Eagerly, musician,Sweep your string,So we may sing,Elated, optative,Our several voicesInterblending,Playfully contending,Not interferingBut co-inhering,For all withinThe cincture of the soundIs holy ground,Where all are Brothers,None faceless Others. Let mortals bewareOf words, forWith words we lie,Can say peaceWhen we mean war,Foul thought speak fairAnd promise falsely,But song is true:Let music for peaceBe the paradigm,For peace means to changeAt the right time,As the World-Clock,Goes Tick and Tock. So may the storyOf our human cityPresently moveLike music, whenBegotten notesNew notes beget,Making the flowingOf time a growing,Till what it could be,At last it is,Where even sadnessIs a form of gladness,Where Fate is Freedom,Grace and Surprise.
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A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. -- ` Ah, so you shall be sure to be misunderstood .' -- Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.
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Simple, sincere people seldom speak much of their piety. It shows itself in acts rather than in words, and has more influence than homilies or protestations. Beth could not reason upon or explain the faith that gave her courage and patience to give up life, and cheerfully wait for death. Like a confiding child, she asked no questions, but left everything to God and nature, Father and Mother of us all, feeling sure that they, and they only, could teach and strengthen heart and spirit for this life and the life to come. She did not rebuke Jo with saintly speeches, only loved her better for her passionate affection, and clung more closely to the dear human love, from which our Father never means us to be weaned, but through which He draws us closer to Himself. She could not say, I'm glad to go, for life was very sweet for her. She could only sob out, I try to be willing, while she held fast to Jo, as the first bitter wave of this great sorrow broke over them together.
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Behind him lay the gray Azores, Behind the gates of Hercules; Before him not the ghost of shores, Before him only shorless seas. The good Mate said, Now we must pray, For lo! the very stars are gone. Brave Admiral, speak, what shall I say? Why say, 'Sail on! sail on! and on! My men grow mutinous day by day; My men grow ghastly wan and weak! The stout Mate thought of home; a spray Of salt wavewashed his swarthy cheek. What shall I say, brave Admiral, say, If we sight naught but seas at dawn? Why, you shall say at break of day, 'Sail on! sail on! sail on! and on!' They sailed. They sailed. Then spake the Mate; This mad sea shows its teeth tonight. He curls his lip, he lies in wait, With lifted teeth, as if to bite! Brave Admiral, say but one good word; What shall we do when hope is gone? The words leapt like a leaping sword; Sail on! sail on! sail on! and on! Then, pale and worn, he kept his deck And peered through darkness. Ah! that night Of all dark nights! And then a speck -- A light! A light! A light! A light! It grew, a starlit flag unfurled! It grew to be Time's burst of dawn. He gained a world; he gave that world Its greatest lesson: On! sail on!
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The right to discuss freely and openly, by speech, by the pen, by the press, all political questions, and to examine and animadvert (speak out) upon all political institutions, is a right so clear and certain, so interwoven with our other liberties, so necessary, in fact to their existence, that without it we must fall at once into depression or anarchy. To say that he who holds unpopular opinions must hold them at the peril of his life, and that, if he expresses them in public, he has only himself to blame if they who disagree with him should rise and put him to death, is to strike at all rights, all liberties, all protection of the laws, and to justify and extenuate all crimes.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Trees are the earth's endless effort to speak to the listening heaven.
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...I have a duty to speak the truth as I see it and to share not just my triumphs, not just the things that felt good, but the pain, the inten...
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I am the voice of the voiceless; Through me the dumb shall speak, Till the deaf world's ears be made to hear, The wrongs of the wordless weak. And I am my brothers keeper, And I will fight his fights; And speak the words for beast and bird, Till the world shall set things right.
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The chief mate of the Pequod was Starbuck, a native of Nantucket, and a Quaker by descent. He was a long, earnest man, and though born on an icy coast, seemed well adapted to endure hot latitudes, his flesh being hard as twice-baked biscuit. Transported to the Indies, his live blood would not spoil like bottled ale. He must have been born in some time of general drought and famine, or upon one of those fast days for which his state is famous. Only some thirty arid summers had he seen; those summers had dried up all his physical superfluousness. But this, his thinness, so to speak, seemed no more the token of wasting anxieties and cares, than it seemed the indication of any bodily blight. It was merely the condensation of the man. He was by no means ill-looking; quite the contrary. His pure tight skin was an excellent fit; and closely wrapped up in it, and embalmed with inner health and strength, like a revivified Egyptian, this Starbuck seemed prepared to endure for long ages to come, and to endure always, as now; for be it Polar snow or torrid sun, like a patent chronometer, his interior vitality was warranted to do well in all climates. Looking into his eyes, you seemed to see there the yet lingering images of those thousand-fold perils he had calmly confronted through life. A staid, steadfast man, whose life for the most part was a telling pantomime of action, and not a tame chapter of sounds. Yet, for all his hardy sobriety and fortitude, there were certain qualities in him which at times affected, and in some cases seemed well nigh to overbalance all the rest. Uncommonly conscientious for a seaman, and endued with a deep natural reverence, the wild watery loneliness of his life did therefore strongly incline him to superstition; but to that sort of superstition, which in some organizations seems rather to spring, somehow, from intelligence than from ignorance. Outward portents and inward presentiments were his.
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Today we all speak, if not the same tongue, the same universal language. There is no one center, and time has lost its former coherence: East and West, yesterday and tomorrow exist as a confused jumble in each one of us. Different times and different spaces are combined in a here and now that is everywhere at once.
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Its a Story they tell in the border country, where Massachusetts joins Vermont and New Hampshire. Yes, Danl Websters deador, at least, they buried him. But every time theres a thunderstorm around Marshfield, they say you can hear his rolling voice in the hollows of the sky. And they say that if you go to his grave and speak loud and clear, Danl WebsterDanl Webster! the groundll begin to shiver and the trees begin to shake. And after a while youll hear a deep voice saying, Neighbor, how stands the Union? Then you better answer the Union stands as she stood, rock-bottomed and copper-sheathed, one and indivisible, or hes liable to rear right out of the ground. At least, thats what I was told when I was a youngster.
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Always be ready to speak your mind and a base man will avoid you.
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One ought, every day at least, to hear a little song, read a good poem, see a fine picture and, if possible, speak a few reasonable words.
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Much have I travell'd in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star'd at the Pacific--and all his men Look'd at each other with a wild surmise-- Silent, upon a peak in Darien.
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When you remember me, it means that you have carried something of who I am with you, that I have left some mark of who I am on who you are. It means that you can summon me back to your mind even though countless years and miles may stand between us. It means that if we meet again, you will know me. It means that even after I die, you can still see my face and hear my voice and speak to me in your heart. For as long as you remember me, I am never entirely lost. When I'm feeling most ghost-like, it is your remembering me that helps remind me that I actually exist. When I'm feeling sad, it's my consolation. When I'm feeling happy, it's part of why I feel that way. If you forget me, one of the ways I remember who I am will be gone. If you forget, part of who I am will be gone. Jesus, remember me when you come into your kingdom. the good thief said from his cross (Luke 23:42). There are perhaps no more human words in all of Scripture, no prayer we can pray so well.
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The poet is born with the capacity of arranging words in such a way that something of the quality of the graces and inspirations he has received can make itself felt to other human beings in the white spaces, so to speak, between the lines of his verse. This is a great and precious gift; but if the poet remains content with his gift, if he persists in worshipping the beauty in art and nature without going on to make himself capable, through selflessness, of apprehending Beauty as it is in the divine Ground, then he is only an idolater.
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The point is obvious. There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventhday Adventist, Women's Lib/Republican, Mattachine/Four Square Gospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor whosees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.
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I have always found that angels have the vanity to speak of themselves as the only wise.
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Courage is resistance to fear, mastery of fear--not absence of fear. Except a creature be part coward, it is not a compliment to say it is brave; it is merely a loose misapplication of the word. Consider the flea!--incomparably the bravest of all the creatures of God, if ignorance of fear were courage. Whether you are asleep or awake he will attack you, caring nothing for the fact that in bulk and strength you are to him as are the massed armies of the earth to a sucking child; he lives both day and night and all days and nights in the very lap of peril and the immediate presence of death, and yet is no more afraid than is the man who walks the streets of a city that was threatened by an earthquake ten centuries before. When we speak of Clive, Nelson, and Putnam as men who didn't know what fear was, we ought always to add the flea--and put him at the head of the procession.
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I will not speak of the famous beauty of dead women: I will say the shape of a leaf lay once on your hair....
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Do not speak harshly to any one; those who are spoken to will answer thee in the same way. Angry speech is painful: blows for blows will touch thee.
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We have come through a strange cycle in programming, starting with the creation of programming itself as a human activity. Executives with the tiniest smattering of knowledge assume that anyone can write a program, and only now are programmers beginning to win their battle for recognition as true professionals. Not just anyone, with any background, or any training, can do a fine job of programming. Programmers know this, but then why is it that they think that anyone picked off the street can do documentation? One has only to spend an hour looking at papers written by graduate students to realize the extent to which the ability to communicate is not universally held. And so, when we speak about computer program documentation, we are not speaking about the psychology of computer programming at all - except insofar as programmers have the illusion that anyone can do a good job of documentation, provided he is not smart enough to be a programmer.
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There are confessable agonies, sufferings of which one can positively be proud. Of bereavement, of parting, of the sense of sin and the fear of death the poets have eloquently spoken. They command the world's sympathy. But there are also discreditable anguishes, no less excruciating than the others, but of which the sufferer dare not, cannot speak. The anguish of thwarted desire, for example.
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Each of you, for himself, by himself and on his own responsibility, must speak. And it is a solemn and weighty responsibility, and not lightly to be flung aside at the bullying of pulpit, press, government, or the empty catchphrases of politicians. Each must for himself alone decide what is right and what is wrong, and which course is patriotic and which isn't. You cannot shirk this and be a man. To decide against your convictions is to be an unqualified and inexcusable traitor, both to yourself and to your country, let man label you as they may. If you alone of all the nation shall decide one way, and that way be the right way according to your convictions of the right, you have done your duty by yourself and by your country- hold up your head! You have nothing to be ashamed of.
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It is one of the severest tests of friendship to tell your friend his faults. So to love a man that you cannot bear to see a stain upon him, and to speak painful truth through loving words, that is friendship.
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The thirst for adventure is the vent which Destiny offers a war, a crusade, a gold mine, a new country, speak to the imagination and offer swing and play to the confined powers.
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[Although Ball is considered a pop singer, he's not a total stranger to Gilbert and Sullivan, having played Frederick in the West End mounting of Joe Papp's memorable production of The Pirates of Penzance . But Patience is a different kind of work--much of its humor is highly topical, poking fun at the short-lived Aesthetic movement that flourished among British dilettantes 125 years ago. Will that humor translate to a New York audience in the year 2005?] I think there's absolutely no difference to how we regarded things then and how we regard things now, ... There are still those performers and artists who strike on a new art form or mode that attracts their fans, while the majority of us may be saying, 'I'm sorry, but isn't that The Emperor's New Clothes?' There will always be charlatans who do things just to get acclaim and adulation. So I think it'll speak to an audience as clearly today as it did then.
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The thirst for adventure is the vent which Destiny offers; a war, a crusade, a gold mine, a new country, speak to the imagination and offer swing and play to the confined powers.
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You and me, we used to talk Like a river underground, the sewer where we used to walk. The hole at the end empties out to the pier Where paperboats disappear Me, I try to send this note, Float it like a paper boat, But paper sinks and words are weak. I try but I don't speak Join together in the silent snow Turn our faces up to see Not endless night, but day A pier And you and me, talking.
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