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Long Blue Poems | Long Blue Poetry

Long Blue Poems. These are the most popular long Blue by PoetrySoup Members. You can search for long Blue poems by poem length and keyword.

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Long Poems
Long poem by Terry O'Leary | Details |

the PLAGUE

as the PROPHETS of profits, WE lead and WE’re fair
while WE’re living the life of the poor BILLIONAIRE
– silver yachts, pearly castles, cash (plenty to spare) –
with the world on OUR backs... ah! the burdens WE bear!

being HAVES (not the have-nots) as nature decrees
means WE’re certainly the better (they’re vermin on sleaze).
if they pray for a lift in their dark fantasies,
WE just kick ’em downstairs, get ’em off of their knees.

yes, WE offer great jobs (much too busy OURSELVES!)
for maintaining the toilets, restacking the shelves,
and WE teach ’em to fear god and play with the elves,
thus dispelling ideas where the dark demon delves.

though they build mighty bridges, twin towers and more,
peddle pizzas and popcorn, sell guns door-to-door,
still they gotta have BOSSES to tell ’em the score
else WE’d never be needed, WE’d thrive nevermore.

when OUR profits are plunging, they do their part too
for they dine on the dole! yes, no hullabaloo!
soon OUR fortunes  redouble, rebound and accrue –
since WE fare well without ’em, WE bid ’em adieu.

’stead of wishing for welfare and standing in queues
or parading with pickets (look! holes in their shoes!),
they’d be better off scabbing to save union dues
... while WE whistle and warble, they’re singing the blues.

whether heros or hoboes, like spiders and lice
they just crawl all around us in life’s paradise,
but WE’re patient, big hearted and oft sacrifice,
spewing charity, kindness (though each has its price).

if they’re beaten or punctured or suffer assault,
are unhealthy or crippled or walk with a halt,
or retarded or helpless, it’s all their own fault – 
just like US they should worship the DOLLAR exalt!

protesters and loud mouths, you’ll find ’em aplenty
some older, some younger, the worst not yet twenty.
they’re shameless and brazen (unwashed, soiled and scenty)
impugning the prestige of brave COGNOSCENTI.

if they’ve got clashing colors  (or shades in between)
or opposing beliefs in the hidden unseen, 
well, WE’ll always exploit it, deflecting their spleen,
for with god on each side, would WE dare intervene?

WE promote many methods to keep ’em in chains –
daily rags and the tube spin OUR circus campaigns
“to pretend you’ve a voice”, an announcement explains,
“you can vote and decide on which ONE of US reigns”.

OUR policemen protect US, they stay on the ball
(they arrest ’em, no questions per law’s protocol,
and then jam ’em in jail with their backs to the wall) –
if you’ve lucre for lawyers there’s justice for all.

down the ROYAL road of justice WE march all alone 
– WE condemn their defiance, set ways to atone –
since WE’re sinless, unsullied, WE cast the first stone
(while WE cloak REGAL fetor with eau de cologne).

politicians, bald bankers, grand idols galore,
attend meetings, fete banquets in which they explore
how to rid US of rodents (the weak and the poor) –
well, just round up the riff-raff, dispatch ’em to war!

ah! OUR wars are.... well, just...... just a thing of the past
........... and the present............... and future... WE sure make them last!
if they frown as they gaze (armageddon!) aghast,
then WE smile back with pleasure, OUR treasures amassed.

useless ranting and raving (in rags, when they’re clad),
leads to losing their teeth (my! their gums are... egad!).
WE’re unselfish, indulgent, WE’d never be mad
if they drowned in the sounds of themselves feeling sad.

as the paupers are princes in midnight’s domain,
they have pipe dreams to lose, certainly nothing to gain
if they’re hoping OUR fortunes will wither and wane –
for “WE’re here by god’s will” as WE often explain.

yes, they wish to be US, with OUR wisdom and grace,
keeping up with ol’ CROESUS, maintaining the pace.   
but perverseness or rancor? they’ll see not a trace –
for WE hold ’em at bay with a fist in the face.

WE’re la CRÈME de la CRÈME, yes! the proud UPPER CRUST,
and OUR clothes are the finest, OUR hair never mussed –
WE imbue ’em with piety, duty and trust 
and they’re fed bread and water (if feed ’em WE must).

but they’re thieving, aggrieved, want a piece of OUR PIE
and request WE endure ’em, see EYE to black eye.
since they live in OUR land where OUR strict rules apply,
they must feast on the crumbs that may fall from the sky.

though OUR largesse and bounty WE don’t mean to flaunt,
yet the pittance WE pay ’em they surely can vaunt –
salty peanuts and pretzels (what more could they want?)
thereby keeping their kiddies so healthily gaunt.

yes, there’s room for the rabble (the back of the bus)
’cause WE treat ’em like equals, so what’s all the fuss?
all can rise to the top (yes! it’s always been thus),
to the suites in OUR penthouse (to sweep up and dust).

while OUR CHILDREN have tutors, the finest of schools
(being bred for the forefront, THEY’re nobody’s fools),
the ol’ school of hard knocks teaches: “follow the rules”,
building brawn ’stead of brains and broad backs strong as mules’.

and to keep ’em in line (to ensure WE prevail)
WE now monitor phone calls and read all their mail
(civil rights? what a notion! at best a detail!)
and if worse comes to worst...... well...... guantanamo jail!

WE’ve OUR quandaries and questions and headaches full blown
(like deciding design and decor of OUR thrones...
whether diamonds or rubies... to ivory WE’re prone) –
when WE deign to appease ’em, WE chuck ’em some bones.

now you know all OUR problems, OUR pains and travails,
– like preparing foreclosures, evictions  and sales –
but WE’ve no need for worries or gnawed fingernails,
’cause WE’re sailing OUR yachts through tempestuous gales
(with them bailing OUR banks when OUR stock market fails)
sipping daiquiri sours, champagne, ginger ales...


Long poem by Richard Lamoureux | Details |

Watch

You might wonder what happens during the course of the day with a profiler. I'm known as the watcher. Little insignificant things can make the difference in cracking a case. A subtle glance, a dilated pupil the tightening of a jaw. Let me take you back to yesterday so you will understand.

"Rick I need you to come in here." "Alright captain, what do you have for me?" "We have an Arson on our hands, Rodrigues is interviewing the family now." "What do we know about them captain?" "Husband and wife are separated, the daughter was living with the mom in the family home. Nothing left of the home, burnt to the ground." "Do we know where the fire started?" "Yes it looks like it started in the girls bedroom. Enough talking Rick lets pay attention to what's going on."

Captain Branson is an impatient man, he thinks this watcher stuff is a pile of bullshit. He's all about old fashioned police work. Still here I am detective first class with a pile of successes under my belt. So the upper brass have thrust me upon him.  He tolerates me, in private he tells his buddy's I'm a lucky sh*t and one day my luck is going to run out. 

I looked through the one way glass into the interrogation room. The dad was sitting furthest away. He is dressed impeccably dark blue suit, white shirt and a red tie with matching handkerchief. He also sports a hundred dollar haircut and speaks with controlled precision. While he speaks he looks at Rodriguez with a certain disdain. His arms are folded and he keep looking down at his watch.

The daughter is a contrast in opposites, unkept purple hair and wearing a black loose fitting dress. There are scratches on her arm that she is picking at. Several piercings adorn her lips nose and eyebrows. On her shoulder there is a broken heart tattoo that says Daddy's Girl. 

The wife is a thirty something beauty with long blond hair. She is casual yet elegant, a natural look that has taken hours to achieve. She is on the opposite side of the table from her husband and somehow it does not seem far enough. As her husband speaks her left eye has a subtle twitch. 

Rodriguez fidgets with the earbud as he asks the dad if he wants something to drink. The dad snaps back " let's just get this over with I have to get back to work." Rodriguez just smiles and asks the wife and daughter if he can get anything for them. The daughter continues to pick at her arm. The wife politely says "no thank you." "Well then we can get started." Rodriguez gets up opens the door and a large matronly officer enters. Rodriguez asks the daughter and mom to accompany her. The daugter rises and walks with a slow detached gait, her mom follows with a practiced elegance.

Rodriguez looks at the man and says, "let's start with what we know, we know the fire wasn't accidental. There was an accelerant used in your daugters room." The dad looked Rodriguez in the eye and said "so why are you talking to me? I don't even live there anymore." Rodriguez asks the dad where he was between nine and eleven that morning. The man quickly responds that he was working at the office with his assistant. Rodriguez asks if anyone else may have seen him that morning. He says not that he's aware of.  Talking through the earbud I ask Rodriguez to end his questioning for now.

Captain Branson says, "we checked the Navigation on his BMW, it shows his vehicle didn't leave the parking lot till three this afternoon. Personally my money is on the crazy daughter, I checked and she started a fire a few years ago behind their neighbors shed."  "Ok captain we'll start with her next. I'll be back in a minute I need a cup of coffee." I leave the room just as the dad leaves the interrogation room. Rodriguez motions for him to sit down. As he sits he crosses his legs and I notice he is wearing a new pair of shoes and there is a small white stain on his cuff.  Once again I notice him looking at his watch. I walk by him to the coffee machine  without him even giving me a glance.

Back in the interrogation room Rodriguez is sitting with the girl, she has yet to make eye contact with him. I tell Rodriguez to start the interview. He does the usual attempt at rapport building but it garnishes no warm and fuzzies. Enough of that he asks her where she was this morning. She says she was out behind the bleachers at school. He asks if anyone can verify her being there. She says no, she was by her self. He asks about the fire behind the neighbors shed. She says "it looks like you have already made up your mind. Why don't you just lock me up?" This is the first time she looks him in the eye.  Rodriguez says he just wants to get to the truth. "The truth? No one cares about the truth, why would I burn down my own room?" She looks defiant and hurt, the look of someone who has been accused of many things. I tell Rodrigues enough for now. The captain says "what? Is that it?"  "Relax Captain she's not your girl. Rodriguez bring the wife in."

The wife looks a lot more relaxed without the husband in the room. She sits back easily in the chair with her legs crossed gracefully at the ankles. She pulls out a lighter and cigarette and asks if it is okay if she smokes. Rodriguez apologizes and says there is no smoking on the premises.  She says "that's okay I'm trying to quit." She tells him she started again after the separation. Rodriguez asks her who she thinks started the fire. She says she has no idea but she can't imagine who would want to burn down their home. She loses her composure for a moment and starts to cry. She looks up at him with her big blue eyes filled with tears. Rodriguez passes her a tissue and asks if she is okay to continue. She says sure she just needs a moment to compose herself. He asks her to tell him about her husband.


Long poem by Cyndi MacMillan | Details |

SYLVIA, FOR CRAIG CORNISH, FOR ALL PLATH FANS

                         
                           It is a terrible thing
                           To be so open: it is as if my heart
                           Put on a face and walked into the world.


                                          Sylvia Plath, Three Women, 1962



_________________________________



SYLVIA

Sylvia, ever lucent, ever opaque,
an incongruity, a clever imbalance               
that spins collections her hounds facilitate.  
Failures and fractures she bravely lanced
with noncompliance. Reader, rebuff collars
labeled as forewords, smug introductions, 
for Plath’s voice is tenfold more a scholar 
than those receiving undue benedictions.    
Lofty beggars seek to bookend her words
and that empty space she instinctively refills
with her universe, a mayhem that girds,
unapologetic. Mirror images spill
over margins, searching for identity,
negating preamble, snubbing apathy.   

Negating preamble, snubbing apathy
with language that flickers, catches, combusts,
her volumes of wicks, her lit soliloquies,   
glint behind the stained-glass of trust.
There are those who are not really here,
they wander fault lines then crisscross chasms,
lost pilgrims who easily commandeer
unwary emotions. Some hearts just spasm,                         
pulled by their own nature, their delicacy,
for poetry is a weakness; poets die
between verses. Odes can become elegies.
The thin-skinned hear a snared rabbit cry,
and pray for the moonflower, always closing,
while cursing that page, unmoved and dozing.

While cursing that page, unmoved and dozing,
she corners rigid guides, keeps fingers poised,
synchronicity goes, the flow of typing
disappears, mislaid, that perfect noise
of a carriage return, a sound exclamation.
Joy is inspiration making its way home,
her Olivetti forages like a raven,
gifting found nouns, verbs that glare like chrome,
but love still flits, turns from hoarse requests,
and she longs for more than any man can give
for what snags worn ribbons will not rest,
it emits a strong beat, throbs as it loves.
Bless the bitter of life, all wisdom owing,
curse the open heart, its shadows showing.
  

Curse the open heart, its shadows showing,
for worldly delights take full advantage
of the wounded, their brokenness growing.
Everyday beauty wrings arteries, dredges
chambers with barbs, a prompt disobedient.
Fact, there’s no folder large enough to hold 
elation’s girth, no ink conveniently
on hand to black out depression. So, scold
the yew, its roots and branches reaching,
then poke at petals for being complacent, 
when all the while a candle is preaching
of give and take, surrender, luminance,
So, carefully archive apprehension,
revealing blue veins to tender lesions.

Revealing blue veins to tender lesions
requires much more than a room of one's own,
hours do dissolve, days lack cohesion 
when milk sours and tantrums are thrown.
Solitude is in short supply, loneliness,
however, is overstocked; her mind tugs      
at busy hands for attention, such darkness
contrasts to jammy smiles and sleepy hugs.
Elusive titles whimper each morning,
and short stanzas steep, so desperately,
all the while a manuscript is scorning
her swipes at dry crumbs, cold pots of tea.
A life sheds its months, gallows take delight
as sundials atrophy in the arms of night. 

As sundials atrophy in the arms of night. 
the moon blanches tidepools, suckles sand,
even the face of the clock is pulled too tight
and the new calendar can not understand
that writing is sex, is fresh bread, is air,
that time is a brute, quick fisted, rough,
that weeks come and go without a care
that a marriage vow is never enough
to mend adoration, repossess bliss.  
Words make better lovers, rarely stray,
upon her lips, the impression of a kiss
feels as cold as sheets then melts away.
Paper sops afterbirth, accepts her all:
fossil and seed, shackles and free falls.


Fossil and seed, shackles and free falls,
unlocking visions, defying any cage, 
art resists validity, upsets stone walls  
to scale the scarlet heights of a rampage,
to breach the barricades to euphoria.
She excavates id, bares teeth at ego, 
plays the parts of illusion and phobia
then infuses rhyme with soft indigo. 
Colossus begins to shrivel as Ariel
unmans him, riding hard upon metaphors,
and will remain strong, constant, ethereal. 
but curtailed are epics that still implore  
like the cusp of dream long after you wake

Sylvia, ever lucent, ever opaque.









 

 
* For Craig Cornish, whose contest inspired this piece. Thank you, Daddy-O. 




About this poem

This is my first crown of sonnets. It took over 25 hours to write, a full week of me-time! 

These are modern sonnets and the syllable count is extremely loose, intentionally, as it would seem odd to keep things too tight when writing of Sylvia. If anything, I regret not being even looser, altering syllable counts DRAMATICALLY. Also, I used a great deal of slant rhyme for the same reason.


I really wanted to capture Sylvia Plath with this poem, and it was a real struggle. Her language is so precise, and I wanted to do her justice. I had wanted to feel, upon its completion, that Sylvia would have said, "Well, it isn't quite horrible. Not bad for a novice. And there are parts of me there, but only the smallest bits." I do not feel I did this.  I feel like I didn't even TOUCH her mastery of language. But, it is good enough for now.. one day, who knows? 

Oh, Sylvia's typewriter was a Olivetti Lettera 22. It was portable!


Long poem by T Wignesan | Details |

The Rhine Salmon Complaint Translation of Etiemble s Complainte d un saumon du Rhin by T Wignesan

The Rhine Salmon Complaint, Translation of Etiemble’s Complainte d’un salmon du Rhin

						For Yvon Belaval
(A lilting musical poem of varying line length in quatrains with a refrain and much internal
 rhyming; end-rhyme scheme: alternate rhymes in succession: abab or in aabb and abba…)

   The Salmon:

Banks of the Rhine 
Joy of my loins
Bronze-sounding roaring 
of limpid spindrift !

No, my bleaks,
I tarry not
until the feast
whence I make haste.

When the salmon of the Rhine
swims towards encountering its lovers,
for all the gold of the Rhine
no chance of its turning back.

   Lorelei:

Leap, salmon ! Leap much higher !
Leap much higher, higher than the water,
than the waters of life, than the waters of death,
than the waters of death, than the waters of gold 
The Salmon:

Bloated dogs stuffed with soul,
what do you want of the plains?
I’m on my way to my lady
outwitting the (sirens’) breasts.

The poisons of filthy waters
haul you towards death;
with my lustrous paddles
I’ll arrive at a better station.

Every chance there on high,
beyond the echoes of thunder,
hop! with one jolly good jump
I’d have gained the glass palace…

   Lorelei:

Leap, salmon ! Leap much higher !
Leap much higher, higher than the water,
than the waters of life, than the waters of death,
than the waters of death, than the waters of gold !


   The Salmon:

Fishermen, you are mistaken
Who thinks of catching me:
I’m off to meet my lover:
Discard your quenelles.

Nothing will stop me,
neither the grass
of the deep calm,
nor the beaches of the isles,

nor the darkest shingles,
over which the sun enjoys
dressing for our eyes
temporary altars of fire.

   Lorelei:

Leap, salmon ! Leap much higher !
Leap much higher, higher than the water,
than the waters of life, than the waters of death,
than the waters of death, than the waters of gold !

   The Salmon:

At the heart which right night
am I going to – at last – know the truth?
Exhaust my desire for him
who palpates the eggs of my spawning?

This force within me so profound
being less of a salmon, I’d be drowned,
it carries me like a wave
and crushes me like a ray.


She breaks me and makes me whole
and lets me triumph over your sexual prowess
O ! Sirens, queens so rosy.
I don a head band to take on other battles.

   Lorelei:

Leap, salmon ! Leap much higher !
Leap much higher, higher than the water,
than the waters of life, than the waters of death,
than the waters of death, than the waters of gold !

   The Salmon:

I have in vain a premonition of Kehl’s caresses !
The quid, one could say: furious and curious, upright
in its ink of flame and mud, ah! Which 
dam of blue flashes, the black holes…where but where

am I? Oh! Prisoner of these queues of magicians
who seduce and disembowel you during their emotional                              
                                                           bursts!
But here’s my current and death is theirs
and I go past the bridge and life I’ll have won !

Gurgling air bubbles where the quid sleeps:
I have cut your gullet which had you tied to gold,
to the mud of galleons rotting on the Rhine bed,
to gold, when it’s love that I bear in my loins !
   

   Lorelei:

Leap, salmon ! Leap much higher !
Leap much higher, higher than the water,
than the waters of life, than the waters of death,
than the waters of death, than the waters of gold !

   The Salmon:

Stronger than the force in me
vivacious, this failing
in me which cuts me off
from my back, would it be

cupping glasses of river lamprey ?
an eel which crushes me
in this informed gesture
while I snap up an herring ?

O fruity salmon,
O trout of blue flashes,
after this night…
tired, how I am pumped out !

   Lorelei:

Leap, salmon ! Leap much higher !
Leap much higher, higher than the water,
than the waters of life, than the waters of death,
than the waters of death, than the waters of gold !

   The Salmon:

And my night entangles itself in billions of gulf weed,
Thickened in black milk which hardens and brings rotten luck,
The aveniau of currents cling to my scales,
I’m carried away downstream, I weaken, I give in,

Help ! I’m drowning. Surfeit of love, of soft roe,
For this back made lean through fasting and through faith.
Everything’s heavy, everything’s pulpy, everything’s deaf; but I 
                                                        hear this time
true thunder – peace - the recompense.

Should my back break with the effort and when the hour
of truth stares me fixedly in my eyes,
leap, salmon, leap even higher ! And with little concern
but for the act of spawning, and for the best, so be it, you die !

   Lorelei:

Leap, salmon ! Leap much higher !
Leap much higher, higher than the water,
than the waters of life, than the waters of death,
than the waters of death, than the waters of gold !

When the salmon of the Rhine
swims towards encountering its lovers,
for all the gold of the Rhine
no chance of its turning back.

Banks of the Rhine,
joys of its loins,
bronze-sounding roaring
and limpid spindrift !

It doesn’t tarry
before the feast.
Gaze upon its head,
and its bones.

© T. Wignesan – Paris, 2014


















Long poem by Debbie Duncan | Details |

BY THE SEA

PART One,,,, as she saw it.


The mountains and the meadows were always so beautiful this time of year.
 It seemed as if a fresh new world always came to life. The high cliffs turned sharply downward.  As I sat listening to the ocean tides smashing against the walls of the mountain below. There was a mild breeze blowing from the south. The grass in the flower covered meadows moved with the breeze. The sun shined so brightly I thought it would melt me at times.

As I stood up from the log where I was sitting by the emerald forest, the breeze pressed my dress against me. It formed to the soft round curves of my breast, down through the curves of my waist pushing against my yielding hips. As I blinked from the sun, I saw him there in the distance. I had thought I was alone. But there he was,  starring straight at me. What would I do and where could I turn? I knew what kinds of thoughts men had, my mother told me all about them. I saw that he was beginning to move my way !

 I saw him there as he saw me. I was paralyzed, not knowing what direction to move. Though as I watched him from afar, he did not seem dangerous as my mother always warned. Still, I could hear her words like a tape recorder in the back of my mind.
               
 Should I dare take my eyes from his? I could see his eyes were dark, maybe brown, or even midnight blue.  What ever the color, I could tell they were smoldering with restrained passions. His hair was long to his shoulder blades. I knew that because it moved with the wind.  He had broad shoulders with long legs. I knew I must not let him reach me. If his arms entangled me , surely I would never get loose. And, I'm not sure I would want too. Even though I heard the words of my mother, running in my head.
 I could feel the tiny  beads of sweat trickling down between my breasts. I was not sure I should take my eyes from him as I leaned down to pick up the fan that had slipped from my hand to my bare feet.

PART ONE,,,, As he saw it .

  The winter snow had melted and yielded to the bright warming rays of the spring sun.  The bears had come out of hibernation with their  new born looking for food. The mountains and the meadows were born again, new, fresh and alive with life.  Everything was beautiful and as it should be. Birds singing, their mating songs blended with the crash of the surf against the steep cliffs of the mountain. Nature was at peace with itself, and I came here to share in this peace.  To be alone with the earth, or so I thought.  

I found a place to sit on the grass hidden among the flowers in the high meadows.  So I could enjoy the gentle breeze blowing while watching the forest animals. The warm sun caressed my body and warmed me. It was a prefect day, yet something was missing. A day like this needed to be shared with someone, someone special.  Stretching,  I caught a slight movement out of the corner of my eye, just across the enchanted forest. Of a beautiful women. It couldn't be possible as no one knew of this place. I had come here for years and had never seen a another person before. Yet, there she was. Dressed in a dress the wind made love to, pressing it to her body. Clinging to the sensual curves of her breast, down to her firm waist and full inviting hips. I suddenly felt drawn to her and stood up. I knew she had seen me as she was starring back at me, as I stood staring back at her. She was a vision. And I was afraid she would vanish if I approached her. Yet, she seemed to be smiling, calling to me as I started walking towards her. I remember the stories my grandmother had told me of the enchantresses that lived in this forest, but I did not hesitate. I would give to her anything she wanted, anything she desired.

As I approached her I realized she was real. She seemed to be looking at me, daring me to come closer. All the stories of the enchantress my grandmother had told me flooded my mind with a warning. Yet, she was so beautiful, so inviting  and I couldn't take my eyes from her. I was slowly losing control with each and every step that brought me closer to her. I knew I was lost as I felt the heat of my desire to be with her, starting to take control. It was a struggle not to run to this beautiful creature , with the golden hair, and angelic face.  As I came closer I couldn't help but notice her sensual breasts rising and falling with each breath she took. She seemed to be smiling, challenging me with everything that made her a beautiful, desirable woman. A woman this sensual, this beautiful, this desirable was surely the enchantress, and I was hers. As a bee is drawn to the flower, I was being drawn to this women.

Suddenly she reached down to pick something up. It was just then I noticed she was barefoot.  As she bent over to retrieve what she had dropped, the sun reflected off her spun gold hair. and radiated a golden brightness that was almost blinding.  Her dress shifted  allowing me to see that her body enhanced her dress, rather then the dress enhancing her body. She would look beautiful in anything she wore.  The heat of my desire for her was beginning to consume me with it's fire. I felt the beginnings of ,,,,,,,,,,   

   

   Nov. 18 1992,,,, Short story I started to write, A friend ask if he could write from a males point of view.


Long poem by Terry Trainor | Details |

A Moment of Hope The Invisible Man 30

Sometimes I have the courage to think of the things that made me what I am today,
My memory takes me back to terrible things far away far off into my bitter past,
My mind like a maze of dirty black alleys that smell of waste, loss and disgust,
The losses, the drink ripped away, not happy until it was all gone respect as well.

Invisible thinks of a garden where roses clustered with lilies scent on the breeze,
Bees found stores of honey in the petals of a thousand and one different flowers,
Lovers walked hand in hand along its winding path a beautiful dream of the man,
Bright with the embroidery of nature where children played in new myrtle flowers,

As Invisible thinks of this garden it is neglected but flowers can grow with weeds,
It could put a smile upon his face, a face that had never known any joy recently,
He hopes a gardener can covert this garden get rid of ruined waste, back into Eden,
Tending all the beautiful flowers that spring up with the weeds and smell gladness.

If he helped the gardener in his quest a hand might hold his and guide him through,
Maybe a hand would go around his waist to support him as well as guide his hand,
Dare he wish that the guiding hand and the support would be his angel from heaven,
A dear person to help him clear his garden and walk down the winding path as lovers.

An angel that would smile at him maybe hold his hand and squeeze it so very gently,
Would the angel talk to him and tell him that one day they would be together again,
Her beautiful grace shining warmly as she looks up to him, to her he is her hero,
Not a drunken mess that cannot cope, not a dirty vagrant, but her knight her love.

The tenderness of this beautiful scene in his poisoned mind became real he smiled,
He grinned as she sat down next to him as close a she could get then wriggled closer,
Warmth from her body not only warmed him but gave hope this what he has waited for,
She whispered sweetly she loved him and would be waiting for him and they kissed.

Invisible woke with a start and was she not by his side, was she ever with him,
A dream another heart wrenching let down and how could he have dreamed the dream,
It was so real he still felt the warmth, the impression of her hand holding his,
But it must have been a dream his own mind conspired to deliver the hardest blow.


Lost in a grief so deep, his loneliness complete he talks to Sam his imaginary friend.

These days get worse Sam they really do please help me,
I need to change but I need my drink more what can I do,
But I need to change so desperately Sam can you help?
My world has cracked and I've fallen into the crack,
But what I don't understand Sam that I was once good,
If I had any courage Sam I would be laying in my coffin,
Why does life drag you along with it I don't want to go,
Just a bit of icing on my cake Sam it is freezing cold,
Did you know this is where I was brought up my friend,
Did you know that most of the people that walk past I knew,
Sam! I know many of there people but they don't know me,
Why do they all walk past I wish somebody would help,
Maybe when I have drunk more cider I might feel better Sam,
I can remember being happy but not what being happy is like,

As Invisible sits drinking shoppers give him a wide berth and they look at him with hate.

These people Sam they look at me as if I have hurt them,
The people they are not our sort of people they hate me,
Has the world changed like I have but in opposite ways,
My life is full of sorrow drunkenness and dreams Sam,
Old sorrows wont go away new sorrows should take over,
So we have to face both the old and the new that's bad,
At night I try to close my drunken eyes it all returns,
Sam is that the same as you can you close your eyes,
Can you remember the valleys Sam the ones we used to play,
When we ran about all day Sam in the sun rolling in grass,
The old stream that twisted and turned, it had lost its way,
Floating lolly sticks watching them bounce away on ripples,
Buying bangers in November and throwing them into the water,
What I wouldn't do to go back for just a couple of hours Sam,
Just to feel the innocence and try to bring it back to now,
To enjoy what there is to enjoy and maybe get better Sam,
But that will never happen Sam we are lost on an island,
A well populated island but an island all the same Sam,
People are not like ships they don't bother to rescue people,
They just walk around or just walk away all the nice ones gone,
I remember my school Sam it's now been knocked down and left,
It has all gone, all gone no primroses in spring or bluebells,
Do you remember Sam the bluebells used to nod in the wind,
But they have all been built on, whats the use in talking,
Nothing changes from bad to good Sam remember that, eh Sam,

Still drinking his cider tears well into his eyes his nose runs and begins to quietly
to sob. He sits on the shopping parade seat, shaking as he sobs. His throat has a lump
in it so he stops talking to Sam. Invisible sinks his wet face into his overcoat
hides his misery from the people that walk past he just sat there lost and confused. His
greatest sadness an angel paid a visit to the maze of dirty black alleys that smell of waste,
loss and disgust,


Long poem by Timothy Hicks | Details |

The Cascade Adventures - Part 1

It's been four years since I've seen so much as an insignificant mountain creek. Been overburdened with comfort, now frantic with nature withdrawals, having to settle for photos found on Google Images: emerald pine trees, blue jays on limbs, moonlight cutting through forests, lakes the color of Windex-ed glass. It's much like drinking water that's been doused with Crystal Light... you may feel yourself becoming hydrated, when it reality it's only satiating your thirst temporarily. So you can imagine my joy when my best friend called me up to break the news.

"Monica, Brandon, Joel and I are gonna go backpacking. Care to join?"

the finality
of a cell hitting the floor -
shoe tying

Like a bunch of sardines packed in a can on wheels, we headed out to beautiful Cascade: the place where the Idahoan mountains aren't just paintings from afar, but close enough to taste. We weave our way through the spider-like dirt trails, as we each take turns changing songs on Joel's iPod. It's my go and I'm searching through the John Denver list, mourning the fact that there's over a hundred songs by him, and not one of them is Colorado Rocky Mountain High (the one song I could say fit my feelings to a tee). The menagerie of everyone's taste in music made for an interesting trip no doubt - even if Jonathan picked the worst possible jams simply for annoyances sake.

My first peculiar observation:

Humans have been making calendars for thousands of years (the first being more akin to cave drawings and stone tablets than paper). But as long as all that has been going on, the mountains don't care that August is expected to be sultry as November is expected to be chilly. Cause June took her first baby steps with a stubborn December mindset - a meandering way to say it was cold enough to freeze your nads off. The mounds of five feet snow made it all the more comical the fact I was wearing plaid shorts. Mother Nature wasn't going to be kind, I could tell.

like turtles
struggling to stand -
our packs full of crockery

It was breezy at first. We would practically glide down the mountain side, using our backpacks as a counter balance. The snowy counterpart to kangaroos, we were. The glistening flakes were thick enough to snowboard down - granted I never touched a snowboard, let alone ridden one. But after seeing this it gives me ideas...

Monica smiled for the camera, as I fumbled for my iPhone, a smile that didn't even require the forcible Say Cheese! nonsense. It wasn't waiting for the camera flash, but the other way around. Now you might be calling that rather pathetic, but I brought my iPhone along simply for the function of capturing memories. Angry Birds just don't compare to the real ones, sweet with lilting songs.

My second peculiar observation:

Google Images is an absolute horrid plagiarist; some beauty just can't be encapsulated despite all our advances in high-def technology.

The downward slope finally leveled out a bit, if only for a few minutes. Truth be told the path never stopped declining - some routes were simply more apparent than others. Our group of five walked single file through the trees, all basing our faith that Joel (a person who has been to the site once when the trail WASN'T covered in snow) would lead us in the right direction. And here's another interesting fact; this was no official trail, but a hike through the purest of adventures, unpredictable and unreliable.

crushing pine needles
with un-gloved fingers -
roaring rivers beneath the snow

The first time my whole leg collapsed into the fragile surface of the snow made me realize just how far above the dirt I was walking. I'd ask Brandon for assistance with a beet red blush on my cheeks - I blamed it on my fair skin falling victim to the sunny day. From then out I tiptoed with exaggerated caution, my heavy pack helping me just as much as it was hindering me. For even a foot drop had to be taken with a grain of salt. Everyone had to adjust to the added weight (except for Monica, with her light load of a sleeping bag, nothing else). I'd very ungracefully glide through twigs and pesky low branches, oblivious of my bare legs. In all honesty the cold didn't get to me, just the scratches of neighboring trees is where my concerns lied. At anytime I could have stopped the whole gang, beaming, "Wait a spell and let me put on some pants for crying out loud". Course that never happened, my clothes were in the bottom of my pack, and I was no where near desperate enough for monkeying around with that sorry mess.

slick slates
slanting down the cliff edge -
helping hands

Joel, with his redneck stubble, beams up at me, "Every hiking trip needs a little bit of adventure, don't rush it by any means!". That's the last thing on my mind - the first is whether or not that rock I'm about to put my weight on is as stable as she looks. It's a very roundabout route, and as questionable as it is, it's safer by a long shot than the first path we took - call it a 103 degree wall.



NOTE: Still working on writing out the rest of my trip to Cascade. It was my first backpacking trip and even though we only stayed one night, the trip is full of wonderful memories.


Long poem by Jack Scott | Details |

Monofilamania

It is so hard to let go of love,
lovingly.

It sharks, 
unpeels more gut more quickly
than reel or reeler ever lost
in all those years of lazy inches
in and out:
casting,
winding in and playing out,
hardly fishing, rarely catching
anything
from the deepness out of sight,
hardly ever losing . . .
anything.

Blisters lust into the greedy thumb.
Impatient,
sore,
the startled brake lets go.

It dives full length into the never,
finds the limit of its leash,
pounds against its half-round prison,
demands unknot
at end of end of rope -
Let go!

Got you, shrieks the reel and reeler
cranking in the give and take.
The line is taut,
the weight upon it heavy, 
throbbing,
not docile,
numb, 
and waiting . . . 

. . .waiting for adrenaline:
explosion
against the angry, smoldering thumb.
Caught to catcher,
fish to fisher:
let me go!

It tries too hard to turn to something else: away.
Away and bottom still beyond the knot,
the creature climbs toward the light, 
the something.
Easy,
free,
her leap, an alchemy:
silver unto gold.

Sun shining.
Sea smiling,
crinkled all about.

Sad,
slow motion 
flight
of glints 
and droplets,
arcs,
returns,
displaces,
splashes;
gone, 
the yesses.

Million mile amnesia.
Buddha flashback:
a flash of tooth,
then placid lips close over any sign of youth . . .

. . . as if the fish had never been.
Gone?
-the fisher wonders:
gone?
gone forever?
Gone?

The line is limp
as if . . .
for all the years of it,
nothing at its other end.

A flash of recognition:
she leaps another time, 
not knowing if what held her holds.
Silver fish scales golden ladder
a sunbeam at a time,
and all the rungs of memory -
so slow,
breaks air an instant.

The line has held
and as she leaps, it claims her,
a thunder clap.
Arrested in her flight,
and broken,
she drops deadweight into the bucket sea-
fish to air to gold to water,
too bad.

Of the gold,
an afterglow centered in the thumb.
Did it happen?
Was she really there?
Was I?

Air turns to air once more, 
the fisherman to memory,
pig-a-back the job at hand,
because-
one slender monofilament insisting: no! 
Monofilamania,
and memory, another plastic,
refusing to let go.

Another time:
Kite,
my pretty lovely,
so flying and so softly spun,
you seemed the air to me.
So high and free,
so very near the sun,
my tears dissolve the earth’s connection.
The line my hands are holding:
to limit freedom at its height,
impossible without restraint-
the line between us,
  	subtle and so gossamer.
 		There, it glinted,
there! So very real.

Real . . .
The hook is realer.
Tangerine transfusion from the fastened lip,
transfuse dilution
bleeds unreckoned into the larger blue.
The sea - as wide as weakness -
sucks the strength without a hunger.
Tired, the hooked,
and tiring even more,
the line grows stronger, 
shortening toward the bobber boat.
I’ve got her, cries the fisherman,
orgasmic,
raping at dead weight,
dragging mystery toward the kitchen
-on his mind is steak.
Slaughter, separate from supper,
passion with a knife, 
the knife . . .


. . . the knife is ready
held tight between the skinless thumb,
and vendetta fingers -
five Sicilian brothers 
waiting for their sister to come home.

The other hand around the rod
is closing on the lover’s throat.
The rod’s erect,
the reel is angry.
Come, my dear, come, come.

She hears the music of the end,
the bowstring whine of gut
still lean and taut from her weight alone,
hears the rhythm of the reel
and tries to run once more
-provoking lust to snatch still harder-

but can’t . . .
. . . is free at last
of strength
surrendered with the last of blood:
quicksilver nearing zero-
and two dollars worth of ice.

Maiden fish,
(a virgin: never dead before)
betrayed and penetrated,
(it’s time now to give in, enjoy)
rests her weight upon the line,
sinks upward,
drowning,
unrebelling
toward the bottom of the boat.

The whore! I see her in the water!
She gave me quite a fight.

The captain, ready with the gaff,
the lover, in his rented swivel chair,
seize her from the water.
The maiden’s heartbeat
is faint and futile as a final cry of rape.
Her breath is fear, yet sounds like passion
at the very end.
Her swoon is now complete.

Her swain is prickled with his heat.
His blood pounds within his thumb.
He gloats,
is left alone with her.
He ponders . . .
. . . while he does,
she pales and sheds her rainbow.
Her eyes turn glassy from the air,
and death.
She’s turned to meat.

He lusts at memory for a moment,
then dries the little sweat
and goes forward for a beer,
and band aids.

The captain’s seen it all before,
surgically removes the hook
and tidies up the gear.
He and the mate carry her to the ice 
and lay her out within the cold.
The mate disinfects the deck
with sea water and a stiff brush.

Returning with his second beer,
a badge of gauze and Vaseline upon his thumb,
the lover is confused.
The deck, shipshape,
so bare 
of scales and blood
it all might not have happened.
Then there would be hope.

The mate calls him to the ice chest
for the viewing,
opens it . . 
I’ve lost her. There she is.

The smell . . . it must wash off !
Time to go home.
The sea is empty.
It is over.
Done.
My thumb!


Long poem by Leon Enriquez | Details |

EASTER SUNDAY

(Notes: 
1.  Ancient esoteric teachings state that
"The Christ" is the divine blueprint for the man
imaged in the likeness of God. This is the divine
destiny for each soul that walks the path of life.
2.  This is the final destiny of all men of goodwill,
and belongs to our collective humanity, regardless
of spiritual affiliation. 
3.   "The Christ" bestowal is for all mankind and 
is all-inclusive. 
4.   This poem is my personal reflection of that 
harmony; and is not meant to be a religious discourse. 
My apologies to those who think that I am evangelising. 
That's not my intention. Thank you.)

-- -- -- -- -- -- -- -- -- -- -- -- -- --

An Easter song to tell the world
That Love lives strong in joyous swirls.

A brand new sphere with promise bright;
From darkness here to realms of light.

A happy morn with wondrous sight;
Now comes the dawn: glorious, sure light!

Round stone slab rolled, the tomb empty;
Laid linen folds for faith to see.

-- -- -- -- -- -- -- --

The Christ once slain in sure fashion,
From death's domain: resurrection!

The empty tomb with folded sheets,
Just like a womb where new life greets.

Lone angel waits, glad tidings dwell;
Here at tomb's gate, pious women tell.

The women tell of empty earth;
The Christ now dwells in Love's re-birth.

-- -- -- -- -- -- -- --

The stone slab moved so we can see
The hollow groove, unmasked empty.

A promised plan: beyond fable,
From Son of Man, grand miracle.

A grandeur shown for select few:
The Christ made known in glorious hues.

The Christ once slain in sure fashion,
From death's domain: resurrection!

-- -- -- -- -- -- -- --

Christ is risen to set us free;
From death's prison, from misery. 

How do we know that this is true?
Love and truth show what Spirit cues.

The facts don't lie on this account;
The Christ did die upon that mount.

Now trumpets blast for The Christ lives
A sacred trust, for God forgives.

-- -- -- -- -- -- -- --

The Christ Living beyond death's veil;
Light undying as Love prevails.

Man is made whole in mind and heart;
A brand new soul that lives Love's art.

Grace now uplifts, death and sin die;
What precious gift, Love and life sigh.

This day of grace when Love abides;
Truth frees our race from time and tide.

-- -- -- -- -- -- -- --

Today true light shines once again
To put things right in message plain.

Hence man can live with precious peace
For Love now gives true life increase.

Thank you dear God for Love and Light;
Thank you dear Lord for Grace and sight.

The risen Lord calls out to each;
To look to God within sure reach.

-- -- -- -- -- -- -- --

With grace and calm, follow your heart;
Love is the balm that helps you start.

Go on your way, live night and day
With passion play, with Love that stays.

Live life path well with wholesome cheer;
Love all who dwell on earthly spheres.

Let peace abide with ebb and flow;
Let joy firm stride in your life's show.

-- -- -- -- -- -- -- --

Our time is brief, our days must end;
Go beyond grief, let your soul tend.

Our space is small, our act looks vain;
Yet fond Love calls to live truth plain.

Our life is brief, our moments tint;
Just live and breathe, listen Love hints.

Our tale must end with death that comes;
Around the bend, Love squares all sums!

-- -- -- -- -- -- -- --

I am the Light that lights the way;
Live with clear sight through night and day.

I am the Way, life beyond life;
Live well each day with faith alive.

I am the Truth, the humble gate;
Live Love's sure proof to find your fate.

I am the Life, the precious gift;
Live beyond strife -- The Christ uplifts!

-- -- -- -- -- -- -- --

Look to this day, for life ascends;
Live your fond play, see death descend.

Look to this earth, for heaven comes;
Live your sure birth, see wonders sum.

Look to this race, for blessings form;
Live your bold trace, see faith's sure norms.

Look to this heart as Yeshua said:
"Live your best part: Love unafraid."

-- -- -- -- -- -- -- --

The Christ now calls to one and all;
Be beyond gall, rise when you fall.

Follow your heart, link mind and soul;
Begin and start with action bold.

Seek path and choice, seek happy way;
Fill poise and voice, live well each day.

"Come follow me," The Christ still says,
"Now let peace free true life this day."

The Christ for all mankind remains
To big and small The Kingdom's gain.

And for all time, The Christ within
Speaks the same rhymes: "Come, let me in."

The Son of Man loves all mankind;
You know you can; God's Love now finds.

Listen, The Word now comes to each;
Let Love be heard within fond reach.

Your actions preach the tact you take;
Love lives fine reach to heal and make.

Now act by act, you fashion here
The heart you fact as cause marks clear.

Here at the end, true message sums:
Love works the plan, Love facts outcome.

-- -- -- -- -- -- -- -- --

Leon Enriquez
20 Apr 2014 (on Easter Sunday)
Singapore


Long poem by Ravindra K Kapoor | Details |

The Mulberry Tree And Its Birds Part Two

A GIFT FOR EVERYONE ESPECIALLY FOR CHILDREN The Mulberry Tree & its Birds One day When Bulbul* was warbling On its branches A strange big bird with round beak Came over there To eat Mulberry’s sweet fruits The bird was expert In changing its colors Like the colorful sky But like some arrogant child She could not make anyone It’s friend on the Mulberry tree. By the time Anyone could have spotted its beauty It suddenly changed its colors And became invisible, Before others While hiding behind the leafs And the branches of the Mulberry Alone the bird came over there And alone she flew away Without any friend For some other tree. 10 Suddenly, The sparrows began to chirp Watching a Koyal* sitting Somewhere very close to them On a nearby branch of a tree. But, strangely, for all of them A Neelkanth* also Came over there And opened before them Its beautiful blue color wings. From where the Neelkanth came And for what destination, It would leave no one knows. Before the eyes Could have feasted fully All that, beauties of the Birds And the beauty, All around, the Mulberry tree A Yellow Green bird Came to drink, Water filled in a Pot Which was lying on my terrace, Not very far off From the Mulberry tree. 11 In those moments It seemed to me, As if, someone has opened A treasure Of precious, colorful birds For the tree. 12 The Shahtoot*, Used to play often The Music Of flapping sound, Of its leafs Whenever, the wind blows With, its strengths, While, touching the leafs And shaking its branches While saying slowly In the ears of the Mulberry “Dear Shahtoot – Create Music in the air” So that, we may dance together On the tunes of the wind. 13 And then the Mulberry Began to show Its beautiful dance On the tunes Of the fast blowing winds And watching that dancing beauty Of the Mulberry tree And the beauty Of its dancing leafs, The birds Often used to get filled With an unknown Happiness and joy But, sometimes The dance of the Mulberry tree Causes fear in birds And then they began to make Loud noises like crying To show their fear and anger. 14 But, when they were happy The birds began, to chirp loudly As if, They were greeting, the Mulberry For such a wonderful dance and music. 15 I used to get astonished and lost To see, Such an excellent beauty And grandeur of Nature Which, always reminds me My relations with you, O’ Shahtoot, which is as old, As are the days, of my childhood When we used to play Kilkil Kaantaa* On the lower branches, of your tree And my childhood friends Used to come like birds Searching the chalk lines Made by me, on your branches And cutting them To tell that they have found The treasure, hidden by me. 16 But, I always feel sad O’ my dear friend, Shahtoot That I could not save you From those onslaughts Due to which You just vanished, Suddenly one day For ever and forever. 17 Now, that place Where, the Mulberry used to smile Every Morning and every day Hardly get any birds To listen to, the melodies of Koyal* And the chirping sound And music of Bulbul* and of the sparrows. Even our, kids and children Of today Hardly get, any opportunity To see now colorful birds Flying and sitting On a branch of tree. They almost never see The Neelkanth* flying in the air While showing, it’s gorgeous Beautiful blue wings To tell the story of its birth O’ my dear friend Shahtoot*. 18 But, perhaps This Poem on you, O’ my friend ‘Shahtoot’ Would make you immortal For ever Because, now you would live In the hearts of everyone And you would bloom On the mind and hearts Of little kids and children Who would plant more and more Mulberry trees So that colorful birds may Keep coming on their trees And they may enjoy The beauty of Nature which lies In Plants, Trees, Birds And Animals. Such efforts of the Of kids and children Would make you immortal For ever and forever When they would listen to This story of yours And of the singing birds Which always come On your trees In the season of Mulberry. 19 Ravindra Kanpur India 10th November 2013 NOTE: Protected under the copyright provisions of Poetry Soup and US copyrights. *Bulbul=A sweet singing Bird of India *Koyal= A melody Bird of India Shahtoot= The Hindi name of Mulberry tree and its fruits *Kilkil Kaantaa= Kilkil Kaantaa* A child game of India in which,one player makes some lines by chalk on any such object which can be searched by the other player to cut these lines and win. Note: In this Poem I have not placed only a small part of this unique story which would be the real attractions of my Video based on this unique story.Hope you would like that full wonderful story of my Video as and when it would be placed on my You Tube Channel. Love and best wishes..Ravindra K Kapoor


Long Poems