These History Free Verse poems are examples of Free Verse poems about History. These are the best examples of History Free Verse poems written by international PoetrySoup poets
written on time’s page
with finite syllables of dust
he spelled my heritage
from earth to sky
along an umbilical line of faith
we fluttered from the lips of fingers
fully form for purpose
written on an invisible calculus
that bring monarchs where birth mark lingers
and salmons somersaulting sluice and streams
turtles, penguins, and herons white wings
netted in design with nested tabula rasa mind
I have an argument
against the beginning begotten from a bang
before atom or element
I have an argument against force and natural laws
at work without mass or embodiment
for embryonic gravity or forces weak or strong
I have an argument
that the singularity could not become more than fragment
of energy again if a single atom explode
its forces flocking away from fusion
for energy fission to explode
flimsy as spiders web
dethroning my majesty gulped
in primeval slime unlinked history from love
minimizing the particular time of our becoming on ships
that met the stagnant eyes of swampy thoughts … shuddering
the whip cracks louder than pain -
and on our black blistered backs … crumbling
soils in desertification threw some syllables skywards for mercy
starvation winds with sickle clouds of rain
they lie again ... leaving us without inheritance
for all our labors, lost, and grievance
what bang can buck the strain
and bring us broken souls to glory again?
Woke up to a new life in Egypt
I was young not more than seventeen years
Adorned with gold and precious stones
My body was in the shroud of silk and jewels in my hair
I sat on a throne as a Queen
My name was Cleopatra, Queen of the Nile
During the day I lay on the silk cushions
and dozed in the shade of palm trees
Beautiful men and women kept flitting
around me with all sorts of temptations
Fed me all sorts of fruit and cold drinks
When evening came, it was time for romance
As Queen I had many to choose
My choice was of course:
"The greatest men of Rome"
Julius Caesar and Marcus Antonius
Why choose one when I can have two?
On a long journey down the Nile with
my love Julius Caesar, I was forced to
make a choice.
But a choice one must take...and the
choice was that I gave birth to a son
and Julius Caesar was the father
My love life was not popular
my husband was killed and I
was no longer popular
It was no longer a life of happiness and joy
No, it was war and national mouming
and I would not live anymore
Many times the ocean
has saved Nippon, pearl of the sea,
an oceanic symbiosis a speck in a fecund see.
The dikes of man such miniscule plans to hold back the tide.
The throngs, each and all crawl across the thin skin of volcanic soil
or rise with in the hump-backed alps of remnant cones.
Yet, the sea rises to reclaim its own
scour the pallet of man, refine, burnish melt, reform.
With pen and sword kanji drawn, samurai born
with knife and bone entrails torn, honor tested
tested by the hand of He,
tested and found worthy.
The children of the Divine Wind
rise above the tsunami, as one, unbowed.
Wrapped in fog, in a reservoir of dreams
She has weathered each season, with a mystical scheme …
On a wind-swept shelf, silently sleeping
Where secrets are guarded and are hers for the keeping
Looking out at the tide, where the white gulls are sweeping
In her moldering courtyard, where quadrivial paths meld,
Among ancient arches of an old Spanish style
Names locked in history, many stories revealed
Etched in the headstones, where angels have dwelled
The cracked marble fountain with polished ligures,
Above the church doorway, vines are withering, bare
Aloft from the steeple, are the four watchful eyes
Looking out to the sea, and the deep crimson tide
Three vestige bells dangle from loft, overhead
Their voices are quiet, with pericopes spoken
Soft hymns of doves, fill the rafters, instead
From crumbling ruins, bricks humbly laid
There are shadows of saints...and moss covered jade
A weeping old willow, with leaves crackling dry
I drink with my ears, and listen with an eye
Of all those who prayed, for those who passed by
Unbelievable echoes, the tolling of the bells
Making sense of the senseless, I can hear what it tells
Giving voice to my feelings, and new hope to my eyes
A peace in my heart, where the holy grail lies
Are heard in the voice, in the church of blue tides
For The Contest Sponsored By Shadow Hamilton "Any Subject"
Using Words: unbelievable, mystical, ligure, pericope, reservoir, quadrivial,
Our dark founding father, of American literature,
A sinister beacon of darkness, lighting the way
Into the darkened abyss of mankind’s soul.
Within the galleria of madness, he is the
Grandmaster of the black ink, and it's
Written words of terror.
In thus the shadow realm, does his spirit
Still roam, on the cutting edge of fear,
A fine thin line, is drawn between reality,
And fictions illusionary world.
Life's a shunned, abandonment’s creation,
The lord's misbegotten son, embraced
The night's cloak, in it's power
His only salvation unto history's
Remembrance, is found a truth's
Justice and notability's respect.
Loves passionate compliant servant,
Dashed against the rocks of life itself,
Broken and damaged, he rose above
The waves of poverty, and the under
Current of tragedies broken
Some may say he wrote from the after
Effects that laid, at the bottom
Of the bottle.
Or afterfeeds drug endued comma, dulling
The emotional nerves concept between
Right and wrong, the social exceptionable
But we care not what others wish to believe,
For we honor him, those of us the dark poets,
As the father whom lead the way, between
Light and dark.
Dearest Edger Allen Poe, the legend, the man,
A spiritual dark representative, with pens quailed
Ink at his command.
BY: CHERYL ANNA DUNN
My father's abeng blew up my mother's womb
And I was chained there
Nine months in darkness drinking blood
Longing for my resurrection from the tomb
Longing to break the chains
Holding me before my birth to a carnal earth
Longing to stop him pounding
Pounding on the door of my bereft eternity
I carrying the weight of him already
The weight of them against the gravity
Of my life. My wings folded
Longing wield sword edge of flight against the sun
I burdened to undo what already is done
Have no finality here.
Look at me like an eagle flying in the sun
Blood dripping from my talons when the flight is done
O let me cleanse the world again
In the red flood that alters pain.
One day I was born screaming for a cause
I could not take kindly to tradition
Slapping black and blue a baby's arse ... laws
Must have been broken to beat the innocent
Unless it is a crime to come into this earth
To carry so much legacy
From maroon history to Jesus Christ, blacklisted
Like my my forebears: Shaka
Father of my grandfather's mother,
My other grandfather, Accompong warrior
Slain between the stones of Holland Estate and Mountain
Bridging the way for fleeing slaves
I come Cudjo less, Nanny less, merciless
Carrying on the war of generations
Calling no more for repatriation but reparation
Of human rights, human dignity, and racial sovereignty
Where Africa may find again its concord
Without false treaty and flimsy accord
Raping the Congo of natural resources and life
I come, the bushing through guinea grass
Tumbling kingdoms with wisdom and knife.
For this I was born, beaten at birth
Given resurrection from the night of earth.
My father sought to be civilize
Recite poems of Britannia's might and lies
And I, I was singing with the night
Reading a long history of pain to make write
Of my own proclamations, to declare
I shall not bend my knees, nor walk in fear
Where death measure us in dust
And vampires and conquistadores lust
For El Dorado buried in my disgust.
I am a man, and I will make my monument of truth
Upon the gravestone of the brute.
This disconnected intellect of society in retrospect
Is nothing but a retro spectrum of colors.
Gold chains and disco lights,
Black, white, and grey faces, red Adidas stripes with no laces
Cardboard boxes unfolded on concrete streets
Where the founding fathers of modern culture would meet
And write our Constitution by moving their feet.
With a spectacular repertoire of flashy moves
And a deep reservoir of verbs that mingled with words in the mind’s river
That flowed from the banks of lips as the first freestyle
When style was really free.
Not compromised, chopped up, glamorized, marketed, processed, pasteurized
and then subliminally delivered as a shrink-wrapped, shiny medium of bad ideas.
Back when people actually had ideas,
Not just the regurgitation of pre-chewed vomit music.
The DJs cooked up beats in their basements
Just crack for the bass-heads
Denied treble ‘cause trouble was all they were faced with.
There was music laced with dope, and dope was good.
Darwinism of hip-hop.
You know what I mean?
Of course not ‘cause these young bucks would rather spend fifteen dollars on 50
Then spend fifty cents on a education.
Flagrant, our testimonial to a religion that’s pagan
We pray to money, pray to greed, pray to fame, pray to succeed
And denounce life when we pray that our bullet hits its target.
The Boogie Oogie became the Boogaloo
And the Electric Slide met the electric chair.
Time is money.
Money is life.
Life is a game.
I invest Monopoly money in the New World Clock Exchange
To collect interest in fate and become disinterested in buying my life back.
My soul is currency, currently spent on reverting from the current state.
Back to when sex was more taboo than a smile
Back to when freedom didn’t equal censorship
Back to when love for family didn’t negate the fact that times change.
Back to when the Big Hand spun backwards two seconds too late.
And minutes were miniscule and minute, hip-hop was rediculed
Not because it was demeaning, but because it represented Revolution.
An occurrence that has come and gone with the wind.
My name is Hip-Hop O’Hara and I am in love with Civility Wilkes.
Reverend Run preached gospel, now he rolls in his grave
If musical revelation is impossible, than who will be saved?
The essence in lyrics is kept underground in a cage.
Struggling to survive like illiterate slaves.
Reaching for freedom, which lies on the next page.
Free the music.
Cocooned in orange plush, obscenely safe,
in false cinematic twilight,
light leaping out of nowhere,
dizzying the frozen yet titillated onlooker.
The popcorn-crunching crowd have eaten myth.
your seaweed ropes -
drowned umbilicals -
attach you to the seabed's vast placenta.
Your rusticles drape you like a sleeping shroud.
The knife-edge of your bow; the knife plunged into mud.
A spherical light fixture sprouts a sea pen,
snaky-fingered: a poignant Medusa.
A high-button shoe rests close by.
White ocean crockery, ghost porcelain -
appurtenances of a sunken pelagian people.
Your silt bed, more than two miles below,
private even now,
refuses to yield its virgin treasure still.
A valedictory message, torn from a pocket calendar,
forced into a cold clasping hand -
a desperate flutter of paper.
Strobe, a marine rapist, raking the ocean floor;
invasion of the depths below.
Your one-way virgin voyage, inescapable.
The night was a still pool of indigo.
The berg glided silently by,
lethal as a shark's fin, with terrible finality.
The pinprick stars - flowers of light -
averted their eyes respectfully.
Atacama, Eden of winds,
flower of abandoned rocks and of sapleter,
homestead of flamingoes and geysers,
and above all ,
below an azure sky,
mountains are carrying on their tops
ice of the past.
Old villages tell us their stories,
Toconce, Toconao, Chiu-Chiu,
carry in their canons
water from deep below
let flowers and vegetables grow.
Chiu-Chiu, oasis of the desert,
a green spot,
surrounded by fragments of history
with the colour of orange, red and brown,
embedded in fragile foam of salt and hope,
the history of the Atacama.
Still alive in their churches.
Fragments of an ancient culture
reflecting on the surface of Río Loa.
Like ants – far away,
dispersed in vibrant light
some Vicuñas are looking
for tranquility and forage.
The geysers of El Tatio
send their hot water into the cold and pure air.
How pacient the Atacama is with us,
slaves of modern times
with the desire for paradise
with the dual face of history and hope.
Salar de Atacama, show me your
cracked and wounded face,
your wrinkles of solitude.
Far in the distance the chain of volcanoes,
with towering Lincancabur,
and its shouldered knapsack of crystals and ice,
holding its splendour towards the sky
with the colours of lapis lazuli and light agate.
Toconao, the ruins of Quitor greet you,
dormant since ages
they narrate the history of the Inca,
of their last refuge and their last battle with
Pedro de Valdivia,
who came with his men
to break the bravery of Inca soldiers
with thunder and destruction.
The waterfalls of the hot spings of Puritama
shoot their water into the air with the colours of rainbows,
drawing delicate faces of life
on dry sand and charming stones.
The wind from the mountains carries songs,
flute music, ancient tunes,
stories of salt, gypsum and clay
to the Valle de la Luna,
to let it remain calm and unchanged
with its eyes filled with dust and stones
in the eternal canto of earth.
Atacama, heart of the North,
plant of wind
in the song of history,
you make the day sound
and rock to sleep the nights,
lonely between the arms of the mountains
and the Altiplano.
It afflicts king and queen alike.
Brought to the castle
by the master of infildelity.
He moves smoothly from one to the other.
He swiftly takes them
as is his right, he believes.
Only to have his fill
from the fair maiden
to the sullied trollop.
He sees them all equally
in his adventures.
He spreads his curse
from one to the other.
It robs it's victims
of their eyes and senses.
Over the years, it slowly degrades
their intelligence and lives.
It can bring down the greatest Empires
if given enough time.