I phoned Midori. 'I have to talk to you' I said. 'I have a million things to talk to you about. A million things we have to talk about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning'. Midori responded with a long, long silence - the silence of all the misty rain in the world falling on all the new-mown lawns of the world. Forehead pressed against the glass, I shut my eyes and waited. At last, Midori's quiet voice broke the silence: 'Where are you now?' Where was I now? Gripping the receiver, I raised my head and turned to see what lay beyond the phone box. Where was I now? I had no idea. No idea at all. Where was this place? All that flashed into my eyes were the countless shapes of people walking by to nowhere. Again and again I called out for Midori from the dead centre of this place that was no place.
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''Fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step.
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In principle, ownership of handwritten documents lies with the author. A large number of my manuscripts have been leaked and are now missing. These are stolen items of sorts, because they were taken without permission and sold for financial gain.
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