Best Famous goodbye Poems
Here is a collection of the all-time best famous goodbye poems. This is a select list of the best famous goodbye poetry by classical and contemporary poets. Reading, writing, and enjoying famous goodbye poetry is a great pasttime. These top poems are the best examples of goodbye poems written by famous poets
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In Harbour
I.
Goodnight and goodbye to the life whose signs denote us
As mourners clothed with regret for the life gone by;
To the waters of gloom whence winds of the dayspring float us
Goodnight and goodbye.
A time is for mourning, a season for grief to sigh;
But were we not fools and blind, by day to devote us
As thralls to the darkness, unseen of the sundawn's eye?
We have drunken of Lethe at length, we have eaten of lotus;
What hurts it us here that sorrows are born and die?
We have said to the dream that caressed and the dread that smote us
Goodnight and goodbye.
II.
Outside of the port ye are moored in, lying
Close from the wind and at ease from the tide,
What sounds come swelling, what notes fall dying
Outside?
They will not cease, they will not abide:
Voices of presage in darkness crying
Pass and return and relapse aside.
Ye see not, but hear ye not wild wings flying
To the future that wakes from the past that died?
Is grief still sleeping, is joy not sighing
Outside?
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Gentle Gaoler
Being a gaoler I'm supposed
To be a hard-boiled guy;
Yet never prison walls enclosed
A kinder soul than I:
Passing my charges precious pills
To end their ills.
And if in gentle sleep they die,
And pass to pleasant peace,
No one suspects that it is I
Who gave them their release:
No matter what the Doctor thinks,
The Warden winks.
A lifer's is a fearful fate;
It wrings the heart of me.
And what a saving to the State
A sudden death must be!
Doomed men should have the legal right
To end their plight.
And so my veronel they take,
And bid goodbye to pain;
And sleep, and never, never wake
To living hell again:
Oh call me curst or call me blest,--
I give them rest.
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Joey
I thought I would go daft when Joey died.
He was my first, and wise beyond his years.
For nigh a hundred nights I cried and cried,
Until my weary eyes burned up my tears.
Willie and Rosie tried to comfort me:
A woeful, weeping family were we.
I was a widow with no friends at all,
Ironing men's shirts to buy my kiddies grub;
And then one day a lawyer came to call,
Me with my arms deep in the washing-tub.
The gentleman who ran poor Joey down
Was willing to give us a thousand poun'.
What a godsend! It meant goodbye to care,
The fear of being dumped out on the street.
Rosie and Willie could have wool to wear,
And more than bread and margerine to eat . . .
To Joey's broken little legs we owe
Our rescue from a fate of want and woe.
How happily he hurried home to me,
Bringing a new-baked, crisp-brown loaf of bread.
The headlights of the car he did not see,
And when help came they thought that he was dead.
He stared with wonder from a face so wan . . .
A long, last look and he was gone,--was gone.
We've comfort now, and yet it hurts to know
We owe our joy to little, laughing Joe.
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This Life
My friend tells me
a man in my house jumped off the roof
the roof is the eighth floor of this building
the roof door was locked how did he manage?
his girlfriend had said goodbye I'm leaving
he was 22
his mother and father were hurrying
at that very moment
from upstate to help him move out of Brooklyn
they had heard about the girl
the people who usually look up
and call jump jump did not see him
the life savers who creep around the back staircases
and reach the roof's edge just in time
never got their chance he meant it he wanted
only one person to know
did he imagine that she would grieve
all her young life away tell everyone
this boy I kind of lived with last year
he died on account of me
my friend was not interested he said you're always
inventing stuff what I want to know how could he throw
his life away how do these guys do it
just like that and here I am fighting this
ferocious insane vindictive virus day and
night day and night and for what? for only
one thing this life this life
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Prosody 101
When they taught me that what mattered most
was not the strict iambic line goose-stepping
over the page but the variations
in that line and the tension produced
on the ear by the surprise of difference,
I understood yet didn't understand
exactly, until just now, years later
in spring, with the trees already lacy
and camellias blowsy with middle age,
I looked out and saw what a cold front had done
to the garden, sweeping in like common language,
unexpected in the sensuous
extravagance of a Maryland spring.
There was a dark edge around each flower
as if it had been outlined in ink
instead of frost, and the tension I felt
between the expected and actual
was like that time I came to you, ready
to say goodbye for good, for you had been
a cold front yourself lately, and as I walked in
you laughed and lifted me up in your arms
as if I too were lacy with spring
instead of middle aged like the camellias,
and I thought: so this is Poetry!
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We grow accustomed to the Dark
We grow accustomed to the Dark --
When light is put away --
As when the Neighbor holds the Lamp
To witness her Goodbye --
A Moment -- We uncertain step
For newness of the night --
Then -- fit our Vision to the Dark --
And meet the Road -- erect --
And so of larger -- Darkness --
Those Evenings of the Brain --
When not a Moon disclose a sign --
Or Star -- come out -- within --
The Bravest -- grope a little --
And sometimes hit a Tree
Directly in the Forehead --
But as they learn to see --
Either the Darkness alters --
Or something in the sight
Adjusts itself to Midnight --
And Life steps almost straight.
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The Correspondence School Instructor Says Goodbye To His Poetry Students
Goodbye, lady in Bangor, who sent me
snapshots of yourself, after definitely hinting
you were beautiful; goodbye,
Miami Beach urologist, who enclosed plain
brown envelopes for the return of your very
Clinical Sonnet; goodbye, manufacturer
of brassieres on the Coast, whose eclogues
give the fullest treatment in literature yet
to the sagging-breast motif; goodbye, you in San Quentin,
who wrote, "Being German my hero is Hitler,"
instead of "Sincerely yours," at the end of long,
neat-scripted letter demolishing
the pre-Raphaelites:
I swear to you, it was just my way
of cheering myself up, as I licked
the stamped, self-addressed envelopes,
the game I had
of trying to guess which one of you, this time,
had poisoned his glue. I did care.
I did read each poem entire.
I did say what I thought was the truth
in the mildest words I know. And now,
in this poem, or chopped prose, not any better,
I realize, than those troubled lines
I kept sending back to you,
I have to say I am relieved it is over:
at the end I could feel only pity
for that urge toward more life
your poems kept smothering in words, the smell
of which, days later, would tingle
in your nostrils as new, God-given impulses
to write.
Goodbye,
you who are, for me, the postmarks again
of shattered towns-Xenia, Burnt Cabins, Hornell-
their loneliness
given away in poems, only their solitude kept.
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The Farewell
They say the ice will hold
so there I go,
forced to believe them by my act of trusting people,
stepping out on it,
and naturally it gaps open
and I, forced to carry on coolly
by my act of being imperturbable,
slide erectly into the water wearing my captain's helmet,
waving to the shore with a sad smile,
"Goodbye my darlings, goodbye dear one,"
as the ice meets again over my head with a click.
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We are the time. We are the famous
We are the time. We are the famous
metaphor from Heraclitus the Obscure.
We are the water, not the hard diamond,
the one that is lost, not the one that stands still.
We are the river and we are that greek
that looks himself into the river. His reflection
changes into the waters of the changing mirror,
into the crystal that changes like the fire.
We are the vain predetermined river,
in his travel to his sea.
The shadows have surrounded him.
Everything said goodbye to us, everything goes away.
Memory does not stamp his own coin.
However, there is something that stays
however, there is something that bemoans.
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Inexpensive Progress
Encase your legs in nylons,
Bestride your hills with pylons
O age without a soul;
Away with gentle willows
And all the elmy billows
That through your valleys roll.
Let's say goodbye to hedges
And roads with grassy edges
And winding country lanes;
Let all things travel faster
Where motor car is master
Till only Speed remains.
Destroy the ancient inn-signs
But strew the roads with tin signs
'Keep Left,' 'M4,' 'Keep Out!'
Command, instruction, warning,
Repetitive adorning
The rockeried roundabout;
For every raw obscenity
Must have its small 'amenity,'
Its patch of shaven green,
And hoardings look a wonder
In banks of floribunda
With floodlights in between.
Leave no old village standing
Which could provide a landing
For aeroplanes to roar,
But spare such cheap defacements
As huts with shattered casements
Unlived-in since the war.
Let no provincial High Street
Which might be your or my street
Look as it used to do,
But let the chain stores place here
Their miles of black glass facia
And traffic thunder through.
And if there is some scenery,
Some unpretentious greenery,
Surviving anywhere,
It does not need protecting
For soon we'll be erecting
A Power Station there.
When all our roads are lighted
By concrete monsters sited
Like gallows overhead,
Bathed in the yellow vomit
Each monster belches from it,
We'll know that we are dead.
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