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Best Poems Written by T Wignesan

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Memo For Destroyer Poet a Linda: 3 20 P M, 23rd April 2013 Paris, France

MEMO for Destroyer Poet A Linda: 3. 20 p.m., 23rd April 2013 – Paris, France
  
If you are Red   I am Brown
If you’re not 
Then as one concrete painter using phonemes 
                 to another

Now we speak in the common-denominator tongue
Of those who went across oceans
Yours you took across the Bering
From the frozen solid roof of the world
The common step-mothering-tongue
And the common heel-bone

Take this memo down I tell myself
For my long-lost sister
Now weary with chilblains
And walnut warts from the long trek

Tell her you’re sorry
You took so long
Tell her you read excerpts of her outpouring
In a lone-lost cave overgrown with moss
							lost without cause
Mixed with the growls and coughs of shaggy beasts
And the lone mountain lioness’ scowling howl at the stars
In a dry season

Tell her you’re sorry not to have returned the compliment
For this’s the Way of the Community
That each rushes to fulfill a sacrosanct duty

Tell her
I read your spiraling lyrical threnody
	of the Soul’s age-old Odyssey
 through the bony interstices of breast-beating moans
and groans 
Right there where it hurts most 
in the guts

I saw how your people lifted themselves
							on their fists
   after their arms and knuckles looked gnarled
I saw the claws of the lone eagle clutch your soul
							in one fell swoop
	down concertina centuries
And make you swallow your tongue
	wailing in cloistered valleys of lilacs and magnolias
  to the rhythm of crescendo stamping feet
  and besetting winds 
          cacophonous through wildly flapping wigwams
I felt the ancient beat of your pulse
	in the huskily refined whisper of your verse
   come seething harpies
			unleashed at my throat
I saw wild stallions
	sleek and shoddy	manes aloft 
     come steaming and fuming down mountain sides
          your fathers tamed
I saw generations of silent sturdy women
	kindle fierce fires 
  while brawny braves rode away on bare-backs
	to bring the venison back

I now hear your gentle voice
	in dulcet drops tinkle down waterfalls
		of your manifold genres

Yet I do not hear you cry
Nor do I wonder why
You are made of that stuff of breed
That can traverse ice without steed
And scale Himalayas down continents
To reach the other side of impediments

And lest I forget let me tell you this
Your lyrical voice will linger long in bliss.

    Every good wish.		

         Sincerely,
			T. Wignesan

Copyright © T Wignesan | Year Posted 2013



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Soliloquio Del Individuo By Nicanor Parra, Translated By T Wignesan


Soliloquio del Individuo by Nicanor Parra, Translated by T. Wignesan


(Homage to Nicanor PARRA, 1914-2018, the Chilean ANTI-POET, winner of the "Cervantes Prize" (the highest literary honour for writers in Spanish), four times nominated for the Nobel Prize, studied Physics (Brown University), Cosmology (Oxford University) and taught maths and physics for some 40 years, but styles himself as the Poet who writes "Anti-Poems" - a fresh 
chastising wind to debunk self-styled poets hardly born to the métier but drunk with their own effete and ephemeral voices. T. Wignesan, Paris, 2016. For the original stanzaic format of the poem, check the original, if you please.) 

	The Individual’s Soliloquy

	I am the Individual
	At first I lived in a rock
(there I carved some figures).
Later I looked for a more appropriate place.
	I am the Individual.

In the beginning I had to procure food for myself,
	find fish, birds, look for firewood
	(and other matters also took up my time).
	To start a bonfire,
firewood, forewood, where to find a little firewood,
	some firewood to start a bonfire,
	I am the Individual.

At the same time I asked myself,
	I escaped from an abyss full of air;	
	a voice answered me: 
	I am the Individual.

Then I tried to live in another rock,
	there too I carved some figures,
	engraved a river, buffaloes,
	carved out a serpent,
	I am the Individual.

But no, I became bored with the things I was doing,
	fire bothered me,
	I wanted to see more,
	I am the Individual.

I went down a valley irrigated by a river,
	there I found what I needed,
	encountered a savage people,
	             a tribe,
	I am the Individual.

Saw that there they undertook some things,
	they carved figures on rocks,
	they kindled fires, Yes, they kindled fires also!
	I am the Individual.

They wanted to know from where I hailed.
I answered in the affirmative, that I entertained no fixed goals,
I answered in the negative, that I would keep going.
			Good.
I took hold of a piece of stone I found in a river
	and began to work on it,
	began to polish it	
    made of it a part of my own life.
	But this is far too long.
    I felled some trees in order to set sail,
		looked for fish,
	looked for different things
	(I am the Individual).
Until I began to get bored all over again.
	One gets bored with tempests,
	the thunder, the lightning,
	I am the Individual.

     Good. I forced myself into thinking a little while,
 stupid questions filled my head,
		false problems.
So I began to wander through some woods.
	I arrived at a tree and yet another,
	   I arrived at a fountain,
	I arrived at a pit where one could see rats:
	  here it is I who comes, I then said,
	have you seen a tribe hereabouts,
	a savage people who know how to light a fire?
In this manner I kept going towards a westerly direction
	in the company of other beings,
		or rather all alone.
In order to see, one must believe, they said to me,
	      I am the Individual.

	In the dark one could discern forms,
		perhaps clouds,
	perhaps one saw clouds, one saw lightning;
all these things had already taken place some days past,
	I felt like I was dying;
	I invented some machines,	
	  manufactured watches
	      arms, vehicles,
	I am the Individual.

I had hardly enough time to bury my dead,
	hardly had I time to sow,
	   I am the Individual.

Some years hence, I conceived some things,
		some forms,
	crossed frontiers
   and remained stationary in a sort of niche,
     in a boat in which I rowed for forty days,
		forty nights,
	I am the Individual.

	Later on droughts set in, 
    some wars ensued,
	varieties of colours appeared in the valley,
	   but I must keep going,
	       must keep producing.
	Invented the sciences, immutable truths,
	     fashioned he tanagras*,
published books running into thousands of pages,
	let my face swell,
	  invented the phonograph,
	the sewing machine,
then the first automobiles began to appear,
	I am the Individual.

Somebody set apart the planets,
	trees segregated themselves!
	But I separated the set of tools,
   furniture, stationery for the writing desk,
	I am the Individual.

	They also built cities,
		roads,
religious institutions went out of fashion,
they looked for what was said, for happiness,
	I am the Individual.

Later I spent the better part of my time travelling,
	in practising, in practising languages,
	 	languages,
     I am the Indiviidual.

I peeped through a keyhole,
      Yes, I did, what am I to say, I did
in order to opt out of doubt, I did look through,
		behind some curtains,
	I am the Individual.

			Good.
Perhaps it would be best to return to that valley,
	to that rock where I lodged,
	and begin to carve sketches again,
	    from back to front I engraved
		the world upside down.
But no: life is devoid of meaning.

*statues of human forms made in Tanagra of Boetia.

© T. Wignesan – Paris,  2016 	



	











,

Copyright © T Wignesan | Year Posted 2016

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Curse of Caste


                   I

They came on bullock-carts
loaded with gods
   Indra
        Agni
           Varuna
               Rudra
traversed sinuous mountain ranges
         rivers
gurgling outlandish tongues
their children caged as poultry
their priests chanting weird mantras
     spells
         charms
             curses
                 hymns
drank the soma juice
choking with the sacrificial bleating
of rams

II

Agreed, all societies structure themselves
Out of scant need to function sans bother
Just as individuals must come together
In order better to protect themselves

All men are born equal, so say the Wise
But the Elders do not know how to stem
Rishis who would seek to mock them
By claiming they were twice-born to rise

Above all mankind for wasn’t it the decreed omen
For the Primaeval Being that the self-chosen few
Should forever speak for the Brahman in lieu
Of Purusha’s helpless eyes, brain, heart and abdomen

The only difference between the Brahmin
And the rest of the menial human race
Is that they were born with Brahma’s grace
So that they could spurn the rest as vermin

Yet India’s underside boasts of invisible millions
Who have no place in sacred Hymns of Man
They weren’t created by Rig-Veda: only as Harijan
May they hang out in limbo as Gandhi’s minions.

Resources

Roughly, the Hindu caste system is broadly divided into four sacrosanct strata ; yet there are literally tens of sub-castes in each category :

1.	Brahmin (the priesthood caste, supposedly on top of the social hierarchy), followed by :
2.	Kshatriya (the princely hereditary and/or ruling warrior caste) ;
3.	Vashya (the commercial trading, professional and land-owning agricultural castes) ;
4.	Sudra (the menial serving and peasant castes),
followed by the Out-caste :
5.	The Untouchable or scavenging caste ( which has not found authority in the following Vedic hymn. )

« brahmano ‘sya mukham asid,
bahu rajaniah krtah ;
uru tad asya yad vaisya ;
padbhyam sudro ajayata. »

Rigveda, X, 90, 12 (sans signes diacritiques)

"His mouth was the Brahman, 
His two arms were made the warrior,
His two thighs the Vaisya ; 
From his two feet the Sudra was born."

Transl. & translit. by Arthur A. MacDonnell (1854 – 1930), 1917

© T. Wignesan - Paris, 1998 - (from the sequence/collection: "Words for a Lost Sub-Continent", 1999, published in Rama and Ravana at the Altar of Hanuman. Chennai: Institute of Asian Studies, 2006 & Allahabad: Cyberwit, 2008.)

Copyright © T Wignesan | Year Posted 2012

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Unquotable Quotes Viiil: Sexual Harassment - the Feminist Kind

Unquotable Quotes VIIIL : SEXUAL HARASSMENT* - the feminist kind

(*”aggressive pressure or intimidation”: Is it really “any different” in most cases in the act, judging by Hollywood standards?)

STOP: ARREST ALL GIRLS
 - standing with legs apart on street-corners
 - sitting with knees exposed on bar stools
 - lolling with or without protruding bosoms at traffic lights or bus-stops
 - swaying hips on high stilts on zebra crossings
 - strolling with transparent bikinis on beaches
 - reclining one eye shut and jutting exposed legs on airplane aisles
 - climbing with bottoms stretched on mountain faces
 - cavorting in up-side-down-T during figure skating championships
 - gymnasts tumbling on mattresses in Olympic contests
 - Lolitas copying the alphabet with contorted limbs on swinging rings
 - getting ready for the shower under spot lights curtain less
 - with or without swim suits doing the breast stroke
 - behind high counters with low neck-lines
 - with un-buttoned uniforms in the armed forces
 - press-secretaries with false eye-brows and mascara on eyelashes
 - showing off sets of false teeth under aesthetically shaped noses
 - after school giggling and disturbing the peace as they pass you
 - including police women with condescendingly beautiful looks
 - and wives who open and slam windows while you pass under them
 
YES, ARREST ALL DAMES
 - and all women teachers who entice male students with high marks
 - y compris grandmothers
 - all queens who learn Hindustani from servants for no higher pay
 - and shop-assistants who caress your palm with short-change
 - APHRO-dites who make you foam at the mouth
 - and the three witches made Macbeth fear not none of woman-born 
 - and Lady Macbeth for inciting her Lord to usurp the crown
 - and Juliet for not letting Romeo know before quaffing the potion
 - and Gwyneth for turning Tom Boy to entice the lovesick Shakespeare
 - and Judy Dench for aiding and abetting the actress

ARREST ALL VAUDEVILLE and CAN-CAN GIRLS
 - for throwing up in your face while you let drip Vermouth on your lace
 - all models who parade cat-walk side-walks
 - y compris those spruced up in cocoons beside husbands at summits
 - all women heads of states who rub cheeks to warm starved breasts
 - y compris Brezhnev and Krushschev for preferring lips to cheeks
 - y compris aboriginal chiefs who tickle noses with spiked lips
 - and all sex-starved women who bellow at your bad jokes

ARREST ALL
 - bitches mares felines who lick you to leave sticky needle-sharp furs
 - she-goats with beards for masquerading as kid-bearing moms
 - all mares for braying like donkeys
 - all race jockeys for riding bare-back
 - all lionesses for throwing up their fore-and-hind legs after a night of…
 - all elephants who unfurl and dig trumps looking for nuts in holes
 - all crocodiles for looking all one and the same
 - all apes for aping humans in the act

ARREST
 - all secretaries who stoop to pick up their bosses pencils with mouths
 - all sportswomen who roll with pain on the turf without shame
 - all rugger-women who tear to shreds their partners shorts in scrums
 - all tennis-women who sprawl between sets to earn free thigh massage
 - all women cyclists whose hinds swallow up seats
 
ARREST ALL GIRLS
- riding in the METRO/UNDERGROUND or BUSES during the rush-hour for they can all potentially sue the men who squeeze them all without - YES - wanting or not wanting to every time the trains or buses jog and pull away at every station or through midway change of speed 

ARREST ALL CONNIVING GIRLS
 - who stoop low in search of dropped coins in super-market queues
 - who suck lollipops at bus-stops and railway platforms for exercise
 - all damsels in distress on deserted roads and by-lanes
 - all toughs who kick-start their motor-cycles over and over again
 - all wanton who want-men for being so darned bloody beautiful and giving-off so much un-merited pleasure - just to be looked at - in such a dreary world without relief without hope if not for their cunning cuddles, caressing coaxes, carefree cavorting and courting curses!

ARREST THEM ALL and PUT US ALL IN THE SELF-SAME DEN so that we can continue to be harassed by them SANS END !

(c) T. Wignesan - Paris,  2017

Copyright © T Wignesan | Year Posted 2017

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Must You Mileage Chalk Up In Free Verse Speed Way

Must you mileage chalk up in free verse speed way

   For Kim Patrice Nunez*, with hope

Must you mileage chalk up in free verse speed way
Let your wheels skid by letting loose grip on wheel
Free verse range’s for marksmen trained on rondolet*
Dipodic foot pantun villanelle dactyl

Cut their teeth on the slippery run-on-line
Roll their anaepest tongue round limerick rhyme
Do not a ballad begin with aubade fine
Nor drive straight past end-stopped line’s feminine rhyme

Such as painters’ coprophilia canvasses
Hide chance ironic hidden ghostly faces
Cubist abstract surrealist morasses
Whose apprenticeships lead to trumping aces

Far too many poets love the sound of words
Yet shirk bardic tasks speeding on twisted roads


     * Nunez: Sorry, no tilde over the “n” on my Mac. 	
•	rondolet: French pronunciation rhymes with “way”.

© T. Wignesan – Paris,  2015

Copyright © T Wignesan | Year Posted 2015



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Limerick: Once a Senorita From Sevilla - 3

Limerick : Once a Senorita from Sevilla – 3

Once a Senorita from Sevilla
Caught a Cock to make a paella
Paella tasted good
But Cock stayed in bad mood
Crowed all the way down : Mama ! Mia !

© T. Wignesan – Paris, 2013

Copyright © T Wignesan | Year Posted 2013

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Limerick: Once a Brave Laddie At Lake Loch Ness

Limerick : Once a brave laddie at Lake Loch Ness

    for one who calls no one "Monster"
             when the truth may not be known:
           Domino X

Once a brave laddie at Lake Loch Ness
Kept vigil to catch Monster on lens
He shut eye just for once
Monster jumped in one bounce
Took pic and signed it: Loch Ness Goddess !

© T. Wignesan – Paris,  2013

Copyright © T Wignesan | Year Posted 2013

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Variations On the Malay Pantun: the Old Man and the Short Story - Vii-Ix

Variations on the Malay Pantun : The Old Man and the Short Story - VII-IX  Continued

  for Georges VOISSET, the "Master Keeper-Nurturer" of the Malay Pantun

Check out:  www.stateless.mysite.com/Pantouns-20-Aout-2017.pdf

(The pantun line varies between 8 and 12 syllables and is most commonly found in the  anonymous quatrain form. Cf  " Poietics of the Pantun ", pp. 49-67 in T. Wignesan. Sporadic Striving amid Echoed Voices, Mirrored Images and Stereotypic Posturing in Malaysian-Singaporean Literatures. Allahabad : Cyberwit, 2008, xix-244p.)

					VII

The One-Act Play's the favourite Old Men's roman fleuve
Experience shows Old Men how to keep the Wench in hell
They know how to stoke the Imagination with love
They need no how-to softwares to write a novel

				VIII

The One-Act Play they say is still Old Men's mainstay
Though on Freytag's Triangle they slip down climax
The Wench cannot make Old Men still come up their way
Not so the Youngster his horns gore Wench's false syntax

				IX

The Wench always seeks to milk Old Men in side-burns
Old Men know One-Act Plays don't box-office burgeon
Nor drips invested in banks ensure big returns
Not so the Youngster who banks his bit in oven

© T. Wignesan - Paris, November 11, 2018

Copyright © T Wignesan | Year Posted 2018

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Is There An Exclusive All-In-One Principle

‘ In general, quantum mechanics does not predict a single definite result for an observation. Instead, it predicts a number of  different possible outcomes and tells us how likely each of these is. ‘

 
Which side of the Wolf-coin are we looking at

                  the red or the green

           
                                 nothing then is certain

not even death but the life one endures

             
 quarks protons neutrons electrons bosons

particles like men and beings in general

                                             bathe not necessarily in the same lifeless soup

         great teachers or rather teachers with great followings

     those that always attract those who prefer to let others do the thinking  for them

         especially through transcendentally transmitted interstellar telegraphy

                 would want us believe

                                             there’s just This One

  and all comes and goes to That Only ONE

        
If only it were just as simple as that

Then what is it that This One wants

Or is It caught up in its own caveat

And must of needs come apart

        on the seed that It alone plants

 
                           and do what we may

   nothing goes wrong

            whatever the explanation

everybody is right

right from the start

 

         Big Bang from a tight-fisted unfurling hand

         Big Crunch to a crushing tightening stranglehold

and out again

         for the Brahma Day

and after aeons the Brahma Night

 
And at the stillstanding blackhole singularity

         neither space nor time

            squeezed in and out

Birth as in Death

An eventual point of total extinction

        if ever there was one

 
Yet always the two extremes

      and the ever-changing in-betweens

Matter versus Anti-Matter

Here the Yang is not lkely to be set againt the Yin

Though matter itself is neither

Is nor Is-Not-ness

         And the 96% Dark Matter

          And the infinite number of parallel universes

Does it really matter

                                        when

 
         ‘ … if you meet your antiself, don’t shake hands !

            You would both vanish in a great flash of light.’                   

 
Vanish into what

                                    Dark matter

or just non-dark matter

 
Still the duality of matter

Still the ever-changing conundrum

 
              Everything moves jostles couples alters reproduces destructs

        self-destructs
 

         ‘Sex is emotion in motion.’

 
Emotion erupts

           into thin air

      into where

Dark air

 
Motion disrupts

         and roots one here

      tied to the lunar year

 
       why should it matter

if we cannot know the reason why

ego id libido

drive faith fame femme father future

 
if super/alter ego connects the ego

       to the collective unconscious 

     
       why drown the self in the Great Self

by wilful act

       when the Ultimate One

is the sum of all the little ones

 
Is the Original One incapable of absorbing all the ones

each of whom must move to eat drink sleep

copulate make money grow roots in a society

get and fight to keep a job

make love marry raise children

struggle to keep one’s wife one’s children        

one’s house  if one can get one

one’s career one’s future

and helter-skelter race to cheat death

 
If it’s the self-same thing that’s being born anew

What does it matter if it keeps changing in view

Of the desperate haste with which everything

We see smell hear feel intute sense

Keeps hurtling away from the Ding an Sich

And leaves us with a parochial Milky Way

Bastardised stealthily by grandiose Andromeda        

Left retrograded entwined within measely galaxy clusters 

Through some trillion cataclysmic light years

 
What’s the impulse to keep moving

Is the yogi’s stilled-centre

The death of all action

Which cannot call for a reaction

Or is the art of keeping still

Merely the art of making belief

 

          ‘…actors act out the pun that life is the art of acting

until your performed role becomes your normal character.

Then you are safe inside your character armour.’

 

As soon as you have thought It out

It turns around and re-structrures Itself inside out

                 and you know just why

                                                               don’t you now

 

References to the quotations

Stephen W. Hawking, A Brief History of Time : From the Big Bang to Black Holes, London-New York, 1988.

Ibid.

Attributed to Mae West.

Eric N. W. Mottram,  « Men & Gods : A Study of Eugene O’Neill », Encore (London), 1963.

I’m not sure the « re-structuring » bit at the end comes from
Steven Weinberg or John Gribbin, or perhaps even from Fred Allan Wolf ?

 

© T. Wignesan – Paris, 2005 ; rev. 2012. From the collection : Poems Omega-Plus, 2005.

Copyright © T Wignesan | Year Posted 2012

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Gerard Sekoto, In Memorium: 1913 - 1993, Part Three

 [Poem read at Sekoto’s inhumation ceremony at the Neuilly-sur-Marne-93 Cemetery, near Paris. Channel 4 in London recorded the reading as they did the funeral rites in the presence of his close relatives come from afar for the nonce and based their documentary - as far as I can tell - on my lead cover article on the South African self-taught painter and musician Gérard SEKOTO, published in The Journal of Comparative Poietics, Vol. 2 (Paris), 1993. Both the article and the poem were re-published in my book on “poietics/la poïétique”, entitled: Poietics: Disquisitions on the Art of Creation. Allahabad: Cyberwit.net, 2008, 214p. There ensued a general scramble for his canvasses at the Maison des Artistes where he was lodged in his declining years, and even the sketches he gave me for publication disappeared from my studio.]  


                                 III

Long are the years you have lain your easel down
Longer still the sun at Botshebelo burnishing your skin

In the soft autumnal retreat of your heart
You could still hear children playing in the mission station
You saw with what glee they jigged in Sophiatown
And bled for your brothers enchained in District Six

Away in the quiet slumber of a land you loved
You wrought the blazing colours of a secret rage

        of man's will thriving in his limbs
            of an enduring passion for hope
in the dance of stoic joyousness
    in the embrace of a Mandela

Not a shaft of light escaped your hunt for
        traces of your childhood
                                             nor
were lost the spare airs that filtered through shanty-towns

Your world was a world of people
                                        simple people
going about their chores with premeditated caution
      oppressed people
endowed by need with the guile for survival

People for whom you lived
People who live on in your veins
      uninterred in your carved canvasses

(Poem read by the author at Sekoto's funeral in Neuilly-sur-Marne, France)

(c) T. Wignesan, Paris - 1993. (Pub. in the Journal of Comparative Poietics , Vol. 2 & 3 (Paris), 1993 & in Poietics: Disquisitions on the Art of Creation. Allahabad: Cyberwit.Net, 2008.)

Copyright © T Wignesan | Year Posted 2012

123

Book: Reflection on the Important Things