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Confessions

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OPEN VERSE using spaces&breaks without grammatical symbols relies upon 'the one breath limitation' this intuitive cadence pemits the 'reader' (reciter) to respond in an interpretative - interplay unique to the ' happening moment'

CONFESSIONS invoking  argument in expressive   disturbance of thoughts dimly  audible opening possibilities ambiguity  in origins tease & elude to bring  exposed  parallels of pleasures in primitive  delight

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Book: Reflection on the Important Things