What though the radiance which was once so bright Be not forever taken from my sight, Though nothing can bring back the hour Of splendour in the grass, of glory in the flower; Grief not, rather find, Strength in what remains behind, In the primal sympathy Which having been must ever be, In the soothing thoughts that spring Out of Human suffering, In the faith that looks through death In years that bring philophic mind.
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Morning Is Yellow Like A Desk Is Square
He always wanted to explain things. But no one cared. So he drew. Sometimes he would draw and it wasn't anything. He wanted to carve it in stone or write it in the sky. He would lie out on the grass and look up in the sky. And it would be only him and the sky and the things inside him that needed saying. And it was after that he drew the picture. It was a beautiful picture. He kept it under his pillow and would let no one see it. And he would look at it every night and think about it. And when it was dark, and his eyes were closed, he could still see it. And it was all of him. And he loved it. When he started school he brought it with him. Not to show anyone, but just to have with him like a friend. It was funny about school. He sat in a square brown desk Like all the other square brown desks And he thought it should be red And his room was a square brown room. Like all the other rooms. And it was tight and close. And stiff. He hated to hold the pencil and chalk, With his arm stiff and his feet flat on the floor. Stiff. With the teacher watching and watching. The teacher came and spoke to him. She told him to wear a tie like all the other boys. He said he didn't like them. And she said it didn't matter. After that they drew. And he drew all yellow and it was the way he felt about morning. And it was beautiful. The teacher came and smiled at him. 'What's this?' she said. 'Why don't you draw something like Ken's drawing? Isn't it beatiful?' After that his mother bought him a tie. And he always drew airplanes and rocket ships like everyone else. And he threw the old picture away. And when he lay alone looking at the sky, It was big and blue and all of everything, But he wasn't anymore. He was square inside. And brown. And his hands were stiff. And he was like everyone else. And the things inside him that needed saying didn't need it anymore. It had stopped pushing. It was crushed. Stiff. Like everything else.
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Be the green grass above me, with showers and dewdrops wet; and if thou wilt, remember, and if thou wilt, forget.
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The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of the day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre for your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
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The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers. It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow. I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.
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What though the radiance which was once so bright Be not forever taken from my sight, Though nothing can bring back the hour Of splendour in the grass, of glory in the flower Strength in what remains behind, In the primal sympathy Which having been must ever be, In the soothing thoughts that spring Out of Human suffering, In the faith that looks through death In years that bring philophic mind.
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Pile the bodies high at Austerlitz and Waterloo. Shovel them under and let me work— I am the grass; I cover all.
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How the old mountains drip with sunset, And the brake of dun! How the hemlocks are tipped in tinsel By the wizard sun! How the old steeples hand the scarlet, Till the ball is full, -- Have I the lip of the flamingo That I dare to tell? Then, how the fire ebbs like billows, Touching all the grass With a departing, sapphire feature, As if a duchess pass! How a small dusk crawls on the village Till the houses blot; And the odd flambeaux no men carry Glimmer on the spot! Now it is night in nest and kennel, And where was the wood, Just a dome of abyss is nodding Into solitude! -- These are the visions baffled Guido; Titian never told; Domenichino dropped the pencil, Powerless to unfold.
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Here lies... Walt Whitman. Aaargh! Damn you Walt Whitman! I... hate... you... Walt... freakin... Whitman, leaves of grass my ass!
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In the world's audience hall, the simple blade of grass sits on the same carpet with the sunbeams, and the stars of midnight.
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While walking in a toy store The day before today, I overheard a Crayon Box With many things to say. I don't like red! said Yellow. And Green said, Nor do I! And no one here likes Orange, But no one knows quite why. We are a box of crayons that really doesn't get along, Said Blue to all the others. Something here is wrong! Well, i bought that box of crayons And took it home with me And laid out all the crayons So the crayons could all see They watched me as I colored With Red and Blue and Green And Black and White and Orange And every color in between They watched as Green became the grass And Blue became the sky. The Yellow sun was shining bright On White clouds drifting by. Colors changing as they touched, Becoming something new. They watched me as I colored. They watched till I was through. And when I'd finally finished, I began to walk away. And as I did the Crayon box Had something more to say... I do like Red! said the Yellow And Green said, So do I! And Blue you are terrific! So high up in the sky. We are a Box of Crayons Each of us unique, But when we get together The picture is complete.
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Lay me down beneaf de willers in de grass, Whah de branch'll go a-singin' as it pass.
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It's just a job. Grass grows, birds fly, waves pound the sand. I just beat people up.
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There is sweet music here that softer falls Than petals from blown roses on the grass,...
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What though the radiance which was once so bright
Be not forever taken from my sight,
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
Grief not, rather find,
Strength in what remains behind,
In the primal sympathy
Which having been must ever be,
In the soothing thoughts that spring
Out of Human suffering,
In the faith that looks through death
In years that bring philophic mind.
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Another piece of advice: when you proofread cross out as many adjectives and adverbs as you can. You have so many modifiers that the reader has trouble understanding and gets worn out. It is comprehensible when I write: The man sat on the grass, because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully. The brain can't grasp all that at once, and art must be grasped at once, instantaneously. And then one other thing; you are lyrical by nature. The timber of your soul is soft. If you were a composer you would avoid writing marches. It is unnatural for your talent to curse, shout, taunt, denounce with rage. Therefore, you'll understand if I advise you, in proofreading, to eliminate the sons of bitches, curs, and flea-bitten mutts that appear here and there on the pages of Life.
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It required some rudeness to disturb with our boat the mirror-like surface of the water, in which every twig and blade of grass was so faithfu...
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I have a suggestion that I think would help fight serious crime. Signs. There are lots of signs for minor infractions: No Smoking, Stay Off the Grass, Keep Out, and they seem to work fairly well. I think we should also have signs for major crimes: Murder Strictly Prohibited, NO Raping People, Thank You for Not Kidnapping Anyone. It's certainly worth a try. I'm convinced Watergate would never have happened if there had just been a sign in the Oval Office that said, Malfeasance of Office Is Strictly Against the Law, or Thank You for Not Undermining the Constitution.
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You can chase a butterfly all over the field and never catch it. But if you sit quietly in the grass it will come and sit on your shoulder.
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Most of the public lands in the West, and especially the Southwest, are what you might call cow burnt. Almost anywhere and everywhere you go in the American West you find hordes of [cows].... They are a pest and a plague. They pollute our springs and streams and rivers. They infest our canyons, valleys, meadows, and forests. They graze off the native bluestems and grama and bunch grasses, leaving behind jungles of prickly pear. They trample down the native forbs and shrubs and cacti. They spread the exotic cheatgrass, the Russian thistle, and the crested wheat grass. Weeds. Even when the cattle are not physically present, you see the dung and the flies and the mud and the dust and the general destruction. If you don't see it, you'll smell it. The whole American West stinks of cattle.
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We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of the drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day ... The dawn were heralded by a chill stillness; the wood-cutters slept, their fires burned low; the snapping of a twig would make you start. We were wanderers on a prehistoric planet ... But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass-roof, a burst of yells, a whirl of black limbs, a mass of hands clapping, of feet stamping, of bodies swaying, of eyes rolling, under the droops of heavy and motionless foliage.
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What is life It is the flash of a firefly in the night. It is the breath of a buffalo in the wintertime. It is the little shadow which runs across the grass and loses itself in the sunset.
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'He [the truly ethical man] breaks no leaf from the tree, plucks no flower, is careful to crush no insect with his feet. When he works by his lamp in the summer evening, he prefers to keep his window shut and to breathe the stifling air rather than to see insect after insect falling on his table with singed wings. If after a rain he is walking on the road and sees an earthworm gone astray, he remembers it will dry up in the sun if it does not get back in time to the earth into which it can burrow, and helps it from the fatal stones into the grass. If he comes upon an insect fallen into a puddle, he takes time to save it by extending a leaf or a stalk to it. He is not afraid of being laughed at as sentimental. It is the fate of every truth to be ridiculed before it is recognized. It was once considered stupid to think colored men were really human and must be treated humanely. The time is coming when people will be amazed that it took so long for mankind to recognize that thoughtless injury to life is incompatible with ethics.'
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To us also, through every star, through every blade of grass, is not God made visible if we will open our minds and our eyes.
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God, I can push the grass apart and lay my finger on Thy heart.
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Personal columnists are jackals and no jackal has been known to live on grass once he had learned about meat - no matter who killed the meat for him.
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Every blade of grass has its Angel that bends over it and whispers, Grow, Grow
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The grass and coloured clay More motion have than they, Joined to the great sunk silences.
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In creating, the only hard thing is to begin a grass blade's no easier to make than an oak.
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That though the radiance which was once so bright be now forever taken from my sight. Though nothing can bring back the hour of splendor in the grass, glory in the flower. We will grieve not, rather find strength in what remains behind.
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