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Which Door To Open

The corridors of life are rarely straight: Not only do they bend and twist and veer, We find the way ahead becomes unclear, Soon blocked by doors -- each door, a different fate. We’d like to take our time, to contemplate, But time will press, and each will urge, “Come here, I lead to bliss. Take me, and have no fear!” How can we know which course to navigate? Still in the end we’re forced to make a choice, Interring almost-futures in the past, And pick one door to open, if we dare. We hope the door we choose makes us rejoice, But this is a decision which will last: Whatever ends it leads to, we must bear. December 23, 2019 "Open Me First" Italian Sonnet Contest

Copyright © | Year Posted 2019




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Date: 1/21/2020 11:32:00 AM
A wonderfully crafted Italian Sonnet, JP.. An amazing metaphor, my friend.. I believe the soul always knows the fate it chooses.. Really enjoyed this gem! Have a blessed day!
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Date: 1/17/2020 10:47:00 PM
A fantastic poem about life..I think our soul knows the way and the doors..coz it is part of the universal consciousness.. But the mind is blinded..since it is primitive and only working on our past experiences and our imaginations.. It is really a delight to read..Thanks for sharing..
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Date: 1/17/2020 8:03:00 PM
What a great premise! Well done! M.
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Date: 12/26/2019 12:25:00 PM
JP, such a beautifully crafted Petrachan sonnet. I just love the personification of the doors speaking to us, urging us to come inside. Love the line - "Interring almost-futures in the past"! I'm reminded of the great Frost poem "The Road Not Taken". I like the precise use of meter and rhyme. I look forward to reading more of your poems, especially your sonnets. ~ John
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J P Marmaro
Date: 1/31/2020 9:26:00 PM
Hi again John... just reread your comment. It hadn't occurred to me, but you're right, the notion I used is indeed very like "The Road Not Taken"... it's also like a wonderful lyric from Sondheim, the song "The Road You Didn't Take" from FOLLIES... (if you never have, give it a listen!)-- regards, JP
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J P Marmaro
Date: 1/7/2020 1:57:00 PM
Thanks so much, John! Italian sonnets always seem harder to me than Shakespearean ones. The octave is hard enough, finding 2 sets of 4 rhyming words; the sestet seems even harder, lacking the "punch" of the couplet in a Shakespearean one. (The sestet also makes the Petrarchan sonnet more abstruse or intellectual...) Anyhow, THANKS again!

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