Being Your Eyes For Swell
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I had an elderly friend who I would take on art excursions, or easy nature hikes. He was a poet who joined my Poetry Circle that met at Knobby's Beach when I lived on the Gold Coast in Queensland. We especially loved going to Swell sculpture Festival on Currumbin Beach. When I moved to America he developed Macular degeneration and he wrote how sad he was that we could not go to see the Swell Sculptures anymore. I sent for an illustrated brochure so I could describe the pieces on display in 2007 and wrote this poem for him. He lived to a week short of his 103rd birthday.
https://www.swellsculpture.com.au/
Being Your Eyes for Swell 2007
Swell: Currumbin Sculpture Festival
For Fred
Picture us arm in arm, strolling,
the crunch of sand underfoot,
the scent of sea air, the touch of sea wind
on our skin, again on the beach at Currumbin.
Your eyes are failing now
yet, with my words and your imagination,
with the senses of a beachcomber- we’re finding treasures
as we search out the sculptures
The Surging Wonder by Nicole Byrne I read,
is a filigreed horn curving from the grass,
from where its shadow forms a crescent.
Comprised of all sizes of welded washers-
it is a silvery moon or, an ancient rhino horn
that has been honey -combed by the elements
Speaking of ancient this “Ammonite” by Daniel Clemmett
seems so authentic; a fossil in the round,
metal parts tightly coiled as if a million
years had past- It shimmers in the sunlight -
an affirmation to time.
This giant bird’s nest made of sticks is in the right setting
It has a backdrop of bare trees, as if
the material had been selected from the surrounds.
Makes you want to look up for a giant parent bird
perhaps a pterodactyl. It seems hollow waiting for the eggs.
Now we are looking at the horizon of the sea
and the sea is gazing back at us through eye
apertures, blue and eerie.
It is a giant face mask probably concrete but as brown
as a coconut shell and it appears Polynesian
A carving rising from the sand as if left by a lost tribe.
Here is the Queen of Hearts -a red heart-shaped
bodice with slender white arms outstretched
to the clouds and blue sky. She towers over us as if waiting
to dance on the waves.
We move on to a stone rose with perfectly marbled petals.
it is called the Rhythm of Love – and listed for a small fortune-
$30,000 in the catalog.
A sculpture of a coral stand entwined around a clown fish-
adds whimsy and truth of nature’s form
I can’t help feeling that Stempost would have evoked
memories of your days at sea
The timber is curved like a ships bow and a silver wrap
is whipped as if by a strong wind.
Here are mosaic footprints set down in the sand
large and solid to water’s edge-
symbolic of waves not being able to
wash away, traces of our passing
The Big Bad Banksia men are here with twisted stick arms.
They call back the stories of bush babies and
childhood enchantment.
If I had a spare $3,000 I’d buy one
for the garden.
At the same price I could have a Doberman from
“The Pack.” A set of metal dogs. One is in the pose of rolling on the sand, another in a crouched pose above that one- ready to play.
One more stands with its head side-ways as if howling.
We have traversed the length of the beach exhibit
with my words and your imagination.
Remember how I said,“Let’s go to the Surf Club for lunch?
The seagulls were swooping then, riding the wind as they did
If I look back the way we came
I almost believe that you
can see them.
Copyright © Suzanne Delaney | Year Posted 2022
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