Meaning and Form, Again
Blog Posted:7/16/2009 6:45:00 AM
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><FONT face=Calibri>Meaning and Form, Again<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></FONT></SPAN></P>
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><o:p><FONT face=Calibri> </FONT></o:p></SPAN></P>
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><FONT face=Calibri>I’ve been looking at poetic forms that have the same syllable count, but distribute the syllables differently.<SPAN style="mso-spacerun: yes"> </SPAN>In my previous blog post I compared the Tetractys (20 syllables: 1-2-3-4-10) to one type of Chinese Quatrain (20 syllables: four lines, five syllables per line).<SPAN style="mso-spacerun: yes"> </SPAN>Because of several contests here at Poetry Soup, I’ve been looking at Haiku and some of its variations.<o:p></o:p></FONT></SPAN></P>
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><o:p><FONT face=Calibri> </FONT></o:p></SPAN></P>
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><FONT face=Calibri>The standard Haiku form is 17 syllables, over three lines: 5-7-5.<SPAN style="mso-spacerun: yes"> </SPAN>Denis Garrison developed two Haiku variations, he refers to them as “analogues”.<SPAN style="mso-spacerun: yes"> </SPAN>The first is the Cingku (17 syllables, five lines: 2-3-4-6-2).<SPAN style="mso-spacerun: yes"> </SPAN>The second is the Crystalline (17 syllables, 2 lines, one line of 8 syllables, the other line of 9 syllables).<SPAN style="mso-spacerun: yes"> </SPAN>And finally there is the Monoku, a one line form of Haiku.<o:p></o:p></FONT></SPAN></P>
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><o:p><FONT face=Calibri> </FONT></o:p></SPAN></P>
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><FONT face=Calibri>What I find instructive is how the form shapes the meaning.<SPAN style="mso-spacerun: yes"> </SPAN>The Cingku has a feeling of cadence at the end, with its 2 syllable closing; in this it resembles the feeling of the Cinquain.<SPAN style="mso-spacerun: yes"> </SPAN>In contrast, the Crystalline seems to lend itself to a more open-ended ending, one that has the feeling that it could continue.<SPAN style="mso-spacerun: yes"> </SPAN>The Monoku lends itself easily to highly ambiguous word play and I think that is partially a function of all of it appearing on a single line.<SPAN style="mso-spacerun: yes"> </SPAN>And the traditional Haiku has a sense of balance with its two outer lines of the same length; it seems ideally suited to the topic of nature which is its traditional strength.<o:p></o:p></FONT></SPAN></P>
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><o:p><FONT face=Calibri> </FONT></o:p></SPAN></P>
<P style="TEXT-ALIGN: justify; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN style="FONT-SIZE: 12pt"><o:p><FONT face=Calibri> </FONT></o:p></SPAN></P>
<P> </P>