Philip Larkin Short Poems
Famous Short Philip Larkin Poems. Short poetry by famous poet Philip Larkin. A collection of the all-time best Philip Larkin short poems
by
Philip Larkin
A stationary sense.
.
.
as, I suppose,
I shall have, till my single body grows
Inaccurate, tired;
Then I shall start to feel the backward pull
Take over, sickening and masterful -
Some say, desired.
And this must be the prime of life.
.
.
I blink,
As if at pain; for it is pain, to think
This pantomime
Of compensating act and counter-act
Defeat and counterfeit, makes up, in fact
My ablest time.
by
Philip Larkin
Cut grass lies frail:
Brief is the breath
Mown stalks exhale.
Long, long the death
It dies in the white hours
Of young-leafed June
With chestnut flowers,
With hedges snowlike strewn,
White lilac bowed,
Lost lanes of Queen Anne's lace,
And that high-builded cloud
Moving at summer's pace.
by
Philip Larkin
The little lives of earth and form,
Of finding food, and keeping warm,
Are not like ours, and yet
A kinship lingers nonetheless:
We hanker for the homeliness
Of den, and hole, and set.
And this identity we feel
- Perhaps not right, perhaps not real -
Will link us constantly;
I see the rock, the clay, the chalk,
The flattened grass, the swaying stalk,
And it is you I see.
by
Philip Larkin
The widest prairies have electric fences,
For though old cattle know they must not stray
Young steers are always scenting purer water
Not here but anywhere.
Beyond the wires
Leads them to blunder up against the wires
Whose muscle-shredding violence gives no quarter.
Young steers become old cattle from that day,
Electric limits to their widest senses.
by
Philip Larkin
New eyes each year
Find old books here,
And new books,too,
Old eyes renew;
So youth and age
Like ink and page
In this house join,
Minting new coin.
by
Philip Larkin
Beyond the dark cartoons
Are darker spaces where
Small cloudy nests of stars
Seem to float on air.
These have no proper names:
Men out alone at night
Never look up at them
For guidance or delight,
For such evasive dust
Can make so little clear:
Much less is known than not,
More far than near.
by
Philip Larkin
They say eyes clear with age,
As dew clarifies air
To sharpen evenings,
As if time put an edge
Round the last shape of things
To show them there;
The many-levelled trees,
The long soft tides of grass
Wrinkling away the gold
Wind-ridden waves- all these,
They say, come back to focus
As we grow old.
by
Philip Larkin
Beyond all this, the wish to be alone:
However the sky grows dark with invitation-cards
However we follow the printed directions of sex
However the family is photographed under the flag-staff -
Beyond all this, the wish to be alone.
Beneath it all, the desire for oblivion runs:
Despite the artful tensions of the calendar,
The life insurance, the tabled fertility rites,
The costly aversion of the eyes away from death -
Beneath it all, the desire for oblivion runs.
by
Philip Larkin
Thinking in terms of one
Is easily done—
One room, one bed, one chair,
One person there,
Makes perfect sense; one set
Of wishes can be met,
One coffin filled.
But counting up to two
Is harder to do;
For one must be denied
Before it's tried.
by
Philip Larkin
Caught in the center of a soundless field
While hot inexplicable hours go by
What trap is this? Where were its teeth concealed?
You seem to ask.
I make a sharp reply,
Then clean my stick.
I'm glad I can't explain
Just in what jaws you were to suppurate:
You may have thought things would come right again
If you could only keep quite still and wait.
by
Philip Larkin
Home is so sad.
It stays as it was left,
Shaped in the comfort of the last to go
As if to win them back.
Instead, bereft
Of anyone to please, it withers so,
Having no heart to put aside the theft.
And turn again to what it started as,
A joyous shot at how things ought to be,
Long fallen wide.
You can see how it was:
Look at the pictures and the cutlery.
The music in the piano stool.
That vase.
by
Philip Larkin
For nations vague as weed,
For nomads among stones,
Small-statured cross-faced tribes
And cobble-close families
In mill-towns on dark mornings
Life is slow dying.
So are their separate ways
Of building, benediction,
Measuring love and money
Ways of slow dying.
The day spent hunting pig
Or holding a garden-party,
Hours giving evidence
Or birth, advance
On death equally slowly.
And saying so to some
Means nothing; others it leaves
Nothing to be said.
by
Philip Larkin
They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.
But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another's throats.
Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don't have any kids yourself.
by
Philip Larkin
The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed.
It had been in the long grass.
I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably.
Burial was no help:
Next morning I got up and it did not.
The first day after a death, the new absence
Is always the same; we should be careful
Of each other, we should be kind
While there is still time.
by
Philip Larkin
If I were called in
To construct a religion
I should make use of water.
Going to church
Would entail a fording
To dry, different clothes;
My liturgy would employ
Images of sousing,
A furious devout drench,
And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.
by
Philip Larkin
Lambs that learn to walk in snow
When their bleating clouds the air
Meet a vast unwelcome, know
Nothing but a sunless glare.
Newly stumbling to and fro
All they find, outside the fold,
Is a wretched width of cold.
As they wait beside the ewe,
Her fleeces wetly caked, there lies
Hidden round them, waiting too,
Earth's immeasureable surprise.
They could not grasp it if they knew,
What so soon will wake and grow
Utterly unlike the snow.
by
Philip Larkin
Suspended lion face
Spilling at the centre
Of an unfurnished sky
How still you stand,
And how unaided
Single stalkless flower
You pour unrecompensed.
The eye sees you
Simplified by distance
Into an origin,
Your petalled head of flames
Continuously exploding.
Heat is the echo of your
Gold.
Coined there among
Lonely horizontals
You exist openly.
Our needs hourly
Climb and return like angels.
Unclosing like a hand,
You give for ever.
by
Philip Larkin
Is it for now or for always,
The world hangs on a stalk?
Is it a trick or a trysting-place,
The woods we have found to walk?
Is it a mirage or miracle,
Your lips that lift at mine:
And the suns like a juggler's juggling-balls,
Are they a sham or a sign?
Shine out, my sudden angel,
Break fear with breast and brow,
I take you now and for always,
For always is always now.
by
Philip Larkin
Obedient daily dress,
You cannot always keep
That unfakable young surface.
You must learn your lines -
Anger, amusement, sleep;
Those few forbidding signs
Of the continuous coarse
Sand-laden wind, time;
You must thicken, work loose
Into an old bag
Carrying a soiled name.
Parch then; be roughened; sag;
And pardon me, that
I Could find, when you were new,
No brash festivity
To wear you at, such as
Clothes are entitled to
Till the fashion changes.
by
Philip Larkin
Words as plain as hen-birds' wings
Do not lie,
Do not over-broider things -
Are too shy.
Thoughts that shuffle round like pence
Through each reign,
Wear down to their simplest sense
Yet remain.
Weeds are not supposed to grow
But by degrees
Some achieve a flower, although
No one sees.
by
Philip Larkin
Since the majority of me
Rejects the majority of you,
Debating ends forwith, and we
Divide.
And sure of what to do
We disinfect new blocks of days
For our majorities to rent
With unshared friends and unwalked ways,
But silence too is eloquent:
A silence of minorities
That, unopposed at last, return
Each night with cancelled promises
They want renewed.
They never learn.
by
Philip Larkin
There is an evening coming in
Across the fields, one never seen before,
That lights no lamps.
Silken it seems at a distance, yet
When it is drawn up over the knees and breast
It brings no comfort.
Where has the tree gone, that locked
Earth to sky? What is under my hands,
That I cannot feel?
What loads my hand down?
by
Philip Larkin
I have started to say
"A quarter of a century"
Or "thirty years back"
About my own life.
It makes me breathless
It's like falling and recovering
In huge gesturing loops
Through an empty sky.
All that's left to happen
Is some deaths (my own included).
Their order, and their manner,
Remain to be learnt.
by
Philip Larkin
This is the first thing
I have understood:
Time is the echo of an axe
Within a wood.
by
Philip Larkin
If hands could free you, heart,
Where would you fly?
Far, beyond every part
Of earth this running sky
Makes desolate? Would you cross
City and hill and sea,
If hands could set you free?
I would not lift the latch;
For I could run
Through fields, pit-valleys, catch
All beauty under the sun--
Still end in loss:
I should find no bent arm, no bed
To rest my head.