My skin is kind of sort of brownish Pinkish yellowish white. My eyes are greyish blueish green, But I'm told they look orange in the night. My hair is reddish blondish brown, But it's silver when it's wet. And all the colors I am inside Have not been invented yet.
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An old Cherokee is teaching his grandson about life: A fight is going on inside me, he said to the boy. It is a terrible fight and it is between two wolves. One is evil - he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other is good - he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. This same fight is going on inside you - and inside every other person, too. The grandson thought about it for a minute and then asked his grandfather,Which wolf will win? The old Cherokee simply replied, The one you feed.
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I'm standing on the outside of your shelter looking in, While the bombs around are falling everywhere, Inside you look so warm and safe and oh so happy, Have I ever told you that I care? Have I ever told you that you're wonderful? And it hurts me so that we have grown apart. I'm standing on the outside of your shelter, dear, But I hope I'm on the inside of your heart.
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Champions aren't made in gyms. Champions are made from something they have deep inside them A desire, a dream, a vision. They have to have last-minute stamina, they have to be a little faster, they have to have the skill and the will. But the will must be stronger than the skill.
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Morning Is Yellow Like A Desk Is Square
He always wanted to explain things. But no one cared. So he drew. Sometimes he would draw and it wasn't anything. He wanted to carve it in stone or write it in the sky. He would lie out on the grass and look up in the sky. And it would be only him and the sky and the things inside him that needed saying. And it was after that he drew the picture. It was a beautiful picture. He kept it under his pillow and would let no one see it. And he would look at it every night and think about it. And when it was dark, and his eyes were closed, he could still see it. And it was all of him. And he loved it. When he started school he brought it with him. Not to show anyone, but just to have with him like a friend. It was funny about school. He sat in a square brown desk Like all the other square brown desks And he thought it should be red And his room was a square brown room. Like all the other rooms. And it was tight and close. And stiff. He hated to hold the pencil and chalk, With his arm stiff and his feet flat on the floor. Stiff. With the teacher watching and watching. The teacher came and spoke to him. She told him to wear a tie like all the other boys. He said he didn't like them. And she said it didn't matter. After that they drew. And he drew all yellow and it was the way he felt about morning. And it was beautiful. The teacher came and smiled at him. 'What's this?' she said. 'Why don't you draw something like Ken's drawing? Isn't it beatiful?' After that his mother bought him a tie. And he always drew airplanes and rocket ships like everyone else. And he threw the old picture away. And when he lay alone looking at the sky, It was big and blue and all of everything, But he wasn't anymore. He was square inside. And brown. And his hands were stiff. And he was like everyone else. And the things inside him that needed saying didn't need it anymore. It had stopped pushing. It was crushed. Stiff. Like everything else.
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Here is my gift, not roses on your grave, not sticks of burning incense. You lived aloof, maintaining to the end your magnificent disdain. You drank wine, and told the wittiest jokes, and suffocated inside stifling walls. Alone you let the terrible stranger in, and stayed with her alone.
Now you're gone, and nobody says a word about your troubled and exalted life. Only my voice, like a flute, will mourn at your dumb funeral feast. Oh, who would have dared believe that half-crazed I, I, sick with grief for the buried past, I, smoldering on a slow fire, having lost everything and forgotten all, would be fated to commemorate a man so full of strength and will and bright inventions, who only yesterday it seems, chatted with me, hiding the tremor of his mortal pain.
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It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.
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An' for all 'is dirty 'ide / 'E was white, clear white inside / When 'e went to tend the wounded under fire.
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Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.
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I went to a party, Mom, I remembered what you said, You told me not you drink and drive, Mom, So i drank sprit instead I felt really proud inside, Mom, The way you said I would. I didn?t drink and drive, Mom, Even though the others said i should I know i did the right thing, Mom I know you are always right. Now the party is finally ending, Mom, As everyone drives out of sight. As i got into my car, Mom, I knew i would get home in one piece Because of the way you raised me, Mom, So responsible and sweet. I started to drive away, Mom, But as I pulled onto the road The other car didn?t see me, Mom, And it hit me like a load. As I lie here on the pavement, Mom, I hear the police say, The other guy was drunk, Mom, And now I?m the one who will pay. I?m laying here dying, Mom, I wish you would get here soon. How come this happened to me, Mom? My life bursted like a ballon. There is blood all around me, Mom, Most of it is mine. I here the paramedics say, Mom, I?ll be dead in a short time. I just wanted to tell you, Mom, I swear i didn?t drink It was the others, Mom, The others didn?t think He didn?t know where he was going, Mom, He was parably at the same party as I, the only difference is, Mom He drank and I will die. Why do people drink, Mom? It can ruin my whole life. I?m feeling sharp pains now, Mom, Pains just like a knife. The guy who hit me is walking, Mom, I don?t think it?s fair. I?m lying here dying, Mom, While all he can do is stare. Tell my brother not to cry, Mom, Tell daddy to be brave. And when I get to heaven, Mom, Write ?Daddy?s Little Girl? on my grave. Someone should have told him, Mom, Not to drink and drive. If only they have taken the time, Mom I would still be alive. My breath is getting shorter, Mom I?m becoming very scared. Please don?t cry for me, Mom Because when i needed you, you were always there. I have one last question, Mom, before i say good-bye. I didnt ever drink, Mom So why am I do die? This is the end, Mom, I wish I could look you in the eyes, To say these final words, Mom, I love you, and Good-bye.
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(Poetry) It’s the place in language we are most human and we can see ourselves fully – far more than prose in fiction. A poem is able to hold so much in so little space. It’s a time capsule, a Tardis so much bigger on the inside than it seems on the outside.
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Man knows that there are in the soul tints more bewildering, more numberless, and more nameless that the colors of an autumn forest....Yet he seriously believes that these things can every one of them , in all their tones and semi-tones, in all their blends and unions, be accurately represented by an arbitrary system of grunts and squeals. He believes that an ordinary civilized stockbroker can really produce out of his own inside noises which denote all the mysteries of memory and all the agonies of desire.
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I've often said there's nothing better for the inside of a man than the outside of a horse.
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The leader who exercises power with honor will work from the inside out, starting with himself.
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The fatal metaphor of progress, which means leaving things behind us, has utterly obscured the real idea of growth, which means leaving things inside us.
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Inside my empty bottle I was constructing a lighthouse while all the others were making ships.
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A Native American elder once described his own inner struggles in this manner: Inside of me there are two dogs. One of the dogs is mean and evil. The other dog is good. The mean dog fights the good dog all the time. When asked which dog wins, he reflected for a moment and replied, The one I feed the most. On Other Peoples Expectations: The only man who behaved sensibly was my tailor; he took my measurement anew every time he saw me, while all the rest went on with their old measurements and expected them to fit me.
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Ricky I don't know why we don't get a drink ... sittin inside this place. Bobby I promised Chloe we'd come here Ricky She doesn't even know where the hell she is, Bob. She'd have more fun if we were at Bodners. She could play the triva game like she likes it, or the little racing game thing she does. Bobby She's a little girl, little girl's don't like to go to bars. Ricky We had fun, we went to bars when we were kids ... met all the different people, right ...remember Slimmy
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Was all this bloodshed and deceit - from Columbus to Cortes, Pizarro the Puritans - a necessity for the human race to progress from savagery to civilization? Was Morison right in burying the story of genocide inside a more important story of human progress? Perhaps a persuasive argument can be made - as it was made by Stalin when he killed pesants for industrial progress in the Soviet Union, as it was made by Churchill explaining the bombings of Dresden and Hamburg, and Truman explaining Hiroshima. But how can the judgement be made if the benefits and losses cannot be balanced because the losses are either unmentioned or mentioned quickly?
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Boys are found everywhere-on top of, underneath, inside of, climbing on, swinging from, running around or jumping to. Mothers love them, little girls hate them, older sisters and brothers tolerate them, adults ignore them and Heaven protects them. A boy is Truth with dirt on its face, Beauty with a cut on its finger, Wisdom with bubble gum in its hair and the Hope of the future with a frog in its pocket.
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Every failure, obstacle or hardship is an opportunity in disguise. Success in many cases is failure turned inside out. The greatest pollution problem we face today is negativity. Eliminate the negative attitude and believe you can do anything. Replace 'if I can, I hope, maybe' with 'I can, I will, I must.'
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But what Kezia liked more than anything, what she liked frightfully, was the lamp. It stood in the middle of the dining-room table, an exquisite little amber lamp with a white globe. It was filled all ready for lighting, though, of course, you couldn't light it. But there was something inside that looked like oil and moved when you shook it. The father and mother dolls, who sprawled very stiff as though they had fainted in the drawing-room, and their two little children asleep upstairs, were really too big for the doll's house. They didn't look as though they belonged. But the lamp was perfect. It seemed to smile at Kezia, to say, 'I live here.' The lamp was real.
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When Gerber first started selling baby food in Africa, they used the same packaging as here in the USA - with the cute baby on the label. Later they found out that in Africa companies routinely put pictures on the label of what is inside since most people can not read.
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The result of what Kennedy did can be understood by analogy. It is as if he created a building named, 'A man on the moon in ten years,' and inside the building he put offices for all the various ideas, positions, notions and people that had to do with space flight. The first office inside the front door of the building in 1961 would have been called, 'it can't be done.' This office would have been inhabited by the skeptics and the cynics.A content or position is threatened by any opposite position. Given two opposing positions, only one can survive. On the other hand, a context gives space to, it literally allows, it even encourages, positions that are apparently the opposite. In fact, the most important position in a newly-created context is the position which appears to oppose the context.
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We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
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'O what unlucky streak Twisting inside me, made me break the line?...
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I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. When I was twelve, the words was my magic lantern, and by its green spirit glow I saw the past, the present, and into the future. We all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see out destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put in the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God
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When things go wrong, as they sometimes will, When the road you're trudging seems all uphill, When the funds are low and the debts are high And you want to smile, but you have to sigh, When care is pressing you down a bit, Rest! If you must-but never quit. Life is queer, with its twists and turns, As every one of us sometimes learns, And many a failure turns about When he might of won if he'd stuck it out; Stick to your task, though the pace seems slows- You may succeed with one more blow. Success is failure turned inside out- The silver tint of the clouds of doubt- And you may never can tell how close you are, It may be near when it seems afar; So stick to the fight when you're hardest hit- It's when things seem worse that YOU MUSN'T QUIT.
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'I'm 23 now, and I've grown into this woman. I feel sexy and more mature. I wanted these inside changes to be reflected in both my look and music. I am a vegan now, and it was a conscious decision. I studied a lot about African culture and health and the best way to take care of the body. I really wanted to be healthy. At first I was just trying to challenge myself; I thought it was a phase and that I would grow out of it, but it wasn't. I found out a lot about the body and what [hormones] they put in meat. My taste buds started changing, and I didn't crave [meat and dairy products] anymore.'
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You my dear, are too beautiful, both in body and soul, to be considered inside the boundaries of ordinary human existence. That is why i love you, and will forever more...
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