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The Cinematic Film Treatment as a stand alone element 
in the aesthetic revolution we are now not witnessing

Unforgotten Lacerations 

A pataphysical circus of visual elements, possibly comprehensible depending upon one's ideological orientation or level of pre-programmed self-inhibition, as a product of The Secret Alliance of Manipulators who are able to make time seem to sputter and stall, which renders entire historic eras readable as non-immersive abstractions accessible to self-evolved synthetico-interpretive frameworks which, strangely enough, can be scenario-independent, yet anti-universalist, if perceived from behind protective eye wear (and hand wear) when transnavigating the immense rainbow-hued gulf between pleasant surroundings and a 3rd World prison cell in a forgotten jungle at the mouth of the River of Despair where zebras eat unicorns for breakfast, and blend in so much better to boot in a time where protective foliage is the name of the game and infiltration a fine art enamored of free spirits capable of moving from demographic to demographic while in the pay of no orthodoxy, no tradition, no taboo circus, no constricting corsets of approval, no appetite or appetite suppressant, no failure to observe and snicker at the many ironies the 3rd dimension presents us, no reluctance to laugh at the great archive of human failure and triumph so evident upon the pixels of Imagos no refusal to laugh in the face of presumption or habit or imitation or indecision or equivocation about the acceptance of new data, period.

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