In the world's audience hall, the simple blade of grass sits on the same carpet with the sunbeams, and the stars of midnight.
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I've also always been fascinated by weddings... those surreal performances where the audience plays an integral part -- the joy, the sadness, the passion... all unfolding firstly in a house where God is served and ultimately in a house where beer is served... the knife inserted ritually into the virginal white cake to reveal the dark fruity interior... that ugly pagan concept of the father handing over his daughter to her new master... the mothers crying because they're losing a daughter, the page boys crying because they have to wear such stupid clothes... those embarrassing speeches and drunken uncles on the dance floor...
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Write while the heat is in you. The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.
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Personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is.
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The truth, I am convinced, is that there is no longer a poetical audience among the higher class of minds, that moral, political, and physical science have entirely withdrawn from poetry the attention of all whose attention is worth having; and that the poetical reading public being composed of the mere dregs of the intellectual community, the most sufficing passport to their favour must rest on the mixture of a little easily-intelligible portion of mawkish sentiment with an absolute negation of reason and knowledge.
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I made some mistakes in drama. I thought the drama was when the actors cried. But drama is when the audience cries.
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[Although Ball is considered a pop singer, he's not a total stranger to Gilbert and Sullivan, having played Frederick in the West End mounting of Joe Papp's memorable production of The Pirates of Penzance . But Patience is a different kind of work--much of its humor is highly topical, poking fun at the short-lived Aesthetic movement that flourished among British dilettantes 125 years ago. Will that humor translate to a New York audience in the year 2005?] I think there's absolutely no difference to how we regarded things then and how we regard things now, ... There are still those performers and artists who strike on a new art form or mode that attracts their fans, while the majority of us may be saying, 'I'm sorry, but isn't that The Emperor's New Clothes?' There will always be charlatans who do things just to get acclaim and adulation. So I think it'll speak to an audience as clearly today as it did then.
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The original story, whatever it was, was told to those who forgot some details and substituted others. The original is long lost in the restorations. They have had the composer accompanied by a gifted sister, who, the inflexible record shows, died years before the song was written. They have seated him at the prim old spindle-legged mahogany desk in the hall at Federal Hill and had him dash it off in the frenzy of inspiration. Or they have followed him to the rocks of the old spring house, whither they have sent him, pencil in hand, and counted the frowns of agony with which he laboriously set down now a strain of melody and again a phrase of words. They have heard him trying it out with the deep booming bass voice of him who had never more than a weak but sweet light baritone. Every writer of it has himself for the hero and has described it as he would himself have acted it before the grand audience of posterity. These various stories cling about Federal Hill, the outgrowth of the human desire for contact with the vague figures of the past.
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Like the international avant-garde, rock-and-roll is the creative product of a rebellious youth culture trying to reach a mass audience. Its a...
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I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
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This is the greatest honour I have ever received in my life. Peace has always been my greatest concern. Yet in my childhood I learned to love it. My mother - an exceptional, brilliant woman - used to speak to me about it when I was still a child, because in those years there were also a lot of wars. Moreover, I am Catalan. Catalonia had the first democratic Parliament much before than England. And it was in my country where there was a beginning of united nations. At that time - the eleventh Century - they met in Toluges - today in France - to speak about peace, because the Catalonian people of that time were already against war. That is why, the United Nations, which work only for the ideal of peace, are in my hearth, because everything relating to peace goes directly there. I have not played the cello in front of an audience since long years but I think I must do it this time. I am going to play a melody from the Catalonian folklore: The singing of the Birds. Birds, when in the sky, go singing: Peace, peace, peace. And this is a melody that Bach, Beethoven and all great people would have admired and loved. And, in addition, it springs up from the soul of my country: Catalonia.
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In full view of his television audience, he preached a new religion -- or a new form of Christianity -- based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.
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My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind; and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.
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And there's a lot of that stuff with people bringing their kids, kids bringing their parents, people bringing their grandparents - I mean, it's gotten to be really stretched out now. It was never my intention to say, this is the demographics of our audience.
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Then we are assured by Sartre that owing to the final disappearance of God our liberty is absolute! At this the entire audience waves its hat or claps its hands. But this natural enthusiasm is turned abruptly into something much less buoyant when it is learnt that this liberty weighs us down immediately with tremendous responsibilities. We now have to take all God's worries on our shoulders --now that we are become men like gods. It is at this point that the Anxiety and Despondency begin, ending in utter despair.
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25, 30 years ago, that meant something, they were making some money. And they were doing all sorts of comedy, screaming at the audience, basically crowd control. And then there was the whole urban comedy scene.
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More than illness or death, the American journalist fears standing alone against the whim of his owners or the prejudices of his audience. Deprive William Safire of the insignia of the New York Times, and he would have a hard time selling his truths to a weekly broadsheet in suburban Duluth.
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When I told the people of Northern Ireland that I was an atheist, a woman in the audience stood up and said, Yes, but is it the God of the Catholics or the God of the Protestants in whom you don't believe
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Just with the basic one guitar, one piano and one vocal and an audience, I think that the intimacy comes through more. People feel much more connected to the song because there's nothing in the way, and I actually enjoy doing that.
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God is a comic playing to an audience that's afraid to laugh.
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Dancing is my number one love. That was my first goal as a child. I would love to do stage, maybe do Chicago. I love being in front of an audience. It's so stimulating. I also love to barbecue.
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So this is the only TV show in America where I am quite confident that you, the audience, will share my excitement when I tell you that coming up in our next segment, we have the best graph ever. Best graph ever.
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Animation is the one type of movie that really does play for the entire audience. Our challenge is to make stories that connect for kids and adults.
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It is not really difficult to construct a series of inferences, each dependent upon its predecessor and each simple in itself. If, after doing so, one simply knocks out all the central inferences and presents one's audience with the starting-point and the conclusion, one may produce a startling, though perhaps a meretricious, effect.
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It really was written and geared for a very specific audience, but our comedic strength trumps all of that. The subject matter, the dialogue, the tone isn't right for most of America.
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Glorious bouquets and storms of applause are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one's own life.
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I open with a clock striking, to beget an awful attention in the audience -- it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.
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Somewhere out in this audience may even be someone who will one day follow my footsteps, and preside over the White House as the president's spouse. I wish him well! by Barbara Bush
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Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
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Today's comedian has a cross to bear that he built himself. A comedian of the older generation did an act and he told the audience, This is my act. Today's comic is not doing an act. The audience assumes he's telling the truth. What is truth today may be a damn lie next week.
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