Vasava - An Untold Story 12/Many

Vasava – An untold story 12/Many After her melodious first song of the day, Vasava left the stage to prepare herself, for the most awaited First dance of the day, for which she took the theme of, Radha’s separation from her beloved Krishna,* Enfolding the depths and beauty of Radha’s love, which came out So impressively and intensely, when tears started rolling from Vasava’s eyes Her eyes were shining, like the eyes of an alert deer Expressing the sadness, with the rolling of tears, resembling Radha’s* heart agonies and love for her beloved Krishna* Which she was portraying before the audience Who felt for a moment, as if Radha* actually herself was there, Adding more cuteness to her charming face, She was recollecting, how Krishna’s flute had brought her so close to him How listening the melodies of Krishna’s flute, Every one in Gokul* became enchanted, to keep on listening his flute Spectators were now feeling, as if Radha* herself was moving on the stage Vasava slowly increased, the speed of her dancing steps While keeping her face expressions, in tune with her speed Her body organs too were moving, with her flitting steps, while tuning Everything with the Cham Cham* of her Payal’s* Noopur*, which were Pouring honey in everyone’s ears and squeezing their hearts towards her Ravindra continue in 13/Many Kanpur India 31st March 2010 * Krishna Krishna is one of the most popular deities in Hinduism. The play of Krishna and the Gopis is regarded in Hinduism as an image of the soul's relationship with God. *Gopis In the story Krishana spends much of his youth in the company of young cow-herd girls, called Gopis in the village of Vrindavan. Gopi is a Hindi word used for the childhood female friends of Krishna. * Radha* Radha was a Gopi, who is Krishna's supreme beloved with Krishna*, Radha is acknowledged as the Supreme Goddess, for it is said that she controls Krishna with Her love. It is believed that Krishna enchants the world, but Radha enchants even Him. * Alap The alap is a totally rhythmless style based upon a free elaboration upon the rag. It is usually the introductory section. The alap may vary in length from a few seconds to over an hour. *Gokul Krishna’s childhood place