Long Metaphor Poems
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The people surrounding me keep asking “why are you going back and forth uneasily on the empty stage shedding crocodile tears, and telling the stories of negative effects on others, though you are not of a man of faculty who is even able to produce a theory comparable to 'Blind Will of Universe', one of worst hypothesizes a man can think of.
It’s because though,
when a worldly-minded snob shouts from a podium
“you should have a positive attitude,” while displaying
his resume proudly with the title that is little-to-do with his personality,
his limited academic background that barely conceals the lack of intelligence, and insignificant accomplishment with somewhat concocted experience hiding his real being and thought, he receives respect from the audience who fascinated by every movement the snob makes in the form of applaud with standing ovation, I was always treated badly from audience, fed only by unwelcome astringent fruits of rejection and drink bitter tasting water sprang from unwanted rotten roots to quench my desire…
And that’s why the course of my reasoning became negative,
and, as a natural consequence, no matter how often you may say
to the audience “you ought to be a person of positive attitude,”
since there are more negative aspects surrounding us than
the positive elements, and that’s why I was accepted by
others negatively. More importantly, I was treated negatively
from others simply because reality goes before me.
Although positive thinkers boast themselves as if their thoughts are
sound and healthy, by saying that the water in a cup is half full;
negative thinkers sigh with a defected air and say that a cup is
half empty. However, it doesn’t make any difference how you think,
men’s thoughts cannot surpass the physical phenomena
and, therefore, a half is a half, no more nor less than a half.
In the boundary and limit is as such, whether you like it or not,
men have to go on the path of their own destiny.
Then, why does everyone has to have a positive attitude? I suppose,
that is, not more than a writhe of the men who won’t admit reality
in desperate agony. That’s the self-gratification of men
who are not able to face the facts as they are.
[The irony is, nonetheless, man is able to bear and raise a baby
by an act of self-gratification. It’s amazing, the world is a place
full of wonders.]
Vivid flashbacks from bloodshed battles
his soul still ravaged by devious dictators,
cries from fallen comrades still echo in his mind,
but he continues to walk upon a path of pandemonium.
Reluctantly he ventures forward with
vengeance portrayed through embers
engulfed within his frenzied eyes -
reflecting his mother's irreversible tears.
He is no mercenary nor a moneymaker,
just a repentant drifter, preparing for bedlam.
His purpose in sight, he closes his eyes,
but struggles to erase his thoughts,
as the sins of his ancestry inflict his mind.
Angels attempt to light his path with harmonic chords,
but demons cause havoc strumming broken strings.
Entering the kingdom of dry fountains,
where God has no influence,
he is afraid to inhale its corrupt pollutant air.
Charcoal clouds rumble,
before horizons shed unwelcome tears.
Before him platinum priests preach,
as court jesters dance with sly grins,
hiding metaphorical daggers behind their backs.
To his right overfull hospitals have no beds,
as penniless patients plead to be cured.
To his left the self proclaimed vain king
sits on his cardboard throne,
throwing dollars into a blazing fire place.
To his side his tyrannical hypocritical queen
hides behind her simulated smile,
oblivious to her narcissistic prince's incest desires
towards her clueless imbecilic princess.
It's an endless loop of greed cultivating corrupt seed,
which continues to breed nefarious creed.
Miserable masses attempt to break free,
but their liberation is dissected by cretinous henchmen.
In the marketplace of Machiavellian thieves,
merchant pawns auction fragmented dreams.
Sold to the biggest idiot!
His eyes full of disbelief, now rage with anarchy!
Intoxicated knights raise their half empty glasses,
as he calmly walks into this man made sand castle.
Gifts the cunning conniving cook some cyanide,
which he empties into his delectable broth.
Both watch as the elevated ones savour it like dogs,
perishing dramatically to their deserved downfall.
Beyond his childhood playground,
now with rusty swings and slides,
he places a crimson rose upon his mother's grave,
kissing her untouched headstone.
Expressionless he walks into the distance,
as storms wash away weak foundations.
Silent One
25 July 2018
* For basketball legend Kevin Garnett *
~
intensity ... defined
excuses were for gods and gamblers
(lesser giants with fairer feuds)
HE ... was of a wholly-invested mettle and mind
the conscript of a checkered court
dauntless defender of glass and lattice
and the pride of a kingdom
grand and green.
chilled steel above
warm wood below
the thund'rous awe
each mightied blow ...
adversaries wept for his fervency
ability, focus, effort ...
at levels unequaled and as yet unseen
a vitality and resolve
that at times seemed immeasurable
expecting the utmost from his confreres and allies
yet far MORE from himself ...
of rare devotion to his cause and kind
a jaded gypsy who had found his home and heart -
the hallowed ground
worthy of his marrow and blood.
one honored hub
a stronghold land
worth ev'ry wound
each knuckled hand ...
he was clad in shining-yet-simple armor
- béni avec cinq -
that he wore with a generation's honor
and wielded a sword of sinews and strength
noble and knightly, but of ferocious intent
with a dignity, dark ... outspoken
mindful, selfless ... monstrous and mad
the grace and guile of a mongoose
with the hiss of a snake ...
the childish charm of a leprechaun
with the wild howl of a wolf ...
and a heritage that coursed his veins, veridian.
those demons, green
that spurred his dance
brought each his foes
naught e'er a chance ...
his fortress now stands empty
but the ramparts still tremble with his ire
the ether within those sacred walls
yet echos his roar
and strains to press a cheek
all for the sake of his standard and spoils
and thus, soon ...
yes, soon enough, indeed
those rafters will roil with a banner his own
and a kingdom, blessed, will bow in reverence
for his consummation and creed
and the green blood that still stains his flesh ...
and those proud parquet floors.
one day that land's
bright sun may set
still, flames will burn
the name ... Garnett.
~ Honorable Mention ~ in the "Completely Your Choice 2, Any Form, Any Theme" Poetry Contest, Brian Strand, Judge & Sponsor.
Did Shakespeare ever fall in love?
A rose by any other name would
stink as sweet!
What would Y'eshua say if indeed
Magdalene was his favorite disciple?
What miracles would he impress her
with
So as to savor her forbidden apple?
O woman!
Is that why god made you last of all
nature's enviable beauty?
If before he said let there be light
You were the first thing his devine
eyes saw
I bet creation would have been a
different theory altogether.
If love at first sight was a figure of
speech
Then I swear I love you like a
metaphor
And your smile is a typo
They meant to say a simile
I will kiss your face like a blank page
And my lips will be the tip of my
pencil
Drawing drooling hieroglyphs like
the hand of god
Inscribing Ten Commandments of
Love
On the tablets of your breasts
Because my name is Moses
A stammerer on a voyage to save a
lonely soul
From the shackles of cynicism
On love affairs.
I would love to laugh while making
rough love to you
On the dark floor of my solitude cell
Where torn pages of amatuerish
poems lay as a carpet
Because you are my words:
Maybe your face is the sky
And your eyes are the stars
Maybe your laughter is a symphony
Of a million harps from a million
virgin angels
I have written about love a million
times
And still you remain elusive
A mystery
Are you an acrostic;
So each letter tells your tale?
Maybe a couplet or limerick?
Are you a sonnet? Or a ballad? Or a
metre without a rhyme?
Maybe you are a mere syllable I
mumble at every sudden ******.
Your body is a symmetry of regular
ryhthm
Consumate from five to seven
And back to five
Haiku:
Japanese poets should build a
pedestal for you
And all lustful lads
Should come and slink the slank at
your feet
Indeed lady,
Your gait and pride and smell of
shaven armpits and eyeballs might
make a eunuch have an ********
And that to me
Is amorous injustice!
Tell me,
What can a scribe do?
When all I write about is human
weakness
And wickedness?
When writing to me is an escape
from adjectives I can't utter over a
cup of coffee?
To me,
The strand of your hair alone
Deserves atleast umpteenth stanzas
of praise
A prerequisite.
If I say I love you
Will you giggle at my palpability?
Why bore you with parables
When all you yearn for is a touch
And forever?
I will say no more.
The poem "VANTABLACK" exhibits a profound exploration of emotions and existential themes. As a poet, one would appreciate the nuanced use of language and the depth of introspection conveyed through the verses.
The title, "VANTABLACK," immediately draws attention to the darkest substance known, emphasizing a profound sense of darkness or void that permeates the poem. The tumultuous street and the notion in flight evoke a sense of chaos and uncertainty, setting the stage for the emotional journey that follows.
The poet skillfully employs imagery and metaphor to convey the complex emotions experienced. The notion that "hastens in haste" and then "averts its gaze" suggests a fleeting and elusive quality, mirroring the transient nature of emotions. The descent of the heart's echo into a "crimson abyss" hints at the depth of emotional turmoil, perhaps symbolizing pain or longing.
The lines "Your name, I called, yet emptiness replied" and "A bloom of yours, I drew, withering away" express a sense of loss and unfulfilled connection. The act of calling a name and drawing a bloom implies a desire for presence and beauty, but the responses are characterized by emptiness and withering, adding a layer of melancholy.
The exploration of choices in the lines "Life's lines extend before me, To choose, where your love resides" delves into the existential theme of navigating through life's possibilities and seeking love. The word "resides" suggests a search for a meaningful connection within the vastness of life.
The recurring ritual mentioned in "This ritual unfolds each day" implies a cyclical nature of introspection and perhaps a daily struggle with emotions. The poet peers within, describing it as a "melancholy abode," suggesting that the internal landscape is characterized by sadness.
The concluding lines, "Where my heart, a vantablack canvas, remains," encapsulate the essence of the poem. The heart being a "vantablack canvas" signifies an emotional void, absorbing and reflecting no light, emphasizing the depth of emotional darkness or emptiness.
As a poet, one might commend the poet for the rich tapestry of emotions woven through carefully chosen words and metaphors. The poem invites readers to contemplate the complexities of human emotions, the ephemeral nature of connections, and the existential quest for meaning in the face of emotional voids.
When I looked in to her eyes,
In it I saw a prospect of a paradise.
A paradise whose entry was not
contingent on my righteousness.
My days of startling agony, still battled my
hope of finding true love.
Like the Battle of Armageddon,
I always came out a looser.
But meeting her... yea the Vault of Heaven,
was like proximal to the Book of Leaves.
Her countenance and demeanor,
whispered melodic symphonies.
And her meekness and charm,
transited me into a world of ecstasy.
Covered In fine linen and sapphire,
she glowed than a continuous spectrum.
Her beauty was an Achilles hill,
that all men that saw her failed to vanquish.
Just like my maiden father Adam,
In her I saw the hidden part of me.
As a woman, as one I will be spending my life with.
I have never felt this conflagration before,
It was apparent she was my dream woman.
What can be compared to the taste of crimson honey,
The more it reddened the more it sweetened.
I have never loved like this before.
For her I was willing to exchange my soul,
To be with her till eternity.
But cunningly she unmasks her real face.
Beneath her could not be compared to an iota of grace.
She was a wolf in sheep’s clothing.
Who entered my life to distort and annihilate,
My hope of bliss.
All these while we paddled and flew high,
In the crescendo of our emotions.
It never crossed my mind that it was all a hoax.
A calculated sham just to make away with all I ever had.
Now am left with nothing,
Since her angelic face and docile pace,
Which I thought was the elixir my unending conundrum,
Was rather an emotional and psychological torture,
That has rendered my life defunct.
When I imagine her driving around town,
Adorned in my hard earned luxury,
There is only one moment I wish ,
I could re-write.
And that was the day I met her.
I always tell myself that sometimes,
It is better some people don’t come into your life.
But here I am know,
Wishing to right my wrongs and alter the past.
But it is so sad that I cannot have my way.
I know in the annals of time,
When my saga is being told,
I will be know as the moron,
Who killed himself because of a girl.
Though it may sound and look stupid,
I deem it a befitting penance,
For my obsessed illusion of love,
Thus love is an illusion that,
Emotionally disrupt sober discretion.
What can be compared to the stench of a broken heart.
In all honesty,
I never learned your name.
I didn’t need to;
The look in your eyes is your name
Like fireflies, they twinkle and glimmer your name
A name I love saying
The way you stare at me
It’s like I’m the color yellow,
And I’m painting away the grey of your world
That’s what you tell me
As my head rests in the crook of your neck, and your fingers trail up the bare of my hip
You’re yellow, and sunshine to me you say
And I’m grey like a pebble, soaking up your rays
I laugh
But grey is my favorite color I tell you
It’s the color of the skies on the days I’m tucked in your arms, because its too cold and wet to go outside
It’s the color of my favorite blanket that I keep under my bed
Its only for special occasions
When I need to cry and shake and let the dreams of the night know I’m not okay
You’re not just for special occasions though
You’re for every occasion. Every fight, every dance,
Every laugh with my head thrown back and my fingers tightening around you for purchase because laughing with you is like an ******, it breaks me, it builds me, it loves me
Even when you’re not here
I still think of you
I sit you beside me, and tell you thoughts, even when reality speeds around us, and you’re not really there
Even now I can sit you beside me
And trace the figures of your love with my eyes
Black hair, straight and deep. Sometimes short, sometimes long; I can’t choose, you’re beautiful either way
Brown eyes, deep like the dirt flowers and dreams can only sprout in, that burn like the hearts of spinning stars
Tall, and I hate it, but you always use it to your advantage to capture me tight
I lied
I love it
Long fingers, and you pluck secrets and whimpers from me like notes from a harp
God, I love them
God, I crave them
You’re my all dreams bundled into one, my opposite, my piece of the puzzle, my favorite melody, my infinite addiction
I can’t live without you
A day that goes by without you is another breath stolen from my lungs but what can I do because you’re not even real
Like Pygmalion, I’ve fallen in love with my own mind’s tortured creation and now I can love no one but you
I can stare at no one but you, and when the night falls, I can go to no one but you
To Orsino, how can you say women can’t love like men?
I’ve fallen in love with a woman and now I’m dead.
September 25, 2018
Placed 1st in Contest
rain shine so divine
sprinkle blessings kissings wet ~
feet in leather boots
~~~~~~
Rain-shine sound patter
mad hatter
Alice lost in whimper drops
coatless with Rabbi Rabbit
ruling
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a fleet of SHIPs
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RAIN AGAIN bleat bleat
SODDEN EARTH
joyful mirth
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The sun peeks his face out from the passing wind
still chilly and cold, and in this air the tree branches
stretch their arms to hold the sun as if sails on the deep and gray sky
The sun that is out of reach of a hand
may be a hope; no, it ought to be a hope
One night I saw a wayfarer, becoming a moonbeam,
going toward April stepping on the footmarks March
has left behind
Although he has gone through so many hills and high waters
with a knapsack on his back that was full with the countless
sentiments he put in it for pity’s sake, the sack was emptied;
for the lapse of time makes things wear and tear
his garment was worn to rags, and when the wind
passes through it penetrates the garment to chill the bone
The deep anxiety he is unable to shake off, and therefore,
reflected on the running water murmuring through the field
as ripples of moonbeam, which is not from the fleeting of time
or his sufferings while he was walking among the foes, but because
he is sorry for and worries about friends he has to leave behind
The friends, not many in number shared his happiness
at the time of banqueting, surrounding the table though
plain and simple, abundance in God;
at the time counting the falling stars lying on a stone pillow
by the gap between rocks. The friends, not in damnation but
in endurance and warmhearted understanding, talked about better day to come while burning the passions in the bone fire on a day when they were wet and shivering in early spring drizzle
For the days he was with his friends were too short,
it caused him an embarrassment in counting the days,
yet they were unforgettable moments of joyous and happy experiences
As he walked through the field with friends he talked about tomorrow
standing on the hill top side by side, he asked them to pray for him,
sitting on the sands by the water he sighed for he has to leave
the friends, the sweet and bitter memories behind
Nonetheless, he cannot just stand by a roadside as an emotionless stone,
he crosses the hill under the shade of a waning moon, and when
the humble hearted teary-eyed wanderer blooms as a lily on the other side of
the hill in dawning, the sunray fall on the lily on the dew
as hope to those who remember him, as happiness to the friends
he left behind, as the covenant of the Lord to all who trust in him
Snakes And Mr. Baines
By Curtis Johnson
The phrase, “A snake in the grass”, has often been expressed toward certain individuals. Such a powerful and direct metaphor of treachery, is it not?
Among the first stories ever heard by me involved a snake that was up to no good.
Perhaps from that point, my opinion of snakes was sealed, and I have avoided them if I could. Growing up in the country, I saw them occasionally, but was not unduly afraid of them. Because of heavy chemical use on the farm, being bitten by snakes was probably slime.
I had lots of friends, lots of freedom, and a good dog name Jack.
We hunted for blackberries along the banks of the railroad tracks. We roamed the country sides, and played fearlessly in the grassy weeds. We had things to do and places to go, and never any time to worry about snakes.
There’s a wild kingdom out there, and may all of God’s creatures survive and forever be. But the hissing, crawling, rattling, and the twirling are out of my comfort zone. Nevertheless, there’s a place for snakes, as long as that place is away from me.
I once saw a snake curled up in a bush. Nearly touching him, I was startled.
My boss and I were gardening. With little concern, he said to me, “He’s just a chicken snake”.
Whether chicken or king, rattles or moccasins;
Whether harmless or causing deadly pain, I prefer to keep my distance all the same
My father had a friend who lived just up the road from us in a big house.
He looked mean and sometimes acted the part, but I liked him and thought he was brave. He was one snake slinging man, and I was his biggest fan.
Back then, if my father’s friend Mr. Baines saw a snake, he’d grab it by the tail, sling it around, and pop its head off. But the world has changed; wild life is well protected, and many things have been banned. How sad, is it not, that there is not a ban on “snakes in the grass”? Perhaps the day will come when they can be caught and have, not their heads, but their poisonous venom popped out of them. Meanwhile, we best keep avoiding all snakes; and I do miss Mr. Baines.
Cj08052015