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The Old Church Revisited

The space is smaller than what was measured by memory, the stained glass windows much less vibrant compared to what glowed brightly in the light of back then. The pews have been worn down to bare wood by sliding bums and where arms have rested or fidgeted in prayer. I genuflect, prompted by some remnant of habit, out of a sense of respect, then take a seat. Peeling paint sheets the walls not in wear, but in neglect. In places an amber sheen coats where candle smoke has left a nicotine like stain after decades of petitions. I wonder how many were fulfilled. The brass candle rack has a two stubs that sit like the last remaining teeth in empty gums. The white marble altar that once seemed to soar to a height scraping the very hem of heaven now could be scaled by a modest ladder. Six years old, I stood before it in terror. Hidden away within its chambers behind golden doors there was a God who could send me to hell. I had nowhere to hide. Surely, no God would want to be here now in such a place. Everything in this building speaks of an absence, a sad vacancy that was once filled with a weighted presence whether real or imagined. There are no flowers to sweeten the air or whispered prayers from a visiting soul to sanctify the quiet. And yet there are relics here, echoes that bypass the ear, shadows that seem to reach up out of the silence like extended hands pulling at my mind. I am not sure whether it is the clutch of the drowning wanting to be saved or the other way around.

Copyright © | Year Posted 2024




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Date: 4/20/2024 4:45:00 PM
I felt like I was alongside you seeing the old church from your childhood view and now as an adult. Your imagery made your poem come to life. I was a wee bit sad and overcome with grief as I read "There are no flowers to sweeten the air or whispered prayers from a visiting soul to sanctify the quiet." But the last four lines truly left me in awe. A tremendous piece of poetry, Paul. Enjoy your evening, Sara
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Paul Willason
Date: 4/21/2024 3:25:00 AM
Thankyou Sara for your thoughtful and engaging comments. As you noticed, the poem turns on the last four lines leaving the matter unresolved, uncertain. There's compassion and a little anger threaded through this one. Again, dear Sara, value yr support.
Date: 4/20/2024 6:34:00 AM
Paul, your talent of bringing your poetry to life is abundant in these lines. Your imagery allows your readers to step foot inside that church to see it as you did as a child, and now as an adult. It's been some years since I've made the sign of the cross, but the urge to do so sometimes makes its presence known. Many things change through our eyes as we mature.
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Paul Willason
Date: 4/21/2024 3:19:00 AM
So kind my dear Lin in your comments. Those memories forged in childhood can be indelibly written for a lifetime...very powerful when fuelled by childhood imagination. Scars still twinge. Take care my friend.
Date: 4/20/2024 6:07:00 AM
Fascinating poem. I grew up Catholic and used to imagine God was in the high ceiling above the altar. I had nightmares of hell as a kid and the notion of mortal sins turning my soul black seemed quite morbid. Christendom is dying, her waters are drying up. Her final end is nigh
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Paul Willason
Date: 4/21/2024 3:14:00 AM
Your comments Tom strike a shared note. Hell and sin turning the soul black were standard teaching in the catholic education system under some quite ferocious nuns. Caused much psychological damage I'm afraid. Not the happiest memories in ,y case. Very much appreciate yr comments Tom.

Book: Reflection on the Important Things