'In the bad old days reference to Blacks/women/Jews/others were in negative language which perpetuated poor treatment/ abuse/ exploitation of these people. Animals have suffered more from negative language stereotyping than all the others, and demeans them so constantly that they created an environment that allows all sorts of cruelties, many too horrendous to describe! An animal is 'it' instead of 'he' or 'she', this perpetuates our view of them as 'things' rather than individuals and is a major first step towards cutting them up for meat and leather, testing drugs/cosmetics/ household products on their bodies, and tearing off their coats for furs!!! Those who have pets are referred to as 'owners' rather than guardians/care givers/companions, reinforcing the idea that they are property much as slaves were considered property. Let's avoid these references: Dirty rat; filthy pig; acting like an ass; dirty dog; she's a bitch; ugly duckling; there's more than one way to skin a cat; behaving like an animal; making a monkey out of someone; killing 2 birds with one stone; working like a horse, you're chicken ... There are many more! Please think before uttering them and tell others. Thank you!'
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If experience has established any one thing in this world, it has established this: that it is well for any great class and description of men in society to be able to say for itself what it wants, and not to have other classes, the so-called educated and intelligent classes, acting for it as its proctors, and supposed to understand its wants and to provide for them. A class of men may often itself not either fully understand its wants, or adequately express them; but it has a nearer interest and a more sure diligence in the matter than any of its proctors, and therefore a better chance of success.
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The actors today really need the whip hand. They're so lazy. They haven't got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen.
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The dissolution of commercial animal farming as we know it obviously requires more than our individual commitment to vegetarianism. To refuse on principle to buy products of the meat industry is to do what is right, but it is not to do enough. To recognize the rights of animals is to recognize the related duty to defend them against those who violate their rights, and to discharge this duty requires more than our individual abstention. It requires acting to bring about those changes that are necessary if the rights of these animals are not to be violated. Fundamentally, then, it requires a revolution in our culture's thought about, and its accepted treatment of, farm animals... But prejudices die hard, all the more so when they are insulated by widespread secular customs and religious beliefs, sustained by large and powerful economic interests, and protected by the common law. To overcome the collective entropy of those forces against change will not be easy. The animal rights movement is not for the faint heart.
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I am a soldier, convinced that I am acting on behalf of soldiers.
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Any change, any loss, does not make us victims. Others can shake you, surprise you, disappoint you, but they can't prevent you from acting, from taking the situation you're presented with and moving on. No matter where you are in life, no matter what your situation, you can always do something. You always have a choice and the choice can be power.
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Cant is always rather nauseating; but before we condemn political hypocrisy, let us remember that it is the tribute paid by men of leather to men of God, and that the acting of the part of someone better than oneself may actually commit one to a course of behavior perceptibly less evil than what would be normal and natural in an avowed cynic.
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She runs the gamut of emotions from A to B.
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In my writing I am acting as a map maker, an explorer of psychic areas. . . a cosmonaut of inner space, and I see no point in exploring areas that have already been thoroughly surveyed.
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As it must not, so genius cannot be lawless; for it is even that constitutes its genius-- the power of acting creatively under laws of its own origination.
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He used this great, sad, motionless face to suggest various related things: a one-track mind near the track's end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive...
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Abused as we abuse it at present, dramatic art is in no sense cathartic; it is merely a form of emotional masturbation. It is the rarest thing to find a player who has not had his character affected for the worse by the practice of his profession. Nobody can make a habit of self-exhibition, nobody can exploit his personality for the sake of exercising a kind of hypnotic power over others, and remain untouched by the process.
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Getting ahead in a difficult profession -- singing, acting, writing, whatever -- requires avid faith in yourself. You must be able to sustain yourself against staggering blows and unfair reversals. When I think back to those first couple of years in Rome, those endless rejections, without a glimmer of encouragement from anyone, all those failed screen tests, and yet I never let my desire slide away from me, my belief in myself and what I felt I could achieve.
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Actors are loved because they are unoriginal. Actors stick to their script. The unoriginal man is loved by the mediocrity because this kind of artistic expression is something to which the merest five-eighth can climb.
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In a symbol there is concealment and yet revelation: here therefore, by silence and by speech acting together, comes a double significance. In the symbol proper, what we can call a symbol, there is ever, more or less distinctly and directly, some embodiment and revelation of the Infinite; the Infinite is made to blend itself with the Finite, to stand visible, and as it were, attainable there. By symbols, accordingly, is man guided and commanded, made happy, made wretched.
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I was in the drug store the other day trying to get a cold medication... Not easy. There's an entire wall of products you need. You stand there going, Well, this one is quick acting but this is long lasting...Which is more important, the present or the future?
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When Sir Robert Walpole was dying, he told Ranby his surgeon that he desired his body might be opened. Ranby acting great horror cried, 'Good ...
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The true greatness of a nation is not measured by the vastness of its territory, or by the multitude of its people, or by the profusion of its exports and imports; but by the extent to which it has contributed to the life and thought and progress of the world. A man's greatness is not estimated by the size of his body or of his purse; not by his family connections or social position, however high these may be. He may bulk large in public estimation today, but tomorrow he will be forgotten like a dream, and his very servants may secure a higher position and a name lasting possibly a little longer. A man's greatness is estimated by his influence, not over the votes and empty cheers of a changing and passing crowd, but by his abiding, inspiring influence in their bidden thoughts, upon their ways of thinking, and consequently of acting. That is why the Wycliffes, Shakespeares, Miltons, Newtons, Wesleys, and Gladstones of English history live, and will live, in everlasting memory, while lesser men are remembered only through them, and the crowd of demagogues, pretenders, and self-seekers are named, if ever named, only to point a moral, or adorn a tale. So with nations. A great nation is not one which, like Russia, has an enormous territory ; or, like China, has an enormous population. It is the nation which gives mankind new modes of thought, new ideals of life, new hopes, new aspirations; which lifts the world out of the rut, and sets it going on a cleaner and brighter road.
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Anti-Valentines Day Poem Hearts and roses and kisses galore, What the hell is all that shit for? People get mushy and start acting queer, It is definitely the most annoying day of the year. This day needs to get the hell over with and pass, Before I shove something up Cupid's ass. I'll spend the day so drunk I can't speak And wear black for the rest of the week. Guys act all sweet, but soon it will fade, For all they are doing is trying to get laid. The arrow Cupid shot at me must not have hit, Cause I think this love thing is a crock of shit. So, here's my story... what else can I say? Love bites my ass... Fuck Valentines Day!
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All of us should have free choice when it comes to patriotic displays... a government wisely acting within its bounds will earn loyalty and respect from its citizens. A government dare not demand the same.
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The secret of acting is sincerity. If you can fake that, you've got it made
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No passion so effectually robs the mind of all its powers of acting and reasoning as fear
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An actor who knows his business ought to be able to make the London telephone directory sound enthralling.
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Every man has inside himself a parasitic being who is acting not at all to his advantage.
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No passion so effectually robs the mind of all its powers of acting and reasoning as fear.
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Acting school was summer camp, and I needed concentration camp. I had so many different ideas swirling between culture and how to tie things together.
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You know how in high school you do these plays and people come up after the show and they're really excited for you? Well, that's what's happening to me right now.
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Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.
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Celebrity is death --- celebrity -- that's the worst thing that can happen to an actor.
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Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.
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