The human mind is capable of excitement without the application of gross and violent stimulants; and he must have a very faint perception of its beauty and dignity who does not know this.
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It demands great spiritual resilience not to hate the hater whose foot is on your neck, and an even greater miracle of perception and charity not to teach your child to hate.
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The perception of the comic is a tie of sympathy with other men, a pledge of sanity, and a protection from those perverse tendencies and gloomy insanities in which fine intellects sometimes lose themselves. A rogue alive to the ludicrous is still convertible. If that sense is lost, his fellow-men can do little for him.
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Good literature continually read for pleasure must, let us hope, do some good to the reader: must quicken his perception though dull, and sharpen his discrimination though blunt, and mellow the rawness of his personal opinions.
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Being born in a duck yard does not matter, if only you are hatched from a swan's egg.
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The comic is the perception of the opposite; humor is the feeling of it.
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Perhaps there is a degree of perception at which what is real and what is imagines are one: a state of clairvoyant observation, accessible or possibly accessible to the poet or, say, the acutest poet.
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By his machines man can dive and remain under water like a shark; can fly like a hawk in the air; can see atoms like a gnat; can see the system of the universe of Uriel, the angel of the sun; can carry whatever loads a ton of coal can lift; can knock down cities with his fist of gunpowder; can recover the history of his race by the medals which the deluge, and every creature, civil or savage or brute, has involuntarily dropped of its existence; and divine the future possibility of the planet and its inhabitants by his perception of laws of nature.
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Poetry has to be something more than a conception of the mind. It has to be a revelation of nature. Conceptions are artificial. Perceptions are essential.
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Everything is complicated; if that were not so, life and poetry and everything else would be a bore.
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The human mind is so complex and things are so tangled up with each other that, to explain a blade of straw, one would have to take to pieces an entire universe. A definition is a sack of flour compressed into a thimble.
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The dung beetle, seeing its child on the wall, thinks it sees a pearl on a thread.
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I am a fictionalizing philosopher, not a novelist; my novel & story-writing ability is employed as a means to formulate my perception. The core of my writing is not art but truth. Thus what I tell is the truth, yet I can do nothing to alleviate it, either by deed or explanation. Yet this seems somehow to help a certain kind of sensitive troubled person, for whom I speak. I think I understand the common ingredient in those whom my writing helps: they cannot or will not blunt their own intimations about the irrational, mysterious nature of reality, &, for them, my corpus is one long ratiocination regarding this inexplicable reality, an integration & presentation, analysis & response & personal history.
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I don't believe in intuition. When you get sudden flashes of perception, it is just the brain working faster than usual. But you've been getting ready to know it for a long time, and when it comes, you feel you've known it always.
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All perception of truth is the detection of an analogy.
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All perception of truth is the detection of an analogy we reason from our hands to our head.
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At the moment our human world is based on the suffering and destruction of millions of non-humans. To perceive this and to do something to change it in personal and public ways is to undergo a change of perception akin to a religious conversion. Nothing can ever be seen in quite the same way again because once you have admitted the terror and pain of other species you will, unless you resist conversion, be always aware of the endless permutations of suffering that support our society.
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The popularity of disaster movies expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.
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To argue that we humans are capable of complex multifarious thought and feeling, whereas the sheep's perception is probably limited by lowly sheepish perceptions, is no more to the point than if I were to slaughter and eat you on the grounds that I am a sophisticated personality able to enjoy Mozart, formal logic and cannibalism, whereas your imaginative world seems confined to True Romances and tinned spaghetti.
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Nihil est in intellectu quod non fuit prius in sensu : Nothing is in the understanding, which was not first perceived by some of the senses.
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He's very intuitive about human behavior, combined with a wonderful understanding of the scientific/fantasy perception - an understanding of what we can perceive beyond what we admit to. But he doesn't depart from the human being. That means you get to use everything you are and more as an actor.
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If man did not exist as a world-spanning receptive realm of perception, if he were not engaged in this capacity, nothing at all could exist. 'Being,' in its traditional usage, means 'presence' and 'persistence.' To achieve presence, and thereby being, an entity requires some sort of open realm in which presence and persistence can take place. Thus an open realm of perception like that of human existence is the one being that makes being possible.
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The perception of beauty is a moral test.
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Happiness never lays its finger on its pulse.
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To any intelligent being, there is no emotion more important than hope. Individually or collectively, we must hope that the future will be better than the past, that our offspring, and theirs after them, will be a bit closer to an ideal society, whatever our perception of that might be... It is at those times when we feel we are contributing to that ultimate end... we feel true elation.
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I have seen manners that make a similar impression with personal beauty; that give the like exhilaration, and refine us like that; and, in memorable experiences, they are suddenly better than beauty, and make that superfluous and ugly. But they must be marked by fine perception, the acquaintance with real beauty. They must always show self-control: you shall not be facile, apologetic, or leaky, but king over your word; and every gesture and action shall indicate power at rest. Then they must be inspired by the good heart. There is no beautifier of complexion, or form, or behavior, like the wish to scatter joy and not pain around us. 'Tis good to give a stranger a meal, or a night's lodging. 'Tis better to be hospitable to his good meaning and thought, and give courage to a companion. We must be as courteous to a man as we are to a picture, which we are willing to give the advantage of a good light.
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The adjustment of reality to the masses and of the masses to reality is a process of unlimited scope, as much for thinking as for perception.
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All seems infected that the infected spy, As all looks yellow to the jaundiced eye.
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The luster of diamonds is invigorated by the interposition of darker bodies; the lights of a picture are created by the shades; the highest pleasure which nature has indulged to sensitive perception is that of rest after fatigue.
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To see, to hear, means nothing. To recognize (or not to recognize) means everything. Between what I do recognize and what I do not recognize there stands myself. And what I do not recognize I shall continue not to recognize.
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