For I am death, the personification of pure evil,
The grand godfather, of legions of unnumbered generations.
Behold thy disciples, baptized beneath my crimson waters,
Then reanimated as the living undead, in mine own image,
These are my forsaken children of the Night.
Kissed by the angel of death, I'm resurrections insurrection,
Spawned in hell a creature devoid of heart or soul, yet do I
Exist, biting at the exposed throat of humanity, leaving it
Drained completely dry.
Does not the white lily turn ember red, within this the
Valley of damnation.
My throne is a black coffin gilded in golden refinement,
Residing beneath the wooden lid, the beast sleeps,
Waiting to be embraced by the darkness of night.
Slowly, emerging from mine cryptic mausoleum,
I'm famished for the taste of the living essence
A gentlemen reaper of the fallen, deeply do these
Fangs penetrate into the soft flesh of humanity,
Tis a dark blessing's supernatural gift, have I been
So given, to take life then to restore it.
Raw beasts of instinct, clinging to the ethereal
Moon, that hangs above illuminating this,
Our unholy abyss.
Welcome to a shadow nation of the unseen,
Whose roots extend backwards, to an older country’s
Unconsecrated soil, called Transylvania.
On mine legacies crest, a red dragon with talons
Extended reaches out, grappling for powers control.
For I am Dracula, born of royal blood in life,
But in death I am a king, let these castle walls
Bleed on forever, and the hounds of hell,
Sing outside my rod iron gates.
But beware mortal flesh if you so enter,
For I will enjoy every trespasser,
Whom dares to venture within my
Sacred territory, with a fiendish smile
Upon my hungering face.
BY: CHERYL ANNA DUNN
The Lobotomizer honed his dark art
with an apathetic heart and patience.
First, he earned a fancy Masters degree,
a quite secretive, hush-hush diploma
in psychological advertising.
Then, covertly sponsored by Henry Ford,
the Lobotomizer flew overseas
where he became good friends with the Nazis.
Mengele offered a substantial wing --
when it came to experimentation,
the Angel of Death was the reigning king.
After the Allied Forces came on strong,
the Lobotomizer slipped further East
to become a student of the Red Beast.
The iron-curtained, cold-war Frankenstein,
taught the Lobotomizer many tricks,
including high-frequency hypnotics,
how to travel through electrical lines,
and even surf the beams of satellites.
Yet his travels were not nearly complete,
since the Lobotomizer knows no bounds
with his insatiable appetite.
He crossed the borders of every nation,
gaining more insightful experience.
He passed through many laboratories,
leaving behind countless horror stories;
leaving behind legions of empty minds.
Finally, in the fall of Sixty-Nine,
the Lobotomizer returned back home
to his motherland of the brave and free,
to commence his lobotomizing spree.
By the hundreds, thousands, millions and more,
the Lobotomizer plied his ill trade,
beaming himself via optic fiber,
satellite dish, cable, and antenna,
right between the eyes of his audience,
until the nation's vast majority
was left drooling, dull-eyed, slack-jawed and blank.
Nowadays, nearly the entire globe
can feel his dark probe in the frontal lobe.
The blue light flickers off walls, day and night,
as most people have given up the fight,
allowing their minds to be bought.
The Lobotomizer is not finished,
for he continues to push his prison
towards the remaining wisps of free thought.
2014 Subliminal Remix, July 30th, 2014
(10 syllables per line --
The original version was written on February 22nd, 2012)
Our dark founding father, of American literature,
A sinister beacon of darkness, lighting the way
Into the darkened abyss of mankind’s soul.
Within the galleria of madness, he is the
Grandmaster of the black ink, and it's
Written words of terror.
In thus the shadow realm, does his spirit
Still roam, on the cutting edge of fear,
A fine thin line, is drawn between reality,
And fictions illusionary world.
Life's a shunned, abandonment’s creation,
The lord's misbegotten son, embraced
The night's cloak, in it's power
His only salvation unto history's
Remembrance, is found a truth's
Justice and notability's respect.
Loves passionate compliant servant,
Dashed against the rocks of life itself,
Broken and damaged, he rose above
The waves of poverty, and the under
Current of tragedies broken
Some may say he wrote from the after
Effects that laid, at the bottom
Of the bottle.
Or afterfeeds drug endued comma, dulling
The emotional nerves concept between
Right and wrong, the social exceptionable
But we care not what others wish to believe,
For we honor him, those of us the dark poets,
As the father whom lead the way, between
Light and dark.
Dearest Edger Allen Poe, the legend, the man,
A spiritual dark representative, with pens quailed
Ink at his command.
BY: CHERYL ANNA DUNN
written on time’s page
with finite syllables of dust
he spelled my heritage
from earth to sky
along an umbilical line of faith
we fluttered from the lips of fingers
fully form for purpose
written on an invisible calculus
that bring monarchs where birth mark lingers
and salmons somersaulting sluice and streams
turtles, penguins, and herons white wings
netted in design with nested tabula rasa mind
I have an argument
against the beginning begotten from a bang
before atom or element
I have an argument against force and natural laws
at work without mass or embodiment
for embryonic gravity or forces weak or strong
I have an argument
that the singularity could not become more than fragment
of energy again if a single atom explode
its forces flocking away from fusion
for energy fission to explode
flimsy as spiders web
dethroning my majesty gulped
in primeval slime unlinked history from love
minimizing the particular time of our becoming on ships
that met the stagnant eyes of swampy thoughts … shuddering
the whip cracks louder than pain -
and on our black blistered backs … crumbling
soils in desertification threw some syllables skywards for mercy
starvation winds with sickle clouds of rain
they lie again ... leaving us without inheritance
for all our labors, lost, and grievance
what bang can buck the strain
and bring us broken souls to glory again?
In the heart of the blackest abyss, down,
Down, in fathoms deep crypt, where light
Does not penetrate, and the structured protective hauls,
Of men, are crushed beneath pressures massive
Weight, of the oceans deepest depth.
This is truly inner spaces aquatic zone of the
Unknown, a realm of stilled silence frozen
In the icy currents of the barren straights.
Where prehistoric giants dwell, amongst the
Tidal flow, ambush predators, forgotten beasts,
From long ago, living krakens whom devour
All life, hidden within their dark domain.
In Poseidon's mighty anger, the waves answer,
To his fists of fury, hurricanes wrath of vengeance,
Gives birth to the perfect storms rage,
Vessels rise and than fall in the tidal surging
Nay do the sailors cry out to the Lord God on high,
For redemption's salvation, but the sacrificial altars must
Be appeased, by flesh and bloods sacred offerings.
Summons does the mighty lord of the seven seas,
To release the last of the ancient Leviathans.
Two thousand hands, of a thousand dead men,
Heave and pull at the tethering heavy chains,
To this devil of the depths cage.
From within interments vaulted keep,
Captivities living spawn from hell, is
Unshackled and released, to reek havocs
An aquatic spider, a maritime widow maker,
Flexing and in-flexing, its body’s motions,
Towards the surface, in pulsations rhythmic
Orchestrations, the gray giant is ready to strike,
With its killing arms extended wide, to grapple
At its unprotected prey, to engorge itself with
All living matter that it surveys, within its icy reach.
As bubbles shoot upwards breaking the waters
Surface, suction cups and talon claws are drawn
Outwards, aligning his eight legged tentacles of bone
Crushing death, behold the Giant Squid, instrument of
Lethal torture, a living killing machine from the fathoms
For it is the beast, the true essence of evil
Incarnate, and none survive its destructive wrath.
BY: CHERYL ANNA DUNN
Dead men tell no tails, or so the winds of
On judgment hill from on high,
Voices do echo downwards, as the
Noose does sway, back and forth, on the
These gallows, of oaken branches, act as tethers,
Shackles, holding the forsaken, souls prisoner.
Ghost phantoms cling, to it's rotten limbs,
That break beneath times endless rampage.
Regrets fallen horsemen, of the old west,
Stand guard, sentinels on horse back,
Wearing a tarnished tin star.
God's law keepers, are branded, sworn,
By their honor, to protect even after death,
The gates of heaven, from this spawn of hell.
Beware evil desperadoes, no mercy will
This the lord's posses show unto you,
For these riders bare a different mark.
A silver cross of justice, given by
The Almighty’s hand himself.
Say thy prayers, all lawless men,
For on this day, does the rope tighten,
Around your neck, there is no reprieve,
No salvation for evils deceit.
Hell bound are thou, the devils breed.
But beware, there is no escape,
From this grave site.
At dawns first light, as it spreads
Across the western horizon.
Know that yee, are one of many spirits
Doomed, to be weaved within the
Tangled limbs, called the hang
BY: CHERYL ANNA DUNN
Woke up to a new life in Egypt
I was young not more than seventeen years
Adorned with gold and precious stones
My body was in the shroud of silk and jewels in my hair
I sat on a throne as a Queen
My name was Cleopatra, Queen of the Nile
During the day I lay on the silk cushions
and dozed in the shade of palm trees
Beautiful men and women kept flitting
around me with all sorts of temptations
Fed me all sorts of fruit and cold drinks
When evening came, it was time for romance
As Queen I had many to choose
My choice was of course:
"The greatest men of Rome"
Julius Caesar and Marcus Antonius
Why choose one when I can have two?
On a long journey down the Nile with
my love Julius Caesar, I was forced to
make a choice.
But a choice one must take...and the
choice was that I gave birth to a son
and Julius Caesar was the father
My love life was not popular
my husband was killed and I
was no longer popular
It was no longer a life of happiness and joy
No, it was war and national mouming
and I would not live anymore
Many times the ocean
has saved Nippon, pearl of the sea,
an oceanic symbiosis a speck in a fecund see.
The dikes of man such miniscule plans to hold back the tide.
The throngs, each and all crawl across the thin skin of volcanic soil
or rise with in the hump-backed alps of remnant cones.
Yet, the sea rises to reclaim its own
scour the pallet of man, refine, burnish melt, reform.
With pen and sword kanji drawn, samurai born
with knife and bone entrails torn, honor tested
tested by the hand of He,
tested and found worthy.
The children of the Divine Wind
rise above the tsunami, as one, unbowed.
Wrapped in fog, in a reservoir of dreams
She has weathered each season, with a mystical scheme …
On a wind-swept shelf, silently sleeping
Where secrets are guarded and are hers for the keeping
Looking out at the tide, where the white gulls are sweeping
In her moldering courtyard, where quadrivial paths meld,
Among ancient arches of an old Spanish style
Names locked in history, many stories revealed
Etched in the headstones, where angels have dwelled
The cracked marble fountain with polished ligures,
Above the church doorway, vines are withering, bare
Aloft from the steeple, are the four watchful eyes
Looking out to the sea, and the deep crimson tide
Three vestige bells dangle from loft, overhead
Their voices are quiet, with pericopes spoken
Soft hymns of doves, fill the rafters, instead
From crumbling ruins, bricks humbly laid
There are shadows of saints...and moss covered jade
A weeping old willow, with leaves crackling dry
I drink with my ears, and listen with an eye
Of all those who prayed, for those who passed by
Unbelievable echoes, the tolling of the bells
Making sense of the senseless, I can hear what it tells
Giving voice to my feelings, and new hope to my eyes
A peace in my heart, where the holy grail lies
Are heard in the voice, in the church of blue tides
For The Contest Sponsored By Shadow Hamilton "Any Subject"
Using Words: unbelievable, mystical, ligure, pericope, reservoir, quadrivial,
This disconnected intellect of society in retrospect
Is nothing but a retro spectrum of colors.
Gold chains and disco lights,
Black, white, and grey faces, red Adidas stripes with no laces
Cardboard boxes unfolded on concrete streets
Where the founding fathers of modern culture would meet
And write our Constitution by moving their feet.
With a spectacular repertoire of flashy moves
And a deep reservoir of verbs that mingled with words in the mind’s river
That flowed from the banks of lips as the first freestyle
When style was really free.
Not compromised, chopped up, glamorized, marketed, processed, pasteurized
and then subliminally delivered as a shrink-wrapped, shiny medium of bad ideas.
Back when people actually had ideas,
Not just the regurgitation of pre-chewed vomit music.
The DJs cooked up beats in their basements
Just crack for the bass-heads
Denied treble ‘cause trouble was all they were faced with.
There was music laced with dope, and dope was good.
Darwinism of hip-hop.
You know what I mean?
Of course not ‘cause these young bucks would rather spend fifteen dollars on 50
Then spend fifty cents on a education.
Flagrant, our testimonial to a religion that’s pagan
We pray to money, pray to greed, pray to fame, pray to succeed
And denounce life when we pray that our bullet hits its target.
The Boogie Oogie became the Boogaloo
And the Electric Slide met the electric chair.
Time is money.
Money is life.
Life is a game.
I invest Monopoly money in the New World Clock Exchange
To collect interest in fate and become disinterested in buying my life back.
My soul is currency, currently spent on reverting from the current state.
Back to when sex was more taboo than a smile
Back to when freedom didn’t equal censorship
Back to when love for family didn’t negate the fact that times change.
Back to when the Big Hand spun backwards two seconds too late.
And minutes were miniscule and minute, hip-hop was rediculed
Not because it was demeaning, but because it represented Revolution.
An occurrence that has come and gone with the wind.
My name is Hip-Hop O’Hara and I am in love with Civility Wilkes.
Reverend Run preached gospel, now he rolls in his grave
If musical revelation is impossible, than who will be saved?
The essence in lyrics is kept underground in a cage.
Struggling to survive like illiterate slaves.
Reaching for freedom, which lies on the next page.
Free the music.