Love is an endless mystery, for it has nothing else to explain it.
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Simple, sincere people seldom speak much of their piety. It shows itself in acts rather than in words, and has more influence than homilies or protestations. Beth could not reason upon or explain the faith that gave her courage and patience to give up life, and cheerfully wait for death. Like a confiding child, she asked no questions, but left everything to God and nature, Father and Mother of us all, feeling sure that they, and they only, could teach and strengthen heart and spirit for this life and the life to come. She did not rebuke Jo with saintly speeches, only loved her better for her passionate affection, and clung more closely to the dear human love, from which our Father never means us to be weaned, but through which He draws us closer to Himself. She could not say, I'm glad to go, for life was very sweet for her. She could only sob out, I try to be willing, while she held fast to Jo, as the first bitter wave of this great sorrow broke over them together.
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Morning Is Yellow Like A Desk Is Square
He always wanted to explain things. But no one cared. So he drew. Sometimes he would draw and it wasn't anything. He wanted to carve it in stone or write it in the sky. He would lie out on the grass and look up in the sky. And it would be only him and the sky and the things inside him that needed saying. And it was after that he drew the picture. It was a beautiful picture. He kept it under his pillow and would let no one see it. And he would look at it every night and think about it. And when it was dark, and his eyes were closed, he could still see it. And it was all of him. And he loved it. When he started school he brought it with him. Not to show anyone, but just to have with him like a friend. It was funny about school. He sat in a square brown desk Like all the other square brown desks And he thought it should be red And his room was a square brown room. Like all the other rooms. And it was tight and close. And stiff. He hated to hold the pencil and chalk, With his arm stiff and his feet flat on the floor. Stiff. With the teacher watching and watching. The teacher came and spoke to him. She told him to wear a tie like all the other boys. He said he didn't like them. And she said it didn't matter. After that they drew. And he drew all yellow and it was the way he felt about morning. And it was beautiful. The teacher came and smiled at him. 'What's this?' she said. 'Why don't you draw something like Ken's drawing? Isn't it beatiful?' After that his mother bought him a tie. And he always drew airplanes and rocket ships like everyone else. And he threw the old picture away. And when he lay alone looking at the sky, It was big and blue and all of everything, But he wasn't anymore. He was square inside. And brown. And his hands were stiff. And he was like everyone else. And the things inside him that needed saying didn't need it anymore. It had stopped pushing. It was crushed. Stiff. Like everything else.
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Friendship is the hardest thing in the world to explain. It's not something you learn in school. But if you haven't learned the meaning of friendship, you really haven't learned anything.
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Beth could not reason upon or explain the faith that gave her courage and patience to give up life, and cheerfully wait for death. Like a confiding child, she asked no questions, but left everything to God and nature, Father and Mother of us all, feeling sure that they, and they only, could teach and strengthen heart and spirit for this life and the life to come.
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Animation can explain whatever the mind of man can conceive.
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I have never had much patience with the multitudes of people who are always ready to explain why one cannot succeed. I have always had high regard for the man who could tell me how to succeed.
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But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.
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I have been a vegetarian for about 10 years. And it really was due to the reading that I did. And they explain so that you understand why it's important for the planet's survival along with compassion for animals. It certainly made it much easier for me. I lost weight really fast. My mother died from cancer so this is all very personal to me. And I just would like the planet to be a better place. And I think you'll find a vegetarian diet to be really incredible these days.
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Explain it as we may, a martial strain will urge a man into the front rank of battle sooner than an argument, and a fine anthem excite his devotion more certainly than a logical discourse.
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Reactance theory does not address how harmful or innocuous control can be and may seem to be too circumscribed to explain the nature of general harmful behavior. However, the limitations of its scope to specific and reactive control motivation do not detract from its power to explain battles for control dynamics. It is formulated to anticipate these specific incidents and, in doing so, addresses harm in general. With this purpose and the applicability of reactance theory in mind, the terms control and specific control are used interchangeably and, because reactance is control motivation, the terms reactance and control motivation are also used interchangeably. A control model, subsuming these concepts and general control, is introduced next, in which control (unless identified by a general control descriptor) is the belief in the freedom to engage in a specific nonharmful or harmful behavior to reach a specific nonharmful or harmful goal that can be exercised for a variety of reasons, most particularly when threatened or taken away, arousing reactance in proportion to its distinctiveness and importance.
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But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.
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The essential, but often well-disguised, purpose of intelligent design, is to preserve the myth of a separate, divine creation for humans in the belief that only that can explain who we are. But there is a destructive hubris, a fearful arrogance, in that myth. It sets us apart from nature, except to dominate it. It misses both the grace and the moral depth of knowing that humans have only the same stake, the same right, in the Earth as every other creature that has ever lived here. There is a righteousness - a responsibility - in the deep, ancestral origins we share with all of life.
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The mystic purchases a moment of exhilaration with a lifetime of confusion; and the confusion is infectious and destructive. It is confusing and destructive to try and explain anything in terms of anything else, poetry in terms of psychology.
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The human mind is so complex and things are so tangled up with each other that, to explain a blade of straw, one would have to take to pieces an entire universe. A definition is a sack of flour compressed into a thimble.
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Nicky I think in all fairness, I should explain to you exactly what it is that I do. For instance tomorrow morning ill get up nice and early, take a walk down over to the bank and... walk in and see and uh... if you don't have my money for me, I'll... crack your f***in' head wide-open in front of everybody in the bank. And just about the time I'm comin' out of jail, hopefully, you'll be coming out of your coma. And guess what I'll split your f***in' head open again. 'Cause I'm f***in' stupid. I don't give a f*** about jail. That's my business. That's what I do.
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How would they explain that as they got off the plane at Beirut? ... How would they tell grandma under a cypress tree: They wanted us to worship a donkey!?
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I believe in luck: how else can you explain the success of those you dislike?
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No, this trick won't work...How on earth are you ever going to explain in terms of chemistry and physics so important a biological phenomenon as first love
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Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.
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At the heart of the debate over intelligent design is this question: Can a scientific explanation of the history of life include the actions of an unseen higher being? The proponents of intelligent design, a school of thought that some have argued should be taught alongside evolution in the nation's schools, say that the complexity and diversity of life go beyond what evolution can explain. Biological marvels like the optical precision of an eye, the little spinning motors that propel bacteria and the cascade of proteins that cause blood to clot, they say, point to the hand of a higher being at work in the world.
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I remember: it happened yesterday, or eternities ago. A young Jewish boy discovered the Kingdom of Night. I remember his bewilderment, I remember his anguish. It all happened so fast. The ghetto. The deportation. The sealed cattle car. The fiery altar upon which the history of our people and the future of mankind were meant to be sacrificed. I remember he asked his father: Can this be true? This is the twentieth century, not the Middle Ages. Who would allow such crimes to be committed? How could the world remain silent? And now the boy is turning to me. Tell me, he asks, what have you done with my future, what have you done with your life? And I tell him that I have tried. That I have tried to keep memory alive, that I have tried to fight those who would forget. Because if we forget, we are guilty, we are accomplices. And then I explain to him how na
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Take the ideas of the masses (scattered and unsystematic ideas) and concentrate them (through study turn them into concentrated and systematic ideas), then go to the masses and propagate and explain these ideas until the masses embrace them as their own, hold fast to them and translate them into action, and test the correctness of these ideas in such action. Then once again concentrate ideas from the masses and once again go to the masses so that the ideas are persevered in and carried through. And so on, over and over again in an endless spiral, with the ideas becoming more correct, more vital and richer each time. Such is the Marxist theory of knowledge.
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Never retreat. Never explain. Get it done and let them howl.
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Both the Moral Majority, who are recycling medieval language to explain AIDS, and those ultra-leftists who attribute AIDS to some sort of conspiracy, have a clearly political analysis of the epidemic. But even if one attributes its cause to a microorganism rather than the wrath of God, or the workings of the CIA, it is clear that the way in which AIDS has been perceived, conceptualized, imagined, researched and financed makes this the most political of diseases.
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I’m so naïve about finances. Once when my mother mentioned an amount and I realised I didn’t understand, she had to explain: “That’s like three Mercedes.' Then I understood.
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There exists no politician in India daring enough to attempt to explain to the masses that cows can be eaten.
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In a certain sense you deny the existence of this world. You explain life as a state of rest, a state of rest in motion.
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Death and vulgarity are the only two facts in the nineteenth century that one cannot explain away.
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I think that it's so critical when you make a request to the Congress to authorize and appropriate $38 billion for homeland security, somebody ought to come up and explain just how you're going to spend it, ... Those issues are going unanswered in large measure because Mr. Ridge refuses to testify. We just have to find a way hopefully without the use of coercion to have those questions answered for the record.
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