10 Best Famous 1967 Poems

Here is a collection of the top 10 all-time best famous 1967 poems. This is a select list of the best famous 1967 poetry. Reading, writing, and enjoying famous 1967 poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of 1967 poems.

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At the California Institute of Technology

by Richard Brautigan
 I don't care how God-damn smart
these guys are: I'm bored.

It's been raining like hell all day long
and there's nothing to do.

Written January 24, 1967
while poet-in-residence at
the California Institute of 
Technology.

The Beautiful Poem

by Richard Brautigan
 I go to bed in Los Angeles thinking
about you.

Pissing a few moments ago
I looked down at my *****
affectionately.

Knowing it has been inside
you twice today makes me
feel beautiful.

3 A.M.
January 15, 1967

War Profit Litany

by Allen Ginsberg
 To Ezra Pound

These are the names of the companies that have made
 money from this war
nineteenhundredsixtyeight Annodomini fourthousand
 eighty Hebraic
These are the Corporations who have profited by merchan-
 dising skinburning phosphorous or shells fragmented
 to thousands of fleshpiercing needles
and here listed money millions gained by each combine for
 manufacture
and here are gains numbered, index'd swelling a decade, set
 in order,
here named the Fathers in office in these industries, tele-
 phones directing finance,
names of directors, makers of fates, and the names of the 
 stockholders of these destined Aggregates,
and here are the names of their ambassadors to the Capital,
 representatives to legislature, those who sit drinking
 in hotel lobbies to persuade,
and separate listed, those who drop Amphetamine with
 military, gossip, argue, and persuade
suggesting policy naming language proposing strategy, this
 done for fee as ambassadors to Pentagon, consul-
 tants to military, paid by their industry:
and these are the names of the generals & captains mili-
 tary, who know thus work for war goods manufactur-
 ers;
and above these, listed, the names of the banks, combines,
 investment trusts that control these industries:
and these are the names of the newspapers owned by these
 banks
and these are the names of the airstations owned by these
 combines;
and these are the numbers of thousands of citizens em-
 ployed by these businesses named;
and the beginning of this accounting is 1958 and the end
 1968, that static be contained in orderly mind,
 coherent and definite,
and the first form of this litany begun first day December
 1967 furthers this poem of these States.

 December 1, 1967

The Bear

by Galway Kinnell
1
In late winter 
I sometimes glimpse bits of steam
coming up from
some fault in the old snow 
and bend close and see it is lung-colored 
and put down my nose
and know
the chilly, enduring odor of bear. 

2
I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears. 

And when it has vanished
I move out on the bear tracks, 
roaming in circles 
until I come to the first, tentative, dark
splash on the earth. 

And I set out 
running, following the splashes 
of blood wandering over the world. 
At the cut, gashed resting places 
I stop and rest, 
at the crawl-marks 
where he lay out on his belly 
to overpass some stretch of bauchy ice 
I lie out 
dragging myself forward with bear-knives in my fists. 

3
On the third day I begin to starve, 
at nightfall I bend down as I knew I would 
at a turd sopped in blood, 
and hesitate, and pick it up, 
and thrust it in my mouth, and gnash it down, 
and rise 
and go on running. 

4
On the seventh day, 
living by now on bear blood alone, 
I can see his upturned carcass far out ahead, a scraggled, 
steamy hulk, 
the heavy fur riffling in the wind. 

I come up to him 
and stare at the narrow-spaced, petty eyes, 
the dismayed 
face laid back on the shoulder, the nostrils 
flared, catching 
perhaps the first taint of me as he 
died. 

I hack 
a ravine in his thigh, and eat and drink, 
and tear him down his whole length 
and open him and climb in 
and close him up after me, against the wind, 
and sleep. 

5
And dream
of lumbering flatfooted
over the tundra, 
stabbed twice from within, 
splattering a trail behind me, 
splattering it out no matter which way I lurch, 
no matter which parabola of bear-transcendence, 
which dance of solitude I attempt, 
which gravity-clutched leap, 
which trudge, which groan. 

6
Until one day I totter and fall -- 
fall on this 
stomach that has tried so hard to keep up, 
to digest the blood as it leaked in, 
to break up 
and digest the bone itself: and now the breeze 
blows over me, blows off 
the hideous belches of ill-digested bear blood 
and rotted stomach 
and the ordinary, wretched odor of bear, 

blows across 
my sore, lolled tongue a song 
or screech, until I think I must rise up 
and dance. And I lie still. 

7
I awaken I think. Marshlights 
reappear, geese 
come trailing again up the flyway. 
In her ravine under old snow the dam-bear 
lies, licking 
lumps of smeared fur 
and drizzly eyes into shapes 
with her tongue. And one 
hairy-soled trudge stuck out before me, 
the next groaned out, 
the next, 
the next, 
the rest of my days I spend 
wandering: wondering 
what, anyway, 
was that sticky infusion, that rank flavor of blood, that 
poetry, by which I lived? 

from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967). 
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