Beckoning
Beckoning
by Michael R. Burch
Yesterday the wind whispered my name
while the blazing locks
of her rampant mane
lay heavy on mine.
And yesterday
I saw the way
the wind caressed tall pines
in forests laced by glinting streams
and thick with tangled vines.
And though she reached
for me in her sleep,
the touch I felt was Time's.
This is another one of my early poems, written during my Romantic period that began around age thirteen or fourteen and extended into my mid-twenties.
###
Self Reflection
by Michael R. Burch
(for anyone struggling with self-image)
She has a comely form
and a smile that brightens her dorm ...
but she's grossly unthin
when seen from within;
soon a griefstricken campus will mourn.
Yet she'd never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.
###
The Aery Faery Princess
by Michael R. Burch
for Keira
There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair ...
I think she’s just you when you’re floating on air!
###
Leave Taking
by Michael R. Burch
Brilliant leaves abandon battered limbs
to waltz upon ecstatic winds
until they die.
But the barren and embittered trees,
lament the frolic of the leaves
and curse the bleak November sky ...
Now, as I watch the leaves' high flight
before the fading autumn light,
I think that, perhaps, at last I may
have learned what it means to say—
goodbye.
This poem started out as a stanza in a much longer poem, "Jessamyn's Song," that dates to around age 14 or 15.
###
bachelorhoodwinked
by Michael R. Burch
u
are
charming
& disarming,
but mostly alarming
since all my resolve
dissolved!
u
are
chic
as a sheikh's
harem girl in the sheets
but my castle’s no longer my own
and my kingdom's been overthrown!
###
Defenses
by Michael R. Burch
Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.
Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.
###
Polish
by Michael R. Burch
Your fingers end in talons—
the ones you trim to hide
the predator inside.
Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.
You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.
###
The Witch
by Michael R. Burch
her fingers draw into claws
she cackles through rotting teeth ...
u ask "are there witches?"
pshaw!
(yet she has my belief)
###
grave request
by michael r. burch
come to ur doom
in Tombstone;
the stars stark and chill
over Boot Hill
care nothing for ur desire;
still,
imagine they wish u no ill,
that u burn with the same antique fire;
for there’s nothing to life but the thrill
of living until u expire;
so come, spend ur last hardearned bill
on Tombstone.
###
pretty pickle
by Michael R. Burch
u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur just a lowly ant
(or so u were told by a Hierophant).
###
and then i was made whole
by Michael R. Burch
... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...
singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.
###
Album
by Michael R. Burch
I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies ...
And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never changed, remaining two ...
And Grief, which lurked unseen beyond the lens
or in shadows where It crept on feral claws
as It scratched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws ...
and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.
###
Because You Came to Me
by Michael R. Burch
Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.
Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.
Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.
###
Besieged
by Michael R. Burch
Life—the disintegration of the flesh
before the fitful elevation of the soul
upon improbable wings?
Life—is this all we know,
the travail one bright season brings? ...
Now the fruit hangs,
impendent, pregnant with death,
as the hurricane builds and flings
its white columns and banners of snow
and the rout begins.
###
Heroin or Heroine?
by Michael R. Burch
(for mothers battling addiction)
serve the Addiction;
worship the Beast;
feed the foul Pythons
your flesh, their fair feast ...
or rise up, resist
the huge many-headed hydra;
for the sake of your Loved Ones
decapitate medusa.
###
Loose Knit
by Michael R. Burch
She blesses the needle,
fetches fine red stitches,
criss-crossing, embroidering dreams
in the delicate fabric.
And if her hand jerks and twitches in puppet-like fits,
she tells herself
reality is not as threadbare as it seems ...
that a little more darning may gather loose seams.
She weaves an unraveling tapestry
of fatigue and remorse and pain; ...
only the nervously pecking needle
pricks her to motion, again and again.
Copyright © Michael Burch | Year Posted 2019
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