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Details | Sestina Poem | |

When Madness Rides on Moonlight

Days pass into the weak, loveless nights. The moon blinks.
The stars swirl beneath Van Gogh's brush, as he links.
Comet light passes twisting cypresses, a schizophrenic's concussion.
On and on, the wind twirls the trees, and does not complain,
nor, does the cosmos cringe awaiting reciprocation.
Lightning bugs mimic the stars. Atoms sneer.

Those who spout love and friendship abandon him, sneering.
Their images dance beneath his lids, when he blinks.
Though denied a compass, his soul does not reciprocate.
Through pain, physical and mental, he still connects, links
with the life which absorbs and excludes him, not complaining.
Nights pass without his mistress, Sien. His mind is concussive.

His face trembles torn in the brass sounds of the storm's concussions.
The butcher, the baker, the candlestick-maker, all of them sneer. 
How unmerciful, this cycle, this God to whom he does not complain.
If lack of mercy is just, may he not know why? Time blinks.
Thinking causes pain. Only painting connects him, he links.
He accepts art and the pain, as gifts, choosing not to reciprocate.

Voices, the paint, the moon, the voices say, reciprocate.
He chases mice. The cheese plate falls with a loud concussion.
He rubs his gnarled hands across his lids. He maintains the link. 
How? Why? But, the mice eating his cheese only sneer.
The sunflowers shimmer and wiggle in their vase, as he blinks.
Stumbling, he falls attempting to sit, the chair does not complain.

He had thought God clear as sunlight; yet, the paint complained. 
He was not God; he could not capture the light. He must reciprocate.
After all, who was he, but a mere man, ashes to dust; life blinks.
Ah death, le grand mal, no minor concussion,
He must escape, join the celestial spin, and avoid their sneers.
Sick, yes, sick to death of not being understood, not linking.

The brushes call. He prostitutes himself. Linseed oil spills, connecting, linking.
Theo, brother, never would he forgive. Many others would complain.
Ah, Gauguin, His dear friend, he would understand and not sneer.
If God was truly a loving God, surely, he thought; God will not reciprocate.
The mockers who did not live in Dante’s nine levels of hellish concussion,
they will call his actions cowardly. Merciless, they did not live between the blinks.

Gifted brightest hues, the link to sun and moon, lost without reciprocation.
Complaining no more to the sky, as each cerebral pulse brings concussion.
Blood twines at his feet. No longer would they sneer at Sien. Vincent blinks.







Details | Sestina Poem | |

DARK ANGELS OF HIGHGATE


  
Enough Angelina, drop the bouquet of harebells.  
The flowers wilt as your graying hands stiffen. See, how grave
is our newborn son. We gift him a black crêpe layette.
Say Darling Edward, say, Golubushka, make me come alive.
Leave this chapel, return to his cradle, quicken your deadwood.  
Come, rock his sweet little boat, croon, sladkiy bairdark.
 
Your shade sighs as the mourners trudge into the dark
of All Hallow's Eve. A breeze stirs the hairs on my nape. Bells 
toll, the ringer incants “Unto the Church, I do You call, Death              
to the grave will summon all.” Freshly turned gravel
rolls from the burial mound, the earth’s answer to life’s 
reticence. Our son, whom I cradle, mutely lays.       
 
See, the ground moves.  There, there, my boy. Love's only mislaid.
Father, Mother, take the babe, go, shield him from Highgate’s darkness.
I stay. By will alone, I'll not let maggots deface beauty that lives.    
My Angel, please, tug the cord housed in your coffin so the bell
will ring, rouse London’s rigor. You will waltz on this grave,
speak of Siberian winters, then scoff, roll eyes at the vigor of death. 
 
Insubstantial lips brush the babe’s forehead, even death
cannot stay her reply. Ed’ard, Mother will take him home to lie. 
A chill north wind rises as if to show your sorrow from the grave,
clawing the headstone with twigs and pebbles; clouds darken
the moon. Your shade screams; a bough whips Mother's cheek, the bell  
on its gold cord is silent. Wind nigh swallows my howl, Angelina, live!
 
We are alone, Angel, save for those cemetery ravens which liven
roan weeds. Three nights I've troubled Highgate, plucking deadheads   
from your boney wreath. Obstinate wife, revive the grieving bell.
I hear them calling Ed’ard, Come. I am torn from your stone: waylaid,
outnumbered, locked in our bedchamber. At the next darkening,  
the babe's rattle rings, calling your name. I escape to your grave.  
 
Nightclothes drenched and shoeless, I topple onto the grave.
Yea though I walk … ring, damn you, bell, ring! Curse this life!
The sky cracks open, sheet lightning pierces the craven darkness
as if in answer a mother oak’s limb shatters. The deadweight
crushes me against the granite angel where you lay.
At sunrise, church bells rang Angelus prayer from the chapel’s belfry.
 
Angelina, Angelina, our grown son visits our grave to honor the dead.
He is our true afterlife; all my fears have been allayed.
All is too calm and well 'til his eyes darken as he batters your bell.


Collaboration by Cyndi MacMillan and Debbie Guzzi

Stanzas 1, 3 ,5 and 7 by Cyndi MacMillan
Stanzas 2, 4, and 6 by Debbie Guzzi



Details | Sestina Poem | |

When Madness Rides on Moonlight

Days pass into the weakest of loveless nights. The moon blinks.
The stars swirl beneath the colored brush of Van Gogh. He links.
Comets trail snowfields of light pass agonized cypresses, schizophrenic concussion.
On and on, the wind twirls the trees and does not complain,
nor, does the cosmos cringe awaiting reciprocation.
Lightening bugs mimic the starlight, atoms sneer.

Those who spout love and friendship abandon him sneering.
Their images dance beneath his half closed lids, when he blinks.
Though denied visual compass, his soul does not reciprocate.
Through pain, physical and mental, palpable pain, he still links,
with the life which has both absorbed and excluded him not complaining.
Night passes without his mistress, Sien. His mind writhes, eternal concussion.

His torn visage trembles with the brass sounds the storm's ranting concussions.
The butcher, the baker the candlestick maker, derides and sneers. 
How unmerciful is this cycle, this God to whom he does not complain?
And, if indeed, lack of mercy is just, may he not know “Why?” Time blinks.
Just the act of thinking causes pain. Only painting connects him to the link.
He must accept both the pain and the art as gifts, choosing not to reciprocate.

Voices always the voices, the paint, the moon, the voices, reciprocate.
He chases the mice. The cheese, pewter plate and all, falls with concussion.
He rubs the backs of gnarled hands across his lids, maintaining the link. 
“How? Why?" But, the mice eating his cheese grimace and sneer.
Inside the cottage sunflowers shimmer and wiggle in vases, as he blinks.
Stumbling, he falls in an attempt to sit, the insubstantial chair does not complain.

He had thought God clear, clear as sunlight, yet the damn paint Lord! complained. 
He was Not God, and try as he would, the light escaped. He MUST reciprocate.
After all who was he, but a mere man, ashes to dust, life blinks.
“Ah death…le grand mal…no minor concussion,”
He must escape this mortal coil, join the celestial spin without their sneers.
Sick, he was sick, yes, sick to death of not being understood, no link.


Details | Sestina Poem | |

There is no fear in love

When I first realized that I loved you
I became afraid, for I felt exposed,
surrounded by the broken-down fences
I had painstakingly built as protection 
for my fragile emotions and great fears
against a cold and indifferent world.

Suddenly, without warning, my safe world
was changed as I gave free entry to you
into my heart, and in spite of my fears,
I willingly my complete being exposed - 
seeking the nestling warmth and protection
and the safety of love's strong fences.

I found that love was not caged, and fences
were not needed to live in its blissful world, 
where affection was its own protection
and the sharing of life's journey with you 
could allow unknown joys to be exposed
and assurances could replace past fears.

As our love grew and flowered, and past fears
were eroded with abandoned fences 
I became strong, despite being exposed
to the changes of an evolving world.
I felt secure and contented with you -
In your loving care I found protection.

And through the years, love's certain protection
has shielded us against life's storms and fears
And as I have walked at the side of you
I found a paradise, without fences,
where we have built our own beautiful world,
filled with love, and our joy could be exposed.

Now we have grown old and by age exposed
our bodies frail, each limb needs protection.
As we  move slowly in a twilight world
and confront diverse and alarming fears
I seek strength in my memory's fences
recalling joyous times and days with you.

A soul exposed to true love knows no fears.
The protection of your love's strong fences
secure my world - I will always love you.

Details | Sestina Poem | |

Alone

The darken theater held them there they sat
she looking down and he looked out together 
neither spoke, they came together but alone.

So many married years had passed each more alone.
She looked down and chatted on her phone, he sat
near me, we starred toward the movie together. 

They never knew how sad they looked together 
but all could see, and none envy, two alone. 
I shook my head and sat silent as they sat,

 side by side, they sat together, but alone.



*Tritina

Details | Sestina Poem | |

LIFELINE

Oh darkness lies entrenched within my heart
Fears, like ocean waves flood over my soul
Drowning in the abyss of a sea that is all mine
These black storms have left me without hope
I'm a sinking ship that is listing and all alone
So desperate this very moment for a lifeline

But in this churning flood there is not a lifeline
Only sorrow upon sorrows drowning my heart
The rising sea billows have washed over any hope
Speechless and unattended I am a mortified soul
And though I hear the cries of others I am alone
A vanquished life with nothing left that is mine

I do remember a time when things were mine
There was no thought and no need of a lifeline
I sometimes felt lonely but never really alone
There wasn't yet a broken and battered heart
The future was still unknown to my naive soul
Back then my tomorrow's were filled with hope

Skies were clear and a bright magnificent hope
As if a postcard that said the world was mine
The warmth of the sun was peace to my soul
The gentle breeze upon my sails a steady lifeline
Calm waters brought comfort and gave me heart
Too taken to realize I was enjoying this bliss alone

Then one day an unexpected storm cloud rose up alone
This tempest would only grow overtaking all my hope
A fierce head wind pushing against my anchored heart
Waves of thunder burst threatening all that is mine
An ominous beast and not even a compass for a lifeline
Lightning strikes illuminating the hidden dread in my soul

The ship that carried me has now abandoned my soul
Broken into pieces an orphan castaway that is all alone
Longing through tears to be thrown a life saving lifeline
Looking for a brilliant lighthouse to point the way home
All that I ever dreamed for was a family that was mine
To be rescued from this storm and save my dying heart

Oh what my sad soul would give for such an abiding hope
No longer alone and fully loved by parents that are mine
A family is my only lifeline and the sole desire of my heart


Details | Sestina Poem | |

The Potter's Wheel

Pulling with hands soft and smooth as glazed clay,
Her foot prods the pedal, turning the wheel.  
She basks in the bliss of a beautiful mess.
 
She's learned art is born from that carefree mess.
Moulding with hands caked in layers of clay, 
She makes artwork dance on that spinning wheel.
 
Her bones creak along with the aging wheel,
Silver hair spattered by flecks of sweet mess.
She glazes with hands rough and cracked as dried clay.
 
Beyond clay and wheel, life spins a fine mess.  

*Form: Tritina

Details | Sestina Poem | |

Revel Joyfully

It was on a cold night in Bethlehem that hope was born
A babe lay in a manger as angels sang joyfully
Above the nativity a star shone casting bright light
Guiding the paths of three wise men to welcome our Savior
As shepherds flocked toward the illuminated holy site
The warmth from within still touches the hearts of all mankind

In remembrance we pray for harmony among mankind
As we celebrate the first Christmas, optimism born
In the Mideast soldiers bow down, recalling this wondrous site
For just one night thoughts of war fade, hearts are filled joyfully
They lay down weapons, focusing on the birth of our Savior
As they huddle together, sharing good will by camp light

In many parts of the world, homes illuminated by light
Peace touches the hearts of those who seek blessings for mankind
Church bells ring, signaling the arrival of our Savior
Souls are touched as the restoration of joy is now born
Worshippers proceed to mass, sharing greetings joyfully
If only each day could be filled with such a loving site

How welcome to see the sun rise each day on such a site
Hearts abounding with humanity from our inner light
With angels in each of us sharing good will joyfully
If I live to see such days, I’ll have new hope for mankind
Trust and faith would emanate, celebrating a Child born
A Child, a Leader Who would give His life as a Savior

Cast aside the trappings, focus only on our Savior
Keep in mind this first Christmas, a blessed and holy site
How wonderful it would be to see new harmony born
Differences seem petty as we revel in God’s light
Join me in expectations for the future of mankind
Like the seraphs let us sing out in hymns so joyfully

Make our future one that finds families praying joyfully
No greater inspiration than the birth of our Savior
From a Blessed Mother’s womb sprang a babe to save mankind
Let us be wise men, finding cause to worship at this site
War and hatred cannot exist within God’s holy light
Acceptance of each man’s worth can in joyful hearts be born

Raise your hearts, revel joyfully in our Savior’s glory
In cheer mankind recalls the site of a manger at night
Where neath a star’s light was born a King, the Son of our Lord  
 



* Sestina written for the "Joy to the World" contest.  

Details | Sestina Poem | |

A cyclical life

Here in the heavy depths of insolent woes,
We gesture and talk and waste our time,
Staking claim to each minute of our earthly life,
Running the hours through a clock by the day,
Never sated, not content to find even love,
Buried deep inside the petals of a perfect rose.

So was a metaphor created from the rose, 
Then plagiarized and used for all of time,
Simply here to represent the beauty of love,
A perfection to which we cannot aspire to in life,
Or even death, in the darkest of all those woes,
Great though they may seem by the passing day.

It's a fragile, soulful kind of love,
In the pressing presence of the breaking day,
Where your back breaks beneath ample woes,
And there just simply isn’t ever enough time,
To do what you plan to do with your life.
Then you start to resemble that rose.

Soft and delicate, with easy loss of life,
Mournful of the passage of time,
Counting down, day by dreary day,
Ever seeking out to find dear love,
The theoretical banishment of woes.
Such is the way of the deep red rose.

Has it ever occurred to us not to mark time?
Just to ignore it, along with any such woes,
Just to leap forth and enjoy life,
To live to the absolute fullest everyday,
And just as chosen by the poet's rose,
To find and hold on to, that one true love.

For I find, that it's mostly true these days,
That people don't make enough time,
For laughter and fullness in life,
So preoccupied with petty woes,
That they forget about the beauty of love,
And in doing that, they forget about the rose,

I know what the rose represents in my life,
And I work hard to expel my woes every day,
So that soon I will have time for true love.

*****Written in Sestina for Constance's Poetry 101 contest.*****
******* 5th Place winner*******
******Sarah Blake August 2010******

A sestina is a highly structured form of poetry consisting of six six-line stanzas and a three-
line envoy (thirty-nine lines). The end words of the first stanza are repeated in varied order
as end words in the other stanzas and also recur in the envoy.

Details | Sestina Poem | |

Dark Angels of Highgate

Enough Angelina, drop the bouquet of harebells.  
The flowers wilt as your graying hands stiffen. See, how grave
is our newborn son. We gift him a black crêpe layette.
Say Darling Edward, say, Golubushka, make me come alive.
Leave this chapel, return to his cradle, quicken your deadwood.  
Come, rock his sweet little boat, croon, sladkiy bairdark.
 
Your shade sighs as the mourners trudge into the dark
of All Hallow's Eve. A breeze stirs the hairs on my nape. Bells 
toll, the ringer incants “Unto the Church, I do You call, Death              
to the grave will summon all.” Freshly turned gravel
rolls from the burial mound, the earth’s answer to life’s 
reticence. Our son, whom I cradle, mutely lays.       
 
See, the ground moves.  There, there, my boy. Love's only mislaid.
Father, Mother, take the babe, go, shield him from Highgate’s darkness.
I stay. By will alone, I'll not let maggots deface beauty that lives.    
My Angel, please, tug the cord housed in your coffin so the bell
will ring, rouse London’s rigor. You will waltz on this grave,
speak of Siberian winters, then scoff, roll eyes at the vigor of death. 
 
Insubstantial lips brush the babe’s forehead, even death
cannot stay her reply. Ed’ard, Mother will take him home to lie. 
A chill north wind rises as if to show your sorrow from the grave,
clawing the headstone with twigs and pebbles; clouds darken
the moon. Your shade screams; a bough whips Mother's cheek, the bell  
on its gold cord is silent. Wind nigh swallows my howl, Angelina, live!
 
We are alone, Angel, save for those cemetery ravens which liven
roan weeds. Three nights I've troubled Highgate, plucking deadheads   
from your boney wreath. Obstinate wife, revive the grieving bell.
I hear them calling Ed’ard, Come. I am torn from your stone: waylaid,
outnumbered, locked in our bedchamber. At the next darkening,  
the babe's rattle rings, calling your name. I escape to your grave.  
 
Nightclothes drenched and shoeless, I topple onto the grave.
Yea though I walk … ring, damn you, bell, ring! Curse this life!
The sky cracks open, sheet lightning pierces the craven darkness
as if in answer a mother oak’s limb shatters. The deadweight
crushes me against the granite angel where you lay.
At sunrise, church bells rang Angelus prayer from the chapel’s belfry.
 
Angelina, Angelina, our grown son visits our grave to honor the dead.
He is our true afterlife; all my fears have been allayed.
All is too calm and well 'til his eyes darken as he batters your bell.

A collaboration by Debbie Guzzi and Cyndi MacMillan, 

Details | Sestina Poem | |

Sestina to Spain

Iberia, you took my breath away
with fiery gypsy spirit and romance;
with ancient Moorish history and grace;
with everything there is of you to see;
to hear and smell; to feel inside my soul.
Diversity lives splendidly in you!

The ancient cultures beckoned me to you
when, like the Romans, lured from far away,
I came to you and gave to you my soul,
partaking of your passion and romance.
I’d read of you in school and had to see!
How glad I was to come and know your grace.

A mosque in Cordoba reveals your grace,
but I would learn there is much more of you. . . 
Cathedrals dressed in gold I was to see.
From palace walls, in awe I’d walk away
to find nearby - in gypsy caves - romance
in music. . . as Flamenco filled my soul!

With passion’s beat resounding in my soul,
I toured Seville, where ladies rode with grace
on horses with their toreadors! Romance
is in the air at Spanish fairs. And you
can make it hard for one to turn away
from all the magic offered there to see.

In northern parts of you, I was to see
The Pyrenees, whose beauty touched my soul,
quaint villages with mountain goats! Away
I went southeast then, greeted by more grace.
Along your coast, I saw a side of you
I grew to love, Valencia’s romance!

And in Madrid, I found my own romance,
a handsome Spaniard. Never would I see
his face again because, in leaving you,
I left him and a small part of my soul.
So much I’d not yet seen of all your grace,
but destiny was calling me away. . . 

I yearn to feel romance inside my soul;
breathe history and see again your grace.
Enchanted land, you are so far away!



Details | Sestina Poem | |

Thinking of You


Thinking of your smile makes my day,
So inspired to write a poem of what I feel,
Can’t take you out of my mind my dear.
 
In my heart you are my love so dear,
You always make a brighter day,
I hope you really know how I feel.

When I wake up every single day,
I look at your cool picture my dear,
My contented soul shows for what I feel.

You complete my day, I feel so happy dear.




February 24, 2013
For Andrea's Contest
9th Place Winner





Details | Sestina Poem | |

Life Lesson

                                   
I love being young, getting to ride the roller coasters.
The sound, tick, tick, tick, tick-like a heartbeat racing to the top.
Then, surprised even when you know it’s coming, dropped into the abyss.
Something always pulls it down, like gravity.
It’s frustrating, riding something so close to being dead.
So far away but still so close, seating rows.

I hate being so close to, yet so far from the row.
She was in with me on this roller coaster.
Adrenaline rushed my body so fast almost leaving me dead.
The blood flowed so fast emphasizing the highs of the top.
But something keeps pulling me down, gravity.
Here I am again, back in the abyss.

In the ride, weeks of no communication, the beginning of the end, the abyss.
The scariest. My worst fear of my youth. Looking back at the rows,
I see her, with my own image, my heart sinks more. I hate you gravity.
But it’s the only thing that fuels the roller coaster.
Nothing makes me happier than bringing it back to the top.
Let’s hope this isn’t so abrupt, so fast, like the last one, leaving me dead.

How I hope so much, so much hope still not dead.
The heart, the love, the eternal abyss.
Strikes me back with enough momentum to reach the top.
Lines, love, flashing like an old film, with rows.
Showing me a movie, reminding me of, a roller coaster.
The movie explained that the only thing that keeps it going is gravity.

Thank you gravity.
My worries are gone and dead.
Just accept it, and love the roller coaster.
Appreciate the loneliness of the abyss.
The reason you’re here is for the ride, not the rows.
I just want to enjoy the youth and its happy tops.

This coaster, like love has its tops.
But something brings it down like gravity.
Distanced with rows,
Never seeing her again, thinking she’s dead.
But deeper and deeper coming out of the abyss.
The complicated life of the young, the love of roller coasters.

Get on the roller coaster, rise to the top.
Don't worry about the drop to the abyss, It’s because of gravity
That you’re not dead, and I don't care about the rows.

Details | Sestina Poem | |

Natures Forest

Around the base of the tree the banks of bluebells flower
Tall and straight but weak of stem, beautifying the forest
Cultivated by nature, leaves for compost, untouched by hand

The flowers are admired by all, gathered by children’s hand
To crush out the perfume from within the flower
Pressed into a book a reminder of the fairy tale forest

Forever in your memory the waving ocean of blue forest
A canvas brought to life by James D Preston hand*
Though missing the perfume of this beautiful small blue flower

Flowers of the Forest natures canvas in your Hand

* http://duffieldartgallery.co.uk/gallery/home/james-preston/?oo=41627715
                                                                                            a link to the painting.


17/02/2013
Form Tritinia

Details | Sestina Poem | |

Lost

I sailed past the river
till I felt myself lost
night was falling so fast
winds started to quiver
my compass was tost
Soon night would be past

Julie Heckan, October 28
Senses for a Sestet

Details | Sestina Poem | |

A Mouse And A Man




In the anters and shadows of this baleful life
perhaps the little brown mouse searching in silence
bewray a lonesome story behold

For eyes to wander a brief candle behold
in hushed light, enwheeled...this pitiful life
if only, my friend, to peer in silence

where love had flown in years of silence
to gape for dawn, a friendship behold
in ghostly thought of scurried life

From the cold reality of life where painful silence smothers, Behold!! compassion is born..

___________________________________



Definitions-

Anters - Caves
Baleful-Mortal
Bewray-Reveal
Brief Candle- Life is compared to a candle flame
Enwheeled- Encompassed
Ghostly-Holy
Gape-Long/Yearn




Details | Sestina Poem | |

Gift

The day’s beginning is a special gift.
Given over a life’s eternity,
One can’t help but feel the daily change.
How often we stay into the evening.  An attempt to hold
Onto the feelings of joy and elation,
That made our day so emphatically special.

Are not the future possibilities also special?
That we dream of yet other gifts,
gifts  of such thought, that might also inspire elation
From giver and receiver for all eternity.
Constantly close to both, holding,
As if to say, “Don’t Ever Change.”

Does growth not require change?
Should not that change be also special?
Only if you have forgotten about holding,
The longing embrace of previous gifts,
One that requires attention for all eternity,
fueling existential feelings of elation.

Even when intentionally forgotten, holding
On to the recipient, despite elation.
At one point, this internal agony was a gift.
What could ever make this change?
This gift that could never be more special.
Now it has changed for eternity.

The re-direct of energy through eternity,
The loss of love’s forever embrace.
Love, making pain beautifully special.
Will there ever be elation?
Maybe if we only change
The way we exchange special gifts.

Our future’s eternity might fill with elation
From  holding the exchange
Of something special,
… the mere appreciation of a gift..

Details | Sestina Poem | |

AN UNHIDDEN REALITY

I hate my deeds & 
everbody hates me
It's a fact and I know it
I am a burden so heavy 
I am a curse so dark
I am a person , i'hv bones
Not just a reason to 
throw stones

Details | Sestina Poem | |

The Joy of Mother's Love

It begins with the joy of giving birth
Continues even after the moment of death
Life, like the scope of all man's music
Opening and closing passages of love
Messages sung and carried on the wind
Written in the deepest part of the heart

That palpable place we call the heart
Emotion long before the first cry at birth
Scent of beginnings carried on the wind
Unable to imagine  the notion of death
For her baby, mother's unconditional  love
The crooning sound of  her sweet music

The years pass, so changes the music
But not the forever melody in her heart
Children grow and so does her love
A bit different than the day of birth
But constant and hopeful until  death
As  perennial as blows the winter wind

A young man's story is written on the wind
With pen in hand he writes his own music
With hardly a thought of the canvas of death
But tucked away in the corners of his heart
The certainty known from the moment of birth
That in her life he would always find love

Still his mother's eyes are filled with love
Vision dim with age , acknowledging time in the wind
The spring will bring again the miracle of birth
The lambs in the fields will make their music
The joy of rebirth will fill the simplest heart
Beauty will reign even in winter's death

Facing now the certainty of her coming death
He looks at his child with a new depth of love
Knowing with certainty that breaks his heart
Letting his tears be dried by the gentle wind
Believing he will still know the joy of her music
Hoping that in death will come a new birth

Garner strength in your heart to face death
Remembering from birth a life full of the joy of love
And as the wind of time blows, hear the music


Details | Sestina Poem | |

She Cries Tears

Her eyes show so much emotion inside She has certainly formed a trail of tears Leaving marks where the tears rolled down her face There’s no greater pain than what’s on her face The feeling she has, grows from the inside She cries so much there are a lot of tears She knows no other way but to cry tears Sullen look forms on her, right on her face Crying also happens way deep inside From inside she cries tears onto her face
Entrant into Andrea Dietrich's "Introducing Tritina (a new poetry form for you!)" contest 2/12/2013

Details | Sestina Poem | |

MIRACLE AT DAWN

No mother would fill up her eyes with tears of woman...
if it weren't for God performing a miracle at dawn,
as she cried out in joy and held her baby in trembling arms
but shed many sweet tears hearing his laughter so loud;
oh, he couldn't see her mommy's face through his tiny eyes,
and it will be long before he'll will utter the first word, " Mom." 

Now that baby sleeps under the attentive look of his mom,
who's too young to become a mature woman;
many visions of this birth crossed her gleeful eyes
she dreamed of the very same words whispered at each dawn,
repeating them in her silly head as if they sounded too loud...
while cradling a pretty doll in her folded arms.

Will she be welcomed home by her parents opening their arms?
Will they reprimand her and not consider her a legal mom?
Perhaps they will not be angry and speak not so loud:
girls are supposed to be girls, not suddenly turn into woman...
So this innocent girl, deceived by a bad boy, must wake up at dawn
when her baby cries and feed him with scary, childish eyes?

Nights seem longer for her, trying to stay awake rubbing her eyes,
what she beheld in those exciting eyes, now it's a burden in her weary arms;
she remembers that pain was too unbearable, but joy more sublime at dawn...
how will she learn how to care for the infant by watching her mom?
She must have seen a nursery or read a book how to think like a real woman,
and can anyone imagine how she keeps that secret instead of revealing it loud?

She must gather enough courage inside to feed her baby who can't cry loud,
but for now she must carry that baby without sighs of distress into her bright eyes;
and her parents can see the changes making her a loving person already woman;
they may ask questions to why she has gained weight and holds dolls in her arms...
no, they aren't anticipating great news and in doubt, they await a splendid dawn.

Mother and daughter closely together amazed by the coming dawn,
any concealed secret can be easily spoken...somewhat joyful and loud;
they imagine the infant's futures will be part of grandma and mom!
Their reunited hearts come together to show love in their delighted eyes,
and they'll take turns feeding the new-born, tenderly lulling him in their arms;
what if forgiveness hadn't been there to deny her all of the joys of woman?

Would a mother deny her daughter compassion as a good woman?
Even God hurried dawn to offer that gift into her gracious, tender arms...
and those arms accepted it with the gentleness and kindness of mom.




Details | Sestina Poem | |

Blood Red Moon

In moonlight, where all lovers kiss Beware the spell that charms a fool For crimson red will vex the eyes A capricious stain will startle eyes A trick to tempt crossed lover's kiss Bewitching every star-struck fool If you choose to be the fool Beguiled by moon, who winks an eye Be wary of the moonlight kiss A kiss will fool a blind man's eye, when stars conspire with the moon
___________________________ Form -- Tritina

Details | Sestina Poem | |

Dying Heart

Stabbed in the heart, I’m starting to bleed
I’m becoming cold as the touch of death
Yet I don’t want to say goodbye

Painful word, insane cry, sweet goodbye
Pain pounds on me as I bleed
Thumping me until I reach death

Life is being drained by the angel of death
Forcing me to say goodbye
Suffering the more I bleed

Yet even as I bleed to death I refuse to tell you goodbye

Details | Sestina Poem | |

Death Undignified, Fort Laramie 1860

The summer sun was high. The heat was oppressive.
The whalebone corset dug into the body's tender parts.
Peering from the shop, my hand touching the pane
of dearly brought glass, I feel the vibration of the incoming riders.
The weak blue sky pales, and clouds over with the dust. 
Children playing at hoop, let it drop with an unheard clatter.

Inside Fort Laramie’s provisioner, Mrs. Dreary’s dropped plate clatters.
Outside the general store, a thunder of hoofs race pell-mell through heat oppressive.
“Indians,” the children scream, running through the miasma of dust.
Folks in wagons and on horseback flee for other parts.
“Sioux,” I nod. Gunshots ring through the air savaging the riders.
The shopkeeper’s wife runs up the back stairs. Her baby screams in pain.

Arrow flights buzz by shattering shop window panes.
The indians leap from horse back to tile roof raising a clatter.
Mr. Dreary reaches for his Sharp shooter and aims at the riders.
A cat’s eye marble falls from the toy display, a mundane oppression.
Dreary slams shut the door. The shards of glass scatter, bullet parted.
“Mame, git away from that window now! Gener’l Connor’ll kill me if y’ur dusted.”

My eyes, now black and hollow as a barn owls, tear, full of dust.
“Damn heathens” Mr. Dreary cusses. Bullets clip through the broken pane.
Pulling me behind, opening the useless glass door. “Thop” an arrow parts
his scalp. He falls backward, landing beside me, spurs clattering.
The wee baby screams again and I turn to see Mrs. Dreary's oppressive
grip on the child. “He’s dead.” She says grabbing the Sharp. She kills a rider.

The arriving soldiers chase the mongrel band of heathen riders.
Mrs. Dreary, babe in one arm, Sharp in the other, kicks the fallen marble in the dust.
She walks through the door, out of one carnage into another type of oppression,
the soldiers are executing the Sioux braves. Children watch in pain.
Across the street a lone warrior perches. A roof tile clatters
to the dirt. His arrow flies and a soul is parted.

Falling with blind numbness, forward, down, parting
the water in the horse trough left for the incoming riders.
My brass buttons and flint arrowhead scrape the tub clattering,
no one in the street notices my departing in the days dust.
My open mouth fills with the rancid, taste of pain.
“How improper,” was my last lucid thought, oppressive.

The clatter of hoofs rocks my parting
The oppression of man against man leaves with the riders.
Only dust and the pain of the living remains.

Poet: Debbie Guzzi




Details | Sestina Poem | |

Rather die than feel

Sometimes I wish that I would die
Or destroy my emotions so I don’t feel
Especially when I’m being choked by pain

Nobody loves me; they’re laughing at my pain
I swear they want me to just die 
No one cares about how I feel

If only I can ignore everything that I feel
If only I can demolish my pain
Will I only heal after I die?

Sometimes I rather die than feel this dreadful pain