But rising makes me doubt that now
Thou art not thou.
That Love is weak where Fear 's as strong as he;
'Tis not all spirit pure and brave 25
If mixture it of Fear Shame Honour have.
Perchance as torches which must ready be
Men light and put out so thou deal'st with me.
Thou cam'st to kindle go'st to come: then I
Will dream that hope again but else would die. 30
|
by
Lewis Carroll
The Bellman's Speech
The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face!
He had bought a large map representing the sea,
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.
"What's the good of Mercator's North Poles and Equators,
Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
"They are merely conventional signs!
"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank"
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!"
This was charming, no doubt: but they shortly found out
That the Captain they trusted so well
Had only one notion for crossing the ocean
And that was to tingle his bell.
He was thoughtful and grave--but the orders he gave
Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
What on earth was the helmsman to do?
Then the bowsprit got mixed with the rudder sometimes:
A thing, as the Bellman remarked,
That frequently happens in tropical climes,
When a vessel is, so to speak, "snarked".
But the principal failing occurred in the sailing,
And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
That the ship would not travel due West!
But the danger was past--they had landed at last,
With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view
Which consisted of chasms and crags.
The Bellman perceived that their spirits were low,
And repeated in musical tone
Some jokes he had kept for a season of woe--
But the crew would do nothing but groan.
He served out some grog with a liberal hand,
And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
As he stood and delivered his speech.
"Friends, Romans, and countrymen, lend me your ears!"
(They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
While he served out additional rations).
"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark!
"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now!
"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.
"Let us take them in order. The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o'-the-Wisp.
"Its habit of getting up late you'll agree
That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
And dines on the following day.
"The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun.
"The fourth is its fondness for bathing-machines,
Which it constantly carries about,
And believes that they add to the beauty of scenes--
A sentiment open to doubt.
"The fifth is ambition. It next will be right
To describe each particular batch:
Distinguishing those that have feathers, and bite,
From those that have whiskers, and scratch.
"For, although common Snarks do no manner of harm,
Yet I feel it my duty to say
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.
|
by
Sir Philip Sidney
Not at first sight, nor with a dribbed shot
Love gave the wound, which while I breathe will bleed;
But known worth did in mine of time proceed,
Till by degrees it had full conquest got:
I saw and liked, I liked but loved not;
I lov'd, but straight did not what Love decreed.
At length to love's decrees I, forc'd, agreed,
Yet with repining at so partial lot.
Now even that footstep of lost liberty
Is gone, and now like slave-born Muscovite
I call it praise to suffer tyranny;
And now employ the remnant of my wit
To make myself believe that all is well,
While with a feeling skill I paint my hell.
|
by
Robert Browning
That second time they hunted me
From hill to plain, from shore to sea,
And Austria, hounding far and wide
Her blood-hounds through the countryside,
Breathed hot and instant on my trace,—
I made six days a hiding-place
Of that dry green old aqueduct
Where I and Charles, when boys, have plucked
The fire-flies from the roof above,
Bright creeping throuoh the moss they love.
—How long it seems since Charles was lost!
Six days the soldiers crossed and crossed
The country in my very sight;
And when that peril ceased at night,
The sky broke out in red dismay
With signal-fires; well, there I lay
Close covered o'er in my recess,
Up to the neck in ferns and cress,
Thinking on Metternich our friend,
And Charles's miserable end,
And much beside, two days; the third,
Hunger o'ercame me when I heard
The peasants from the village go
To work among the maize; you know,
With us, in Lombardy, they bring
Provisions packed on mules, a string
With little bells that cheer their task,
And casks, and boughs on every cask
To keep the sun's heat from the wine;
These I let pass in jingling line,
And, close on them, dear noisy crew,
The peasants from the village too;
For at the very rear would troop
Their wives and sisters in a group
To help, I knew; when these had passed,
I threw my glove to strike the last,
Taking the chance: she did not start,
Much less cry out, but stooped apart
One instant, rapidly glanced round,
And saw me beckon from the ground;
A wild bush grows and hides my crypt,
She picked my glove up while she stripped
A branch off, then rejoined the rest
With that; my glove lay in her breast:
Then I drew breath: they disappeared;
It was for Italy I feared.
An hour, and she returned alone
Exactly where my glove was thrown.
Meanwhile come many thoughts; on me
Rested the hopes of Italy;
I had devised a certain tale
Which, when 'twas told her, could not fail
Persuade a peasant of its truth;
I meant to call a freak of youth
This hiding, and give hopes of pay,
And no temptation to betray.
But when I saw that woman's face,
Its calm simplicity of grace,
Our Italy's own attitude
In which she walked thus far, and stood,
Planting each naked foot so firm,
To crush the snake and spare the worm—
At first sight of her eyes, I said,
"I am that man upon whose head
They fix the price, because I hate
The Austrians over us: the State
Will give you gold—oh, gold so much,
If you betray me to their clutch!
And be your death, for aught I know,
If once they find you saved their foe.
Now, you must bring me food and drink,
And also paper, pen, and ink,
And carry safe what I shall write
To Padua, which you'll reach at night
Before the Duomo shuts; go in,
And wait till Tenebrae begin;
Walk to the Third Confessional,
Between the pillar and the wall,
And Kneeling whisper whence comes peace?
Say it a second time; then cease;
And if the voice inside returns,
From Christ and Freedom: what concerns
The cause of Peace?—for answer, slip
My letter where you placed your lip;
Then come back happy we have done
Our mother service—I, the son,
As you daughter of our land!"
Three mornings more, she took her stand
In the same place, with the same eyes:
I was no surer of sunrise
Than of her coming: we conferred
Of her own prospects, and I heard
She had a lover—stout and tall,
She said—then let her eyelids fall,
"He could do much"—as if some doubt
Entered her heart,—then, passing out,
"She could not speak for others—who
Had other thoughts; herself she knew:"
And so she brought me drink and food.
After four days, the scouts pursued
Another path: at last arrived
The help my Paduan friends contrived
To furnish me: she brought the news:
For the first time I could not choose
But kiss her hand and lay my own
Upon her head—"This faith was shown
To Italy, our mother;—she
Uses my hand and blesses thee!"
She followed down to the seashore;
I left and never saw her more.
How very long since I have thought
Concerning—much less wished for—aught
Beside the good of Italy,
For which I live and mean to die!
I never was in love; and since
Charles proved false, nothing could convince
My inmost heart I had a friend;
However, if I pleased to spend
Real wishes on myself—say, Three—
I know at least what one should be;
I would grasp Metternich until
I felt his red wet throat distil
In blood through these two hands; and next,
—Nor much for that am I perplexed—
Charles, perjured traitor, for his part,
Should die slow of a broken heart
Under his new employers; last
—Ah, there, what should I wish? For fast
Do I grow old and out of strength.—
If I resolved to seek at length
My father's house again, how scared
They all would look, and unprepared!
My brothers live in Austria's pay
—Disowned me long ago, men say;
And all my early mates who used
To praise me so—perhaps induced
More than one early step of mine—
Are turning wise; while some opine
"Freedom grows License," some suspect
"Haste breeds Delay," and recollect
They always said, such premature
Beginnings never could endure!
So, with a sullen "All's for best,"
The land seems settling to its rest.
I think, then, I should wish to stand
This evening in that dear, lost land,
Over the sea the thousand miles,
And know if yet that woman smiles
With the calm smile; some little farm
She lives in there, no doubt; what harm
If I sate on the door-side bench,
And, while her spindle made a trench
Fantastically in the dust,
Inquired of all her fortunes—just
Her children's ages and their names,
And what may be the husband's aims
For each of them—I'd talk this out,
And sit there, for and hour about,
Then kiss her hand once more, and lay
Mine on her head, and go my way.
So much for idle wishing—how
It steals the time! To business now.
|
by
Christopher Marlowe
It lies not in our power to love or hate,
For will in us is overruled by fate.
When two are stripped, long ere the course begin,
We wish that one should love, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows; let it suffice
What we behold is censured by our eyes.
Where both deliberate, the love is slight:
Who ever loved, that loved not at first sight?
|
by
Henry Vaughan
1 They are all gone into the world of light!
2 And I alone sit ling'ring here;
3 Their very memory is fair and bright,
4 And my sad thoughts doth clear.
5 It glows and glitters in my cloudy breast,
6 Like stars upon some gloomy grove,
7 Or those faint beams in which this hill is drest,
8 After the sun's remove.
9 I see them walking in an air of glory,
10 Whose light doth trample on my days:
11 My days, which are at best but dull and hoary,
12 Mere glimmering and decays.
13 O holy Hope! and high Humility,
14 High as the heavens above!
15 These are your walks, and you have show'd them me
16 To kindle my cold love.
17 Dear, beauteous Death! the jewel of the just,
18 Shining nowhere, but in the dark;
19 What mysteries do lie beyond thy dust
20 Could man outlook that mark!
21 He that hath found some fledg'd bird's nest, may know
22 At first sight, if the bird be flown;
23 But what fair well or grove he sings in now,
24 That is to him unknown.
25 And yet as angels in some brighter dreams
26 Call to the soul, when man doth sleep:
27 So some strange thoughts transcend our wonted themes
28 And into glory peep.
29 If a star were confin'd into a tomb,
30 Her captive flames must needs burn there;
31 But when the hand that lock'd her up, gives room,
32 She'll shine through all the sphere.
33 O Father of eternal life, and all
34 Created glories under thee!
35 Resume thy spirit from this world of thrall
36 Into true liberty.
37 Either disperse these mists, which blot and fill
38 My perspective still as they pass,
39 Or else remove me hence unto that hill,
40 Where I shall need no glass.
|
by
Christopher Marlowe
1 On Hellespont, guilty of true love's blood,
2 In view and opposite two cities stood,
3 Sea-borderers, disjoin'd by Neptune's might;
4 The one Abydos, the other Sestos hight.
5 At Sestos Hero dwelt; Hero the fair,
6 Whom young Apollo courted for her hair,
7 And offer'd as a dower his burning throne,
8 Where she could sit for men to gaze upon.
9 The outside of her garments were of lawn,
10 The lining purple silk, with gilt stars drawn;
11 Her wide sleeves green, and border'd with a grove,
12 Where Venus in her naked glory strove
13 To please the careless and disdainful eyes
14 Of proud Adonis, that before her lies;
15 Her kirtle blue, whereon was many a stain,
16 Made with the blood of wretched lovers slain.
17 Upon her head she ware a myrtle wreath,
18 From whence her veil reach'd to the ground beneath;
19 Her veil was artificial flowers and leaves,
20 Whose workmanship both man and beast deceives;
21 Many would praise the sweet smell as she past,
22 When 'twas the odour which her breath forth cast;
23 And there for honey bees have sought in vain,
24 And beat from thence, have lighted there again.
25 About her neck hung chains of pebble-stone,
26 Which lighten'd by her neck, like diamonds shone.
27 She ware no gloves; for neither sun nor wind
28 Would burn or parch her hands, but, to her mind,
29 Or warm or cool them, for they took delight
30 To play upon those hands, they were so white.
31 Buskins of shells, all silver'd, used she,
32 And branch'd with blushing coral to the knee;
33 Where sparrows perch'd, of hollow pearl and gold,
34 Such as the world would wonder to behold:
35 Those with sweet water oft her handmaid fills,
36 Which as she went, would chirrup through the bills.
37 Some say, for her the fairest Cupid pin'd,
38 And looking in her face, was strooken blind.
39 But this is true; so like was one the other,
40 As he imagin'd Hero was his mother;
41 And oftentimes into her bosom flew,
42 About her naked neck his bare arms threw,
43 And laid his childish head upon her breast,
44 And with still panting rock'd there took his rest.
45 So lovely-fair was Hero, Venus' nun,
46 As Nature wept, thinking she was undone,
47 Because she took more from her than she left,
48 And of such wondrous beauty her bereft:
49 Therefore, in sign her treasure suffer'd wrack,
50 Since Hero's time hath half the world been black.
51 Amorous Leander, beautiful and young
52 (Whose tragedy divine Mus?us sung),
53 Dwelt at Abydos; since him dwelt there none
54 For whom succeeding times make greater moan.
55 His dangling tresses, that were never shorn,
56 Had they been cut, and unto Colchos borne,
57 Would have allur'd the vent'rous youth of Greece
58 To hazard more than for the golden fleece.
59 Fair Cynthia wish'd his arms might be her sphere;
60 Grief makes her pale, because she moves not there.
61 His body was as straight as Circe's wand;
62 Jove might have sipt out nectar from his hand.
63 Even as delicious meat is to the taste,
64 So was his neck in touching, and surpast
65 The white of Pelops' shoulder: I could tell ye,
66 How smooth his breast was, and how white his belly;
67 And whose immortal fingers did imprint
68 That heavenly path with many a curious dint
69 That runs along his back; but my rude pen
70 Can hardly blazon forth the loves of men,
71 Much less of powerful gods: let it suffice
72 That my slack Muse sings of Leander's eyes;
73 Those orient cheeks and lips, exceeding his
74 That leapt into the water for a kiss
75 Of his own shadow, and, despising many,
76 Died ere he could enjoy the love of any.
77 Had wild Hippolytus Leander seen,
78 Enamour'd of his beauty had he been.
79 His presence made the rudest peasant melt,
80 That in the vast uplandish country dwelt;
81 The barbarous Thracian soldier, mov'd with nought,
82 Was mov'd with him, and for his favour sought.
83 Some swore he was a maid in man's attire,
84 For in his looks were all that men desire,--
85 A pleasant smiling cheek, a speaking eye,
86 A brow for love to banquet royally;
87 And such as knew he was a man, would say,
88 "Leander, thou art made for amorous play;
89 Why art thou not in love, and lov'd of all?
90 Though thou be fair, yet be not thine own thrall."
91 The men of wealthy Sestos every year,
92 For his sake whom their goddess held so dear,
93 Rose-cheek'd Adonis, kept a solemn feast.
94 Thither resorted many a wandering guest
95 To meet their loves; such as had none at all
96 Came lovers home from this great festival;
97 For every street, like to a firmament,
98 Glister'd with breathing stars, who, where they went,
99 Frighted the melancholy earth, which deem'd
100 Eternal heaven to burn, for so it seem'd
101 As if another Pha{"e}ton had got
102 The guidance of the sun's rich chariot.
103 But far above the loveliest, Hero shin'd,
104 And stole away th' enchanted gazer's mind;
105 For like sea-nymphs' inveigling harmony,
106 So was her beauty to the standers-by;
107 Nor that night-wandering, pale, and watery star
108 (When yawning dragons draw her thirling car
109 From Latmus' mount up to the gloomy sky,
110 Where, crown'd with blazing light and majesty,
111 She proudly sits) more over-rules the flood
112 Than she the hearts of those that near her stood.
113 Even as when gaudy nymphs pursue the chase,
114 Wretched Ixion's shaggy-footed race,
115 Incens'd with savage heat, gallop amain
116 From steep pine-bearing mountains to the plain,
117 So ran the people forth to gaze upon her,
118 And all that view'd her were enamour'd on her.
119 And as in fury of a dreadful fight,
120 Their fellows being slain or put to flight,
121 Poor soldiers stand with fear of death dead-strooken,
122 So at her presence all surpris'd and tooken,
123 Await the sentence of her scornful eyes;
124 He whom she favours lives; the other dies.
125 There might you see one sigh, another rage,
126 And some, their violent passions to assuage,
127 Compile sharp satires; but, alas, too late,
128 For faithful love will never turn to hate.
129 And many, seeing great princes were denied,
130 Pin'd as they went, and thinking on her, died.
131 On this feast-day--O cursed day and hour!--
132 Went Hero thorough Sestos, from her tower
133 To Venus' temple, where unhappily,
134 As after chanc'd, they did each other spy.
135 So fair a church as this had Venus none:
136 The walls were of discolour'd jasper-stone,
137 Wherein was Proteus carved; and over-head
138 A lively vine of green sea-agate spread,
139 Where by one hand light-headed Bacchus hung,
140 And with the other wine from grapes out-wrung.
141 Of crystal shining fair the pavement was;
142 The town of Sestos call'd it Venus' glass:
143 There might you see the gods in sundry shapes,
144 Committing heady riots, incest, rapes:
145 For know, that underneath this radiant flower
146 Was Danae's statue in a brazen tower,
147 Jove slyly stealing from his sister's bed,
148 To dally with Idalian Ganimed,
149 And for his love Europa bellowing loud,
150 And tumbling with the rainbow in a cloud;
151 Blood-quaffing Mars heaving the iron net,
152 Which limping Vulcan and his Cyclops set;
153 Love kindling fire, to burn such towns as Troy,
154 Sylvanus weeping for the lovely boy
155 That now is turn'd into a cypress tree,
156 Under whose shade the wood-gods love to be.
157 And in the midst a silver altar stood:
158 There Hero, sacrificing turtles' blood,
159 Vail'd to the ground, veiling her eyelids close;
160 And modestly they opened as she rose.
161 Thence flew Love's arrow with the golden head;
162 And thus Leander was enamoured.
163 Stone-still he stood, and evermore he gazed,
164 Till with the fire that from his count'nance blazed
165 Relenting Hero's gentle heart was strook:
166 Such force and virtue hath an amorous look.
167 It lies not in our power to love or hate,
168 For will in us is over-rul'd by fate.
169 When two are stript, long ere the course begin,
170 We wish that one should lose, the other win;
171 And one especially do we affect
172 Of two gold ingots, like in each respect:
173 The reason no man knows, let it suffice,
174 What we behold is censur'd by our eyes.
175 Where both deliberate, the love is slight:
176 Who ever lov'd, that lov'd not at first sight?
|
by
William Topaz McGonagall
Oh, mighty city of New York, you are wonderful to behold--
Your buildings are magnificent-- the truth be it told--
They were the only thing that seemed to arrest my eye,
Because many of them are thirteen storeys high;
And as for Central Park, it is lovely to be seen--
Especially in the summer season when its shrubberies are green
And the Burns Statue is there to be seen,
Surrounded by trees on the beautiful sward so green;
Also Shakespeare and the immortal Sir Walter Scott,
Which by Scotchmen and Englishmen will never be forgot.
There are people on the Sabbath day in thousands resort--
All lov'd, in conversation, and eager for sport;
And some of them viewing the wild beasts there,
While the joyous shouts of children does rend the air--
And also beautiful black swans, I do declare.
And there's beautiful boats to be seen there,
And joyous shouts of children does rend the air,
While the boats sail along with them o'er Lohengrin Lake,
And fare is 5 cents for children, and adults ten is all they take.
And there's also summer-house shades, and merry-go-rounds
And with the merry laughter of the children the Park resounds,
During the live-long Sabbath day
Enjoying themselves at the merry-go-round play.
Then there's the elevated railroads abont five storeys high,
Which the inhabitants can hear night and day passing by;
Of, such a mass of people there daily do throng--
No less than five 100,000 daily pass along;
And all along the city you can get for five cents--
And, believe me, among the passengers there's few discontent.
And the top of the houses are mostly all flat,
And in the warm weather the people gather to chat;
Besides, on the housetops they dry their clothes;
And, also, many people all night on the housetops repose.
And numerous ships end steamboats are there to be seen,
Sailing along the East River water, which is very green--
Which is certainly a most beautiful sight
To see them sailing o'er the smooth water day and night.
And as for Brooklyn Bridge, it's a very great height,
And fills the stranger's heart with wonder at first sight;
And with all its loftiness I venture to say
It cannot surpass the new railway bridge of the Silvery Tay.
And there's also ten thousand rumsellers there--
Oh, wonderful to think of, I do declare!
To accommodate the people of New York therein,
And to encourage them to commit all sorts of sin.
And on the Sabbath day ye will see many a man
Going for beer with a big tin can,
And seems proud to be seen carrying home the beer
To treat his neighbours and his family dear.
Then at night numbers of the people dance and sing,
Making the walls of their houses to ring
With their songs and dancing on Sabbath night,
Which I witnessed with disgust, and fled from the sight.
And with regard to New York and the sights I did see--
Believe me, I never saw such sights in Dundee;
And the morning I sailed from the city of New York
My heart it felt as light as a cork.
|
by
Johann Wolfgang von Goethe
I feel no small reluctance in venturing to give to the public a
work of the character of that indicated by the title-page to the
present volume; for, difficult as it must always be to render satisfactorily
into one's own tongue the writings of the bards of other lands,
the responsibility assumed by the translator is immeasurably increased
when he attempts to transfer the thoughts of those great men, who
have lived for all the world and for all ages, from the language
in which they were originally clothed, to one to which they may
as yet have been strangers. Preeminently is this the case with Goethe,
the most masterly of all the master minds of modern times, whose
name is already inscribed on the tablets of immortality, and whose
fame already extends over the earth, although as yet only in its
infancy. Scarcely have two decades passed away since he ceased to
dwell among men, yet he now stands before us, not as a mere individual,
like those whom the world is wont to call great, but as a type,
as an emblem--the recognised emblem and representative of the human
mind in its present stage of culture and advancement.
Among the infinitely varied effusions of Goethe's pen, perhaps
there are none which are of as general interest as his Poems, which
breathe the very spirit of Nature, and embody the real music of
the feelings. In Germany, they are universally known, and are considered
as the most delightful of his works. Yet in this country, this kindred
country, sprung from the same stem, and so strongly resembling her
sister in so many points, they are nearly unknown. Almost the only
poetical work of the greatest Poet that the world has seen for ages,
that is really and generally read in England, is Faust, the translations
of which are almost endless; while no single person has as yet appeared
to attempt to give, in an English dress, in any collective or systematic
manner, those smaller productions of the genius of Goethe which
it is the object of the present volume to lay before the reader,
whose indulgence is requested for its many imperfections. In addition
to the beauty of the language in which the Poet has given utterance
to his thoughts, there is a depth of meaning in those thoughts which
is not easily discoverable at first sight, and the translator incurs
great risk of overlooking it, and of giving a prosaic effect to
that which in the original contains the very essence of poetry.
It is probably this difficulty that has deterred others from undertaking
the task I have set myself, and in which I do not pretend to do
more than attempt to give an idea of the minstrelsy of one so unrivalled,
by as truthful an interpretation of it as lies in my power.
The principles which have guided me on the present occasion are
the same as those followed in the translation of Schiller's complete
Poems that was published by me in 1851, namely, as literal a rendering
of the original as is consistent with good English, and also a very
strict adherence to the metre of the original. Although translators
usually allow themselves great license in both these points, it
appears to me that by so doing they of necessity destroy the very
soul of the work they profess to translate. In fact, it is not a
translation, but a paraphrase that they give. It may perhaps be
thought that the present translations go almost to the other extreme,
and that a rendering of metre, line for line, and word for word,
makes it impossible to preserve the poetry of the original both
in substance and in sound. But experience has convinced me that
it is not so, and that great fidelity is even the most essential
element of success, whether in translating poetry or prose. It was
therefore very satisfactory to me to find that the principle laid
down by me to myself in translating Schiller met with the very general,
if not universal, approval of the reader. At the same time, I have
endeavoured to profit in the case of this, the younger born of the
two attempts made by me to transplant the muse of Germany to the
shores of Britain, by the criticisms, whether friendly or hostile,
that have been evoked or provoked by the appearance of its elder
brother.
As already mentioned, the latter contained the whole of the Poems
of Schiller. It is impossible, in anything like the same compass,
to give all the writings of Goethe comprised under the general title
of Gedichte, or poems. They contain between 30,000 and 40,000 verses,
exclusive of his plays. and similar works. Very many of these would
be absolutely without interest to the English reader,--such as those
having only a local application, those addressed to individuals,
and so on. Others again, from their extreme length, could only be
published in separate volumes. But the impossibility of giving all
need form no obstacle to giving as much as possible; and it so happens
that the real interest of Goethe's Poems centres in those classes
of them which are not too diffuse to run any risk when translated
of offending the reader by their too great number. Those by far
the more generally admired are the Songs and Ballads, which are
about 150 in number, and the whole of which are contained in this
volume (with the exception of one or two of the former, which have
been, on consideration, left out by me owing to their trifling and
uninteresting nature). The same may be said of the Odes, Sonnets,
Miscellaneous Poems, &c.
In addition to those portions of Goethe's poetical works which
are given in this complete form, specimens of the different other
classes of them, such as the Epigrams, Elegies, &c., are added,
as well as a collection of the various Songs found in his Plays,
making a total number of about 400 Poems, embraced in the present
volume.
A sketch of the life of Goethe is prefixed, in order that the
reader may have before him both the Poet himself and the Poet's
offspring, and that he may see that the two are but one--that Goethe
lives in his works, that his works lived in him.
The dates of the different Poems are appended throughout, that
of the first publication being given, when that of the composition
is unknown. The order of arrangement adopted is that of the authorized
German editions. As Goethe would never arrange them himself in the
chronological order of their composition, it has become impossible
to do so, now that he is dead. The plan adopted in the present volume
would therefore seem to be the best, as it facilitates reference
to the original. The circumstances attending or giving rise to the
production of any of the Poems will be found specified in those
cases in which they have been ascertained by me.
Having said thus much by way of explanation, I now leave the book
to speak for itself, and to testify to its own character. Whether
viewed with a charitable eye by the kindly reader, who will make
due allowance for the difficulties attending its execution, or received
by the critic, who will judge of it only by its own merits, with
the unfriendly welcome which it very probably deserves, I trust
that I shall at least be pardoned for making an attempt, a failure
in which does not necessarily imply disgrace, and which, by leading
the way, may perhaps become the means of inducing some abler and
more worthy (but not more earnest) labourer to enter upon the same
field, the riches of which will remain unaltered and undiminished
in value, even although they may be for the moment tarnished by
the hands of the less skilful workman who first endeavours to transplant
them to a foreign soil.
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by
Henry Vaughan
They are all gone into the world of light!
And I alone sit ling'ring here;
Their very memory is fair and bright,
And my sad thoughts doth clear.
It glows and glitters in my cloudy breast,
Like stars upon some gloomy grove,
Or those faint beams in which this hill is drest
After the sun's remove.
I see them walking in an air of glory,
Whose light doth trample on my days:
My days, which are at best but dull and hoary,
Mere glimmering and decays.
O holy Hope! and high Humility,
High as the heavens above!
These are your walks, and you have show'd them me,
To kindle my cold love.
Dear, beauteous Death! the jewel of the Just,
Shining nowhere, but in the dark;
What mysteries do lie beyond thy dust,
Could man outlook that mark!
He that hath found some fledg'd bird's nest may know,
At first sight, if the bird be flown;
But what fair well or grove he sings in now,
That is to him unknown.
And yet as Angels in some brighter dreams
Call to the soul, when man doth sleep:
So some strange thoughts transcend our wonted themes,
And into glory peep.
If a star were confin'd into a tomb,
Her captive flames must needs burn there;
But when the hand that lock'd her up gives room,
She'll shine through all the sphere.
O Father of eternal life, and all
Created glories under Thee!
Resume Thy spirit from this world of thrall
Into true liberty.
Either disperse these mists, which blot and fill
My perspective still as they pass:
Or else remove me hence unto that hill,
Where I shall need no glass.
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