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Long Evil Poems | Long Evil Poetry

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Long poem by Gary Bateman | Details |

Rosalia - The Evil Black Witch of the Harz, Part Seven

Rosalia - The Evil Black Witch of the Harz, Part Seven

The Final Days:  Rosalia’s Death and Destruction
In the wake of such evil, debauchery and depravity what can be said now in the case of Rosalia?

Now in her mortal form the old black witch no longer had the unspeakable power of hell-spawned evil at her instant command. In spite of the victory of the power of goodness and light and the attenuation, if not the dissolution of witchcraft in the Harz, the memory of who Rosalia was and what she had done could now begin to be eased somewhat from the minds of local people and the clergy. But the memory of Rosalia and her evil could never be forgotten.  How could it be otherwise?

After three months of confinement in the dungeon at the Burg Worlerede, a fortress castle, very near to Cloister Marten in the Harz, Rosalia was eventually tried and convicted in a special church court convened at this castle to try cases concerning witchcraft and sorcery, which were beyond the normal jurisdiction of civil courts. Monseigneur Wolfgang Augustus Hardenberg of Cloister Marten was the residing church chief judge with four priests in his assistance serving as subordinate church judges.  One civil magistrate judge from the local Harz provincial government participated, in an advisory capacity, with the five church judges in these special judicial proceedings against Rosalia.

Everyone in attendance at the witchcraft trial of Rosalia knew what the outcome would be. With that said, the testimony of her victims on public record dragged on for several weeks, to include the final interrogation and confession of witchcraft and supreme evil doings by Rosalia herself.

In her rebuttal statement to the assembled church tribunal, Rosalia actually gained some of her old fire back as she spoke to the group—in a taunting and derisive manner. Rosalia showed no remorse whatsoever for what she had done and perpetrated upon others. She still renounced the Almighty Lord God and did not ask for his mercy and forgiveness. Her love and passion for being and existence was still with her god, Lucifer, who had forsaken her at last in her hour of need during All Hallows’ Eve and the Black Witches’ Sabbath. 

As easy as it might have been at that moment to pity such a pathetic and revolting creature, Rosalia’s hurtful words in complete defiance of God and her taunting mockery and snickering at the victims of her black deeds were beyond the pale of any shred or strand of human decency.

At the conclusion of Rosalia’s rebuttal statement, Monseigneur Hardenberg announced the verdict and sentence of the special church court:

“Rosalia, Black Witch of the Harz and Purveyor of Lucifer’s Evil on this Earth, you are hereby adjudged by this special court of being guilty of the practice of Witchcraft and Sorcery, and the murder of untold numbers victims over the centuries to this present one, and for the malicious corruption of your victims’ souls as they died in torment and faced the reality and agony of eternal damnation. And your acts even against young children and babies are so unspeakable and abominable that they readily defy any iota of rational understanding in our human society here on Earth. All these actions reflect your absolute depravity and lack of regard for human life, and they defy directly the teachings of our Lord and Savior, Jesus Christ. All of your transgressions have been entered into the final record by this assembled court.”

“As a priest and a man of the cloth, I would normally ask the Almighty Lord God to have pity on you and your soul. But you have no mortal soul since you have been in very long service to Satan himself. Once more, you have committed the ultimate sacrilege by renouncing the Almighty Lord God yourself.”

“Therefore, there can be no plea of mercy or divine forgiveness rendered for you by this court on your behalf.  Your final fate and disposition beyond the reach of this court lies ultimately with your master—Satan.”

“It is therefore the judgment of this court that you Rosalia—Black Witch of the Harz—be taken on the next morn’ at dawn to the gallows specially constructed here at Worlerede and this is where you shall be hanged by the neck until pronounced dead, and then your mortal body shall continue to hang for three days on public display, for all to see, and then your mortal body shall be burned by fire while it is still in its hanging position. Your mortal body shall burn until it disintegrates into nothing but fine burnt ashes.”

“In God’s name, this is so adjudged and it shall be done!”
As Monseigneur Hardenberg finished his verdict and sentencing, before Rosalia was to be bound and shackled for her departure from the court, he asked her if she had any final words for the court.

At that very moment the wily old hag became extraordinarily animated, and in a wild-eyed uncontrollable manner, jumped high into the air with an energy she had not possessed in a while and made this very provocative pronouncement to the Monseigneur and all concerned:

“Monseigneur you may have me hanged and burned into nothingness, but I shall once again triumph with Lucifer’s will and power behind me for I lay eternally in his bed and seek not Jehovah’s forgiveness and the rapture of Heaven. My Master will restore me once again and resurrect me to return and execute his evil deeds once again here on Earth. It is I who renounce you and all the people assembled in this court. I renounce what all of you stand for. I curse all of you forever, and I shall be there at the very Gates of Hell awaiting the day when I can greet all of and condemn you to eternal hell fire and damnation on my Master’s behalf. A curse of death and eternal damnation be upon you all, and all of the relatives who follow you for future generations to come!”

End of Part Seven

Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)

Copyright © Gary Bateman

Long poem by Gary Bateman | Details |

Rosalia - The Evil Black Witch of the Harz, Part Four

Rosalia - The Evil Witch of the Harz, Part Four

Rosalia’s Date with Destiny and the Power of Light and Goodness
It is said that the Almighty Lord God works in very mysterious ways . . . 
meaning that even an all-powerful witch like Rosalia had her Achilles’ heel, and could lose her sheen of invincibility in certain instances which date back to the earliest clashes between Good and Evil at the outset of mankind.

With her perfect cover working in a local village Inn near the Brocken, Rosalia could plan, plot and scheme her witchcraft activities at will 
when meeting unsuspecting villagers and outside visitors alike—
giving her near-unlimited control in shaping the very course of events.
Fate would have it, however, that one event would challenge and alter Rosalia’s perfect cover forever . . . 

One day a young girl—named Aurelia, who was barely 15 years old,
visited local village relatives while traveling near the Brocken.
Aurelia, who was quite intelligent and mature for her age was also a 
close relative of the regional church Monseigneur, Wolfgang Augustus Hardenberg, and she was part of a traditional German catholic family. 

Aurelia was a rare child indeed, endowed with “Heavenly Eyes”
from her eternal soul at birth which gave her a unique, unusual gift 
of sensing and seeing the true nature of the men, women, and children
as they came into contact with her . . . without them realizing it. 

Aurelia, with this fantastic gift, was truly one of God’s children,
and the antithesis of Rosalia and the incarnate evil she represented.
Aurelia’s family was fully aware of God’s favor on their daughter
and all of the goodness and light she shared with them in the family.

Aurelia was also quick study; she was endowed with an unusual ability to absorb, understand and remember vast amounts of information and detail.
And while attending religious schools, she demonstrated an exceptional proclivity early on for learning and mastering classical foreign languages. 

Aurelia too was a centuries’ old soul like Rosalia, but whereas Rosalia embraced the Dark Side, and was the very manifestation of evil and debauchery; 
Aurelia embraced the Light and Goodness of the Almighty,
and was one of God’s angelic souls destined to do his bidding in the continuous titanic struggle against Lucifer and his Dark World minions;
she was truly a “Princess of the Light” and a “Precious Child of God.”   

With this in mind . . .
On visiting the local village Inn with relatives one afternoon for lunch,
Aurelia immediately felt the presence of a specter of evil and foreboding.
And this specter was, of course, none other than . . . Rosalia.
Beyond her perceptible sensing and feeling of pure evil,
Aurelia was able to make momentary visual contact with Rosalia,
and with her God-given heavenly vision glanced the true image of Rosalia,
which filled her at once with undeniable dread, fright and revulsion
at the terrible visage cast by Rosalia among her unsuspecting relatives.

Aurelia was in luck since Rosalia felt no reason to suspect her, thus paying no attention to the young girl with her relatives.

Aurelia’s God-given power shielded her from Rosalia’s attention,
at least for now . . .  
From the encounter at the village Inn, Aurelia knew that some of her relatives were already marked by the witch.

After the visit to the Inn, Aurelia immediately informed her unsuspecting parents of the evil incarnate she sensed and discovered at the Inn.

Time was fleeting and quick action would be required to corroborate this event. It was already Monday, and on the upcoming Saturday, which was All Hallows’ Eve on October 31st, Rosalia’s Coven was set to conduct The Black Witches’ Sabbath in celebration of the Devil himself. This evil Sabbath event was done twice a year with the one preceding All Hallows’ Eve occurring on April 30th on the Great Sabbath of Walpurgis Nacht.

The preparation of the Black Witches’ Sabbath would include black rituals and both human and animal sacrifices with the invocation of the Vespers’ Prayer Preparation for Black Mass, followed by a 24-hour period of preparation by the Coven for its next attack on the local villagers.

Riding horseback to the Cloister Marten in the Harz some 20 kilometers away, Aurelia’s father traveled there with two close trusted friends to inform Monseigneur Hardenberg of Aurelia’s unexpected discovery of the infamous and evil Black Witch of the Harz known as Rosalia. 

On hearing of the discovery of Rosalia and her masquerade in human form,
the Monseigneur instinctively knew that immediate action was required, 
and that the very lives of the villagers and their eternal souls were in the greatest of peril.

An immediate meeting with his council of priests at Cloister Marten was in order; there was now a chance that Rosalia and her Coven could be finally 
destroyed forever. This chance event had been a long time coming and the Monseigneur knew that they must not fail.

The Monseigneur also knew that God’s avengers must act smartly . . .
Rosalia was a virulent evil force not to be taken lightly nor underestimated.
Many priests and their parishioners had already succumbed to the Devil 
and his Dark World of eternal damnation, courtesy of Rosalia.

The Monseigneur would need Aurelia’s help in finding Rosalia’s Coven,
and he realized that he and his priests must prepare for the greatest test of their faith, as they contemplated their plan to destroy Rosalia and her spawn of evil.

The Monseigneur understood all too well that to face down Rosalia was almost the same as facing the very Devil himself.

The Monseigneur and his priests must be swift in their vengeance against Rosalia in the name of the Lord, and that a second chance may not be in the offing.

End of Part Four

Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)

Copyright © Gary Bateman

Long poem by Jack Clark | Details |

The Beast of the Cave

When I was young, and adventure routine,
With excitement and newness still unforeseen
I was eager to spread my wings to the world
And seek more adventures as those wings unfurled

Within my long travels I happened to meet
Two other men, with friendships replete
One was named Beckett, the other one Flynn
And better friends there never have been.

We’d been together, ‘t was our sixth year,
And still our adventures made us cohere
To every madness – to every rave …
Until we decided to enter: The Cave.

With our ropes and lanterns and other such gear
It was into The Cave we then disappeared.
The light from our lanterns speared into the dark
We spoke very little - made no remark.

We found a small dry spot and then we assessed
This was a place we could stop now to rest.
I set down my lantern, and took off my hat,
When Beckett said: “Hey.  Did you just hear that?”

I moved not a muscle, and my ears went to strain.
All I could hear were cave droplets, like rain.
Then … from The Cave’s bowels came a loud din
I continued to listen – then heard it again.

We looked at each other, but said not a word
Confused and startled by what we’d just heard
It wasn’t a moan, it wasn’t a gasp
But more rather like a guttural rasp

Then from The Cave’s deepened black hole
Came again sounds from a source with no soul
The sound was menacing, and one I despise,
I watched the fear grow within my friends’ eyes.

Instinctively then, we three moved as one
In that instant – our re-ascent had begun
I had been last in the line coming down
But first in line in this turnaround.

The lamp on my hat pierced through the black
And I looked for our markers to lead us back
To save our strength, nothing was said
Again - that loud sound which filled me with dread.

Somewhere behind me, then snarls I heard
Loud and vicious, run together and blurred
Close … so close … the Beast was so near
Adrenalin rushed through me to react to my fear

‘T was then I was hit by an overpowering stench 
My stomach turned and my bowels went to clench
The odor blew past me, and I knew t’was the breath
Of the Beast of The Cave – its’ stench of Death.

I was near running, but down on all fours
Sweat was streaming from all of my pores.
Then I heard those terrible screams
The ones I keep hearing in all of my dreams

It was Beckett I knew in his shocked agony
Midst the snarled snapping of jaws I can’t see
I heard bones cracking and squishing of flesh
And my fear within gave new strength afresh

My fingers were raw from grabbing the rock
But on moving forward my mind had its’ lock
My stomach still queasy from the stench of the beast
I knew it was finishing its’ beastly feast

I screamed: “Flynn!  Catch up to me!”
But took not the time to look back and see
For the beasts’ crashing against The Cave’s face
Told me it neared – and was upping its’ pace

In less than an instant, Flynn was there too,
His face in my hat-light was of a strange hue
And as he helped me get back to my feet …
Flynn turned around – t’was the Beast there to meet.

The stench overwhelming, but the sight was much worse
There standing before us: The beastly curse
Of layered scales in shades of dark gray
The rest of its body concealed in umbrae 

But its’ eyes … its’ eyes … I’ll never forget
Rheumatoid yellow, and deeply inset
Its’ reptilian lids blinked just one time
‘Fore its’ lips peeled back - revealing the slime,

Glistening yellow over dagger-like teeth
Then oozed from its’ mouth to fall there beneath.
The beast reared up, we then saw its’ claws
Sharp and deadly within its forepaws

Towering above us, no sound the beast made
On beams of our lights had his gaze stayed.
Unexpectedly Flynn then turned to face me
… With less blinding light, the beast could again see

Why Flynn had turned I never will know
For the beast bit him in two, at his torso
And I was looking at Flynn – direct in his face
When the beasts’ bite his life did erase.

I screamed, and instantly away did I run
Away from the beast, and dead companion
Through the price of Flynn’s life, more time had been bought
To reach The Cave’s entrance – the goal which I sought

I heard its’ clawed talons scraping the wall
And prayed I’d not again stumble and fall
Then, up ahead, a small opening I viewed
And I saw my chance, to hope there exude

Twelve feet … six feet … then it was three
But the beast and its’ stench was there behind me
I dove through the rock-opening, scraping my head
But better that injury than ending up dead

I was elated, and about to rejoice
I then heard a scream – it was my own voice!
In my leg erupted intense blinding pain
Looking down I saw the bloodstain

My leg, through the opening, still was stuck out
There was but split-seconds,’fore I’d lose it no doubt
I pulled my leg back, and in but a flash
My shoe was removed by a clawed talon slash

I crawled back from the opening, then I could see
My wound was deep, from ankle to knee
Then suddenly through the opening came
A clawed talon whose aim was to maim

I quickly withdrew out of its’ reach
As claws shot through the openings’ breech
The opening too small for continued rampage
And the beast began then to voice its’ outrage

Its deafening roars assaulted my ears
Echoed Cave chambers and to my mind did adhere
I began attending unto my grave wound
Knowing I now was no longer marooned.

Another two hours ‘fore I crawled out The Cave
And many more days ‘fore I’d shed the shockwave
Of what had transpired, and what I had seen
But my damaged leg was lost to gangrene.

Now sleep evades me, for my horrible dreams
Show beams of light, and unearthly screams
Of Beckett and Flynn and The Cave we were in
I know tonight, I’ll re-live it again.

So, now you’ve the story, you’ve heard the deed
I swear is the truth I’ve herein decreed
And Beckett and Flynn are enslaved in their grave
And I lost my leg to … The Beast of The Cave.

Copyright © Jack Clark

Long poem by Gary Bateman | Details |

Rosalia - The Evil Black Witch of the Harz, Part Two

Rosalia - The Evil Black Witch of the Harz, Part Two

Rosalia’s Instruments of Evil and Debauchery
Rosalia needed certain tools or instruments of evil and debauchery to successfully pursue her nefandous plans of bringing the people of the Harz countryside under the dominion and control of the Devil. The following instruments could be construed as weapons in and of themselves and were integral to Rosalia’s practice of Witchcraft and Sorcery, and were central to her fervent desire of accomplishing this dastardly goal as she actively sought to corrupt and destroy the souls of her victims. Her bright gems of evil and debauchery included:
As Rosalia expanded her power, control, and influence among the people she became involved in Necromancy, that is to say, the art of predicting events by communicating with the dead. She would use her channeling efforts to enter the spirit world, and in an act of true malevolence, would prompt her spirit contacts to conjure evil dreams and have them pervade the consciousness of her unsuspecting victims. She would, at times, summon Lucifer himself in the midst of all of this to directly maximize her channeling efforts.      

Moleosophy and Wartology  
Rosalia had mastery of the arcane art of Moleosophy and Wartology, whereby she could divine the temperament of people and surrounding future events by spiritually sensing and reading the moles and warts on men and women in a stream of consciousness. Beyond this divining and sensing aspect, this power was also amply reflected in the use of her Black Wart and the use of its bile liquid contents to inflict irreparable harm on her victims and engender absolute fear.

Witch’s Broom  
Rosalia had a Witch’s Broom, serving as her primary mode of transportation for traversing the Harz and for frightening and wreaking utter havoc on her unsuspecting victims.

Black Hen’s Blood
Rosalia used a Black Hen’s Blood gruesomely obtained by beating a black hen to death, and then smearing a small portion of the blood on her human victim or the victim’s clothing— in effect, to transfer the agony of the hen’s death to her intended victim. 

Magic Wand
The Magic Wand made of hazel is another invaluable weapon used by Rosalia as an instrument of indomitable evil force and power as personified in its likeness as a phallic symbol.  Rosalia’s mastery of her Magic Wand enabled her to instinctively react in casting black magic spells on her victims and conjuring an aura of evil spirits to plague and ultimately destroy her victims’ families.

Black Potions
Rosalia brewed alchemic poisonous potions to a horrifying hideous effect,
using them to startle, stun and paralyze her victims with unending fear
while unmercifully taunting and tormenting them with equal evil effect,
and using Witchcraft to destroy once innocent souls and harvest fear.
Rosalia employed her alchemic masterpieces to great effect in gaining control of her victims’ will or desire to resist her evil intentions. Rosalia sometimes used her Black Potions to immediately subdue and poison to death victims who had insulted her and driven her anger to an insatiable lust and frenzy.

Witch’s Dagger   
Rosalia’s Athamé was her special coal-black-colored ceremonial dagger, of course, with a double-edged blade, but in her instance totally black to include the actual blade itself, with the sign of the Pentagram firmly engrained into the dagger’s handle. This was Rosalia’s magical dagger, her tool which she used for ritual black mass ceremonies and to direct psychic energy and to even exact both torture and murder—beyond the normal expected use of such a dagger in a witchcraft ceremony.  

Black Cat   
Whereas a vampire has the power to command his or her “Children of the Night,” and to take the form of a wolf or a bat, similarly, Rosalia could transmute her human form and soul appearance into that of a Black Cat, or on occasion, into that of a White Cat to better mask her nefarious activities and evil intentions.

Black Witches’ Sabbath
Given her power and authority from the Dark One (or Satan himself), Rosalia was so anointed to conduct a Black Witches’ Sabbath two times a year:  April 30th on the Great Sabbath of Walpurgis Nacht and October 31st with Halloween (All Hallows’ Eve). These were the events during which Rosalia summoned the “Goat of Mendes” by which Satan would appear in physical form as a goat or a ram. Rosalia used these special witch coven gatherings on Walpurgis Nacht and Halloween as defining events by which she would give over the souls of her trusted disciples to Satan. She would also recommit her blasphemous Faustian eternal allegiance to the Dark One made over centuries before when she existed in other evil reincarnated soul being forms before becoming Rosalia.

Black Mass 
Intoning, in a shrill repetitive manner six times:  Rosalia recited the Satanist Prayer (Our Father, which wert in Heaven . . .) during monthly Black Mass celebrations and the Black Witches’ Sabbath with her Coven. Rosalia used the transformative power of these events to further energize her disciples and to call directly on Satan to inform him of her evil activities and seek his continued influence and support for her acts of terror, torture, and debauchery—all in his name. Tragically, all of Rosalia’s disciples were lost souls and faced eternal damnation because of their continued association with her.  At the end of the Black Mass rituals all of Rosalia’s disciples were left in a state of unfettered “Humicubation,” whereby they lay on the ground in a state of submission and penitence to her for ever having worshipped the Lord God.

End of Part Two

Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)

Copyright © Gary Bateman

Long poem by Gary Bateman | Details |

Rosalia - The Evil Black Witch of the Harz, Part Five

Rosalia - The Evil Black Witch of the Harz, Part Five

The Monseigneur knew that they must be successful in this venture as the “Lord’s Madmen” or face the very real possibility of eternal damnation, if they should fail. They had no choice but to risk all in this endeavor. To do nothing and to retreat back to the safe confines of the monastery would consign innocent men, women, and children to a fate worse than death itself—they would be in the hands of the Devil forever.  

God’s Reckoning and Vengeance and the Planned Destruction of Rosalia
Arriving at the village below the Brocken by the early hours on Friday morning, October 30th, the Monseigneur and his priests met with Aurelia and her parents in a chamber room near the alter of the local village church under a marble cast visage of Jesus Christ himself.

They had the rest of the day on Friday and a partial day Saturday, October 31st until 6:00 pm to ready themselves for an all-out assault on Rosalia’s Coven in a deep cave located some 100 meters down from the Brocken summit. Being able to actually find Rosalia’s cave in time was a momentous task unto itself—and might even require divine intervention. Rosalia would quite assuredly conceal and mask its entrance to the uttermost.  

The risk of discovery of their planning efforts by Rosalia and her Coven was now greater than ever.

It was now time for Aurelia to invoke her direct prayer to the Lord,
to seek His blessing and His protection for everyone involved in supporting
the Monseigneur’s efforts in discovering the location of Rosalia’s Coven,
and for ensuring the triumph of the power of light and goodness. 

Aurelia kneeling before the church altar began her prayer to the Lord:

To our Almighty and Most Merciful Lord God, in the name of the Father, the Son, and the Holy Ghost . . . 
It is with the greatest of humility and respect that we beseech thy support
in confronting and destroying the Black Witch Rosalia and her Hell Spawn
Minions who serve thy fallen angel known as “Lucifer.”

Oh Lord please hear us in this hour of maximum danger, as the very lives and the very souls of many innocent people are at stake in this great  struggle between good and evil which has been with mankind since Adam and Eve walked the face of the Earth.

We are, Oh Lord, very aware of the immense burdens you carry in the Universe and that mankind is only one of your many divine creations.  
Mankind, after all, was created in thine image. An enormous challenge awaits us from the forces of darkness and pure evil here on Earth in the Harz.  In the name of Jesus Christ—your only son, we earnestly pray for your divine intervention and timely guidance as we must soon confront Rosalia and her minions of evil who worship only Lucifer and the world of darkness at his command.

We thank you for listening to our prayer of urgent need Most Merciful Lord God.  Although our group of church followers will soon be walking through the shadow of night and the valley of death itself, we know that Thou Shall Be With Us, and will give us thine power and strength in overcoming and destroying the forces of evil and darkness.  

AMEN . . . AMEN . . . AMEN, in the name of the Father, the Son, and the Holy Ghost.

Aurelia’s Prayer to God is Answered
At the conclusion of Aurelia’s prayer, Monseigneur Hardenberg and his group of priests met with some trusted local villagers who knew the landscape around the Brocken summit very well. Aurelia had asked to be part of the Monseigneur’s group. Although a young girl, she was a very special young girl, and given the circumstances in spite of the risks the group needed all the help it could find. Aurelia’s help was invaluable. 

The key action was to get the search process underway soonest to find an aperture in and around the Brocken that might yield the entrance to Rosalia’s lair. It was already late Friday morning and the search must commence immediately after the Monseigneur and his party had a chance to rest awhile, for by 6:00 pm on Saturday, the powers of darkness would begin gathering and massing an unconscionable strength and fury as the six-hour countdown to the Black Witches’ Sabbath ceremony would be underway.

Next, by Friday afternoon the Monseigneur and his party journeyed to the vicinity of the Brocken summit and began their concerted search for Rosalia’s cave.

Searching well into the night and into the wee hours of the morning on October 31st—to no avail—the mounting frustration and the growing sense of expectation among the group was both palpable and undeniable. By around 5:30 pm, the search turned into a scene of utter desperation. There was very good chance that they might not find the hidden entrance to Rosalia’s lair in time to disrupt the Black Witches’ Sabbath ceremony. Aurelia could sense the closeness of Rosalia, but even she was helpless to precisely pinpoint the location of the cave.

Aurelia knew instinctively that she had to act. Finding Monseigneur Hardenberg she told him that another prayer to the Almighty Lord God might improve their chances of finding the cave in time to act. And almost instantaneous to their brief discussion, a very large bright light suddenly illuminated itself on the immediate horizon in the deep forested area. As dusk was falling, this radiance of this bright heavenly light was at once as telling as it was compelling. Aurelia knew at that instant mirabile visu that her prayer to God had been answered and that divine intervention was truly at hand.    

End of Part Five

Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)

Copyright © Gary Bateman

Long poem by Allyssa Pate | Details |

My Hell

I fall down
deeper and deeper
into oblivion
only darkness.
the sounds of evil
dripping into my ears
slithering farther
and sliding down into me
filling me with echoes.
terror courses through
my veins
into each cell
turning them against
they are no longer mine
they follow another
a stronger being.
icy breezes come
they whisper to me
they say I'm bad
they call me to them
the breezes dance
hug me
covering me
hiding me from the light
shielding me from hope.
falling deeper
only down
my eyes are taunted
I see people
the ones I know
they are hurt
by me
I have betrayed them
left them
I am hurting them
it is me
but I can't stop.
my mind is plagued
new thoughts
 every second
comes a new terror
a cruel joke
all a prank.
only deeper do I fall
light is disappearing
becoming dimmer
fading fast.
all a game
for one person
the puppeteer
the ringmaster
the man in the
the one who is running the show
the show that is me.
he sees me falling
he laughs
I can't see him
but he is there
teasing my brain
taunting my senses
he hates me
he wants to hurt me.
he throws it
the knife
I feel the pain
running up my leg
showing my bones
releasing my blood
it is blue
my blood is cold
it splatters my face
sprinkling my features
dotting them with blue
the blue liquid drips
jumping onto my tongue
I taste dirt
my blood is dirt
blue is all I see
blue is all I become
I am blue
blue is me.
a distant shout
who is it?
a cry for help
the sound is mangled
the sound is mine
I shut my mouth
but I still hear it
chilling my blue blood
ringing in my ears
shaking my breathing
jump-starting my heart
then it's over
the scream has ceased
and silence returns
sounding more deadly than ever before.
still falling
only black do I see
the evil
the monsters' playground
the demons' joyride
and someone is hungry
it wants me
my innocence
my purity
it wants to take it
it feeds on people
people like me.
objects hitting me
ghosts' fingers prodding me
as I fall
I fall down
down into this never-ending hole
this abyss
for eternity
yet full
filled with misery
my worst fears
come back
how did he know?
he knows I'm afraid
the darkness
doesn't help me see
I can't see why
how does he do this?
they cut me again
spilling my blood
oh, the blue
I don't even feel it
I am numb
the sound of me
my skin
being sliced
a quick slashing
and they are done
I am cut
my legs
my arms
my stomach
my face
my neck
I can't see my blood
but I can see how evil it must look.
the thoughts that fell
fell down with me
they too
are damned
they talk to me
they tell me what they see
they can see
yes blue
my cold blood
it is everywhere
I am pale
I look sick they say
oh, no
they say
oh, no
they see the bottom
be ready
they say
be ready.
I fall faster still
slowing for nothing
for no one
being pulled down
the puppeteer has me
he's got my string
and he's pulling
with no sign of letting go.
now I hear a song
they all sing it
the notes are cruel
they bump into the others
struggling to be heard
with no set order
it is musical chaos
he yells to me
it is beautiful
and he sings along to his song
it's made for me
musical notes are played
they come up to me
they greet me
they jump
right into my cuts
surging into my blood
they search inside me
no mercy
moving faster
the drum
keeping them steady
pounds faster
picking up tempo
they found it
they found
my heart
my soul
the music does the talking
it says to hush
hush now
slow down
my heart listens
and I get sleepy
just stop
they say
just stop
the music is evil
played by the man
the man in the mask
my brains sends
a message
one final request
it says to my heart
speed up
it says
speed up, can't you see?
she is dying
it says
you must speed up!
I still fall
with no way up
letting go of hope
why dream?
dreaming of being saved
when I already know
I'll only be dropped.
I smell
something burnt
oh, no
I know what
that smell
it is flesh
not mine
but belongs to someone else
someone close
they too
they smell of dirt
sinners burning
they are nothing to me
they are the stench
in my nose
nothing more
the smell overcomes all
all the other senses
until it becomes me
and I burn too.
even in the dark
the black
I see something
blacker than black
they are shadows
they mock me
they play
they sing
they dance
they laugh
I fill with evil
a longing to hurt
hurt the ones behind it all
without warning
I hear him
my pain
is his pleasure
oh so dark
it's over
I'm at the bottom
laying on the cold ground
in a small ball
too weak to stand
in a pool
of dark blue blood
I hold myself tight
I can't trust
these creatures
these beasts.
he likes my weakness
he tells me I am small
I am ugly
I am worthless
I am nothing
he laughs when I cry
I thought that
just maybe
it would be better
down here
instead of up there.
it's not.
hell is not a game.
death is not an
easy way out.
do not try to visit me.
do not try to rescue me.
for I am more lost
than I hope you will
ever be.
now that I am
at my fate
at the entrance to hell
at the bottom of this grave
of my eternity
and if I am truly
here forever,
I'll have plenty of time
to ask myself
why did I jump?

Copyright © Allyssa Pate

Long poem by jack oritx | Details |


Stop right there my friend! 
For there’s no place in where you can run and hide  
So stop and listen  
Listen to the voices warning you to go back 
Screaming out to beware of the horror that flows through this young child’s mind  
Opps too late! 
You just had to do it  
Didn’t you  
You just had to enter into the darkness of this fallen soul 
Well don’t just stand there come closer since its to late 
To turn back now 
Okay then welcome to the horrors of this poetic mind 
For in here you’ll hear and feel what’s like to be me 
For you’re in my world now and its not a pretty site 
So where do you like to begin 
Oh I know 
Why don’t we go and see what my heart is up to 
Shall we  
Heart: this is umm oh I’m sorry but you never told me what’s your name is 
Oh well it doesn’t matter 
Heart, do you mind telling my new friend here how you continue to beat inside of this old wrap body of ours  
My pleasure I may beat but what I really want to do is 
Explode from all the voices that whisper to my soul 
Late at night 
Thanks heart and speaking of our soul 
Let’s go see what she’s up to okay  
Oh come on don’t try to run away now 
I tried to warn you before but you didn’t want to listen 
You had dare to challenge the demons that rule over 
My heart, mind and soul 
So let’s just move on  
Hello Ms. Soul, I’d like for you to meet- 
Damn I really must learn your name anyway 
Would you mind telling my friend here 
How you continue to live and breathe through all of this everlasting pain  
Am I breathing?  
For day after day it feels like I’m suffocating from  
All this torment pain that flows through this child’s body 
For if you’d take a closer look inside of this old soul 
Of mines you’d see that I’m slowly dying from the inside out 
For maybe there’s a God above who’ll hopefully 
One day will forgive this child of mines 
Maybe the devil below who can hardly wait to get 
His ferly hooks inside this soul  
For if we aren’t allow to enter in neither one then  
Please I’m begging you please let me go and allow 
Us to burn in eternal peace  
Even I’m lost for words let’s just move on before 
You start whining again 
So just sit back and relax as I introduce you 
To the most horrifying part of our tour 
The disturbing words of this child’s poetic mind  
Well thank you for that lovely intro and let me say  
How brave your young friend is for coming this far 
Frankly I never thought you’d make it  
Any way I know that I’m just blabbing for I know 
How you must feel I bet you’re just dying for me 
To just shut the hell up so you could get the hell 
Out of here 
Am I right? 
Of course I am so let me get to the point then you’ll be free 
 To go 
We come into this world without any guardian angels 
To show us how our life is going to be 
For I’m just a young child whose soul’s more than happy 
To welcome the bright lights of an icy hell that fills 
My heart  
And before you open your mouth to interrupt  
Let me save you the trouble since I know what your  
Going to say 
You’re going to say 
That these feelings will not last forever if I just have a  
Little faith 
Well let me tell you that forever has been here and gone 
My friend 
And to this very day this child is yet to believe that her day of faith will ever come 
For I’ve shown you all of my soul’s silence 
I’ve told you all of my heart’s torments 
But most important I’ve shown you the real me 
Not the happy outgoing person that I always  
Pretend to be 
For don’t you think that I’d love to forget how I’ve  
Been raped of all my innocence, faith and trust 
And have them replace with numbness, shame and pain 
But I can’t blame you for the sins of this child’s past 
That would be useless since I could never be the person 
That so many of you wish for me to be 
So that completes the ending of this tour 
How did you like it 
Aww it left you pretty speechless huh 
I had a feeling that it’d well don’t just stand there 
With that stupid look on your face go get the hell out here 
That’s it just turn around and walk away 
Oh one more thing before you go I never did get your name 
Well it was very nice to finally met you God 
Now please get the hell out of here before you get trapped 
Within the walls of this wicked disturbed mind 
Oh hey wait! 
Could I just ask you for one small favor before you go 
I can  
Hey thanks 
Okay umm now bear with me cause this ain’t easy for me 
To ask 
But okay I really never learned how and nobody ever took  
The time to teach me and it’d mean so much 
To me if you’d open your heart just for a second and say 
 A prayer for me then maybe in that same split second I’d learn how to undo all the pain that ever been 
For one day if you shall remember me 
Remember what you’ve learn here today I want you to look down from that holy thorn of yours that you call heaven 
But I warn you, your eyes will burn from all the flames 
But don’t be sad 
For just as so many have forsaken you I’ve chosen to forsaken you 
Since the day I was born 
And yes, I’ll burn and forever vanish in a blink of an eye 
You dare to ask well since the day you’ve placed me  
In a place named hell to live 
And love don’t you think its only natural that I would want to die here too 
Just think about it 
Copyright © belong to jack 2006 

Copyright © jack oritx

Long poem by Brian Johnston | Details |

The Troll

‘An interesting guy I think,’
People might say on meeting you for the first time,
Oh yes, I’ve come to know you too well.
Thank God for the Internet,
Although there are bodies in your wake,
And stench follows you like a garbage scow
There is protection for many in distance from,
In the miles of wire, the waves of wireless
Communication, and so like a deer
Caught in the headlight of your amazing ego,
[Fashioned by the fires of Hell (like Gollum’s ring)
And as empty as the devil’s soul],
They stand frozen for a moment,
Throwing it off finally, the vision of their own death
Shaking their heads in wonder, ‘What just happened?’

It’s like the first lesson your mother tries to teach,
‘Be careful who you choose as a friend,’
A cautionary tale for adults too.
‘Fire does burn’ even when you reach adulthood,
All that sparkles is not gold, my friend,
And a ‘nom de plume’ like Talvia Sprinkles,
Just one more bush the troll hides in.
Sometimes that strange feeling that you have
Is actually another human? being? peeing on your soul
The golden shower they offer, however,
Does not assuage your guilt (which is real, so what?)
You’ve just been sold a bill of goods,
Dr. Killdeers Magic Elixir, a not so benign fixer.

If you have been in this dark place of the soul
And saved by Satan not in fact being God,
Then rejoice my friend in God’s provision
In youth or childhood, you did something good?
Do more, bear witness of your weakness to others,
Not to mortify your own flesh (God knows you’re sorry)
But so that those with ears to hear (also God’s gift)
Perchance will themselves not feel so alone.
Remember that half-truths strung together like pearls
Are still sh**, if you’ll pardon the expression.
‘If it sounds to good to be true it isn’t,’
Remember only God knows your soul,
Satan is just a very experienced guesser
And revels in our penchant to deny our own sin.
His wisdom does not serve the greater good.
Do not look for truth among the cold stones
Of the temple that once stood at Delphi either,
Or trust any oracle that does not bend his knee
To the living God, the creator of us all.
It is your life, it is your responsibility,
Don’t parrot Cesar’s surprised last words
As a ‘friend’ slipped his knife into Cesar’s heart,
‘Et tu, Brute?’ You have been warned!

Brian Johnston
September 26, 2014

Poet’s Notes:
The Troll now joins what I am calling ‘My Ring Trilogy’ and completes this cycle very well I think, though I had no idea I was writing a trilogy when I started it many months ago. ‘God is Great!’ Hope that you find it interesting too! All three poems while not written to attack Merov Tachgovirian specifically, do in my humble opinion describe him all most perfectly by accident as it were. Perhaps because he uses my verse as a sick goal for his own life, lacking the imagination to come up with his own game plan for a truely evil life.

On there is a poorly implemented rating system that if allowed by each individual poet, allows visitors to the poet's site to rate each poem from 1 - 10. Used in its intended manner, this allows visitors to my site for example, to easily see which of my 200+ poems have been the most popular so far. This can be a nice tool for a visitor when he/she comes to my site for the first time. I use it myself quite frequently in this way, not really a gauge of true quality but at least a crude measure of popularity. What Merov and his like are doing are doing on PoemHunter is to, without regard for the poem at all, to give the poem MULTIPLE VOTES of 1.0 which can bring the 'average rating' of a poem that has been given 4 votes of 10.0 for example whose average rating should in fact be 10.0 down considerably. I had one poem like this that Merov gave 8 votes of 1.0 to (in a 24 hour period). So doing the math, 40 normal points + 8 Merov points equals 48 points in total. You divide that by th number of votes cast 12 votes and now the poems average rating is 4.0 and not a perfect 10.0 that it should be. Merov can do this because he joins a site with multiple false identities and then uses these membership votes as a base from which to launch attacks on others.

A note in passing to honor the 'Walking Dead' among us (Hi Merov):

Well apparently PH has banished you from it’s halls and once again because of your amazing ego (your greatest weakness and most devastating weapon), and, of course, the pornographic language you use to comment on other's poems. If you have not been attacked by people like him, count yourself lucky. If you do not care about the pain that he brings to others by this behavior, then count yourself his victim already. ‘Talvia Sprinkles’ and  ‘Jimmy Tuhans’ (nom de plumes he used recently on PH) may be history, but Merov certainly is not. There are an infinite number of internet ‘nom de plumes’ for him to hide behind, more sites will be attacked, more sites and feelings damaged by his misinformation and scurrilous comments. Do not dream that evil is not real. Good men may lay down their arms, even admit defeat, admit that they were wrong. Evil never does. The suffering of others is its only goal.

Copyright © Brian Johnston

Long poem by Joel Lee | Details |


A Dark Identity

Days into nights... time without time
Normalities of everyday life beckons to remain
Shadows with lights.... to find to define
I am he who goes by without a name

The world is only up to date
And I’ve decided no more to follow
Bearing time to finally relate
Yet a self I’m to find to wallow

He who walks without an identity... walks alone
And he who walks alone needs be proud
Yet walking forever without finding a home
Have I that heaven beyond the clouds?

I cannot see either far or near
I cannot be to be neither nor
I’m listening... I cannot hear
I’m at peace... I’m at war

I did not know... am I suppose to?
I know I’m alive... is that enough?
Yet, rather not to know than knew
For knowledge shall never last

A mystery if not yet to be
That one mysterious hope to be searching for
I have dreams but what did I see?
I have no one... not one I can call

A darken need shall heed not words
For the dark shall rise as light
The fade will be a promise to be heard
For shadows are without night

And I started to listen distractedly
Hearing for what my eyes cannot see
A hallucinatory moment ever constantly
As I began to believe that of what cannot be

The instant my eyes close
My mind drew as suppose
Sketching a stand alone amid a world once seen
Of ranging fires to have had believed as a dream
And there I was... a lone figure enveloped in darkness
With crossing flames alight yet from a distance as useless
Left as I was before... I am to return as I am
Reliving once more this beginning with never the end
Thus did I continue my path away from the bloodshed
Carefully as one had hoped where a darker darkness be led
No more do I wonder what transported me here
To only know for certain I am riddled of constant fear

“Fear is a fire
To temper courage and resolve
Be it desire
To quench the thirst for one’s unfounded lost”

And there it was... words barely a whisper
Where it came from... no longer matters
For the intended vigor were already cast upon
Serving me with renewed purpose for a sense to belong
Before long, beyond doubts... my callings were clear
The source from where it first began was indeed here
Almost startled, I looked around knowing I’m blinded to see
Too dark as it was, had it not been a lighted green to be
And there it was... a single light beyond the almighty dark
That one greenish light to aid one’s lonesome heart
Rather peculiar for I haven’t notice it before
And naturally I am to walk towards the green grandeur
Flickering and wavy as I drew closer to my destination
Seeing finally for what appears to be the least of expectations
Astonishingly, it was a lantern where within was the sighted fire
And simply the fiery green alone ignites ever on in dire
Levitated in midair, it stands rigid with its haunting presence
With an aura more deserving then welcoming of essence
So mesmerized I was... I wanted to behold
That of warmth for perhaps deliverance from cold
A dare if not, if only, if I must
A flame to embrace, a curiosity to engulf
And surely... I lifted my hand with only a wanting touch
Surely but unknowingly... the flame itself is to parch
Sparkles of green eludes and transcends about
As well an aria, an ancient tune goes aloud
To only see to believe, perhaps my life to perceive
Yet the question being... what did I achieve?
Smoke arises... wavering, quivering, settling...
My time... misgiving, misguiding and misleading
And there he was... rather it be
A human?... isn’t to be I see

“A dark wanderer, perhaps a lone wanderer alone
Regardless... a stranger afar returning home
Have you the teachings bequeath upon you?
From a once being of a knight who knew
For he alone stands unnerve by another
Serving a purpose to hold true forever
The resemblance I see forth leaves me incertitude
Both as mortals... though only he remains in servitude
Yet... my appointment upon you is clear
I am to you drawn as you to me when you hear
Nevertheless, far too long were you of absence
And once more I am in honor to be in your presence
It never is clear what the heavens contrive
For this unsung war... humanities were birth to strive
Every one mortal given birth were forged for war
To ensure the survival of humanities and of peace to befall
For many years this bloodshed wages in dire
Almost as certainly, the spirits of men responsively tire
No more are there ideas nor hopes they are to see
Battling on for pure survival remains what leads them be
Your return however, will perhaps set the tides in our favor
Though I know not the intention, I do not disregard altogether
Do not let the reasons why you have returned cloud your mind
I ask of you rather to remember who you once were to define
The land of The Ancients is never a quest for truth to seek
Purely for good to triumph over evil is the only idea you will need
Prepare yourself well stranger, for good will always be in disguise
Treachery and deception as often will never in itself be a lie
The unforgiving way is still a long one I’m afraid
However well is Heaven to plan... evil as always will await
And until out time will once more cross between us
I assure you... your time in this world will outlast”

Copyright © Joel Lee

Long poem by Gary Bateman | Details |

Rosalia - The Evil Black Witch of the Harz, Part Three

Rosalia - The Evil Black Witch of the Harz, Part Three

Vespers’ Prayer Preparation for Black Mass
In preparation for the ritual Black Mass at midnight, Rosalia recites the following prayer incantation which must be rendered latest at 6:00 pm on the eve of the Black Mass. This is a six-hour process that lasts until midnight when the actual Black Mass ceremony formally commences. The Vespers’ Prayer incantation by Rosalia reads as follows:

We Pray In The Name of Our Father Lucifer, 
Which wert in Heaven:

Boil, Boil plague-ridden rats and toads in oil,
With a pair of gleaming snake eyes too.
Mix in fresh hen’s blood and a rabbit’s paw,
With a touch of horse dung and a lizard’s tail too.
Add six cups of Vitriol and a tablespoon of Goldwater.
Stew, Stew this Stygian alchemic brew for ne’r six hours
During Vespers for Our Midnight Black Mass on All Hallows’ Eve.
Serve this unholy sustenance to Our Coven at midnight,
As we pray in Great Lucifer’s name for his guidance
In defeating Jehovah’s forces of good and light.
We do this in the name of Great Lucifer—The Dark One.
We seek Blackness, Darkness, Degradation, and Negation—
As Our Coven has the power of His Power as granted
By His Unholiness when the full moon’s shadow
Crosses the face of the Earth. 

Rosalia’s Sacrilegious Activities and Mask of Deception
Rosalia was very self-aware of her bewitching and beguiling activities,
and her seasoned ancient command of the instruments of evil and debauchery, whether by plan or at will, to execute her nefast activities against all who were innocent and unsuspecting. Her negative actions left an indelible stain and a wicked scar of evil on the spiritual psyche of all of her victims.   

Rosalia was also vividly aware of the Church’s knowledge of witchcraft and sorcery, as written, codified and passed down by two Catholic inquisitors in the Malleus Maleficarum published in 1486. The power of her profane instruments of witchcraft found many of their original associational relationships with certain sacraments and church procedures, but were later corrupted and brought to the dark side to aid the Devil’s work. What was once good, could become instantly impious, if the witches focused their negative efforts and pagan power on corrupting and harming mankind.   

And so, Rosalia understood and appreciated the power and the knowledge
of the Catholic Church concerning matters of witchcraft and the witches’ devotion to evil.  The Church was not unaware of Rosalia’s evil activities, 
but they were confined presently to a local area and were not of a larger regional nature—at least for the time being.

With this in mind and being so informed of the Church, and with the power and influence of the Dark One, Rosalia continued her ruthless, evil crimes
and her heartless, blasphemous activities during periodic nocturnal visits 
in bucolic villages in the Harz countryside.

It was during these so-called “evening activities” that Rosalia’s dark-side mask, that is, her true witch’s countenance shone through and presented her ghastly Gorgon-grimaced face to her chosen victims—men, women, children—with no quarter given. This was Rosalia’s true self, her “evening mask,” but yet her true self.

Yet while during the day, as part of a masterful chameleon-like deception,
Rosalia would appear to unsuspecting people in her “daytime mask”
as a beautiful and charming blonde-haired, blue-eyed lady of young adult age, with a kind and genial spirit who worked in a local Inn in a village close to the Brocken. This was Rosalia’s perfect cover for plotting and conducting 
her wicked and unholy activities.

Rosalia naturally commanded the insatiable power of the black arts
which allowed her to maintain her “normal appearance” for as long as she chose—and yet, she could summon her real dark appearance on a moment’s notice, but preferred the night when her dark-side powers were at their greatest pitch, whereby she could command whatever hell-spawned demons or earthly elements she needed to help and support her evil intentions and deeds.

With the daily reality of this “perfect deception,” Rosalia, with her coven of disciples, could strike with impunity throughout the numerous villages in the Harz countryside, consummating their evil intentions and horrible deeds 
in the name of God’s fallen angel.

Rosalia’s goal was to deceive, corrupt and destroy the eternal souls of as many men, women, and children as possible, while ensuring the maturation and permanence of her power, and the unholy glorification of her master—Lucifer.

Who could ever imagine that a young beautiful blonde lady who innocently worked in a local village Inn could be one of vilest black spirits in the history of witchcraft?

Could Rosalia and her hell-spawned soulless minions be stopped and brought to justice for their terrible actions and deeds?  

Who would dare challenge Rosalia’s power and the evil she sought to inflict on mankind?

End of Part Three

Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)

Copyright © Gary Bateman

Long Poems