Email Poem

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Poem

Rhyme
is not
the be-all
and the end-all –
the cadence supersedes, mellifluous.
Counting syllables, as superfluous
as the vowels
contained in
the word
queue.
Sounds
in chants
we danced to
before writing –
morae have primacy over meaning. 
Rhythm takes precedence, despite your leaning.
And forced rhymes jar:
him and dim
do not
rhyme!
Rules 
are made 
to askew
and be broken:
double dactyl*:- flib-ber-ti-gib-bet-ing
Defending contests fiercely --- gibbeting.
Breaking your head
to conform
to design,
rhyme.
Puns,
blasé 
efforts, but
double entendres,
sexual innuendo in your face.
As some scribbling can at times be quite base, 
persecution
should never
stymie
flow.



*a double dactyl: /**|/**
flibbertigibbet: (n) a frivolous, flighty, or excessively talkative person.
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FUN FACT
Euclid of Alexandria (Mid-4th century BC—Mid-3rd century BC), the great Classical mathematician, believed that the numbers 1, 2, 3 & 4 must have some mystical significance because their sum total is 10—ten was thought to be a number of power. He called this relationship a tetractys. 

Ray Stebbing based his poetic form, Tetractys, on this. No spaces between each stanza and the poem is presented in line with the left-hand margin (or it might be centred) - either way, it would visually give the design of a triangle.

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