None of us knows what the next change is going to be, what unexpected opportunity is just around the corner, waiting a few months or a few years to change all the tenor of our lives.
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An artist must be a reactionary. He has to stand out against the tenor of the age and not go flopping along.
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To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one's own style and creatively adjust this to one's author.
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Fiction is to the grown man what play is to the child; it is there that he changes the atmosphere and tenor of his life.
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To survive there, you need the ambition of a Latin-American revolutionary, the ego of a grand opera tenor, and the physical stamina of a cow pony.
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Asking 'Who ought to be the boss' is like asking 'Who ought to be the tennor in the quartet' Obviously, the man who can sing tenor.
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Asking 'who ought to be the boss' is like asking 'who ought to be the tenor in the quartet?' Obviously, the man who can sing tenor.
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Asking ‘who ought to be the boss’ is like asking ‘who ought to be the tenor in the quartet?’ Obviously, the man who can sing tenor.
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The question Who ought to be boss? is like as Who ought to be the tenor in the quartet? Obviously, the man who can sing tenor.
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